Thematische Bibliographien / Song work

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Auswahl der wissenschaftlichen Literatur zum Thema „Song work“

Autor: Grafiati

Veröffentlicht am 28. Juni 2021

Zuletzt aktualisiert am 18. Februar 2022

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Zeitschriftenartikel zum Thema "Song work"

Matthews, K., und C. Stelmackowich. „Anatomists' work song“. Canadian Medical Association Journal 180, Nr. 4 (17.02.2009): 431–32. http://dx.doi.org/10.1503/cmaj.090062.

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Caporicci, Camilla. „The Song of Songs in Thomas Campion’s Work“. Notes and Queries 65, Nr. 1 (16.01.2018): 116–19. http://dx.doi.org/10.1093/notesj/gjx188.

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Щітова, С. А., und О. М. Якимець. „THE INNOVATIVE INTERPRETATION OF THE CHAMBER-VOCAL GENRE IN THE LATE WORKS OF SCHUBERT“. Музикознавча думка Дніпропетровщини, Nr. 15 (04.11.2019): 163–71. http://dx.doi.org/10.33287/221913.

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The purpose of the study is to prove the innovative approaches of F. Schubert in vocal works on the example of his later opuses – the vocal cycle „Winterreiseˮ, op. 90 („Winter Roadˮ) and the song collection „Der Schwanengesangˮ („Swan Songˮ). The methods of this proposed scientific article are based on the research approaches (historical, compare, analytical), which allow to us to follow the path of dramatization of the song in the late works of F. Schubert, as well as to determine the conformity of the vocal intonation to the poetic text. The material of scientific intelligence there are ten separate songs, namely, five songs from the vocal cycle „Winter Pathˮ and five songs on the lyrics by G. Heine from the collection „Swan Songˮ. In our opinion, they are not only indicative, but also similar in form, methods and content. The scientificnovelty of this research is to in the treatment to the issues of determining the correspondence of vocal intonation to a poetic text. Conclusions. Lyrics by Wilhelm Muller and Heinrich Heine are the peak of Schubertʼs vocal lyrics, the starting point for the further development of the song (romance) genre. Simplicity and the associated „sociability” of song intonation, on the one hand, naturally continue the traditions of the Austro-German song Lied. However, while the melody of Schubert reveals time fundamentally new qualities caused by the composerʼs innovative attitude to its formation. The reason for this is a great attention to the verbal text. The close interaction of poetic words and music, especially in the late works of the composer romantic, gives rise to a fundamentally new type of vocal intonation, a new level of voice and accompaniment and, as a final result, the emergence of a new quality of the chamber-vocal work – „poems with music”, thereby pushing on the further path of development of chamber vocal genres.

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Pleijel, Agneta. „Author and Translator: The Stylist's Work with the Song of Songs“. Bible Translator 47, Nr. 1 (Januar 1996): 114–18. http://dx.doi.org/10.1177/026009359604700103.

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Nevins, A., und A. B. R. de Arellano. „Plena is Work, Plena is Song“. Gerontologist 30, Nr. 3 (01.06.1990): 427–28. http://dx.doi.org/10.1093/geront/30.3.427a.

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Grossberg, Daniel. „Nature, Humanity, and Love in Song of Songs“. Interpretation: A Journal of Bible and Theology 59, Nr. 3 (Juli 2005): 229–42. http://dx.doi.org/10.1177/002096430505900302.

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This essay is a study of the three-fold theme of nature, humanity, and love in Song of Songs and an investigation into the ways nature imagery is used to evoke human love. The work further examines the nature of the highly erotic yet restrained love that is evoked.

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Boldyreva, Indzhir M. „Песни о выселении калмыков и их возвращении из Сибири, записанные у информанта М. Б. Мудаевой“. Бюллетень Калмыцкого научного центра Российской академии наук 15, Nr. 3 (25.11.2020): 251–63. http://dx.doi.org/10.22162/2587-6503-2020-3-15-251-263.

