Thematische Bibliographien / Songs of Central Australia

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Auswahl der wissenschaftlichen Literatur zum Thema „Songs of Central Australia“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 20. Februar 2023

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Zeitschriftenartikel zum Thema "Songs of Central Australia"

CURRAN, GEORGIA, und CALISTA YEOH. „“That is Why I am Telling this Story”: Musical Analysis as Insight into the Transmission of Knowledge and Performance Practice of a Wapurtarli Song by Warlpiri Women from Yuendumu, Central Australia“. Yearbook for Traditional Music 53 (Dezember 2021): 45–70. http://dx.doi.org/10.1017/ytm.2021.4.

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AbstractInsights into the knowledge, performance, and transmission of songs are pivotal in ensuring the survival of traditional Aboriginal songs. We present the first in-depth musical analysis of a Wapurtarli yawulyu song set sung by Warlpiri women from Yuendumu, Central Australia, recorded in December 2006 with a solo lead singer accompanied by a small group. Our musical analysis reveals that there are various interlocking parts of a song, and this can make it difficult for current generations to learn songs. The context of musical endangerment and the musical analyses presented in our study show that contemporary spaces for learning yawulyu must consider the complex components that come together for a song set to be properly performed.

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Carfoot, Gavin. „‘Enough is Enough’: songs and messages about alcohol in remote Central Australia“. Popular Music 35, Nr. 2 (14.04.2016): 222–30. http://dx.doi.org/10.1017/s0261143016000040.

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AbstractThis article examines some of the ways in which Australia's First Peoples have responded to serious community health concerns about alcohol through the medium of popular music. The writing, performing and recording of popular songs about alcohol provide an important example of community-led responses to health issues, and the effectiveness of music in communicating stories and messages about alcohol has been recognised through various government-funded recording projects. This article describes some of these issues in remote Australian Aboriginal communities, exploring a number of complexities that arise through arts-based ‘instrumentalist’ approaches to social and health issues. It draws on the author's own experience and collaborative work with Aboriginal musicians in Tennant Creek, a remote town in Australia's Northern Territory.

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EWART, A. „Two new genera and five new species of Mugadina-like small grass cicadas (Hemiptera: Cicadidae: Cicadettini) from Central and Eastern Australia: comparative morphology, songs, behaviour and distributions“. Zootaxa 4413, Nr. 1 (20.04.2018): 1. http://dx.doi.org/10.11646/zootaxa.4413.1.1.

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Moulds (2012) established the genus Mugadina for two small cicadas, M. marshalli (Distant) and M. emma (Goding and Froggatt), both grass inhabiting species known from Queensland and New South Wales. Both species are notable for their relatively simple 'ticking' songs. Moulds further noted that there were at least two superficially similar genera of cicadas, but each with different genitalia. This paper describes two new genera of small (9–15 mm body lengths) and distinctive grass cicadas with genitalia that are very similar to those of Mugadina, but possess clear morphological, colour and calling song differences. The new genera are: Heremusina n. gen. with two known species namely H. udeoecetes n. sp. and H. pipatio n. sp.; the second new genus is Xeropsalta n. gen., containing four known species, X. thomsoni n. sp., X. aridula n. sp., X. rattrayi n. sp., and X. festiva n. comb. Heremusina n. gen. species are described from the Alice Springs area of Northern Territory and the Cloncurry area of northwest Queensland, from arid to semi arid habitats. The Xeropsalta n. gen. species are described from western, southwest and central Queensland, and from the Simpson and Strzelecki Deserts in northeastern South Australia and northwestern New South Wales, respectively, all locations in very arid to arid habitats, but close to seasonal (often irregular) rivers and lakes. X. festiva n. comb. occurs in semi arid habitats in southern and southeastern Australia. Detailed taxonomic descriptions are provided of the new species, together with distributions, habitats, and the calling songs. The Heremusina species emit songs with short repetitive buzzing echemes, the echeme durations differing between each species. The Xeropsalta songs are notable for their complexity, containing multiple elements with rapid changes of amplitudes and temporal structures, rather atypical of the songs of most small grass dwelling cicadas. Detailed song structures distinguishing each of the species are illustrated and interpreted in each case in light of their respective taxonomic status.

