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Auswahl der wissenschaftlichen Literatur zum Thema „Socio-cultural manifestation“
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Zeitschriftenartikel zum Thema "Socio-cultural manifestation"
Vorontsova, Valeriya Leonidovna, Maksim Vladimirovich Salimgareev und Dmitriy Vladimirovich. „SOCIO-CULTURAL DYNAMICS OF SOCIAL PHENOMENA OF THE RUSSIAN CIVILIZATION“. Humanities & Social Sciences Reviews 7, Nr. 4 (18.09.2019): 385–89. http://dx.doi.org/10.18510/hssr.2019.7450.
Der volle Inhalt der QuelleNaumenko, Yuri. „Sport as a social phenomenon“. SHS Web of Conferences 55 (2018): 02023. http://dx.doi.org/10.1051/shsconf/20185502023.
Der volle Inhalt der QuelleVeselova, Yelena K., und Marianna Ya Dvoretskaya. „Socio-cultural and worldview aspects of helping professions specialists training“. Vestnik Kostroma State University. Series: Pedagogy. Psychology. Sociokinetics, Nr. 3 (2019): 129–35. http://dx.doi.org/10.34216/2073-1426-2019-25-3-129-135.
Der volle Inhalt der QuelleTagocon, Ruby D., und Ismael N. Talili. „The Manifestation of Socio-Cultural Components in the Informal Oral Communication Practices of the Teaching and Non-Teaching Personnel in the Philippines: An Ethnographic Inquiry“. JPAIR Multidisciplinary Research 32, Nr. 1 (31.07.2018): 30. http://dx.doi.org/10.7719/jpair.v32i1.574.
Der volle Inhalt der QuelleShostak, Viktor, und Sergii Bondaruk. „Problems of identity and development of culture in the modernization processes of Ukraine and the world“. Grani 23, Nr. 11 (25.11.2020): 5–13. http://dx.doi.org/10.15421/172096.
Der volle Inhalt der QuelleChunosov, M. A., und M. A. Taranin. „FACTORS, CAUSES AND CONDITIONS FOR THE FORMATION OF EXTREMIST BEHAVIOR AMONG YOUNG PEOPLE“. Scientific Notes of V. I. Vernadsky Crimean Federal University. Juridical science 7 (73), Nr. 2 (2022): 169–73. http://dx.doi.org/10.37279/2413-1733-2021-7-2-169-173.
Der volle Inhalt der QuellePratama, Rifka. „The Manifestation of Real Norms and Ideal Norms among Muslims in Hamtramck“. Culturalistics: Journal of Cultural, Literary, and Linguistic Studies 1, Nr. 1 (19.11.2017): 61–66. http://dx.doi.org/10.14710/culturalistics.v1i1.1756.
Der volle Inhalt der QuellePopova, E. A. „“Cancellation culture” as a manifestation of western russophobia“. Humanities and Social Sciences. Bulletin of the Financial University 12, Nr. 6 (24.02.2023): 40–45. http://dx.doi.org/10.26794/2226-7867-2022-12-6-40-45.
Der volle Inhalt der QuelleGebre, Tizazu Gezahegne. „The Socio-Cultural Integration: The Case of Kuti Resettlement Site in Kaffa Zone, South-West Ethiopia“. International Journal of Social Science Research and Review 5, Nr. 3 (01.03.2022): 143–74. http://dx.doi.org/10.47814/ijssrr.v5i3.205.
Der volle Inhalt der QuelleAdamyants, Tamara. „Virtual Socio-Cultural Worlds on Open Internet Platforms“. Sociologicheskaja nauka i social'naja praktika 10, Nr. 1 (30.03.2022): 58–72. http://dx.doi.org/10.19181/snsp.2022.10.1.8860.
Der volle Inhalt der QuelleDissertationen zum Thema "Socio-cultural manifestation"
Ghosh, Amit Kumar. „Socio-cultural manifestation of Jarawa Reserve: study on interaction between Jarawa and their neighbouring communities of Andaman Islands“. Thesis, University of North Bengal, 2019. http://ir.nbu.ac.in/handle/123456789/4036.
Der volle Inhalt der QuelleGhosh, Amit Kumar. „Socio-cultural manifestation of Jarawa Reserve: study on interaction between Jarawa and their neighbouring communities of Andaman Islands“. Thesis, University of North Bengal, 2019. http://ir.nbu.ac.in/handle/123456789/4054.
