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Thematische Bibliographien / Songs of Central Australia / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Songs of Central Australia“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 20. Februar 2023

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1

CURRAN, GEORGIA, and CALISTA YEOH. "“That is Why I am Telling this Story”: Musical Analysis as Insight into the Transmission of Knowledge and Performance Practice of a Wapurtarli Song by Warlpiri Women from Yuendumu, Central Australia." Yearbook for Traditional Music 53 (December 2021): 45–70. http://dx.doi.org/10.1017/ytm.2021.4.

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AbstractInsights into the knowledge, performance, and transmission of songs are pivotal in ensuring the survival of traditional Aboriginal songs. We present the first in-depth musical analysis of a Wapurtarli yawulyu song set sung by Warlpiri women from Yuendumu, Central Australia, recorded in December 2006 with a solo lead singer accompanied by a small group. Our musical analysis reveals that there are various interlocking parts of a song, and this can make it difficult for current generations to learn songs. The context of musical endangerment and the musical analyses presented in our study

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2

Carfoot, Gavin. "‘Enough is Enough’: songs and messages about alcohol in remote Central Australia." Popular Music 35, no. 2 (April 14, 2016): 222–30. http://dx.doi.org/10.1017/s0261143016000040.

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AbstractThis article examines some of the ways in which Australia's First Peoples have responded to serious community health concerns about alcohol through the medium of popular music. The writing, performing and recording of popular songs about alcohol provide an important example of community-led responses to health issues, and the effectiveness of music in communicating stories and messages about alcohol has been recognised through various government-funded recording projects. This article describes some of these issues in remote Australian Aboriginal communities, exploring a number of comp

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3

EWART, A. "Two new genera and five new species of Mugadina-like small grass cicadas (Hemiptera: Cicadidae: Cicadettini) from Central and Eastern Australia: comparative morphology, songs, behaviour and distributions." Zootaxa 4413, no. 1 (April 20, 2018): 1. http://dx.doi.org/10.11646/zootaxa.4413.1.1.

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Moulds (2012) established the genus Mugadina for two small cicadas, M. marshalli (Distant) and M. emma (Goding and Froggatt), both grass inhabiting species known from Queensland and New South Wales. Both species are notable for their relatively simple 'ticking' songs. Moulds further noted that there were at least two superficially similar genera of cicadas, but each with different genitalia. This paper describes two new genera of small (9–15 mm body lengths) and distinctive grass cicadas with genitalia that are very similar to those of Mugadina, but possess clear morphological, colour and call

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EWART, A., L. W. POPPLE, and K. B. R. HILL. "Five new species of grass cicadas in the genus Graminitigrina (Hemiptera: Cicadidae: Cicadettinae: Cicadettini) from Queensland and Northern Territory, Australia: comparative morphology, songs, behaviour and distributions." Zootaxa 4228, no. 1 (February 7, 2017): 1. http://dx.doi.org/10.11646/zootaxa.4228.1.1.

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Five new species of small grass cicadas belonging to the genus Graminitigrina Ewart and Marques are described, together with detailed analyses of their calling songs. Four species occur in Queensland, G. aurora n. sp. from eastern central Queensland near Fairbairn Dam; G. flindensis n. sp. from central Queensland between Hughenden northwards for at least 108 km; G. einasleighi n. sp. from near The Lynd, Einasleigh River, northeastern Queensland; G. selwynensis n. sp. from the Selwyn Range, northwestern Queensland, at locations about 40 km east of Mount Isa and 25 km southwest of Cloncurry, thi

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Turpin, Myfany, and Jennifer Green. "Rapikwenty: ‘A loner in the ashes’ and other songs for sleeping." Studia Metrica et Poetica 5, no. 1 (August 5, 2018): 52–79. http://dx.doi.org/10.12697/smp.2018.5.1.03.

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Rapikwenty is a traditional Australian Indigenous set of stories-and-songs from the Utopia region of Central Australia performed by Anmatyerr speaking adults to lull children to sleep. The main protagonist is a boy who is left to play alone in the ashes. Like many lullabies, Rapikwenty is characterised by scary themes, soft dynamics, a limited pitch range and repetition. The story-and-song form is not common in the Australian literature on lullabies, yet such combinations of prose and verse are found in other forms of verbal art of the region (Green 2014). This verbal art style is also well-at

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Keller, Judith. "Songs of the Australian Landscape: The Art and Spirituality of Rosalie Gascoigne." Pacifica: Australasian Theological Studies 20, no. 3 (October 2007): 307–21. http://dx.doi.org/10.1177/1030570x0702000305.