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EWART, A., L. W. POPPLE und K. B. R. HILL. „Five new species of grass cicadas in the genus Graminitigrina (Hemiptera: Cicadidae: Cicadettinae: Cicadettini) from Queensland and Northern Territory, Australia: comparative morphology, songs, behaviour and distributions“. Zootaxa 4228, Nr. 1 (07.02.2017): 1. http://dx.doi.org/10.11646/zootaxa.4228.1.1.

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Five new species of small grass cicadas belonging to the genus Graminitigrina Ewart and Marques are described, together with detailed analyses of their calling songs. Four species occur in Queensland, G. aurora n. sp. from eastern central Queensland near Fairbairn Dam; G. flindensis n. sp. from central Queensland between Hughenden northwards for at least 108 km; G. einasleighi n. sp. from near The Lynd, Einasleigh River, northeastern Queensland; G. selwynensis n. sp. from the Selwyn Range, northwestern Queensland, at locations about 40 km east of Mount Isa and 25 km southwest of Cloncurry, this latter here transferred from G. bowensis Ewart and Marques; G. uluruensis n. sp. from Uluru and the Olgas in southwestern Northern Territory, extending northwards through Tennant Creek and apparently further north to near Larrimah, a linear distance of approximately 1190 km. These new species bring the known Graminitigrina species to ten, all superficially similar in colour and morphology. A key to male specimens is provided for the 10 species. Additional distribution records and additional aural song recordings are presented for G. bowensis, these requiring the transfer of populations previously identified as G. bowensis from Croydon and Georgetown, northern Gulf region, to G. karumbae Ewart and Marques. Detailed comparative analyses, including NMDS analyses, of the songs of all 10 species are provided, which show that the song parameters are appropriate to distinguish the species, although some partial overlap is noted in the waveform plots between the songs of G. uluruensis n. sp. and G. flindensis n. sp. Regional variations of song parameters are noted in the calling songs of most of the species described.

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Turpin, Myfany, und Jennifer Green. „Rapikwenty: ‘A loner in the ashes’ and other songs for sleeping“. Studia Metrica et Poetica 5, Nr. 1 (05.08.2018): 52–79. http://dx.doi.org/10.12697/smp.2018.5.1.03.

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Rapikwenty is a traditional Australian Indigenous set of stories-and-songs from the Utopia region of Central Australia performed by Anmatyerr speaking adults to lull children to sleep. The main protagonist is a boy who is left to play alone in the ashes. Like many lullabies, Rapikwenty is characterised by scary themes, soft dynamics, a limited pitch range and repetition. The story-and-song form is not common in the Australian literature on lullabies, yet such combinations of prose and verse are found in other forms of verbal art of the region (Green 2014). This verbal art style is also well-attested in other oral traditions of the world (Harris & Reichl, 1997). Rapikwenty resembles other Anmatyerr genres in its song structure; yet differs in its performance style. Echoing Trainor et al. (1999: 532), we find it is the “soothing, smooth, and airy” delivery, rather than any formal properties of the genre, that achieves the lulling effect. In addition, Rapikwenty uses the recitative style known as arnwerirrem ‘humming’. The voice thus moves seamlessly between spoken story and sung verse, creating a smooth delivery throughout. We suggest that the combination of prose and verse reflects an Anmatyerr concept of song as prototypically punctuating events in a story rather than a medium for story-telling itself. This article suggests a more nuanced approach to the relationship between genre and performance styles.

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Keller, Judith. „Songs of the Australian Landscape: The Art and Spirituality of Rosalie Gascoigne“. Pacifica: Australasian Theological Studies 20, Nr. 3 (Oktober 2007): 307–21. http://dx.doi.org/10.1177/1030570x0702000305.

