Zeitschriftenartikel zum Thema „Songs of Scotland“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-50 Zeitschriftenartikel für die Forschung zum Thema "Songs of Scotland" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Zeitschriftenartikel für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
Millar, Stephen R. „Let the people sing? Irish rebel songs, sectarianism, and Scotland's Offensive Behaviour Act“. Popular Music 35, Nr. 3 (14.09.2016): 297–319. http://dx.doi.org/10.1017/s0261143016000519.
Der volle Inhalt der QuellePapineau, Brandon. „“Hooked on Celebri[ɾ]y”“. Lifespans and Styles 6, Nr. 2 (10.12.2020): 22–31. http://dx.doi.org/10.2218/ls.v6i2.2020.5218.
Der volle Inhalt der QuelleSparling, Heather. „“Music is Language and Language is Music”“. Ethnologies 25, Nr. 2 (13.04.2004): 145–71. http://dx.doi.org/10.7202/008052ar.
Der volle Inhalt der QuelleEdwards, Elizabeth, und Kirsteen McCue. „Making Song Travel: Crosscurrents of Language and Landscape in Welsh and Scottish Song Collections, 1804–1818“. Studies in Romanticism 63, Nr. 2 (Juni 2024): 189–212. http://dx.doi.org/10.1353/srm.2024.a931781.
Der volle Inhalt der QuelleNoden, Shelagh. „Songs of the spirit from Dufftown“. Innes Review 70, Nr. 1 (Mai 2019): 36–54. http://dx.doi.org/10.3366/inr.2019.0201.
Der volle Inhalt der QuelleDunbar, Robert Douglas. „Elegies and Laments in the Nova Scotia Gaelic Song Tradition: Conservatism and Innovation“. Genealogy 6, Nr. 1 (31.12.2021): 3. http://dx.doi.org/10.3390/genealogy6010003.
Der volle Inhalt der QuelleDobrowolska, Anna Maria. „„Tam jest pamiątek ognisko”. Elementy osjaniczne w twórczości Augusta Antoniego Jakubowskiego oraz Maurycego Gosławskiego“. Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 55, Nr. 2 (04.11.2022): 133–49. http://dx.doi.org/10.36770/bp.697.
Der volle Inhalt der QuelleAtkinson, David. „‘This is England’? Sense of Place in English Narrative Ballads“. Victoriographies 3, Nr. 1 (Mai 2013): 1–22. http://dx.doi.org/10.3366/vic.2013.0103.
Der volle Inhalt der QuelleFox, Adam. „‘Little Story Books’ and ‘Small Pamphlets’ in Edinburgh, 1680–1760: The Making of the Scottish Chapbook“. Scottish Historical Review 92, Nr. 2 (Oktober 2013): 207–30. http://dx.doi.org/10.3366/shr.2013.0175.
Der volle Inhalt der QuelleRusnali, Andi Nur Aisyah, und Mujammilatul Halimah. „Self Actualization of MOSMA Participants in Maintaining Cultural Identity in Scotland, United Kingdom“. Palakka : Media and Islamic Communication 5, Nr. 1 (28.06.2024): 26–42. http://dx.doi.org/10.30863/palakka.v5i1.6174.
Der volle Inhalt der QuelleEdwards, Owen Dudley. „PATRICK MACGILL AND THE MAKING OF A HISTORICAL SOURCE: WITH A HANDLIST OF HIS WORKS.“ Innes Review 37, Nr. 2 (Dezember 1986): 73–99. http://dx.doi.org/10.3366/inr.1986.37.2.73.
Der volle Inhalt der QuelleWaiton, Stuart. „Criminalizing songs and symbols in Scottish Football: how anti-sectarian legislation has created a new ‘sectarian’ divide in Scotland“. Soccer & Society 19, Nr. 2 (21.01.2016): 169–84. http://dx.doi.org/10.1080/14660970.2015.1133413.