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This article focuses upon the central motifs and symbols of the Australian abstract artist Rosalie Gascoigne (1917-1999) in an attempt to uncover the spirituality in her work, and to connect this with Australian spirituality and with spirituality in the wider Christian tradition. The author proposes such a connection to be the fruit of bringing to bear the religious imagination upon Gascoigne's work, that is, a capacity to attend to the contemplative, creative and sacramental layers in it. Such a capacity invites a response to the artist's work that is ultimately religious. For Australia to be

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EWART, A., and L. W. POPPLE. "New species of Drymopsalta Heath Cicadas (Cicadidae: Cicadettinae: Cicadettini) from Queensland and Northern Territory, Australia, with overview of genus." Zootaxa 3620, no. 1 (March 5, 2013): 1–42. http://dx.doi.org/10.11646/zootaxa.3620.1.1.

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Three new species are described in the genus Drymopsalta Ewart, previously known only from D. crepitum Ewart and D. daemeli Distant. The three new species occur in Southern Queensland and Northern Territory. D. wallumi sp. nov. occurs along coastal S.E. Queensland, whereas D. hobsoni sp. nov. is restricted to the Bringalily State Forest, near Inglewood, southern inland Queensland. D. acrotela sp. nov. is found in the Litchfield National Park and other locations near Jabaluka, Cahills Crossing, E. Alligator River and Nourlangie, all across the northern Northern Territory. D. crepitum occurs on

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8

Roseman, Marina, and Richard M. Moyle. "Alyawarra Music: Songs and Society in a Central Australian Community." Yearbook for Traditional Music 20 (1988): 235. http://dx.doi.org/10.2307/768184.

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9

Lauridsen, Jan, Richard M. Moyle, and Slippery Morton. "Alyawarra Music: Songs and Society in a Central Australian Community." Ethnomusicology 38, no. 1 (1994): 159. http://dx.doi.org/10.2307/852272.

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10

Stubington, Jill. "Alyawarra music: Songs and society in a central australian community." Musicology Australia 10, no. 1 (January 1987): 73–74. http://dx.doi.org/10.1080/08145857.1987.10415182.

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11

Yeoh, Calista, and Myfany Turpin. "An Aboriginal Women’s Song from Arrwek, Central Australia." Musicology Australia 40, no. 2 (July 3, 2018): 101–26. http://dx.doi.org/10.1080/08145857.2018.1550141.

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12

Messner, Gerald Florian, and Richard M. Moyle. "Songs of the Pintupi; Musical Life in a Central Australian Society." Yearbook for Traditional Music 17 (1985): 211. http://dx.doi.org/10.2307/768446.

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13

POPPLE, LINDSAY W., and DAVID L. EMERY. "Five new species of Yoyetta Moulds (Hemiptera: Cicadidae: Cicadettinae) from south-eastern Australia." Zootaxa 5141, no. 5 (May 30, 2022): 401–41. http://dx.doi.org/10.11646/zootaxa.5141.5.1.

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Five new species are described in the genus Yoyetta Moulds, each belonging to the Yoyetta tristrigata (Goding and Froggatt) species group. Yoyetta australicta n. sp. occurs in southern eucalypt woodlands in two separate populations, one extending from the foothills of the Mt Lofty Ranges and southern fringes of Adelaide north to the Flinders Ranges, and the other from Warrumbungle National Park and from Clandulla, near Orange and near Grenfell in New South Wales south to Mt Taylor in the Australian Capital Territory. Yoyetta corindi n. sp. has a restricted, coastal and subcoastal warm temperat

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14

Warren, Victoria E., Rochelle Constantine, Michael Noad, Claire Garrigue, and Ellen C. Garland. "Migratory insights from singing humpback whales recorded around central New Zealand." Royal Society Open Science 7, no. 11 (November 2020): 201084. http://dx.doi.org/10.1098/rsos.201084.