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This article focuses upon the central motifs and symbols of the Australian abstract artist Rosalie Gascoigne (1917-1999) in an attempt to uncover the spirituality in her work, and to connect this with Australian spirituality and with spirituality in the wider Christian tradition. The author proposes such a connection to be the fruit of bringing to bear the religious imagination upon Gascoigne's work, that is, a capacity to attend to the contemplative, creative and sacramental layers in it. Such a capacity invites a response to the artist's work that is ultimately religious. For Australia to be known as land of the spirit ( Terra spiritus), theologians cannot neglect the work of artists such as Rosalie Gascoigne.

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EWART, A., und L. W. POPPLE. „New species of Drymopsalta Heath Cicadas (Cicadidae: Cicadettinae: Cicadettini) from Queensland and Northern Territory, Australia, with overview of genus“. Zootaxa 3620, Nr. 1 (05.03.2013): 1–42. http://dx.doi.org/10.11646/zootaxa.3620.1.1.

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Three new species are described in the genus Drymopsalta Ewart, previously known only from D. crepitum Ewart and D. daemeli Distant. The three new species occur in Southern Queensland and Northern Territory. D. wallumi sp. nov. occurs along coastal S.E. Queensland, whereas D. hobsoni sp. nov. is restricted to the Bringalily State Forest, near Inglewood, southern inland Queensland. D. acrotela sp. nov. is found in the Litchfield National Park and other locations near Jabaluka, Cahills Crossing, E. Alligator River and Nourlangie, all across the northern Northern Territory. D. crepitum occurs on the Cape York Peninsular extending into the southern Gulf, while D. daemeli occurs in two localised regions in central coastal N.S.W. Each of the species inhabits heath vegetation, often spilling-over into adjacent tree foliage. The species of Drymopsalta are small and inconspicuous cicadas (<15 mm body length) with relatively high frequency songs (~15 to 22 kHz). The temporal structures of the normal calling songs follow a similar pattern in each species, consisting of the emission of short chirps (comprising 2–16 ticks). Between the chirps are emitted one (D. wallumi, D. hobsoni, D. acrotela), two (D. daemeli) or 1–9 (D. crepitum) intervening single ticks. The species can be distinguished by the timing and the number of these single ticks relative to the adjacent chirps with the notable exception of D. hobsoni and D. acrotela. The calling songs of these two allopatric species are indistinguishable, an unusual feature in Australian cicadas. Two additional song variants are described, a more unstructured chirping song without intervening single ticks observed in each of the species except D. crepitum, and periodic extended buzzing echemes emitted within the calling songs (excepting the D. wallumi song).

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Roseman, Marina, und Richard M. Moyle. „Alyawarra Music: Songs and Society in a Central Australian Community“. Yearbook for Traditional Music 20 (1988): 235. http://dx.doi.org/10.2307/768184.

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Lauridsen, Jan, Richard M. Moyle und Slippery Morton. „Alyawarra Music: Songs and Society in a Central Australian Community“. Ethnomusicology 38, Nr. 1 (1994): 159. http://dx.doi.org/10.2307/852272.

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Stubington, Jill. „Alyawarra music: Songs and society in a central australian community“. Musicology Australia 10, Nr. 1 (Januar 1987): 73–74. http://dx.doi.org/10.1080/08145857.1987.10415182.

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Dissertationen zum Thema "Songs of Central Australia"

Hersey, Shane J. „Endangered by desire : T.G.H. Strehlow and the inexplicable vagaries of private passion“. Thesis, View thesis, 2006. http://handle.uws.edu.au:8081/1959.7/19524.