Der volle Inhalt der QuelleSkoptsova, Olena, und Nataliia Pertsova. „Repertoire Palette of Foreign Folk Choir Groups“. Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 5, Nr. 1 (06.06.2022): 103–10. http://dx.doi.org/10.31866/2616-7581.5.1.2022.258154.
Der volle Inhalt der QuelleMackenzie, Niall. „Review: The Jacobite Relics of Scotland: Being the Songs, Airs, and Legends of the Adherents of the House of Stuart (Second Series)“. Review of English Studies 56, Nr. 226 (01.09.2005): 679–81. http://dx.doi.org/10.1093/res/hgi095.
Der volle Inhalt der QuelleHeather Sparling. „1951 Edinburgh People’s Festival Ceilidh, and: Gaelic Songs of Scotland: Women at Work in the Western Isles (review)“. Journal of American Folklore 122, Nr. 1 (2008): 83–85. http://dx.doi.org/10.1353/jaf.0.0066.
Der volle Inhalt der QuelleBratton, Jacky. „Scotland and the Music Hall, 1850–1914. By Paul Maloney. Studies in Popular Culture. Manchester and New York: Manchester University Press, 2003; pp. 240. $24.95 paper.“ Theatre Survey 46, Nr. 1 (Mai 2005): 147–49. http://dx.doi.org/10.1017/s004055740531009x.
Der volle Inhalt der QuelleDavis, Leith. „“A Piece of History the Most Remarkable & Interesting That Ever Happened in Any Age or Country”: “The Lyon in Mourning” Manuscript of Robert Forbes“. Eighteenth-Century Life 48, Nr. 1 (01.01.2024): 159–82. http://dx.doi.org/10.1215/00982601-10951374.
Der volle Inhalt der QuelleGelbart, Matthew. „ALLAN RAMSAY, THE IDEA OF ‘SCOTTISH MUSIC’ AND THE BEGINNINGS OF ‘NATIONAL MUSIC’ IN EUROPE“. Eighteenth Century Music 9, Nr. 1 (27.01.2012): 81–108. http://dx.doi.org/10.1017/s1478570611000352.
Der volle Inhalt der QuelleLamb, William. „Reeling in the Strathspey: The Origins of Scotland’s National Music“. Scottish Studies 36 (31.12.2013): 66. http://dx.doi.org/10.2218/ss.v36.2706.
Der volle Inhalt der QuelleRoberts, Alasdair. „The Jubilee of Bishop Kyle“. Innes Review 63, Nr. 1 (Mai 2012): 1–29. http://dx.doi.org/10.3366/inr.2012.0029.
Der volle Inhalt der QuelleMunro, Robert. „Adapting Sunset Song: Authorial, Industrial, and National Discourses in the 2015 Film Adaptation of Sunset Song“. International Review of Scottish Studies 49, Nr. 1 (Juni 2024): 18–39. http://dx.doi.org/10.3366/irss.2024.0027.
Der volle Inhalt der QuelleCetrà, Daniel, und Malcolm Harvey. „‘The Song Remains The Same?’ Constitutional Developments in Catalonia and Scotland in 2015“. European Yearbook of Minority Issues Online 14, Nr. 1 (12.09.2017): 155–70. http://dx.doi.org/10.1163/22116117_01401007.
Der volle Inhalt der QuelleDavies, R. R. „Presidential Addres: The Peoples of Britain and Ireland 1100–1400 II Names, Boundaries and Regnal Solidarities“. Transactions of the Royal Historical Society 5 (Dezember 1995): 1–20. http://dx.doi.org/10.1017/s0080440100016157.
Der volle Inhalt der QuelleShoupe, Catherine A. „Music and Song Traditions in Scotland: Springthyme Records“. Journal of American Folklore 104, Nr. 412 (1991): 182. http://dx.doi.org/10.2307/541228.
Der volle Inhalt der QuelleKurajian, Olivia A. „“Fraternally Yours”: The Role of Women in Montreal’s Prominent Scottish Fraternities, 1870s–2000s“. International Journal of Canadian Studies 58 (01.04.2021): 110–22. http://dx.doi.org/10.3138/ijcs.58.x.110.