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Goals. The paper introduces texts of songs dealing with the Kalmyk deportation and its follow-up period recorded from M. B. Mudaeva. These songs illustrate the historical truth of 1943 nation-wide tragedy and enormous happiness of the ones to have survived and returned to ancestral lands. Materials. The work examines songs recorded by the scholars of Kalmyk Research Institute of Language, Literature and History (present-day Kalmyk Scientific Center of the RAS) from M. B. Mudaeva during the 1960 folklore research expedition in Yashkulsky District. The song Hal’mgudyg nүүlһsnә tusk dun (‘Song of the Kalmyk Deportation’) deals with the deportation itself, and the song Hal’mgud Sibrәs irsnә tusk dun (‘Song of the Kalmyks’ Arrival from Siberia’) depicts the successful return and universal joy of ones who after all reached their dear steppe. Conclusions. The work introduces the songs about deportation of Kalmyks and their return to their native land that have not been published before.

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Snijders, Tineke M., Titia Benders und Paula Fikkert. „Infants Segment Words from Songs—An EEG Study“. Brain Sciences 10, Nr. 1 (09.01.2020): 39. http://dx.doi.org/10.3390/brainsci10010039.

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Children’s songs are omnipresent and highly attractive stimuli in infants’ input. Previous work suggests that infants process linguistic–phonetic information from simplified sung melodies. The present study investigated whether infants learn words from ecologically valid children’s songs. Testing 40 Dutch-learning 10-month-olds in a familiarization-then-test electroencephalography (EEG) paradigm, this study asked whether infants can segment repeated target words embedded in songs during familiarization and subsequently recognize those words in continuous speech in the test phase. To replicate previous speech work and compare segmentation across modalities, infants participated in both song and speech sessions. Results showed a positive event-related potential (ERP) familiarity effect to the final compared to the first target occurrences during both song and speech familiarization. No evidence was found for word recognition in the test phase following either song or speech. Comparisons across the stimuli of the present and a comparable previous study suggested that acoustic prominence and speech rate may have contributed to the polarity of the ERP familiarity effect and its absence in the test phase. Overall, the present study provides evidence that 10-month-old infants can segment words embedded in songs, and it raises questions about the acoustic and other factors that enable or hinder infant word segmentation from songs and speech.

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Hore, Sirshendu, und Tanmay Bhattacharya. „Analyzing Tagore's Emotion With the Passage of Time in Song-Offerings“. International Journal of Synthetic Emotions 10, Nr. 2 (Juli 2019): 18–38. http://dx.doi.org/10.4018/ijse.2019070102.

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The emotions of humans can be observed through tears, smiles, etc. The emotion of poets is reflected through poetry/songs. The works of a poet give philosophical insights about the beauty and mystery of nature, socio-economic conditions of that era, besides his personal state of mind. In the proposed work ‘Song- Offerings': A collection of poems and songs composed by Rabindranath Tagore, for which, Tagore received the Nobel Prize for literature in 1913, has been analyzed. Earlier, most of the research work on Song-Offerings was based on Zipf's law or bibliometric laws. This article analyzes the changes in Tagore's emotion in Song-Offerings with the passage of time (1895-1912). Emotions are analyzed based on the Arousal-Valence Model. To analyze the arousal state, ‘Plutchik's' emotion model has been employed and to find the valence, a Fuzzy-based model has been engaged. The work reveals that the emotions of the poet gradually mellows with the passage of time barring some transitional time, nevertheless, poet submission towards almighty remains unchanged during this period.

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Stephenson, Jean. „“Quizás, quizás, quizás”. Translators’ dilemmas and solutions when translating spanish songs into english“. DEDiCA Revista de Educação e Humanidades (dreh), Nr. 6 (01.03.2013): 139–51. http://dx.doi.org/10.30827/dreh.v0i6.6968.