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This thesis is about the depth of colonisation through translation. I develop an analytic framework that explores colonisation and translation using the trope of romantic love and an experimental textual construction incorporating translation and historical reconstruction. Utilising both the first and the final drafts of “Chapter X, Songs of Human Beauty and Love-charms” in Songs of Central Australia, by T. Strehlow, I show how that text, written over thirty years and comprised of nine drafts, can be described as a translation mediated by the colonising syntax and grammar. My interest lies in developing a novel textual technique to attempt to illustrate this problem so as to allow an insight into the perspective of a colonised person. This has involved a re-examination of translation as something other than a transtemporal structure predicated on direct equivalence, understanding it instead as something that fictionalises and reinvents the language that it purports to represent. It begins by establishing an understanding of the historical context in which the translated text is situated, from both objective and personal viewpoints, and then foregrounds the grammatical perspective of the argument. Utilising the techniques and processes of multiple translation, Internet-based translation software, creative writing and historical reconstruction, it continues to consider the role of imagination and begins the construction of a visceral argument whereby the reader is encouraged to experience a cognitive shift similar to that understood by the colonised other, which is revealed in a fictional autobiography written by an imagined other. It concludes by considering the coloniser within the same context, using, as an example T. Strehlow, who had a unique understanding of the Arrernte language. Tracking his extensive alterations, revisions and excisions within his drafts of Chapter X, this thesis traces a textual history of change, theorising that the translator, no matter how "authentic", is as much translated by the text as she or he is a translator of the text.

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Gummow, Margaret Jane. „Aboriginal songs from the Bundjalung and Gidabal areas of South-Eastern Australia“. Thesis, The University of Sydney, 1992. http://hdl.handle.net/2123/7249.

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Campbell, Genevieve. „Ngarukuruwala - we sing: the songs of the Tiwi Islands, Northern Australia“. Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10520.

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Through an analysis of Tiwi song composition techniques and comparison between performances recorded over the last hundred years, I give, for the first time in the literature, a comprehensive musical description of the Tiwi song repertory, showing that while it is primarily based on innovation, it forms a continuum of oral tradition, relying upon the acquisition of complex musical, linguistic and poetic composition skills. I place the Tiwi initiation ceremony, Kulama, as the centre-point of song creativity and instruction and suggest that its near-disappearance, along with social and linguistic change, have put the future of Tiwi extemporised song practice in jeopardy. The framework for this study is the repatriation to the Tiwi community of ethnographic field–recordings of Tiwi songs, made between 1912 and 1981, archived at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in Canberra. Drawing from the corpus of approximately 1300 recorded song items, I find that the fundamentally contemporary, topical and current nature of the Tiwi song culture has resulted in a rich social, cultural and historical oral record being preserved amongst the song texts. Documenting the physical, emotional and artistic journeys of a particular group of elders who travelled to Canberra to reclaim the recordings, I recount some of the outcomes of the reclamation and I discuss the impact the recordings’ return is having on the current performance practice, the future of song knowledge transmission and the future of improvisatory composition skills. In the context of Ngarukuruwala- we sing songs, a collaborative music project involving a group of song-women from the Tiwi Islands and jazz musicians from Sydney, I also report on new music projects instigated by a group of Tiwi women who are working to maintain and develop song and language skills in young Tiwi people, negotiating new forms of music while maintaining Tiwi song traditions.

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Treloyn, Sally A. „Songs that pull: jadmi junba from the Kimberley region of northwest Australia“. Thesis, The University of Sydney, 2006. http://hdl.handle.net/2123/15767.

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Greenfield, John Edward. „Migmatite formation at Mt. Stafford, Central Australia“. Phd thesis, Department of Geology and Geophysics, 1997. http://hdl.handle.net/2123/10592.

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Strehlow, Kathleen Stuart. „Aboriginal women in Central Australia, a preliminary account“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0025/MQ50372.pdf.

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Butterss, Philip. „Australian ballads : the social function of British and Irish transportation broadsides, popular convict verse and goldfield songs“. Phd thesis, Department of English, 1989. http://hdl.handle.net/2123/6189.

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Pockley, Simon Charles Nepean. „The flight of ducks research report“. [Melbourne] : S. Pockley, 1998. http://purl.nla.gov.au/nla/pandora/FOD.

