Zeitschriftenartikel zum Thema „Slovak Young adult poetry“
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Martinek, Libor. „Vztahy mezi literaturou a hudbou v díle Gustawa Morcinka“. Studia Slavica XXVII, Nr. 1 (November 2023): 45–57. http://dx.doi.org/10.15452/studiaslavica.2023.27.0004.
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The study is devoted to the interdisciplinary relationship between literature and music in the work of the most popular Polish writer from Silesia, Gustaw Morcinek (born Augustín Morcinek, August 24, 1891 in Karviná, Austria-Hungary – December 20, 1963 in Krakow, Poland). In his rich literary work for adults as well as for children and young people, while it is mainly prose, less often drama (he did not devote himself to poetry), we find inspiration in musical folklore (mainly Silesian, exceptionally Moravian and Slovak), also in popular and classical music. The music in Morcinek’s work serves, among other things, to better characterize space and time, character traits of the characters, and capture the overall mood of the literary work or part of it. In our study, we are methodologically based primarily on the works of the Polish comparatist Andrzej Hejmej, who has been theoretically devoted to the relationship between literature and music for a long time.
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DIMOVA, Irena. „Childhood memory as “Natural memory” in poems by the Slovak author Ján Stacho“. Problems of slavonic studies 70 (2021): 181–89. http://dx.doi.org/10.30970/sls.2021.70.3746.
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Background: Ján Stacho is an eminent Slovak author (1936–1995) who first has published in 1959. Two years later he became member of the so-called Trnava group, made up of him, Ján Ondruš, Jozef Mihalkovič and Ľubomír Feldek. The group’s poet-ics and aesthetics can be found in their manifestos – “There will be a talk about chil-dren's poetry”, “There will be a talk about translation” and “There will be a talk about poetry”, the last of which is lost. Ján Ondruš’s debut book “Wedding Journey“ was first published in 1961. His poems and one of the group’s literary manifestos are the subject of the present study. Purpose: The article examines the idea of childhood memory as “natural memory”. The concept is found in the poetry of Ján Ondruš, who is part of the Slovak poetry Trnava group. His poems serve the purpose of the article – to look at the realizations of the concretists’ theoretical views in the poems of the author mentioned above. Results: The article outlines the concept of memory, which we find in the aesthetic platform of the Slovak Trnava group, specifically in their manifesto “There will be a talk about children's literature.” In this text, the authors plead for writing poetry that is not “sucked from the finger” but is “squeezed” from memory. We deduce the “uses” of memory from the texts of one of the Trnava groups’ representatives, Ján Stacho. The subject of our research is his debut poetry collection from 1961, “Wedding Journey.” In his poems, we connect memory – as childhood and natural – with the metaphor of “salt-ing the senses” and the naive, unencumbered “sensing” the world to grasp the latter. We also include an intertextual reference to the text "Memory" of another poet from the Trnava group Ján Ondruš, which representatives refer to as one of their program’s works. Key words: childhood memory, natural memory, senses, Slovak literature, Trnava group. Bílik, R., 2000. Ľubomír Feldek. Bratislava: Kalligram. (In Slovak) Bokníková, A., 2006. Trnava Group – Concretists. Bratislava: Kalligram. (In Slovak) Feldek, Ľ., 2007. The Doomed Group of Trnava. Bratislava: Columbus. (In Slovak) Gilman, R., 2005. The Drama Is Coming Now: The Theater Criticism of Richard Gilman. New Haven and London: Yale University Press. (In English) Hajko, D., 1998. Ján Stacho: Essay on the Poet Who Wanted to Read the Ciphers of Being. Bratislava: National Literary Centre. (In Slovak) Jelínek, A., 1961. Vítězslav Nezval. Praha: Czechoslovak Writers. (In Czech) Kupec, I., 1955. In Defense of Poetry. Cultural Life, 44 (10), pp.4–6. (In Slovak) Maslowski, N. and Šubrt, J., 2015. Collective Memory. Theoretical Questions. Praha: Karolinum. (In Slovak) Matejov, F., 1986. Ján Ondruš’ Poem Memory. V: Literary Views. Proceedings of Young Literary Science. Bratislava: Smena, pp.164–185. Mikula, V., 2013. “Red” Fifties in “Golden” Sixties. V: Waiting for History. Articles on Slovak Literary History. Bratislava: UK, pp.127–147. (In Slovak) Nora, P., 2004. The Global Rise of Memory. V: Y. Znepolsky, red. Pierre Nora. Places of Memory and Constructing the Present. Sofia: House for Science and Society, pp.19–35. (In Bulgarian) Ondruš, J., 1965. The Mad Moon. Bratislava, 1965, 1982. (In Slovak) Ondruš, Ya., 1997. Out of the Mirror. Sofia: Literary front. (In Bulgarian) Prodanov, V., 2006. Memory Speculations. V: Culture and Memory. Varna, pp.58–85. (In Bulgarian) Stacho, J., 1961. Wedding Journey. Bratislava, 1961. (In Slovak) Šimonovič, J., 1962. According to Wedding Journey. Young Creation, 7(8–9), pp.28–29. (In Slovak)
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Zitlow, Connie S. „Young Adult Literature: Did Patty Bergen Write This Poem?: Connecting Poetry and Young Adult Literature“. English Journal 84, Nr. 1 (Januar 1995): 110. http://dx.doi.org/10.2307/820491.