Der volle Inhalt der QuelleGoodall, Kay, Simon McKerrell, John Markey, Stephen R. Millar und Michael J. Richardson. „Sectarianism in Scotland: A ‘West of Scotland’ Problem, a Patchwork or a Cobweb?“ Scottish Affairs 24, Nr. 3 (August 2015): 288–307. http://dx.doi.org/10.3366/scot.2015.0079.
Der volle Inhalt der QuelleMcCulloch, Margery. „Women, poetry and song in eighteenth-century lowland scotland“. Women's Writing 10, Nr. 3 (01.10.2003): 453–68. http://dx.doi.org/10.1080/09699080300200280.
Der volle Inhalt der QuelleKRZYŻANOWSKA, MONIKA, und C. G. NICHOLAS MASCIE-TAYLOR. „GEOGRAPHICAL VARIATION AND MIGRATION ANALYSIS OF HEIGHT, WEIGHT AND BODY MASS INDEX IN A BRITISH COHORT STUDY“. Journal of Biosocial Science 43, Nr. 6 (28.07.2011): 733–49. http://dx.doi.org/10.1017/s0021932011000381.
Der volle Inhalt der QuelleWilliamson, John. „The kilt is my delight? Popular music on early television from Scotland“. Journal of Popular Television 9, Nr. 1 (01.03.2021): 105–22. http://dx.doi.org/10.1386/jptv_00044_1.
Der volle Inhalt der QuelleMoodie, Crawford. „Student gambling, erroneous cognitions, and awareness of treatment in Scotland“. Journal of Gambling Issues, Nr. 21 (01.06.2008): 30. http://dx.doi.org/10.4309/jgi.2008.21.5.
Der volle Inhalt der QuelleDavis, Leith. „From Fingal's Harp to Flora's Song: Scotland, Music and Romanticism“. Wordsworth Circle 31, Nr. 2 (März 2000): 93–97. http://dx.doi.org/10.1086/twc24044184.
Der volle Inhalt der QuelleGrant, Kevin. „Oran an Fheamnaidh – song of the seaweed gatherer: an archaeology of early 19th-century kelping“. Scottish Archaeological Journal 41, Nr. 1 (März 2019): 63–85. http://dx.doi.org/10.3366/saj.2019.0107.
Der volle Inhalt der QuelleMcKean, Thomas A. „Willie Mathieson and the Primary Audience for Traditional Song“. Tautosakos darbai 55 (25.06.2018): 36–59. http://dx.doi.org/10.51554/td.2018.28498.
Der volle Inhalt der QuelleLyall, Scott. „Minor Modernisms: The Scottish Renaissance and the Translation of German-language Modernism“. Modernist Cultures 14, Nr. 2 (Mai 2019): 213–35. http://dx.doi.org/10.3366/mod.2019.0251.
Der volle Inhalt der QuelleDziennik, Matthew, und Micheal Newton. „Egypt, Empire, and the Gaelic Literary Imagination“. International Review of Scottish Studies 43 (07.03.2019): 1–40. http://dx.doi.org/10.21083/irss.v43i0.3912.
Der volle Inhalt der QuelleLixa Victor Neves, Lucas, und Bruna Aparecida Gomes Coelho. „CULTURA E NACIONALISMO ESCOCÊS: THE CORRIES, DUAS CANÇÕES E SUAS QUESTÕES“. História e Cultura 10, Nr. 2 (03.01.2022): 399–417. http://dx.doi.org/10.18223/hiscult.v10i2.3474.
Der volle Inhalt der QuelleConway, H., und R. T. Hutcheson. „Two Sons of Paisley and the Birth of Academic Pathology in Scotland“. Scottish Medical Journal 46, Nr. 3 (Juni 2001): 89–91. http://dx.doi.org/10.1177/003693300104600309.
Der volle Inhalt der QuelleToussaint, Benjamine. „“To exult and sing out” Stevenson’s Song and the Song of a Divergent Scotland: Ronald Frame’s The Lantern Bearers“. Études écossaises, Nr. 15 (15.04.2012): 11–28. http://dx.doi.org/10.4000/etudesecossaises.523.