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"Submitted by Simon Charles Nepean Pockley ... as a partial requirement for Degree of Doctor of Philosophy by Project 18th July, 1998". "WARNING culturally sensitive material". Available [on line] http://www.cinemedia.net/FOD/FOD0043.html Archived at ANL http://purl.nla.gov.au/nla/pandora/FOD http Text, graphics, sound and animation The Flight of ducks is a multi-purpose on-line work built around a collection of archival material from a camel expedition into the central Australian frontier in 1933. This journey was revisited in 1976 and retraced in 1996."- leaf 1.

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Hammond, Susan J. „Psalms, Hymns, And Spiritual Songs For The Use Of The People Called Christians“. Costa Mesa, CA : Vanguard University of Southern California, 2007. http://dx.doi.org/10.2986/tren.034-0051.

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Wischusen, John David Henry School of Biological Earth &amp Environmental Sciences UNSW. „Hydrogeology, hydrochemistry and isotope hydrology of Palm Valley, Central Australia“. Awarded by:University of New South Wales. School of Biological, Earth and Environmental Sciences, 2005. http://handle.unsw.edu.au/1959.4/32925.

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The Palm Valley oasis in arid central Australia is characterised by stands of palm trees (Livistona mariae). How these unique plants, separated by nearly a 1000 kilometres of arid country from their nearest relatives persist, has long fascinated visitors. Defining the hydrogeology of the Hermannsburg Sandstone, a regionally extensive and thick Devonian sequence of the Amadeus Basin that underlies Palm Valley, is the major thrust of investigation. Appraisal of drilling data shows this aquifer to be a dual porosity fractured rock aquifer which, on a regional scale, behaves as a low permeability, hydraulically continuous resource. Groundwater is low salinity (TDS <1000 mg/L) and bicarbonate rich. Slight variations in cation chemistry indicate different flow paths with separate geochemical histories have been sampled. Stable isotope (????H, ???????O) results from Palm Valley show groundwater to have a uniform composition that plots on or near a local meteoric water line. Radiocarbon results are observed to vary from effectively dead (< 4%) to 87 % modern carbon. To resolve groundwater age beyond the radiocarbon window the long lived radioisotope 36Cl was also used. Ratios of 36Cl/Cl range from 130 to 290 x 10-15. In this region atmospheric 36Cl/Cl ratio is around 300 x 10-15. Thus an age range of around 300 ka is indicated if, as is apparent, radioactive decay is the only significant cause of 36Cl/Cl variation within the aquifer. A review of previous, often controversial, 36Cl decay studies shows results are usually ambiguous due to lack of certainty when factoring subsurface Cl- addition into decay calculations. Apparently, due to the thickness of the Hermannsburg Sandstone, no subsurface sources of Cl- such as aquitards or halites, are encountered along groundwater flow paths, hence the clear 36Cl decay trend seen. The classic homogenous aquifer with varying surface topography, the "Toth" flow model, is the simplest conceptual model that need be invoked to explain these isotope data. Complexities, associated with local topography flow cells superimposed on the regional gradient, signify groundwater with markedly different flow path lengths has been sampled. The long travel times (> 100 ka) indicate groundwater discharge would endure through arid phases associated with Quaternary climate oscillations. Such a flow system can explain the persistence of this arid zone groundwater-dependent ecosystem and highlight the possibility that Palm Valley has acted as a flora refuge since at least the mid- Pleistocene.

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Bücher zum Thema "Songs of Central Australia"

Alyawarra music: Songs and society in a central Australian community. Canberra: Australian Institute of Aboriginal Studies, 1986.

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Urban, Anne. Wildflowers & plants of Central Australia. Port Melbourne, Vic., Australia: Southbank Editions, 1990.

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Blombery, Alec M. The flowers of Central Australia. Kenthurst, NSW: Kangaroo Press, 1989.