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Neira-Piñeiro, María del Rosario. „Children as Implied Readers in Poetry Picturebooks: The Adaptation of Adult Poetry for Young Readers“. International Research in Children's Literature 9, Nr. 1 (Juli 2016): 1–19. http://dx.doi.org/10.3366/ircl.2016.0179.
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This article analyses Spanish poetry picturebooks for children and young adult readers based on adult poetry. It argues that the main changes that occur in the adaptation process involve the paratexts and literary communication, while the pictures play a prominent role in the creation of the new implied reader. The illustrations transform the original poems in many ways: they can describe, represent the poetic voice, add a story, introduce visual imagery or guide interpretation among other things. Finally, the article examines the pedagogical implications of these picturebooks and argues that they are a good resource for literary education, as they make great literature more attractive and accessible for children and young adults.
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Hlebová, Bibiána. „Roma in Children’s and Young Adult Literature in Slovakia“. Libri et liberi 12, Nr. 1 (01.09.2023): 73–97. http://dx.doi.org/10.21066/carcl.libri.12.1.4.
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This paper presents the first systematic overview of the artistic production of Romany authors in literature for children and young people in Slovakia in the context of its three developmental stages – from the 1930s until the end of the 1950s, from the beginning of the 1960s until 1989, and from 1989 to the present. Simultaneously, the study points out the contemporary socio-economic conditions of Roma people’s life in Slovakia that are perceived as causes and consequences of their complicated process of self-identification, emancipation, and cultural self-realisation in Slovak art for children and young people. The paper highlights the beginnings of several Roma authors, who, in their poems, prose, and dramatic creations for children and young people, revived traditional motifs of Romany folklore (songs and folktales) about love and the ancient longings of Roma people for happiness, freedom, and liberty. Thus, they created the conditions for the forming and continuous development of Roma literature for children and young adults in Slovakia.
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Lesesne, Teri S. „BOOK TALK: What Books Should Anyone Working with Teens Know?“ Voices from the Middle 9, Nr. 3 (01.03.2002): 47–52. http://dx.doi.org/10.58680/vm20022404.
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Presents an annotated list of 44 young adult books that represent the wide range of young adult literature available for teens. Represents a variety of genres from poetry to science fiction/fantasy to historical fiction and story collections. Lists the 2002 winners for six major awards.
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Letcher, Mark. „Off the Shelves: Poetry and Verse Novels for Young Adults“. English Journal 99, Nr. 3 (01.01.2010): 87–90. http://dx.doi.org/10.58680/ej20109529.
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Stover, Lois T. „What’s New in Young Adult Literature for High School Students?“ English Journal 86, Nr. 3 (01.03.1997): 55–62. http://dx.doi.org/10.58680/ej19973356.
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Discusses, from the perspective of the co-editor of the National Council of Teachers of English’s annotated yearly booklist for high school students, new young adult literature and trends. Presents annotations of adolescent literature on hot topics (AIDS, abuse, death), choices and transitions, poetry, nonfiction, diversity issues, and historical fiction.