Der volle Inhalt der QuelleRamos, Barranco José Rafael. „La Chanson d'auteur espagnole : manifestations culturelles et sociales dans l'Espagne de la 2nde moitié du XXème siècle“. Thesis, Paris 3, 2019. http://bibnum.univ-paris3.fr/webclient/DeliveryManager?pid=323353.
Der volle Inhalt der QuelleThis work focuses on the study of the Spanish author's song in the last third of the 20th century, from a perspective of cultural history and sociology, based on socio-political, socio-economic and socio-cultural elements as engines of analysis. To do this, we have relied on a corpus of fifteen singer-songwriters selected for their popularity and successful sales to the Spanish public in order to delve about the gears of the record industry, as well as in relations with the institutions in this period of political changes with the passing of a dictatorship to a democracy. To do this, you have to study the different spaces of the author song in a comparative way with the spaces of the Spanish song. These spaces can be physical such as concert venues or the media on which records or media such as radio, television and the press are recorded. It is necessary to analyze all this in a comparative way to see the distinctive signs between both songs and the common points that allow to see the influences and interferences of the market and the mediatization in the singer-songwriters. At the same time, we must place the author's song and its performers in the history of the contemporary Spanish song and see how a genre that might be born as a counterculture is transformed over time and integrated as an active part and motor of the evolution of the Spanish song of the last years of the 20th century. Given this transformation, it should be borne in mind that the political and poetic elements that, in the beginning were the defining characteristics of the genre have also evolved over time, being able to talk about a depoliticization and a depoetization of the Spanish author's song in the last thirty years of the 20th century
Este trabajo se centra en el estudio de la canción de autor española en el último tercio del siglo XX, desde una perspectiva de historia cultura y de sociología, partiendo de los elementos sociopolíticos, socioeconómicos y socioculturales como motores del análisis. Para ello, nos hemos apoyado en un corpus de quince cantautores seleccionados por su popularidad y éxito de ventas ante el público español para poder profundizar en los engranajes de la industria discográfica, además de en las relaciones con las instituciones en este periodo de cambios políticos con el paso de una dictadura a una democracia. Para ello, se tiene que estudiar los distintos espacios de la canción de autor de manera comparativa con los espacios de la canción española. Estos espacios pueden ser físicos como los lugares de los conciertos o el soporte sobre el que se graban los discos o mediáticos como la radio, la televisión y la prensa. Es necesario analizar todo esto de manera comparativa para ver los signos distintivos entre ambas canciones y los puntos comunes que permiten ver las influencias y las interferencias del mercado y la mediatización en los cantautores. Al mismo tiempo, hay que situar a la canción de autor y a sus intérpretes en la historia de la canción española contemporánea y ver de qué manera un género que puede nacer como una contracultura se transforma con el paso del tiempo y se integra como parte activa y motora de la evolución de la canción española de los últimos años del siglo XX. Ante esta transformación, hay que tener en cuenta que los elementos políticos y poéticos que, en un principio eran los definitorios del género también han evolucionado con el tiempo llegando a poder hablarse de una despolitización y de una despoetización de la canción de autor española en los últimos treinta años del siglo XX
Bücher zum Thema "Socio-cultural manifestation"
Mikryukov, Vladimir. Socio-philosophical analysis of the interaction of the religious factor and terror: current trends and prospects. ru: INFRA-M Academic Publishing LLC., 2021. http://dx.doi.org/10.12737/1098271.
Der volle Inhalt der QuelleArtamonova, Irina. The myth of Napoleon in the Russian classics of the XIX century (A. S. Pushkin, M. Yu.Lermontov, N. V. Gogol). ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1081857.
Der volle Inhalt der QuelleSapogova, Elena. Developmental psychology and age psychology. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/997107.
Der volle Inhalt der QuelleXiao, Ying. China in the Mix. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496812605.001.0001.
Der volle Inhalt der QuelleBuchteile zum Thema "Socio-cultural manifestation"
Hamstead, Zoé A., und Jason Sauer. „Mapping Vulnerability to Weather Extremes: Heat and Flood Assessment Approaches“. In Resilient Urban Futures, 47–66. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63131-4_4.
Der volle Inhalt der QuelleZhuang, Zhixi Cecilia. „Suburban Migration: Interrogating the Intersections of Global Migration and Suburban Transformation“. In IMISCOE Research Series, 227–40. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-55680-7_12.
Der volle Inhalt der QuelleKearney, Amanda, John Bradley, Vincent Dodd, Dinah Norman a-Marrngawi, Mavis Timothy a-Muluwamara, Graham Friday Dimanyurru und Annie a-Karrakayny. „Conclusion“. In Indigenous Law and the Politics of Kincentricity and Orality, 127–33. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-19239-5_5.