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The migration routes of wide-ranging species can be difficult to study, particularly at sea. In the western South Pacific, migratory routes of humpback whales between breeding and feeding areas are unclear. Male humpback whales sing a population-specific song, which can be used to match singers on migration to a breeding population. To investigate migratory routes and breeding area connections, passive acoustic recorders were deployed in the central New Zealand migratory corridor (2016); recorded humpback whale song was compared to song from the closest breeding populations of East Australia a

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Dussart, Françoise. "Sustaining Indigenous Songs: Contemporary Warlpiri Ceremonial Life in Central Australia. By GeorgiaCurran. New York‐Oxford: Berghahn. 2020. Pp. 206." Oceania 91, no. 1 (March 2021): 128–29. http://dx.doi.org/10.1002/ocea.5291.

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16

Dunbar‐Hall, Peter. "Rock songs as messages: Issues of health and lifestyle in central Australian aboriginal communities." Popular Music and Society 20, no. 2 (June 1996): 43–67. http://dx.doi.org/10.1080/03007769608591622.

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17

Gibson, Jason. "Central Australian Songs: A History and Reinterpretation of their Distribution through the Earliest Recordings." Oceania 85, no. 2 (July 2015): 165–82. http://dx.doi.org/10.1002/ocea.5084.

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18

Curran, Georgia, Linda Barwick, Myfany Turpin, Fiona Walsh, and Mary Laughren. "Central Australian Aboriginal Songs and Biocultural Knowledge: Evidence from Women's Ceremonies Relating to Edible Seeds." Journal of Ethnobiology 39, no. 3 (September 19, 2019): 354. http://dx.doi.org/10.2993/0278-0771-39.3.354.

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19

Contois, Emily J. H. "“He just smiled and gave me a Vegemite sandwich”." Journal of Historical Research in Marketing 8, no. 3 (August 15, 2016): 343–57. http://dx.doi.org/10.1108/jhrm-06-2015-0019.

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Purpose Through a case study of J. Walter Thompson and Kraft’s efforts to market Vegemite in the USA in the late 1960s, this paper aims to explore transnational systems of cultural production and consumption, the US’s changing perception of Australia and the influence of culture on whether advertising fails or succeeds. Design/methodology/approach This paper draws from archival primary sources, including advertisements and newspapers, as well as secondary literatures from the fields of advertising history, food studies and transnational studies of popular culture. Findings Although J. Walter T

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20

Mackinlay, Elizabeth, Johnny Mundrugmundrug, Jacky Riala, and Margaret Clunies Ross. "Australia: Goyulan: The Morning Star. An Aboriginal Clan Song Series from North Central Arnhem Land." Ethnomusicology 39, no. 3 (1995): 515. http://dx.doi.org/10.2307/924641.

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21

Major, Richard E., and Greg Gowing. "Survival of red-capped robins (Petroica goodenovii) in woodland remnants of central western New South Wales, Australia." Wildlife Research 28, no. 6 (2001): 565. http://dx.doi.org/10.1071/wr01040.

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To determine relative survival rates of small birds occupying small, linear strips of woodland compared with large patches of woodland, marked populations of red-capped robins were monitored over a two-year period. In total, 196 male robins were banded with unique colour combinations in 10 woodland remnants and censused by song playback at half-yearly intervals. The Cormack–Jolly–Seber method was used to calculate half-yearly survival probabilities for birds in the two habitat configurations and the strongest model included separate survival parameters for summer (36.2% 5.1) and autumn (88.9%

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22

Bartleet, Brydie-Leigh, Naomi Sunderland, and Gavin Carfoot. "Enhancing intercultural engagement through service learning and music making with Indigenous communities in Australia." Research Studies in Music Education 38, no. 2 (October 6, 2016): 173–91. http://dx.doi.org/10.1177/1321103x16667863.

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This article explores the potential for music making activities such as jamming, song writing, and performance to act as a medium for intercultural connection and relationship building during service learning programs with Indigenous communities in Australia. To set the context, the paper begins with an overview of current international perspectives on service learning and then moves towards a theoretical and practical discussion of how these processes, politics, and learning outcomes arise when intercultural engagement is used in service learning programs. The paper then extends this discussi

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23

Carter, Simon A., Liz Lightstone, Dan Cattran, Allison Tong, Arvind Bagga, Sean J. Barbour, Jonathan Barratt, et al. "A Core Outcome Set for Trials in Glomerular Disease." Clinical Journal of the American Society of Nephrology 17, no. 1 (December 30, 2021): 53–64. http://dx.doi.org/10.2215/cjn.07840621.