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Gallo, Don. „Bold Books for Teenagers: Hungry for More Poetry“. English Journal 96, Nr. 1 (01.09.2006): 120–23. http://dx.doi.org/10.58680/ej20065704.
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“Bold Books for Innovative Teaching” provides dynamic, informative viewpoints on important issues in publishing and teaching contemporary literature, especially literature for adolescents. Reviews of young adult literature will also appear in this column.
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Crowe, Chris. „Young Adult Literature: Silverstein and Seuss to Shakespeare: What Is in Between? by Margie K. Brown“. English Journal 90, Nr. 5 (01.05.2001): 150–56. http://dx.doi.org/10.58680/ej2001784.
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Points out the rich variety of poetry for teenagers available today, and suggests reasons why teenagers might have a difficult time finding it. Appends a list of more than 120 collections of poetry, arranged in categories.
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Zigová, Michaela, Eva Petrejčíková, Marta Mydlárová Blaščáková, Jana Gaľová, Hedviga Vašková, Soňa Kalafutová und Miriama Šlebodová. „Cardiometabolic risk assessment in Eastern Slovak young adults using anthropometric indicators“. Anthropological Review 86, Nr. 4 (27.12.2023): 81–97. http://dx.doi.org/10.18778/1898-6773.86.4.07.
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Introduction: Selected anthropometric indicators, such as anthropometric measurements, indices, or ratios could be reliable predictors of future cardiometabolic risk in primary prevention, especially in young adults. Aim: This study aimed to establish cardiometabolic risk status in young Eastern Slovak adults according to anthropometric indicators. Material and methods: Indicators used in this study, such as heart rate, blood pressure, five anthropometric measurements, as well as a total of 23 anthropometric indices and ratios were selected based on the available literature. These indicators were analyzed in 162 young adult participants of both sexes with a mean age of 20.78±2.22 years. The analyzed indices and ratios were calculated by routine anthropometry and were correlated with blood pressure and heart rate in the whole research group as well as among subgroups divided according to sex, obesity and hypertension status. Results: Our results showed frequently higher values of input characteristics in males (71.88%), and statistically significant differences between sexes in 81.25% of the characteristics. The values of systolic blood pressure were above the norm in all males, and they also dominated in the obesity group. Correlation analyses conducted on all participants and in subgroups indicated a positive statistical significance in several indicators. The vast majority of the anthropometric indicators were significantly correlated with physiological indicators in almost all subgroups. Only A body shape index (ABSI) correlation coefficients did not show a significant correlation with physiological indicators in all analyzed subgroups. The correlations tended to be stronger among subgroup exhibiting potential to obesity. All analyzed indices and ratios were significantly correlated (p ≤ 0.05), predominantly with blood pressure components rather than heart rate, especially in participants with the potential for disease complications than in participants without them. Conclusion: The analyzed indicators are noninvasive and useful although they may be at different levels of association and clinical significance for various conditions. Thus some of the indicators may be standardly used in the early diagnostic process for monitoring cardiovascular health and risk stratification of patients.
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Skowron-Schmidt, Pauline. „Carpe Librum: Seize the (YA) Book: Reading Aloud: Poetry at Its Finest“. English Journal 104, Nr. 4 (01.03.2015): 96–97. http://dx.doi.org/10.58680/ej201527050.
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Jackson, Mario. „Bookshelf: Kappan authors on their favorite reads“. Phi Delta Kappan 104, Nr. 5 (Februar 2023): 69. http://dx.doi.org/10.1177/00317217231156247.
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In this regular column, Kappan authors recommend books that have inspired them as educators. This month, Mario Jackson recommends the 1970 classic Pedagogy of the Oppressed by Paulo Friere. And Rachel S. White recommends the 2014 young adult novel in poetry The Crossover by Kwame Alexander.
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Falbová, Darina, Radoslav Beňuš und Lenka Vorobeľová. „Association between smoking status and body composition parameters in a young adult population“. Anthropological Review 86, Nr. 2 (11.07.2023): 77–87. http://dx.doi.org/10.18778/1898-6773.86.2.07.