Der volle Inhalt der QuelleRemtulla, Karim A. „Normative Learning for Normalized Work“. In Socio-Cultural Impacts of Workplace E-Learning, 23–39. IGI Global, 2010. http://dx.doi.org/10.4018/978-1-61520-835-7.ch002.
Der volle Inhalt der Quelle„Functionalism and Stratification, Socio-Cultural Evolution and Revolution“. In Islamic Economy and Social Mobility, 107–30. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-9731-7.ch004.
Der volle Inhalt der QuelleRanabahu, Nadeera, und Mary Barrett. „Effectuation thinking and the manifestation of socio-cultural complexities in Sri Lankan female entrepreneurs' business decisions“. In Contextual Embeddedness of Women's Entrepreneurship, 139–53. Routledge, 2018. http://dx.doi.org/10.4324/9781315574042-10.
Der volle Inhalt der QuelleSerrado, Ricardo. „Sport as Socio-cultural Homeostasis: Motivation, Degeneration and the Continuity of the Human Species“. In Motivation and Success [Working Title]. IntechOpen, 2022. http://dx.doi.org/10.5772/intechopen.107304.
Der volle Inhalt der Quelle„Upper-Class Female Boredom in Marriage in 19th-Century Western Literature as a Manifestation of Socio-Cultural Pressures“. In The Culture of Boredom, 187–201. Brill | Rodopi, 2020. http://dx.doi.org/10.1163/9789004427495_010.
Der volle Inhalt der QuelleAbdrabo, Amal Adel. „Third-Spaces and the Creation of Socio-Spatial Identity“. In Advances in Electronic Government, Digital Divide, and Regional Development, 144–72. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4948-3.ch008.
Der volle Inhalt der QuelleMarston, Kendra. „Introduction“. In Postfeminist Whiteness, 1–30. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430296.003.0001.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Socio-cultural manifestation"
Rzasoy, Seyfəddin. „The Concept of “Imam Ali” in The Sufism Thinking System: Functional Structure of Epic-İrfani Code“. In International Symposium Sheikh Zahid Gilani in the 800th Year of His Birth. Namiq Musalı, 2023. http://dx.doi.org/10.59402/ees01201818.
Der volle Inhalt der QuelleRaevskaya, Marina M. „SPANGLISH AS A FORM OF LANGUAGE PERSONALITY MANIFESTATION IN THE MODERN SOCIO-CULTURAL SPACE OF THE USA“. In FUNCTIONAL ASPECTS OF INTERCULTURAL COMMUNICATION. TRANSLATION AND INTERPRETING ISSUES. Peoples' Friendship University of Russia, 2019. http://dx.doi.org/10.22363/2712-7974-2019-6-262-272.
Der volle Inhalt der QuelleGerasimenko, I. V., und A. S. Rydchenko. „Reflection of culture in American political discourse“. In XXV REGIONAL SCIENTIFIC CONFERENCE STUDENTS, APPLICANTS AND YOUNG RESEARCHERS. Знание-М, 2020. http://dx.doi.org/10.38006/907345-63-8.2020.128.134.
Der volle Inhalt der QuelleGaitanaru, Andrei. „VIDEO GAMES IN THE XXIST CENTURY“. In eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-043.
Der volle Inhalt der QuelleLAȘCU, Tatiana. „Exploitation of the literary text in the context of discursive strategies in the English classroom“. In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p209-213.
Der volle Inhalt der QuelleYavuz, Aysel, Habibe Acar und Nihan Canbakal Ataoğlu. „Urban Readings on Public Art Representations in Landscape Architecture“. In 3rd International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2020. http://dx.doi.org/10.38027/n372020iccaua3163634.
Der volle Inhalt der QuelleOzerina, Anna. „Territorial and Temporal Factors of Urban Identity“. In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-41.
Der volle Inhalt der QuelleGiuffrida, Giada, und Rosa Caponetto. „A look on the intrinsic sustainability of Aeolian vernacular architecture“. In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15190.
Der volle Inhalt der QuelleTomassoni, Rosella, Stefania Liburdi, Monica Alina Lungu und Rosalba Roccolini. „THE ARTIST AS THE FORERUNNER OF SOCIO-CULTURAL VALUES“. In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.15.
Der volle Inhalt der QuelleBogacheva, Ekaterina Alexandrovna. „Prevention of Conflicts in Adolescent Environment“. In Regional Scientific-Practical Conference, chair Inna Leonidovna Fedotenko. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-98838.
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