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Rendering songs into another language poses numerous difficulties for translators. Songs may be considered as poems set to music, and in translating them, these professionals confront not only routine translation problems such as expressing the meaning, ambience and style of the original work, but they also have to attend to other requisites such as creating a new version of the song within the restrictions of rhythm and rhyme. In this article, I examine songs from Spanish literature and from Spanish and South American popular music, and explore translators’ ways of converting the original texts into English. We shall see that sometimes they have captured meaning by translating virtually word for word, while on other occasions translated songs manage to encapsulate only the general sense and atmosphere of the original Spanish song. In some cases, sounds from the original have acted as a catalyst for the topic of a new song, while in others the song’s main topic has been discarded altogether. As a result of these perhaps inevitable adjustments and shifts in topic and atmosphere there will nearly always be some kind of ‘loss’ in the translation of songs, but on rare occasions their rendition into English almost seems to ‘improve’ on the Spanish version. I will outline Low’s (Low, 2005) “Pentathlon Principle” which offers five criteria for assessing song translation, and examine specific translations from this persective. Song examined are María Josefa’s song “Ovejita, niño mío” from Federico García Lorca’s “La Casa de Barnada Alba”, Luis Aguilé’s “Cuando salí de Cuba”, Agustín Lara’s “Granada”, and Osvaldo Farrés’s “Quizás, quizás, quizás.”

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Dissertationen zum Thema "Song work"

Marshall, Debra. „Has the Song Remained the Same?: Perceptions of Effectiveness in Family Safety Work“. Doctoral diss., University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5418.

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National and international research on governmental privatization efforts reflects myriad successes and failures. However, little is known about the effectiveness of family safety privatization efforts in the state of Florida. In Brevard County, Florida, family safety privatization efforts have been underway for several years now, and while evaluations are taking place, they do not reflect one key piece of information—the perceptions of family safety workers. A snowball sample was obtained from former and current child safety workers and open- and closed-ended questions were administered with a total of 15 former and current family safety workers who work or worked for several different public and private family safety agencies within Brevard County, Florida. Information was obtained regarding perceptions of privatization to adequately and more efficiently do the work of public entities. The results show two primary areas of interest. The model of care which has been instituted post-privatization (CARES) has been perceived as more effective than the former state model; the strongest problematic themes that developed concerned power, control, and the perception of unfairness. These themes are explored using a backwards mapping approach and recommendations for continued growth and cohesion are explored.
ID: 031001442; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Adviser: John Lynxwiler.; Title from PDF title page (viewed June 26, 2013).; Thesis (Ph.D.)--University of Central Florida, 2012.; Includes bibliographical references (p. 163-173).
Ph.D.
Doctorate
Sociology
Sciences
Sociology

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O'Byrne, William L. „The shepherd's hypothesis and the use of the Song of Solomon in Christian education“. Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Thorpe, Vicki. „We made this song : the group song writing processes of three adolescent rock bands : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in History and Literature of Music /“. ResearhArchive@Victoria e-Thesis, 2007. http://hdl.handle.net/10063/272.

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Beasley, Rebecca Choate. „The influence of Sister Helen Prejean on the life and work of Jake Heggie as seen in the song cycle The Deepest Desire: Four Meditations on Love“. Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9795.

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Morgan, Sarah. „Community choirs : a musical transformation ; a review of my work in management, music, choir leadership and folk-song“. Thesis, University of Winchester, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.666336.

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My aims have always been to present an exploration of English community choirs, their music and their leadership from a very personal perspective, which brings together my background as a folk musician, my career in training and facilitation, and my developing understanding of a system of musical hierarchies which (though often unspoken) inform and colour not only my own musical experience but that of many others. My motivation for this is partly to put into words the story of a movement that has had relatively little attention from the academic world, and to bring into the foreground aspects of music making which have had a marginal place the world of choral music. I also wish to draw attention to the skills of a range of performers and practitioners who despite (or perhaps because of) a lack of formal musical qualifications, through familiarity with oral methods of learning and teaching provide a means for many people to make the significant transition between being music consumers and music makers. This statement is a review of my work in many fields leading to my achievement of the position of a highly regarded performer, choir leader, arranger and trainer. I recount my journey, and give many examples of my work in this field, demonstrating many contributions along the way. In so doing I have added significantly to the store of knowledge and understanding in these areas.

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Vries, Patrick de. „The aesthetics of emptiness in Northern Song China : a case study of the work of Huang Tingjian (1045-1105)“. Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407743.

