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Zeitschriftenartikel zum Thema "Social sciences -> philosophy -> aesthetics"
Portera, Mariagrazia. „Aesthetics as a Habit: Between Constraints and Freedom, Nudges and Creativity“. Philosophies 7, Nr. 2 (02.03.2022): 24. http://dx.doi.org/10.3390/philosophies7020024.
Der volle Inhalt der QuelleRaunig, Gerald. „Singers, Cynics, Molecular Mice: The Political Aesthetics of Contemporary Activism“. Theory, Culture & Society 31, Nr. 7-8 (Dezember 2014): 67–80. http://dx.doi.org/10.1177/0263276413497406.
Der volle Inhalt der QuelleNutas, Andrei. „Review of Sorgner's Philosophy of Posthuman Art“. International Journal of Technoethics 13, Nr. 1 (01.01.2022): 1–7. http://dx.doi.org/10.4018/ijt.313197.
Der volle Inhalt der QuelleRichmond, Sheldon. „Is “Aesthetics” Art Studies?“ Philosophy of the Social Sciences 44, Nr. 2 (März 2014): 223–32. http://dx.doi.org/10.1177/0048393112442630.
Der volle Inhalt der QuelleBerleant, Arnold. „Aesthetics and community“. Journal of Value Inquiry 28, Nr. 2 (Juni 1994): 257–72. http://dx.doi.org/10.1007/bf01079570.
Der volle Inhalt der QuelleTrafí-Prats, Laura. „Aesthetic Post-Phenomenological Inquiry: A Compositional Approach to the Invention of Worlds“. Qualitative Inquiry 26, Nr. 5 (21.06.2019): 432–39. http://dx.doi.org/10.1177/1077800419857454.
Der volle Inhalt der QuelleШмагало, Р. Т. „ДЕКОРАТИВНЕ МИСТЕЦТВО І ЕКО-ДИЗАЙН: ФІЛОСОФСЬКО-ОСВІТНІ ОСНОВИ РОЗВИТКУ І СУЧАСНІ ВИКЛИКИ“. Art and Design, Nr. 4 (15.02.2021): 185–94. http://dx.doi.org/10.30857/2617-0272.2020.4.15.
Der volle Inhalt der QuelleClammer, John. „Can Art Embody Truth? Ethics, Aesthetics and Gandhi“. Social Change 51, Nr. 1 (März 2021): 92–103. http://dx.doi.org/10.1177/0049085721996859.
Der volle Inhalt der QuelleKoutras, Konstantinos. „The Politics of Film Aesthetics: Filmososphy, Post-Theory, and Rancière“. Philosophies 9, Nr. 2 (12.04.2024): 50. http://dx.doi.org/10.3390/philosophies9020050.
Der volle Inhalt der QuelleSidorov, Aleksei Mikhailovich. „The politics of aesthetics in German Idealism“. Философия и культура, Nr. 11 (November 2022): 107–18. http://dx.doi.org/10.7256/2454-0757.2022.11.14385.
Der volle Inhalt der QuelleDissertationen zum Thema "Social sciences -> philosophy -> aesthetics"
Beitmen, Logan R. „Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”“. FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1198.
Der volle Inhalt der QuelleFourdrinier, Axel. „Rupture et création“. Phd thesis, Université Toulouse le Mirail - Toulouse II, 2013. http://tel.archives-ouvertes.fr/tel-00878834.
Der volle Inhalt der QuelleBrisset, Tifenn. „Le cinéma d'Alfred Hitchcock : une oeuvre du devenir-humain“. Phd thesis, Université de Grenoble, 2012. http://tel.archives-ouvertes.fr/tel-00924092.
Der volle Inhalt der QuelleFoehn, Melanie. „Samuel Beckett et les écrivains de Port-Royal“. Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2012. http://tel.archives-ouvertes.fr/tel-00915119.
Der volle Inhalt der QuelleMoore, Gregory. „Art and action : exploring postmodern aesthetics“. Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1456.
Der volle Inhalt der QuelleBachelors
Sciences
Political Science
Fritsch, Ryan. „The ethics of imagination: Levinas, Aesthetics and Poiesis in uTOpia“. Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95124.