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The purpose of this study was to analyze the association between smoking status and body composition parameters in 19–30 years old slovak population (mean age: 22,38 ± 2,34 years). The sample consisted of 379 individuals, including 143 men and 236 women. Body composition parameters were obtained using segmentation bioimpedance analysis. The results of our study showed that regular smokers had significantly higher values of waist circumference (p = 0.050), body mass index (p = 0.042), waist-toheight ratio (p = 0.027), fat mass index (p = 0.014) fat mass (p < 0.017), pecentual body fat (p = 0.008), trunk fat mass (FM, p = 0.008), leg fat mass (p = 0.029), and visceral fat area (p = 0.017) compared to non-smokers. Using correlation analysis, we detected an increase in FM (kg) values along with the frequency of smoking (r = 0,136; p = 0,009). Moreover, smoking positively correlated with coffee (r = 0.147; p = 0.002), energy drinks (r = 0.259; p < 0.001), and alcohol consumption (r = 0.101; p = 0.035). Smokers also added salt to their food more often (r = 0.132; p = 0.005) and worked less (r = -0.111; p = 0.025). In this study we confirmed the significant association of smoking with the body composition components, while it is responsible for higher adiposity in young adults.
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Hong, Huili. „Writing as defamiliarization processes: An alternative approach to understanding aesthetic experience in young children’s poetry writing“. Journal of Early Childhood Literacy 19, Nr. 2 (09.06.2017): 175–205. http://dx.doi.org/10.1177/1468798417712338.
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This article provides a unique lens for understanding young children’s poetry writing. It focuses on defamiliarization as a cultural tool and practice to engage students’ imagination, playfulness, creativity and aesthetic experience into their poetry writing and to experience the world differently and aesthetically. The research aims of this article are (a) to examine how familiar things were defamiliarized in children’s poetry writing process and poems and (b) to explore what and how aesthetic experiences could result from the defamiliarization process. More specifically, three key literacy events were selected from different writing units during one academic year. Ethnographic discourse analysis was adopted to examine the teacher–student interactive conversations in poetry writing when they defamiliarized their familiar things, places and situation. The data analysis showed that the defamiliarization process made an important contribution to the young writers’ development of language, literacy and their sense of self as a writer. The results exemplified defamiliarization processes as a way to promote the teaching and learning of writing for aesthetic experience beyond linguistic text production. Furthermore, the article provides critical indicators that link children’s writing and multilayered aesthetic experience, and it highlights the critical role of an adult/teacher in channelling children’s affinity with play, imagination, creativity and aesthetic experience into their poetry writing.
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Henze, Adam D. „Read This Book Out Loud: A Critical Analysis of Young Adult Works by Artists from the Poetry Slam Community“. International Journal of Literacy, Culture, and Language Education 4 (01.08.2015): 37–53. http://dx.doi.org/10.14434/ijlcle.v4i0.26915.
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This article examines the efforts of notable authors from the poetry slam community who have published Young Adult works intended for the classroom. Numerous secondary educators have embraced spoken word poetry as an engaging art form for teenagers yet often express difficulty in finding age‐appropriate material to share in school settings. This literature review hopes to serve as an introductory reference for secondary educators and researchers, and differs from slam‐themed reviews in that it specifically highlights artists from the slam circuit who have transitioned into YA publishing. Since the featured authors hail from backgrounds in theatre and performance, the works discussed often incorporate characteristics of oral verse that seemingly transcend the print medium. Also examined is the inherent barrier between oppositional, profane narratives embraced by youth, and the expectations of educational institutions who use censorship to sterilize places of learning. Written by an educator and academic who has been a part of the slam community for over a decade, this article offers an insider’s perspective for secondary educators, researchers, and fans of spoken word poetry who wish to know more about integrating the works of prominent ‘slammers’ into their classroom curricula.
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Holdoš, Juraj. „Type D Personality in the Prediction of Internet Addiction in the Young Adult Population of Slovak Internet Users“. Current Psychology 36, Nr. 4 (04.07.2016): 861–68. http://dx.doi.org/10.1007/s12144-016-9475-6.