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Salerno, Stephanie. „True Loves, Dark Nights: Queer Performativity and Grieving Through Music in the Work of Rufus Wainwright“. Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1476645017261653.

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Kazi-Nance, Ambata K. „Traumatic and Healing Memory in Leslie Marmon Silko's Ceremony and Toni Morrison's Song of Solomon“. ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1450.

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A comparative analysis of Leslie Marmon Silko’s Ceremony and Toni Morrison’s Song of Solomon, with a focus on individual as well as collective memory work in historically marginalized indigenous and African-American communities, respectively. This represents a critical study of how the novels invoke progressive and redemptive models of remembering, as well as foreground the role of spiritual guides in the transformative process from trauma towards healing.

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Dahlberg, Camilla. „Lärandets sångsamling : En studie om vilket språkligt lärande som är möjligt i förskolans sångsamling“. Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-2914.

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Denna studie syftar till att ta reda på vilket språkligt lärande som blir möjligt iförskolans sångsamling för att därigenom kunna problematisera kring hur musicerandet kan bli till redskap för språkutveckling. För att kunna undersöka detta fenomen, söktes i olika typer av litteratur svaret på frågan hur barn lär sig talspråket. Litteraturen visade bland annat att språket är ett mycket komplext system som kan delas upp i olika komponenter för att lättare förstås. De komponenter denna studie behandlar är språkets: innehåll, form och användning. Dessa tre komponenter innehåller olika delar: semantik, fonologi, fonetik syntax, morfologi och pragmatik som alla är viktiga för språkutvecklingens helhet. För att få svar på frågan vilket språkligt lärande som blir möjligt i förskolans sångsamling videofilmades en förskoleavdelnings barn och pedagoger då de hade olika sångsamlingar. Videoinspelningarna analyserades sedan genom att vissa intressanta händelser ordagrant skrevs ned och sattes i relation till vad litteraturen sa om hur barn lär sig talspråket. Studien visade att det finns möjlighet att på olika sätt lära alla de delar av språket som tillsammans bildar den helhet som gör oss till språkande människor. Utifrån detta resultat diskuterades sedan på vilket sätt vi vuxna kan använda musiken som redskap för språkinlärning.

This study aims to find what linguistic learning can be possible during pre-school singing gatherings and so be able to examine how making music could be used as a tool in language development. To enable an examination of this phenomena, the answer to the question how children learn their colloquial speech was researched in various kinds of literature. These findings indicated that language is an extremely complex system, which could be divided into different components in order to simplify its understanding. The components of contents, form and usage will be considered in this study. These three again consist of different parts, as semantics, phonology, phonetics, syntax, morphology and pragmatics. These are all essential to language development as a whole. To be able to identify what kind of language learning would be possible to gain during musical activities, a class of pre-school pupils with their teachers was videotaped at various song gatherings. These recordings were later analysed and certain occasions and specific incidents or happenings were taken down word by word and then related to current literature on how children learn their colloquial speech. This study indicates that it might be possible learning, by means of various methods, all parts of a language, which together form this wholeness, that makes us speaking individuals. From these findings, the issue of how we as adults can use music, song activiries, as a tool in language was discussed.

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LEE, HAISUN. „A STUDY OF A MODERN CLARINET WORK, SONG IN THE DUSK I FOR SOLO CLARINET BY GEONYOUNG LEE: FOCUSED ON THE COMPARISON WITH SANGRYUNGSAN (KOREAN TRADITIONAL SOLO PIRI PIECE) THROUGH MUSICAL STYLE AND PERFORMANCE PRACTICE“. University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1138726227.

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Bücher zum Thema "Song work"

Christie, Agatha. Work song. New York: Riverhead Books, 2010.

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Christie, Agatha. Work song. New York: Riverhead Books, 2010.

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Christie, Agatha. Work song. Waterville, Me: Thorndike Press, 2010.

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Berel, Lang, Hrsg. Song broken, song: The work of Frederic Will. Lewiston, N.Y: Edwin Mellen Press, 2008.

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John, Feister, Hrsg. Thea's song: The life and work of Thea Bowman. Maryknoll, N.Y: Orbis Books, 2009.