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Background and objectivesOutcomes reported in trials in adults with glomerular disease are often selected with minimal patient input, are heterogeneous, and may not be relevant for clinical decision making. The Standardized Outcomes in Nephrology–Glomerular Disease (SONG-GD) initiative aimed to establish a core outcome set to help ensure that outcomes of critical importance to patients, care partners, and clinicians are consistently reported.Design, setting, participants, and measurementsWe convened two 1.5-hour workshops in Melbourne, Australia, and Washington, DC, United States. Attendees we

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24

YANG, MINA. "Moulin Rouge! and the Undoing of Opera." Cambridge Opera Journal 20, no. 3 (November 2008): 269–82. http://dx.doi.org/10.1017/s095458670999005x.

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AbstractWhile Moulin Rouge! (2001) riffs on and even exaggerates conventions from classic Hollywood backstage musicals, it owes a clear debt to an even earlier musico-dramatic genre – the opera. Combining operatic and film musical elements with those of pop videos, contemporary cinema and the rave scene, Baz Luhrmann's film engages with many of the thorny issues that have concerned opera critics of late, such as power, gender, exoticism, authorship, and identity construction and performance. The spotlight on the central love triangle of a consumptive courtesan, a writer and a wealthy patron ma

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25

Southcott, Jane, and Angela Hao-Chun Lee. "Imperialism in School Music: Common Experiences in Two Different Cultures." International Journal of Music Education os-40, no. 1 (May 2003): 28–40. http://dx.doi.org/10.1177/025576140304000104.

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Empire, imperialism and colonialism are all terms that defy easy definition. The variety of imperial regimes and colonial situations demonstrates a “patchwork quilt of ad hoc adaptations to particular circumstance” (Osterhammel, 1997, p. 4). However, this paper does not seek to define such phenomena but to explore their effects on the school music that existed within such regimes. Japanese and British imperialism evolved in distinct ways, but the enactment of imperialism in school music was, ultimately, similar. Two different examples of early twentieth century empires will be considered – Tai

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Barwick, Linda, Margaret Clunies Ross, Tamsin Donaldson, and Stephen A. Wild. "Songs of Aboriginal Australia." Ethnomusicology 34, no. 1 (1990): 177. http://dx.doi.org/10.2307/852377.

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27

Payne, Helen. "Songs of aboriginal Australia." Musicology Australia 11, no. 1 (January 1988): 107–10. http://dx.doi.org/10.1080/08145857.1988.10420642.

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28

Morphy, Howard, and Margaret Clunies Ross. "Songs of Aboriginal Australia." Man 24, no. 4 (December 1989): 711. http://dx.doi.org/10.2307/2804335.

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Zarbock, Carol Gee, Alan Maralung, Peter Manaberu, Allan Marett, and Paddy Naughton. "Bunggridj-bunggridj: Wangga Songs from Northern Australia." Ethnomusicology 40, no. 1 (1996): 143. http://dx.doi.org/10.2307/852454.

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30

Mark Gregory. "Joe Hill Centenary and IWW Songs in Australia." Labour History, no. 109 (2015): 169. http://dx.doi.org/10.5263/labourhistory.109.0169.

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31

S, Rishvana Parveen. "Velliveethiyar Songs Perception." International Research Journal of Tamil 4, SPL 2 (February 28, 2022): 289–94. http://dx.doi.org/10.34256/irjt22s245.

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Female poets have sung fewer songs than any other literary genre. There is a difference between the central theme in masculine songs and the central theme in feminist songs. Poems composed by poets have a deep expression and environment. Thus, her sentiments are expressed in the songs of Sangam literary feminist Vellividiyar. Tolkappiah says that feminine lust should be symbolized. But Vellividiyar's introspection is a way of expressing the woman's lust and indivisibility. The purpose of this research paper is to express the expression of lust (love), the dilemma of power, the condemnation of

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32

Turpin, Myfany. "Artfully hidden: Text and rhythm in a central Australian aboriginal song series." Musicology Australia 29, no. 1 (January 2007): 93–108. http://dx.doi.org/10.1080/08145857.2007.10416590.

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33

Leger, Daniel W., and D. James Mountjoy. "Geographic Variation in Song of The Bright-Rumped Attila (Tyrannidae: Attila Spadiceus): Implications for Species Status." Auk 120, no. 1 (January 1, 2003): 69–74. http://dx.doi.org/10.1093/auk/120.1.69.

