Auswahl der wissenschaftlichen Literatur zum Thema „Social control – fiction“
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Zeitschriftenartikel zum Thema "Social control – fiction"
Belsunces Gonçalves, Andreu, Grace Polifroni Turtle, Antonio Calleja, Raul Nieves Pardo, Bani Brusadin und Ignasi Ayats Soler. „Data Control Wars: Collaborative Fiction, Transition Design and Technological Sovereignty“. Temes de Disseny, Nr. 36 (01.10.2020): 208–39. http://dx.doi.org/10.46467/tdd36.2020.208-239.
Der volle Inhalt der QuellePetrovec, Dragan, und Mitja Muršič. „Science Fiction or Reality“. Prison Journal 91, Nr. 4 (12.10.2011): 425–47. http://dx.doi.org/10.1177/0032885511424392.
Der volle Inhalt der QuelleKrasmann, Susanne, und Sylvia Kuehne. „‘My fingerprint on Osama’s cup.’ On objectivity and the role of the fictive regarding the acceptance of a biometric technology“. Surveillance & Society 12, Nr. 1 (21.11.2013): 1–14. http://dx.doi.org/10.24908/ss.v12i1.4718.
Der volle Inhalt der QuelleCronshaw, Darren. „Beyond Divisive Categorization in Young Adult Fiction: Lessons from Divergent“. International Journal of Public Theology 15, Nr. 3 (27.10.2021): 426–45. http://dx.doi.org/10.1163/15697320-01530008.
Der volle Inhalt der QuelleWeitzman, Steve. „The Samson Story as Border Fiction“. Biblical Interpretation 10, Nr. 2 (2002): 158–74. http://dx.doi.org/10.1163/156851502760162807.
Der volle Inhalt der QuelleMartin, Theodore. „War-on-Crime Fiction“. PMLA/Publications of the Modern Language Association of America 136, Nr. 2 (März 2021): 213–28. http://dx.doi.org/10.1632/s003081292100002x.
Der volle Inhalt der QuelleAl-zubi, Hasan. „The Genteel Realist James as a Pessimistic Naturalist in The Princess Casamassima“. International Journal of Literature Studies 3, Nr. 1 (09.02.2023): 09–21. http://dx.doi.org/10.32996/ijts.2023.3.1.2.
Der volle Inhalt der QuelleKakar, Sara Iqbal, Humaira Riaz und Nayab Ahmad Khan. „‘WAR AS REMEDY OR POISON’: READING THE BLIND MAN'S GARDEN AND THE KITE RUNNER WITH A CRITICAL LENS OF MBEMBE’S NECROPOLITICS“. Humanities & Social Sciences Reviews 9, Nr. 3 (30.06.2021): 1577–84. http://dx.doi.org/10.18510/hssr.2021.93158.
Der volle Inhalt der QuelleCronshaw, Darren. „Resisting the Empire in Young Adult Fiction: Lessons from Hunger Games“. International Journal of Public Theology 13, Nr. 2 (01.07.2019): 119–39. http://dx.doi.org/10.1163/15697320-12341568.
Der volle Inhalt der QuelleWood, Mark A. „Algorithmic tyranny: Psycho-Pass, science fiction and the criminological imagination“. Crime, Media, Culture: An International Journal 15, Nr. 2 (10.05.2018): 323–39. http://dx.doi.org/10.1177/1741659018774609.
Der volle Inhalt der QuelleDissertationen zum Thema "Social control – fiction"
Harris, Clea D. „The Germ Theory of Dystopias: Fears of Human Nature in 1984 and Brave New World“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/699.
Der volle Inhalt der QuelleOliveira, Margareth Laska de. „A leitura da erotização da infância e da cultura do estupro: denúncia social na obra Sapato de salto, de Lygia Bojunga“. Universidade Tecnológica Federal do Paraná, 2017. http://repositorio.utfpr.edu.br/jspui/handle/1/2571.
Der volle Inhalt der QuelleThis research aimed to understand rape culture and the resulting eroticization of childhood built by the patriarchal society and represented in children’s literature, here in the novel “Sapato de Salto”, written by brazilian author Lygia Bojunga, and published in 2006. Based on interpretive hypothesis that the media has a great influence on the eroticization and objectification of the child, it sought to understand how the rape culture and the eroticization of hildhood are socially constructed by the media and reiterated in the idealization of femininity and masculinity, a kind of early maturity of childhood was highlighted as a form of justification for sexual violence. Thus, the relevance of this work is demonstrated in the need to discuss and to denounce child sexual abuse. It hould give voice to those who do not have speech space in the society and are vulnerable within a culture that naturalizes the eroticization of their bodies and blames the victims of pedophilia and child prostitution. For this purpose, feminist theories were used as a basis for discussing gender issues present in the novel, in addition, there was a necessity to construct a theoretical framework that deals with the relations between the novel and a technological environment that validates the female body as a sexual object. Therefore, it was used exploratory research and bibliographical survey about the subject, made it possible to deepen the proposed theme, carrying out a qualitative analysis. It was verified that the high heel shoe, used by the character aunt Inês and later by the character Sabrina, as prostitute, denotes the attempt of early maturity to justify the child prostitution. Thus, it sought to understand how the author builds the symbology of the shoe in contrast to the bare feet and how the consumer society emphasizes this object, influencing through the media the eroticization of childhood, in a need to highlight a discourse that transforms girls early into sexual objects. In addition, it was also verified how the representation of the shoe in the novel refers to the fairy tale of Cinderella, in a intertextual way. This tale is recreated inexhaustibly by the literature and by many other medias. Thus, this research contributes to the discussion and understanding of rape culture and the eroticization of childhood present in the patriarchal society, emphasizing the necessity for reflection about the theme and the pursuit for the protection of childhood and the end of the impunity of sexual aggressors and even more, literature has been stood out as a representation of this society that naturalizes sexual violence.