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Viviana, Garófoli, Hrsg. Move it! Work it!: A song about simple machines. Minneapolis, MN: Picture Window Books, 2008.

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Porter, Gerald. The English occupational song. Umeå: University of Umeå, 1992.

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Luke: The song of God's mercy. Boston, MA: Pauline Books & Media, 2006.

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Song Ping lun dang de jian she wen xuan bian ji zu, Hrsg. Song Ping lun dang de jian she wen xuan. Beijing: Zhong yang wen xian chu ban she, 2000.

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Smith, Alexandra. The song of the mocking bird: Pushkin in the work of Marina Tsvetaeva. Berne: P. Lang, 1994.

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Buchteile zum Thema "Song work"

Jeschke, Lisa. „Bird-Song by Everyone, for Everyone: Poetry, Work, and Play in J. H. Prynne’s Prose“. In Poetry and Work, 105–19. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26125-2_3.

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Nissley, Nick, Steven S. Taylor und Orville Butler. „The Power of Organizational Song: An Organizational Discourse and Aesthetic Expression of Organizational Culture“. In Art and Aesthetics at Work, 93–114. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230554641_7.

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„Sermon 11. Thanksgiving For Christ's Saving Work“. In Song of Songs I, herausgegeben von Kilian Walsh OCSO, 69–76. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218218-013.

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„THE MARIENLEICH AS A WORK OF ART“. In Frauenlob's Song of Songs, 123–38. Penn State University Press, 2007. http://dx.doi.org/10.5325/j.ctv14gp5s5.10.

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„Glass Work Song“. In Carnations, 3–5. Princeton University Press, 2011. http://dx.doi.org/10.1515/9781400838240.3.

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„Song and Work“. In Song and Democratic Culture in Britain, 101–30. Routledge, 2015. http://dx.doi.org/10.4324/9781315667317-13.

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„4 The Marienleich as a Work of Art“. In Frauenlob's Song of Songs, 123–38. Penn State University Press, 2007. http://dx.doi.org/10.1515/9780271034775-008.

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Gidal, Marc. „Music, Mediumship, and Religious Work“. In Spirit Song, 40–57. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780199368211.003.0003.

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Larson, Katherine R. „A Poetics of Song“. In The Work of Form, 104–22. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:oso/9780198702818.003.0007.

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„‘Work Song’ by Wendell Berry“. In First Person Action Research: Living Life as Inquiry, 168–69. 1 Oliver’s Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2016. http://dx.doi.org/10.4135/9781473982598.n16.

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Konferenzberichte zum Thema "Song work"

Niftieva, U. N. kyzy. „A look at the song work of Suleiman Aleskerov“. In Scientific Trends: Philology, Culturology, Art history. ЦНК МОАН, 2019. http://dx.doi.org/10.18411/spc-26-11-2019-09.

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Bei, Hua, Jinkun Zhao, Qichang Chen und Shengyi Si. „The Verification of SONG Library“. In 2017 25th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/icone25-66946.

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We have developed the 293-group cross-section library SONGLIB with complete reaction pathes, broad-spectrum solving ability and wide range isotopes, which is adopted in the lattice code SONG, the next generation reactor lattice calculation and analysis code. SONGLIB provides the multi-group data for the transport calculation, resonance calculation and burnup calculation of SONG. So the precision and reliability of data is very important. However, the size of the data is very large and there are still a lot of personal factors in determination of the processing parameters and methods. In order to evaluate the library, it’s necessary to carry out the test work comprehensively. Amount of test work is then undertaken based on three kinds of reactors such as pressurized water reactor with UO2 fuel, sodium cooled fast reactor and new-type molten salt reactor with none-beryllium core. In order to test the adaptivity of the library, 39 cases are designed totally, changing the fuel composition, the absorber compositon, the burnup depth and the working temperature. Only the results of a few cases are given in details to shorten the length of this article. For comparison, the Monte Carlo code MCNP is chosen and the library source of evaluated nuclear data is ensured to be the same. The model that has been calculated is simple, the cell with “fuel-cladding-modulator” the three-layer structure and total reflection boundary for the aim of minimizing the differences between the codes. From the macroscopic angle, the results of infinite multiplication factor fit well with each other in total. From the microscopic angle, the absorption rate for actinides, fission products and absorbers, the fission rate for fissile isotopes and scattering rate for moderators are compared with that of MCNP whose output is normalized to the actual cell power. The difference between the reaction rates for most isotopes can be neglected. But there still exist some obvious differences for some isotopes whose resonance effect should have been considered, such as Fe56, ZrNat and W, which might affect the macoscopic results to some extent. As a conclusion, the data of SONGLIB can be expected with high precision and reliability. And SONGLIB is adapted in solving various problems for reactors with different spectrum, depth of burnup, operation condition or fuel cycling. Nevertheless, there still exist some factors that may affect the final results during the process and use of the library, which should be paid attention to while taking a further step in optimizing and updating the library.