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Abstract Bright-rumped Attilas (Attila spadiceus) have two song forms, one sung primarily at dawn, the other primarily during the rest of the day. Both songs consist of a main phrase and an optional terminal phrase. Our recordings of dawn and day songs in Costa Rica were very similar to those made elsewhere in Central America. However, Central American dawn songs were significantly different than dawn songs from South America, both in terms of quantitative features (temporal and frequency variables) and qualitative characteristics (note shape). Day songs from Central and South America were sim

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Helweg, David, Peter Jenkins, Douglas Cat, Robert McCauley, and Claire Garrigue. "Geograpmc Variation in South Pacific Humpback Whale Songs." Behaviour 135, no. 1 (1998): 1–27. http://dx.doi.org/10.1163/156853998793066438.

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AbstractEvery winter, (male) humpback whales (Megaptera novaeangliae) produce long complex songs. Song content is dynamic and singers incorporate changes as they occur, thus song is shared through cultural transmission. We compared songs recorded in winter migratory termini in Tonga, New Caledonia, Eastern Australia, and on migration paths off Eastern Australia and New Zealand, in the winter of 1994. Seven themes were shared by all regions, with an additional two themes shared by all but Tonga. Differences in regional variants were most pronounced between Tongan and Eastern Australian song. Ne

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Fujie, Linda, and Allan Marett. "Bunggridj-bunggridj: Wangga Songs by Alan Maralung, North Australia." Yearbook for Traditional Music 28 (1996): 233. http://dx.doi.org/10.2307/767847.

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Treloyn, Sally. "Songs, Dreamings, and Ghosts: The Wangga of North Australia." Ethnomusicology 52, no. 3 (October 1, 2008): 484–87. http://dx.doi.org/10.2307/20174616.

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37

Box, Kiernan, and Greg Aronson. "Protest Songs From Indonesia And Australia: A Musicological Comparison." Journal of Urban Society's Arts 9, no. 1 (December 19, 2022): 48–59. http://dx.doi.org/10.24821/jousa.v9i1.7146.

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Protest music is both commercially viable and an important tool for shaping community awareness of socio-political issues. Indonesian and Australian artists have produced protest music which has stimulated significant effect upon community attitudes and behaviours. Socio-political issues can be described and examined in songs using various lyrical methods, including strategic use of characters and narrative. Iwan Fals is a Javanese singer-songwriter who frequently employs satire and parody in relation to weighty political issues. Cold Chisel, Midnight Oil and Paul Kelly are Australian rock art

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Osei, Dr Addei, and Dr Elizabeth Osei Cynthia. "Thematic Analysis of the Aboakyer Festival Songs & Libation Texts." Journal of English Language and Literature 11, no. 1 (February 28, 2019): 1070–73. http://dx.doi.org/10.17722/jell.v11i1.403.

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This paper analyses the underlying themes in the songs and libation texts of the Aboakyer Festival of the Effutu in the Central Region of Ghana. The paper argues that the central theme and sub-themes of the songs and libation texts of the Aboakyer festival, reflect the worldview of the Effutu tribe of Ghana. The songs and libation texts reveal the Effutus as appreciative, religious, and haters of evil-doers.

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Berndt, Catherine. "A Selection of Children's Songs from Ooldea, Western South Australia." Mankind 4, no. 9 (February 10, 2009): 364–76. http://dx.doi.org/10.1111/j.1835-9310.1952.tb00263.x.

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Berndt, M., and Catherine Berndt. "A Selection of Children's Songs from Ooldea, Western South Australia." Mankind 4, no. 10 (February 10, 2009): 423–34. http://dx.doi.org/10.1111/j.1835-9310.1953.tb00197.x.

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Berndt, Catherine. "A Selection of Children's Songs from Ooldea, W. South Australia." Mankind 4, no. 12 (February 10, 2009): 501–8. http://dx.doi.org/10.1111/j.1835-9310.1954.tb00207.x.

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42

Jackson, Michael. "Songs, Dreamings, and Ghosts: The Wangga of North Australia (review)." Journal of Folklore Research 43, no. 2 (2006): 187–88. http://dx.doi.org/10.1353/jfr.2006.0018.

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43

Gim, Bo-hei. "Creative Songs by Korean people in Central Asia." STUDIES IN KOREAN MUSIC 42 (December 30, 2007): 41–76. http://dx.doi.org/10.35983/sikm.2007.42.41.