Blais, Mathieu. „La pauvreté représentée : sociocritique de la figure de pauvreté dans les récits de fiction de forme brève du XIXe siècle (1840-1869)“. Thèse, 2012. http://www.archipel.uqam.ca/5109/1/D2342.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Social control – fiction"
Jabaley, Jennifer. Crush control. New York: Razorbill, 2011.
Den vollen Inhalt der Quelle findenMcNay, Mark. Under control. San Francisco, CA: Macadam/Cage Pub, 2009.
Den vollen Inhalt der Quelle findenMcNay, Mark. Under Control. Edinburgh: Canongate Books, 2009.
Den vollen Inhalt der Quelle findenFitzhugh, Bill. Pest control. New York: Avon Books, 1997.
Den vollen Inhalt der Quelle findenFitzhugh, Bill. Pest control. New York: Avon Books, 1997.
Den vollen Inhalt der Quelle findenBillerbeck, Kristin. She's out of control. Waterville, Me: Christian Large Print, 2009.
Den vollen Inhalt der Quelle findenJenkins, Victoria. Cruise control. Sag Harbor, NY: Permanent Press, 2002.
Den vollen Inhalt der Quelle findenBillerbeck, Kristin. She's out of control: A novel. Nashville, Tenn: WestBow Press, 2004.
Den vollen Inhalt der Quelle findenHorn, Peter. My voice is under control now: And other stories. Cape Town: Kwela Books, 1999.
Den vollen Inhalt der Quelle findenPeris, Teresa Fuentes. Visions of filth: Deviancy and social control in the novels of Galdós. Liverpool: Liverpool University Press, 2003.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Social control – fiction"
Day Frank, Morgan. „Really, Really Secret Societies“. In Schools of Fiction, 205–35. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192867506.003.0007.
Der volle Inhalt der QuelleSeal, Lizzie, und Maggie O’Neill. „Imagining Dystopian Futures in Young Adult Fiction“. In Imaginative Criminology, 117–32. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529202687.003.0007.
Der volle Inhalt der QuelleHervey, Shannon. „Information Disembodiment Takeover“. In Posthumanism in Young Adult Fiction, 27–52. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816696.003.0002.
Der volle Inhalt der QuelleMcGregor, Rafe. „Criminological Cinema“. In A Criminology Of Narrative Fiction, 115–34. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529208054.003.0007.
Der volle Inhalt der QuelleBailey, James. „The Desegregation of Spark“. In Muriel Spark's Early Fiction, 1–33. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475969.003.0001.
Der volle Inhalt der QuelleReitz, Caroline. „The Fin-de-Siècle Detective: ‘But My Job Don’t End There’“. In The Edinburgh Companion to Fin de Siècle Literature, Culture and the Arts. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474408912.003.0023.
Der volle Inhalt der QuelleSilva, Kumarini. „Wielding Identity to Organize Warfare“. In Brown Threat. University of Minnesota Press, 2016. http://dx.doi.org/10.5749/minnesota/9781517900021.003.0006.
Der volle Inhalt der QuelleHanley, Will. „Bad Subjects“. In Identifying with Nationality, 217–35. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231177627.003.0011.
Der volle Inhalt der QuelleLucey, Colleen. „Introduction“. In Love for Sale, 1–18. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501758867.003.0001.
Der volle Inhalt der QuelleTacer, Özgür. „Building Another World: Perdido Street Station“. In Architecture in Contemporary Literature, 240–49. BENTHAM SCIENCE PUBLISHERS, 2023. http://dx.doi.org/10.2174/9789815165166123010032.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Social control – fiction"
Vale, Constance. „Image Fictions: Fabricating Worlds“. In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.57.
Der volle Inhalt der QuelleSioli, Angeliki, und Kristen Kelsch. „Strategic Deviations: Pedagogical Surprises in the Expected Flow of Things“. In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.103.
Der volle Inhalt der QuelleMattana, Leticia, Carlos Eduardo Verzola Vaz und Patrícia Turazzi Luciano. „Ciclo de oficinas GMA“. In ENCONTRO NACIONAL SOBRE O ENSINO DE BIM. Antac, 2021. http://dx.doi.org/10.46421/enebim.v3i00.307.
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