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Petkova, Tatyana V., und Daniel Galily. „Hava Nagila“. In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.06073p.

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This article is about the story of a favorite Jewish song of many people around the world. Hava Nagila is one of the first modern Israeli folk songs in the Hebrew language. It went on to become a staple of band performers at Jewish weddings and bar/bat (b'nei) mitzvah celebrations. The melody is based on a Hassidic Nigun. According to sources, the melody is taken from a Ukrainian folk song from Bukovina. The text was probably the work of musicologist Abraham Zvi Idelsohn, written in 1918. The text was composed in 1918, to celebrate the Balfour Declaration and the British victory over the Turks in 1917. During World War I, Idelsohn served in the Turkish Army as a bandmaster in Gaza, returning to his research in Jerusalem at the end of the war in 1919. In 1922, he published the Hebrew song book, “Sefer Hashirim”, which includes the first publication of his arrangement of the song Hava Nagila.

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Ghosal, Arijit, und Ranjit Ghoshal. „Co-occurrence Based Approach for Differentiation of Speech and Song“. In Intelligent Computing and Technologies Conference. AIJR Publisher, 2021. http://dx.doi.org/10.21467/proceedings.115.17.

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Discrimination of speech and song through auditory signal is an exciting topic of research. Preceding efforts were mainly discrimination of speech and non-speech but moderately fewer efforts were carried out to discriminate speech and song. Discrimination of speech and song is one of the noteworthy fragments of automatic sorting of audio signal because this is considered to be the fundamental step of hierarchical approach towards genre identification, audio archive generation. The previous efforts which were carried out to discriminate speech and song, have involved frequency domain and perceptual domain aural features. This work aims to propose an acoustic feature which is small dimensional as well as easy to compute. It is observed that energy level of speech signal and song signal differs largely due to absence of instrumental part as a background in case of speech signal. Short Time Energy (STE) is the best acoustic feature which can echo this scenario. For precise study of energy variation co-occurrence matrix of STE is generated and statistical features are extracted from it. For classification resolution, some well-known supervised classifiers have been engaged in this effort. Performance of proposed feature set has been compared with other efforts to mark the supremacy of the feature set.

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Childs, Dara W., und Ameen Muhammed. „Comments on a Newly-Identified Destabilizing Rotordynamic Mechanism Arising in Vertical Hydraulic Turbines and the Back Shrouds of Centrifugal Impellers“. In ASME Turbo Expo 2013: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/gt2013-94202.