Der volle Inhalt der QuelleAvant d'Al Gore en 2005 documentaire "Une vérité qui dérange" enflammé intérêt général du public pour l'aggravation de la crise de l'environnement, les artistes ont joué un rôle crucial dans les deux illustrant les préoccupations écologiques et dans la construction de logemnt de rechange et des dispositions sociales. Ils l'ont fait avec un sentiment de "responsabilité créatrice" que les institutions politiques officielles et juridiques semblait incapable d'exploiter ou de s'en servir. Cette thèse examine comment les militants de ces mouvements esthétiques qui se produisent simultanément à Toronto et à Windsor en Ontario, a déclenché une forme de «l'imagination constituante» à la fois critique, constructive et apparemment plus responsable que notre tradition "officielle" des systèmes de responsabilité. Comme ces mouvements cristallisé en une forme contemporaine de la pensée utopique caractérisée par anti-fondationalisme, esthétisme, et un profond sens des responsabilités reliées aux "autres invisibles», il est soutenu que ces mouvements sont mieux comprises et analysées par la philosophie éthique d'Emmanuel Levinas . Par concrètement situer et d'évaluer les limitations de longue date dans la philosophie de Levinas en fonction de ces mouvemens activistes, y compris la relation entre la théorie esthétique et éthique de Levinas, son applicabilité à des échelles mondialisé de la responsabilité politique, et les limites de sa proximité juridique et l'esthétique de arrêt, la thèse révèle une «éthique de l'imagination» qui apporte Levinas en 21e siècle, le droit et la politique comme un moyen an-archique de conceptualiser le monde «autrement» dans le quotidian.
Garlitz, Dustin Bradley. „Philosophy of new jazz : reconstructing Adorno“. [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002213.
Der volle Inhalt der QuelleLindley, Anne Hollinger. „Relating to relational aesthetics“. Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.
Der volle Inhalt der QuelleDe, Pellegrin Ana. „Filosofia, estetica e educação : a dança como construção social e pratica educativa“. [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252473.
Der volle Inhalt der QuelleTese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação
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Resumo: Nos tempos atuais, a dança incorpora-se definitivamente ao campo investigativo e reflexivo, institucional e acadêmico, por ser uma das mais ricas expressões culturais e civilizatórias. A partir de uma inspiração histórica e filosófica pretendemos, com este trabalho, defender a possibilidade de novas conjunções entre a dança, a escola, a vida política, as questões econômicas, os lugares sociais e as múltiplas expressões da cultura. Partindo das representações discursivas e simbólicas que configuram as múltiplas identidades da dança na sociedade de imagens, pretendemos comprovar que tais representações são uma miríade de simulacros estéticos sujeitos a uma apropriação fragmentada, definida pela condição de classe e sua conseqüente consciência. Em seguida propusemos uma releitura necessária e possível da tradição pedagógica grega, definida como ideal educativo helênico ou Paidéia Grega. Por fim, definimos possibilidades de uma releitura da tradição estética moderna, articulando-a com a práxis educativa, de modo a vislumbrar a potencialidade da refundação desse ideal a partir de novas configurações e novos sujeitos sociais e pedagógicos: a dança como parte orgânica de uma nova Paidéia, numa nova escola. Na sociedade de classes essas novas configurações são possíveis apenas como articulações críticas, como resistências educacionais e políticas. Essa nova condição somente será plenamente possível numa outra sociedade, onde o trabalho represente de fato o fundamento ontológico da emancipação humana
Abstract: Nowadays dance has definitely become part of the research, reflexive, institutional and academic field, as one of the richest cultural and civilizatory expressions. From a historical and philosophical inspiration we intended, with this research, to defend the possibility of new articulations among dance, school, political life, economic questions, social places and the multiple expressions of culture. From speech and symbolic representations which configure the multiple identities of dance in the society of images, we intended to testify that those representations are a myriad of aesthetical simulacra, subjcted to fragmented apropriations, defined by social conditions of class and its consequential consciousness. Then we developed a necessary and possible rereading of the Greek pedagogical tradition defined as the Hellenic ideal of education or Greek Paideia. At last, we defined possibilities of a rereading of the modern aesthetics tradition, articulating it with the educative praxis, in order to identify the pontentiality of the refoundation of this ideal from new conceptions and new social and pedagogical subjects: the dance as an organic part of a new Paideia, in a new school. In the class society these new configurations are possible only as critical approaches, as political and educational resistences. This new condition will only be entirely possible in another society, where labor represents plenarily the ontological fundament of human emancipation
Doutorado
Historia, Filosofia e Educação
Doutor em Educação
Isaac, Rochell J. „AFRICAN HUMANISM: A PRAGMATIC PRESCRIPTION FOR FOSTERING SOCIAL JUSTICE AND POLITICAL AGENCY“. Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/186541.