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Rawlings-Way, Charles. Central Australia: Adelaide to Darwin. 6. Aufl. Footscray, Victoria: Lonely Planet Publications, 2013.

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Tsourdalakēs, Kōstas. Krētikē mousikē stēn Australia = Cretan traditional music in Australia. [Sydney, Australia: s.n., 198-?], 1985.

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Spencer, Baldwin. The northern tribes of central Australia. London: Routledge/Thoemmes Press, 1997.

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Mark, Lennard, Hrsg. Tjukurrpa: Desert paintings of Central Australia. Alice Springs, NT: Centre for Aboriginal Artists, 1988.

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Bray, George. Aboriginal ex-servicemen of Central Australia. Alice Springs, N.T: IAD Press, 1995.

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Storytracking: Texts, stories & histories in Central Australia. New York: Oxford University Press, 1998.

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Ngala, Inkamala Clara, Hrsg. Hermannsburg potters: Aranda artists of central Australia. St. Leonards, Sydney, N.S.W: Craftsman House, 2000.

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Buchteile zum Thema "Songs of Central Australia"

Koch, Grace, und Myfany Turpin. „12. The language of Central Australian Aboriginal songs“. In Morphology and Language History, 167–83. Amsterdam: John Benjamins Publishing Company, 2008. http://dx.doi.org/10.1075/cilt.298.16koc.

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Short, Andrew D. „Central West Western Australia Region“. In Australian Coastal Systems, 1121–63. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14294-0_33.

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Downey, Fiona J., und Chris R. Dickman. „Macro- and microhabitat relationships among lizards of sandridge desert in central Australia“. In Herpetology in Australia, 133–38. P.O. Box 20, Mosman NSW 2088, Australia: Royal Zoological Society of New South Wales, 1993. http://dx.doi.org/10.7882/rzsnsw.1993.020.

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Musharbash, Yasmine. „Embodied Meaning: Sleeping Arrangements in Central Australia“. In Sleep Around the World, 45–60. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137315731_3.

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Sturt, Charles. „Narrative of an Expedition into Central Australia“. In Nineteenth-Century Travels, Explorations and Empires, 123–62. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003113485-4.

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Mahony, M. J. „The status of frogs in the Watagan Mountains area the Central Coast of New South Wales“. In Herpetology in Australia, 257–64. P.O. Box 20, Mosman NSW 2088, Australia: Royal Zoological Society of New South Wales, 1993. http://dx.doi.org/10.7882/rzsnsw.1993.039.

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Soyez, Paul. „Global Security as a Central Objective of the Bilateral Partnership“. In Australia and France’s Mutual Empowerment, 137–78. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-13449-5_5.

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Morey, Frances. „Five Years of Campylobacter Bacteraemia in Central Australia“. In Campylobacters, Helicobacters, and Related Organisms, 491–94. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4757-9558-5_91.

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Ransom, Kieran. „Farming System Development in North Central Victoria Australia“. In Rainfed Farming Systems, 1123–34. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9132-2_46.

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Musharbash, Yasmine. „Monstrous Transformations: A Case Study from Central Australia“. In Monster Anthropology in Australasia and Beyond, 39–55. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137448651_3.

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Konferenzberichte zum Thema "Songs of Central Australia"

Shakspo, N. Ts. „THE KESAR SAGA THROUGH LADAKHI SONGS AND DANCE“. In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-34-37.

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Lee, B. O., und G. B. Salter. „Evaluation of Hydraulic Fracturing Applications in Central Australia“. In SPE Asia-Pacific Conference. Society of Petroleum Engineers, 1989. http://dx.doi.org/10.2118/19491-ms.

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Van, I. D., und N. D. Tsyrenova. „BURYAT FOLK SONGS IN THE MANUSCRIPT OF THE CHRONICLER DASHA BUBEEV“. In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-208-211.

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Percival, D. J. „A Markov model for HF spectral occupancy in central Australia“. In 7th International Conference on High Frequency Radio Systems and Techniques. IEE, 1997. http://dx.doi.org/10.1049/cp:19970752.