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In three 2010 papers, Tsujimoto, Ma, Song, and Horiguchi [1–3] discussed and explained a novel destabilizing mechanism arising in both hydraulic turbines and the back surface of vertical pump impellers. The destabilizing mechanism can be explained via a reaction force-moment model that includes both the customary radial displacement vector of an impeller plus the pitch and yaw degrees of freedom. This coupling between radial displacements and tilt plus the coupling of the shaft support structure can create negative damping. In 1993, Verhoeven, et al. [4] identified negative damping arising from U-shaped wearing-ring seals as causing a super-synchronous instability in a horizontal coke-crusher pump. However, several case studies have been presented of super-synchronously unstable pumps for which (until now) no explanation could be provided. Tsujimoto-Song started with a 2DOF model for a disk suspended vertically via a cantilevered shaft. They used an f = ma model for the lateral displacements of the disk and used flexibility coefficients to account for reaction forces and moments from the back shroud of the impeller. The present work starts with a 4DOF model that includes the disk’s displacements and pitch and yaw degrees of freedom. Guyan reduction is used to create two reduced 2DOF models, Model A that retains the displacements and discards the rotations and Model B that retains the rotations and discards the displacements. Model A produces a requirement for instability that is inconsistent with Tsujimoto-Song’s experience and predictions. However, it is useful in predicting the reaction moments produced by a nominally planar precession of the impeller. The instability requirement of Model B is consistent with Tsujimoto’s experience and predictions. A comparison of the predicted reaction moments of Model A and Tsujimoto’s reaction-moment data supports the instability predictions of Model B (and Tsujimoto-Song) that the instability arises due to coupling between the displacement and rotation degrees of freedom in the 4 × 4 damping matrix.

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Li, Xia, Bin Wu und Bailing Zhang. „Unknown Word Detection in Song Poetry“. In 2016 IEEE First International Conference on Data Science in Cyberspace (DSC). IEEE, 2016. http://dx.doi.org/10.1109/dsc.2016.47.

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Wang, Shisheng, und Werner Maschek. „A Statistical Mechanical Equation of State for Fluid UF4 and ThF4“. In 18th International Conference on Nuclear Engineering. ASMEDC, 2010. http://dx.doi.org/10.1115/icone18-29319.

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The Song, Mason and Ihm [1–4] equation of state with modification of Tao and Mason [5], originally derived for spherical and molecular fluids, is applied for fluid uranium tetrafluoride and thorium tetrafluoride based on the available experimental data. The equation of state based on statistical mechanical perturbation theory with the perturbation scheme of Weeks, Chandler, and Andresen [6]. The prediction of constants applied in the equation of state is based on the work of Boushehri et al. [7–8] using heat of vaporization and liquid density at the triple point. The vapor correction term bases on the experimental data. The results show that this equation of state agrees reasonably well with the available experimental data.

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Choi, Kahyun, und J. Stephen Downie. „Exploratory Investigation of Word Embedding in Song Lyric Topic Classification“. In JCDL '18: The 18th ACM/IEEE Joint Conference on Digital Libraries. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3197026.3203883.

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Wenshuang Feng. „Song of the soul with free and easy freedom - talk about the song of original works of music of Chinese network“. In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730807.

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Berichte der Organisationen zum Thema "Song work"

Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were published in the Salzburg publishing house of Peter Volyniak «New Days». The purpose of the publication is to trace the path of Petro Volyniak from a writer to a literary critic, journalist and publisher. This trend is reproduced in chronological order. Peter Volyniak as a writer is informed in the article «Literary Evening of P. Volyniak» (author – M. Ch-ka). O. Satsyuk’s literary-critical article is devoted to the coverage of ideological and artistic aspects of Petro Volyniak’s collection «The Earth Calls» (Salzburg, 1947). Petro Volyniak as a literary critic is presented in an article devoted to a collection of literary tales by A. Kolomiyets (Salzburg, 1946), which was published by «New Days». Petro Volyniak as a journalist presents the essay «This is our song…». With the help of content analysis it was observed that the text is divided into two parts: the first contains the author’s reflections on the Ukrainian song, its role in the life of the Ukrainian people; in the second, main, Peter Okopny’s activity abroad is presented. The publisher Petro Volyniak in 1947 in a separate publication of the February issue of the weekly summarizes the third year of activity, providing statistics on the publication of periodicals, books, postcards, calendars, various small format materials. The analyzed material demonstrated the experience of combining creative work and commercial activity.

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Mowry, Curtis, Adam Pimentel, Elizabeth Sparks und Brittany Hanlon. Materials characterization activities for %E2%80%9CTake Our Sons&Daughters to Work Day%E2%80%9D 2013. Office of Scientific and Technical Information (OSTI), September 2013. http://dx.doi.org/10.2172/1096449.

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