Der volle Inhalt der QuellePh.D.
This study explores an African conception of Humanism as distinct from the European model and challenges the notion that Humanism is an entirely European construct. I argue that the ideological core of Humanism originated in ancient Kemet, the basis of which frames the African worldview. Furthermore, the theoretical framework provided by the African Humanistic paradigm serves as a model for structuring inter and intra group relations, for tackling notions of difference and issues of fundamentalism, for addressing socio-economic political concerns, and finally, to shift the currents of political rhetoric from one of jouissance to a more progressive and pragmatic stance.
Temple University--Theses
Bücher zum Thema "Social sciences -> philosophy -> aesthetics"
W, Wartofsky Marx, Gould Carol C und Cohen R. S, Hrsg. Artifacts, representations, and social practice: Essays for Marx Wartofsky. Dordrecht: Kluwer Academic Publishers, 1994.
Den vollen Inhalt der Quelle findenThyssen, Ole. Iagttagelse og blindhed: Om organisation, fornuft og utopi. København: Handelshøjskolens Forlag, 2000.
Den vollen Inhalt der Quelle findenGabriel, Rockhill, und Watts Philip 1961-, Hrsg. Jacques Rancière: History, politics, aesthetics. Durham: Duke University Press, 2009.
Den vollen Inhalt der Quelle findenBoudinet, Gilles. Des arts et des idées au XXe siècle: Musique, peinture, philosophie et sciences humaines : fragments croisés. Paris: L'Harmattan, 1998.
Den vollen Inhalt der Quelle findenBoudinet, Gilles. Des arts et des idées au XXe siècle: Musique, peinture, philosophie, sciences humaines et intermezzos poétiques, fragments croisés. 2. Aufl. Paris: Harmattan, 2000.
Den vollen Inhalt der Quelle findenMatjus, Ülo. Kõrb kasvab. Tartu: Ilmamaa, 2003.
Den vollen Inhalt der Quelle findenYue, Youxi. Zhui xun shi yi de qi ju: Xian dai xing yu shen mei jiao yu. 8. Aufl. Beijing: Ren min chu ban she, 2009.
Den vollen Inhalt der Quelle findenSysoli͡atin, V. V. Filosofii͡a, naukovedenie, sot͡siologii͡a, chelovekoznanie, ėtika, ėstetika. Ti͡umenʹ: [s.n.], 1993.
Den vollen Inhalt der Quelle findenFalaky, Fayçal. Social contract, masochist contract: Aesthetics of freedom and submission in Rousseau. Albany: State University of New York Press, 2014.
Den vollen Inhalt der Quelle findenHughes, Jon. Facing modernity: Fragmentation, culture and identity in Joseph Roth's writing in the 1920's. London: Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic and Romance Studies, University of London, 2006.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Social sciences -> philosophy -> aesthetics"
Li, Jia, und Bin Chen. „On the Text Interpretation and Value Philosophy of Violence Aesthetics in Mo Yan's Novels“. In Proceedings of the 2022 5th International Conference on Humanities Education and Social Sciences (ICHESS 2022), 1498–502. Paris: Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-89-3_171.
Der volle Inhalt der QuelleTaliaferro, Charles. „Aesthetics (Philosophy)“. In Encyclopedia of Sciences and Religions, 25–29. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_1548.
Der volle Inhalt der QuelleEfal-Lautenschläger, Adi. „Aesthetics“. In Encyclopedia of Early Modern Philosophy and the Sciences, 17–24. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-31069-5_598.
Der volle Inhalt der QuelleEfal-Lautenschläger, Adi. „Aesthetics“. In Encyclopedia of Early Modern Philosophy and the Sciences, 1–7. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-20791-9_598-1.
Der volle Inhalt der QuelleHawkesworth, Mary. „Social sciences“. In A Companion to Feminist Philosophy, 204–12. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164498.ch20.
Der volle Inhalt der QuelleWilliams, Nina, und Thomas Keating. „From Abstract Thinking to Thinking Abstractions: Introducing Speculative Geographies“. In Speculative Geographies, 1–32. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0691-6_1.