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Yoo, Hyun-Joo. „Analysis of Trends in Research on Children’s and Young Adult Literature/Literature Education“. Korean Society for Teaching English Literature 26, Nr. 2 (30.08.2022): 87–123. http://dx.doi.org/10.19068/jtel.2022.26.2.04.
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Since the Korean Society for Teaching English Literature (KSTEL) was founded in 1992, it has grown into an academic organization representing English literature-related research and education in Korea through various active academic activities, including biannual academic conferences and the publication of the Journal of Teaching English Literature (JTEL) three times a year. JTEL is a vital source of information on children’s and young adult literature and literature education by featuring analyses of poetry, fiction, drama, film, and non-fictional materials and providing ideas for teaching children’s and young adult literature in the classroom.
To celebrate KSTEL’s 30th anniversary, this paper reviews and draws the trajectory of the kinds of writers, literary works, and research topics that scholars have been interested in. In this paper, I comprehensively examine and analyze the changes in goals, methodology, topics, themes, perspectives, and contents of research papers related to children’s and young adult literature criticism and literature education over the past three decades. I also make some suggestions regarding the journal’s direction for the future based on personal opinions and beliefs.
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Egorova, L. V. „Pestereva, E. (2021). The instinct of enlightenment. St. Petersburg: Aleteya. (In Russ.)“. Voprosy literatury, Nr. 2 (06.05.2022): 282–87. http://dx.doi.org/10.31425/0042-8795-2022-2-282-287.
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The book is a collection of Elena Pestereva’s philological and critical articles, overviews, reviews, and essays. Equally good are ‘one-off pieces’ and continued articles devoted to the recurrent and highly appreciated characters of Tsvetkov, Yuriev, and Gandlevsky. The book contains over fifty articles, grouped into three sections. The section entitled ‘Context’ features chapters on festivals and poetry, literary awards and poetry, and specific cases of visual arts and poetry. The section ‘Text’ discusses the poets from the Moscow Time [Moskovskoe vremya] circle and the Lwów school of poetry, as well as prose writers, critics and their books. ‘Intertext’ contains reviews of new books, originally for the ‘Bookcase’ column of the Novaya Yunost journal. E. Pestereva possesses a refined literary taste, which inspires confidence in the readers of various media (thick literary journals, young adult magazines or glossies). And, even more importantly for a critic who substantiates her personal preferences with a scholarly argument, she is familiar with modern psychological methods.
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Urquhart, Zach, und Pearson Urquhart. „Fahrenheit 450“. Study & Scrutiny: Research on Young Adult Literature 6, Nr. 1 (26.08.2023): 138–65. http://dx.doi.org/10.15763/issn.2376-5275.2023.6.1.138-165.
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In this article, we use what we are dubbing “Conversation through Poem” to explore the lived experiences of a father and his daughter, a young adult who has read many of the books that are frequently labeled controversial and banned in schools and libraries. We wrote a series of poems to reflect on how and to what degree reading controversial books has had positive or negative effects. With Parsons’ Reproduction Theory (1959) as a framework, our discussion and reflection through poetry suggests that rather than indoctrinating young people, reading “controversial” books leads to an understanding an openness, as well as showing the need for the voice of young adults in the very conversations surrounding banned books.
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Margaretha, Chintya, und Liem Satya Limanta. „Cracks in the Self: A Poetry Collection Exploring Narcissism and Its Coping Mechanism in Youth“. k@ta kita 12, Nr. 1 (04.03.2024): 34–42. http://dx.doi.org/10.9744/katakita.12.1.34-42.
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When a girl grows up with an authoritarian parent, the trauma causes her to develop narcissistic personality disorder (NPD) in her young adult years, disrupting her ability to form healthy relationships with her mother, friends, and especially herself. To escape any emotional discomfort, she turns to non-suicidal self-injury (NSSI) as a coping mechanism. This narrative poetry explores the progression of Renee's life from childhood to her struggle with NPD in young adulthood. It highlights how dangerous NPD is when Renee resorts to NSSI to deal with the negative reactions from others. This creative work underscores the seriousness of NPD since it may lead to a harmful coping mechanism called NSSI.