Der volle Inhalt der QuelleGukalova, N. V. „The Inglis language and the emergence of the Lowland Scotland literary tradition“. Philology and Culture, Nr. 4 (29.12.2023): 24–30. http://dx.doi.org/10.26907/2782-4756-2023-74-4-24-30.
Der volle Inhalt der QuelleGraham, Michael F. „Conflict and Sacred Space in Reformation-Era Scotland“. Albion 33, Nr. 3 (2001): 371–87. http://dx.doi.org/10.2307/4053196.
Der volle Inhalt der QuelleHodgson, N. „The British Expedition of Septimius Severus“. Britannia 45 (14.02.2014): 31–51. http://dx.doi.org/10.1017/s0068113x1300055x.
Der volle Inhalt der QuelleBawcutt, P. „A Song from the Complaynt of Scotland: 'My Hart is Leiuit on the Land'“. Notes and Queries 49, Nr. 2 (01.06.2002): 193–97. http://dx.doi.org/10.1093/nq/49.2.193.
Der volle Inhalt der QuelleBawcutt, Priscilla. „A Song from the Complaynt of Scotland : ‘My Hart is Leiuit on the Land’“. Notes and Queries 49, Nr. 2 (01.06.2002): 193–97. http://dx.doi.org/10.1093/nq/490193.
Der volle Inhalt der QuelleGroves, David. „‘Scotland's Guid Auld Channel Stane’: A Song by James Hogg“. Notes and Queries 32, Nr. 3 (01.09.1985): 343. http://dx.doi.org/10.1093/notesj/32.3.343.
Der volle Inhalt der QuelleBanks, Iain, Paul R. J. Duffy und Gavin MacGregor. „Archaeology of landscape change in south-west Scotland, 6000 BC–AD 1400“. Scottish Archaeological Internet Reports, Nr. 32 (2008): 1–40. http://dx.doi.org/10.9750/issn.2056-7421.2008.32.1-40.
Der volle Inhalt der QuelleDavis, Joanne. „Family Trees: Roots and Branches – The Dynasty and Legacy of the Reverend Tiyo Soga“. Studies in World Christianity 21, Nr. 1 (April 2015): 20–37. http://dx.doi.org/10.3366/swc.2015.0103.
Der volle Inhalt der QuelleEvans, Josie M. M., David McNaughton, Peter T. Donnan und Thomas M. MacDonald. „Pharmacoepidemiological research at the Medicines Monitoring Unit, Scotland: data protection and confidentiality“. Pharmacoepidemiology and Drug Safety 10, Nr. 7 (29.11.2001): 669–73. http://dx.doi.org/10.1002/pds.644.
Der volle Inhalt der QuelleJenkins, D., und A. Watson. „Dates of first arrival and song of birds during 1974–99 in mid-Deeside, Scotland“. Bird Study 47, Nr. 2 (Juli 2000): 249–51. http://dx.doi.org/10.1080/00063650009461183.
Der volle Inhalt der QuelleCooke, Peter. „Gaelic Songs of Scotland: Women at Work in the Western Isles. 2006. The Alan Lomax Collection. Rounder 11661-1785-2. Recorded by Alan Lomax. Annotated by Margaret Bennett. Collection produced by Anna Lomax Wood and Jeffrey A. Greenberg. 36 pp. of notes in English (including song texts in Gaelic with English translations). 9 b/w photographs. 11-item bibliography. 1 compact disc, 38 tracks (65:33). Original field recordings made in 1951.“ Yearbook for Traditional Music 39 (2007): 199–200. http://dx.doi.org/10.1017/s0740155800006998.
Der volle Inhalt der QuelleNelson, C. „Tea-table miscellanies. The development of Scotland's song culture, 1720-1800“. Early Music 28, Nr. 4 (01.11.2000): 596–618. http://dx.doi.org/10.1093/em/28.4.596.
Der volle Inhalt der Quelle