Der volle Inhalt der QuelleKincaid, Harold. „Social Sciences“. In The Blackwell Guide to the Philosophy of Science, 290–311. Oxford, UK: Blackwell Publishers Ltd, 2008. http://dx.doi.org/10.1002/9780470756614.ch14.
Der volle Inhalt der QuelleLiu, Yuan. „The Art Historical Critique of Hegel's Aesthetic Philosophy by Gombrich“. In Advances in Social Science, Education and Humanities Research, 1071–79. Paris: Atlantis Press SARL, 2024. http://dx.doi.org/10.2991/978-2-38476-259-0_112.
Der volle Inhalt der QuelleFoster Gage, Mark. „Philosophy and the Aesthetics of Social Engagement 1“. In Designing Social Equality, 69–80. New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781351249669-9.
Der volle Inhalt der QuelleBaert, Patrick, und Fernando Domínguez Rubio. „Philosophy of the Social Sciences“. In The New Blackwell Companion to Social Theory, 60–80. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444304992.ch3.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Social sciences -> philosophy -> aesthetics"
Polska, Iryna. „MUSICAL ENSEMBLE AS A FACTOR IN THE ETHICAL AND SOCIAL CONSOLIDATION“. In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s07.068.
Der volle Inhalt der QuelleZhao, Xinshu, und Xin Liu. „The Occurrence of Aesthetic Ethics in Primitive Society: Marx’s Perspective of Objective Sensibility“. In 5th International Conference on Contemporary Education, Social Sciences and Humanities - Philosophy of Being Human as the Core of Interdisciplinary Research (ICCESSH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200901.023.
Der volle Inhalt der QuelleYang, Jiyong, und Xianjie Yang. „The discovery about the commonness of Six Dynasties' aesthetics of literature and art and ideological system's methodology———the traditional contexts' characteristics of philosophy and value research contained in Wen Fu, The Literary Mind and the Carving of Dragons and other literary works“. In Proceedings of the 2019 5th International Conference on Humanities and Social Science Research (ICHSSR 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ichssr-19.2019.137.
Der volle Inhalt der QuelleDong, Lili. „Research on Traditional Aesthetic Philosophy in the Japanese Literature“. In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.283.
Der volle Inhalt der QuelleBa Trinh, Nguyen. „Convergent Philosophy“. In 5th International Conference on New Findings On Humanities and Social Sciences. Acavent, 2020. http://dx.doi.org/10.33422/5th.hsconf.2020.11.102.
Der volle Inhalt der QuelleZhang, Xiao-long. „Study on Phenomenological Philosophy of Social Sciences“. In Proceedings of the 2018 3rd International Conference on Modern Management, Education Technology, and Social Science (MMETSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/mmetss-18.2018.88.
Der volle Inhalt der QuelleABBAS, Nada Mousa. „AL-MAQDISI'S HISTORICAL PHILOSOPHY“. In I. International Baghdad Congress for Humanities and Social Sciences. Rimar Academy, 2024. http://dx.doi.org/10.47832/baghdad.congress1-3.
Der volle Inhalt der QuelleAbbas, Prof Dr Nada Mousa. „AL-YAQOUBI'S PHILOSOPHY OF HISTORY“. In I. International Dubai Social Sciences and Humanities Congress. Rimar Academy, 2024. http://dx.doi.org/10.47832/dubaicongress1-2.
Der volle Inhalt der QuelleZhang, Ai. „Broken Aesthetics: Wasteland Film“. In 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.109.
Der volle Inhalt der QuelleMakovetskaya, Maria. „THE ONTOLOGY OF ART IN PHILOSOPHY OF NICOLAI HARTMANN“. In NORDSCI Conference on Social Sciences. SAIMA CONSULT LTD, 2018. http://dx.doi.org/10.32008/nordsci2018/b1/v1/44.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Social sciences -> philosophy -> aesthetics"
Bengio, Yoshua, Caroline Lequesne, Hugo Loiseau, Jocelyn Maclure, Juliette Powell, Sonja Solomun und Lyse Langlois. Interdisciplinary Dialogues: The Major Risks of Generative AI. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, März 2024. http://dx.doi.org/10.61737/xsgm9843.
Der volle Inhalt der QuelleHEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, Oktober 2020. http://dx.doi.org/10.47816/01.001.20.
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