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Grasko, Anna. „Young Scholars Conference “Slavic World: Community and Diversity”. Moscow, 23–24 May 2023. Section “Literary studies”“. Slavic World in the Third Millennium 18, Nr. 3-4 (2023): 262–66. http://dx.doi.org/10.31168/2412-6446.2023.18.3-4.17.
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Young scholars from Moscow (Lomonosov Moscow State University, Russian State University for the Humanities, A.N. Kosygin Russian State University, Institute of Slavic Studies of the Russian Academy of Sciences, Library of the Russian Academy of Sciences), Kaliningrad (Immanuel Kant IKBFU), St. Petersburg (St. Petersburg State University, Russian National Library) and Nizhny Novgorod (N. I. Lobachevsky Nizhny Novgorod State University) and from Poland (Bialystok State University) attended the conference. During the first session, Slavic literature was examined from the point of view of poetics and intertextual connections based on the material of Slovenian (short prose of I. Cankar), Czech (drama by V. Havel), Polish (poetry of A. Mickiewicz), as well as Serbo-Croatian (the anthem of the former Yugoslavia) literature; the second meeting combined reports with literary and philosophical issues, examining Polish (J. Iwaszkiewicz, Ch. Milosz), Czech (R. Maly), Bulgarian (V. Paskov) and Macedonian (M. Andreevsky) literature; the focus of the third session was the types of Russian-Slavic literary connections using Russian-Czech examples (correspondence be-tween A.N. Pypin and E. Krasnogorskaya, comparison of the activities of F.L. Chelakovsky and A.S. Pushkin, Russian echoes of the drama R.U.R. by K. Capek), as well as Russian-Balkan materials (translations of J. Dučić’s poetry, echoes of the Balkan vampire theme in Russia in the XIXth century); the fourth meeting was dedicated to the problems of studying modern Slavic literatures, the participants turned to Czech (M. Urban, S. Beeler), Slovak (P. Vilikovsky) and Bulgarian (T. Dimova) literatures. The subsections were moderated by employees of the Institute of Slavic Studies of the Russian Academy of Sciences, specialists in Slavic literatures. Meeting participants and moderators actively engaged in scientific dialogue, identified problematic issues, and outlined further prospects for research. In addition to the speakers who took part in the conference every year, new participants joined the conference this year, which indicates the relevance of this regularly held scientific event.
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Putri Wulandari, Alisa. „ACEH PEOPLE'S BEDTIME CHILDREN TRADITION: Values and Messages Contained in Dodaidi's Poetry“. AKADEMIK: Jurnal Mahasiswa Humanis 3, Nr. 2 (01.05.2023): 59–65. http://dx.doi.org/10.37481/jmh.v3i2.594.
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Each region and tribe has its own traditions, just as in Aceh, there is a custom for people to put their children to sleep by singing Dodaidi poetry. In various literatures, it is explained that the custom of the people of Aceh to sing Dodaidi poetry is a legacy from their ancestors, which aims to teach Islamic religious values. In Muslim society it is believed that young children have good hearing and memory abilities, so various occasions, including when they sleep, are an opportunity to teach religious values. Based on this background, this research was conducted to analyze the values and messages contained in Dodaidi's poetry as a bedtime for children. To answer this goal, a scientific method was established in the form of a qualitative approach using a literature review research method. The object of this research is the Dodaidi poetry of the people of Aceh, Indonesia. The results of the study reveal that Islamic religious values are the main feature in Dodaidi's poetry, it contains deep messages for the life of the child as an adult, for example growing into a healthy and strong child so that he can defend his religion and country.
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Bariaková, Zuzana. „Mužské postavy v prozaickom svete Vandy Rozenbergovej“. Conversatoria Litteraria 17, Nr. XVII (20.10.2023): 55–64. http://dx.doi.org/10.34739/clit.2023.17.04.