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Polson, Danielle, und Rhawn F. Denniston. „SEASONAL CHANGES IN ENVIRONMENTAL CONDITIONS AT THREE NORTHWESTERN AUSTRALIA CAVES“. In 52nd Annual North-Central GSA Section Meeting - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018nc-312486.

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Seitzinger, Zenja, und Kurt Knesel. „FLOW BANDS AND MICROLITE TEXTURES IN OBSIDIAN, MINYON FALLS RHYOLITE, AUSTRALIA“. In 54th Annual GSA North-Central Section Meeting - 2020. Geological Society of America, 2020. http://dx.doi.org/10.1130/abs/2020nc-348340.

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Lloyd, Katrina. „16 Thinking about overdiagnosis in a setting of significant health inequalities – a perspective from central australia“. In Preventing Overdiagnosis Abstracts, December 2019, Sydney, Australia. BMJ Publishing Group Ltd, 2019. http://dx.doi.org/10.1136/bmjebm-2019-pod.122.

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Craddock, Robert A., Corbin L. Kling, Stephen Tooth, Alexander M. Morgan, Rachel R. Rotz und Adam Milewski. „TEMPORAL CHANGES IN LINEAR DUNES LOCATED IN THE SIMPSON DESERT, CENTRAL AUSTRALIA“. In GSA Annual Meeting in Indianapolis, Indiana, USA - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018am-320046.

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Cenki, Bénédicte, Jonas Nollo, Fleurice Parat und Patrice Rey. „Assessing the rare metals potential of the Entia Pegmatite Field, Central Australia“. In Goldschmidt2021. France: European Association of Geochemistry, 2021. http://dx.doi.org/10.7185/gold2021.5035.

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Giles, Sarah, Rachelle Kernen, Asmara Lehrmann und Katherine Giles. „EVOLUTION OF A SUPRASALT MINIBASIN: NEOPROTEROZOIC (EDIACARAN) PATAWARTA SALT SHEET, FLINDERS RANGES, SOUTH AUSTRALIA“. In 51st Annual GSA South-Central Section Meeting - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017sc-289435.

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Berichte der Organisationen zum Thema "Songs of Central Australia"

Hostetler, S. D., E. E. Slatter, A. A. McPherson, K. P. Tan, D. J. McInnes, J. D. H. Wischusen und J. H. Ellis. A multidisciplinary geoscientific approach to support water resilience in communities in Central Australia. Geoscience Australia, 2020. http://dx.doi.org/10.11636/133646.

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Carr, L. K., R. J. Korsch, T. J. Palu und B. Reese. Onshore basin inventory: the McArthur, South Nicholson, Georgina, Wiso, Amadeus, Warburton, Cooper and Galilee basins, central Australia. Geoscience Australia, 2016. http://dx.doi.org/10.11636/record.2016.004.

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Research Department - Central Bank - General - Central Bank Policy (Australia) - 1930 - 1951. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16467.

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Research Department - Central Bank - General - Currency - Australia - 1942 - 1947. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16343.

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Research Department - Central Bank - General - Monetary Policy (Australia) - 1931 - 1952. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16415.

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Research Department - Central Bank - General - International Reserves - Australia - 1931 - 1951. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16500.

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Research Department - Central Bank - General - Miscellaneous - Economic Policy - Australia. Investment - 1951 - 1961. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16632.

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Research Department - Central Bank - General - Economic Conditions - Australia - File 2 - c. 1938 - 1939. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16601.

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Research Department - Central Bank - General - Credit Control in Australia - Miscellaneous Memoranda - 1931 - 1945. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16511.

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Research Department - Central Bank - General - Miscellaneous Committees - Meeting of Commonwealth Central Bank Governors in Australia - 7-15 May 1957. Reserve Bank of Australia, September 2021. http://dx.doi.org/10.47688/rba_archives_2006/16861.

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