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44

Honisch, Erika Supria. "Drowning Winter, Burning Bones, Singing Songs." Journal of Musicology 34, no. 4 (2017): 559–609. http://dx.doi.org/10.1525/jm.2017.34.4.559.

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In 1587 the Flemish composer Carolus Luython, employed by Holy Roman Emperor Rudolf II, published an unusual motet collection in Prague. Titled Popularis anni jubilus, the collection describes the sounds and rituals beloved by Central European peasants, recasting them as the ecstatic songs of rustic laborers (jubilus) famously celebrated by Saint Augustine in his Psalm commentaries. Highlighting the composer’s collaboration with the Czech cleric who wrote the motet texts, this study serves as a corrective to the interpretative frameworks that have broadly shaped discourses on Central European

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Norris, Ray P., and Duane W. Hamacher. "The Astronomy of Aboriginal Australia." Proceedings of the International Astronomical Union 5, S260 (January 2009): 39–47. http://dx.doi.org/10.1017/s1743921311002122.

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AbstractThe traditional cultures of Aboriginal Australians include a significant astronomical component, which is usually reported in terms of songs or stories associated with stars and constellations. Here we argue that the astronomical components extend further, and include a search for meaning in the sky, beyond simply mirroring the earth-bound understanding. In particular, we have found that traditional Aboriginal cultures include a deep understanding of the motion of objects in the sky, and that this knowledge was used for practical purposes such as constructing calendars. We also present

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Massad, Joseph. "Liberating Songs: Palestine Put to Music." Journal of Palestine Studies 32, no. 3 (2003): 21–38. http://dx.doi.org/10.1525/jps.2003.32.3.21.

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This article surveys the history of songs about Palestine from 1948 to the present, examining how the changes in musical style and lyrics correspond to the changes in the exigencies of the Palestinian struggle itself. Tracing the primacy of revolutionary Egypt in the 1950s and 1960s, the central role of Fayruz and the Rahbani brothers in the wake of the 1967 war, and the emergence of Palestinian groups and singers as of the late 1960s, the article provides historical and political analyses of these songs as central features of how Arab popular culture has dealt, and continues to deal, with the

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Kundush, Kateryna. "Typology of wedding melodies of the village Ostriv, Dubno region, Rivne area." Ethnomusic 18, no. 1 (December 2022): 127–46. http://dx.doi.org/10.33398/2523-4846-2022-18-1-127-146.

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The article offers studying of the wedding music culture in the village Ostriv of Central Volhyn. The main wedding rites are characterised retrospectively. The music repertoire consists of 112 vocal melodies, recorded by the author from old singers’ individual performance in non-rituals conditions and during the real wedding action. The methodological work of Lviv ethnomusicologist Bohdan Lukanyuk „Melotypol- ogy ladkankas and songs (based on West Polissya and West Volhyn)” are used for de- termining of melotypology of the songs. It was defined the main types are ladkankas, songs and pryspivka

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Freeman, Mark A., and Prashant Bordia. "Assessing alternative models of individualism and collectivism: a confirmatory factor analysis." European Journal of Personality 15, no. 2 (March 2001): 105–21. http://dx.doi.org/10.1002/per.398.

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Six alternative structural models of individualism–collectivism are reviewed and empirically compared in a confirmatory factor analysis of questionnaire data from an Australian student sample (N = 340). Central to the debate about the structure of this broad social attitude are the issues of (1) polarity (are individualism and collectivism bipolar opposites, or orthogonal factors?) and (2) dimensionality (are individualism and collectivism themselves higher‐order constructs subsuming several more specific factors and, if so, what are they?). The data from this Australian sample support a model

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Berwick, Robert C. "Songs to Syntax." International Journal of Cognitive Informatics and Natural Intelligence 5, no. 4 (October 2011): 22–32. http://dx.doi.org/10.4018/jcini.2011100102.

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Language comprises a central component of a complex that is sometimes called “the human capacity.” This complex seems to have crystallized fairly recently among a small group in East Africa of whom people are all descendants. Common descent has been important in the evolution of the brain, such that avian and mammalian brains may be largely homologous, particularly in the case of brain regions involved in auditory perception, vocalization and auditory memory. There has been convergent evolution of the capacity for auditory-vocal learning, and possibly for structuring of external vocalizations,

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Aragon, Lorraine V. "Suppressed and Revised Performances: Raego' Songs of Central Sulawesi." Ethnomusicology 40, no. 3 (1996): 413. http://dx.doi.org/10.2307/852470.

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