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The paper analyses the depiction of male characters in the selected texts of the Slovak author Vanda Rozenbergová. Most of the attention is focused on a specific set of problems – on young/adolescent male characters within certain family and partner configurations and on the segments of childhood/adolescence displayed in Rozenbergová’s three books: Slobodu bažantom (Freedom to Pheasants) (2015), Muž z jamy a deti z lásky (The Man out of a Hole and the Children out of Love) (2017), and Zjedol som Lautreca (I Ate Lautrec) (2021), not only because they offer a very good insight into her general style of writing, but also due to her assessment of the character/hero of our times and forms of masculinity in contemporary literature. The interpreted prose largely deals with adolescence as an important period during which the a child turns into an adult. Rozenbergerová’s non-adult protagonists often represent the cathartic aspect of an insensitive society which lacks the sense of fellowship as well as empathy. Their meaning of life and its value is represented by almost epistemological privilege in the child’s ability to see what cannot be seen by the adult.
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Hope, Kristen, Dhruv Bhatt, Januka Jamarkatel, Brian King, Osish Niroula, Jeshis Jamarkatel, Siroun Thacker et al. „Poetry for Rights! Intergenerational Co-creation for Child Rights Scholarship“. Amicus Curiae 5, Nr. 3 (01.07.2024): 531–63. http://dx.doi.org/10.14296/ac.v5i3.5711.
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This article presents the work of a group of child rights activists including children, young people and a supporting adult, who creatively convey their thoughts and feelings about the most pressing contemporary issues in the field of children’s rights and explore implications for intergenerational co-authorship in the child rights space. The children and young people decided to use poetry as a form of communication to express themselves about the challenges and aspirations of being child rights activists in an era of polycrisis, and they then worked together to analyse the poems, identifying cross-cutting themes around mental health, navigating power relationships and demands for a more inclusive, equitable future. The text of the article contains links to online video recordings of the authors performing their poetry, inviting readers to immerse themselves in a multi-sensory experience of child-led, child rights scholarship. Accordingly, the article presents an exploration of imaginative, interactive and intergenerational scholarship on children’s rights and suggests that co-creation with children may provide a way of upholding children’s rights while making space for new epistemologies that challenge Eurocentric, adultist norms of knowledge production in the child rights space. Keywords: child rights; child participation; arts-based methods.
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Chick, Kay A. „Promoting Democratic Ideals and Social Action: Children’s Literature on the Civil Rights Movement and School Integration“. Social Studies Research and Practice 2, Nr. 1 (01.03.2007): 58–68. http://dx.doi.org/10.1108/ssrp-01-2007-b0005.
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This article highlights the role of social studies educators in promoting democratic ideals and social action. The benefits of incorporating children’s and young adult literature into the social studies curriculum in the elementary and middle school grades are discussed. Biography, historical fiction, poetry, and information books are presented to teach students about the civil rights movement and school integration. Literature extension activities are designed to encourage students to examine issues of equality, social justice, and human dignity, while also considering their own prejudices and perspectives on social action.
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Conrad, Rachel. „“We Are Masters at Childhood”: Time and Agency in Poetry by, for, and about Children“. Jeunesse: Young People, Texts, Cultures 5, Nr. 2 (Dezember 2013): 124–50. http://dx.doi.org/10.3138/jeunesse.5.2.124.
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This essay considers a selection of poetry by, for, and about children in order to explore representations of time and agency. Reading poems across contexts of writers’ age-related social positions and audiences can illuminate poets’ strategies for representing children’s agency in and over time, since representations of time are infused with adult-child power relations. Only poems written by young people conveyed a conception of temporal agency that encompassed characters’ experiences of time as children. The essay concludes by proposing a notion of children’s temporal standpoints that incorporates agency at the levels of action and social role.
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Chrzanowska-Kluczewska, Elżbieta. „The Language of Fear in Children’s Literature: A Case Study of Ted Hughes’s Poems for Children“. Tematy i Konteksty 16, Nr. 11 (2021): 453–71. http://dx.doi.org/10.15584/tik.2021.29.
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The article tackles the issue of the language of fear exploited in children’s literature, taking Ted Hughes’s Nature poems for young readers as the object of analysis. It presents a perspective of linguistic stylistics and literary semantics and as such is not meant to be a critical literary evaluation of Hughes’s poetry. Rather, it focuses on linguistic instruments of creating the aura of fear in children’s poetry and their cognitive import. The author has chosen a neuroscientific paradigm for the two closely related emotions – fear and anxiety – as propagated by American researcher Joseph LeDoux, most prominently in his work “Anxious” (2015). LeDoux maintains that the feeling of fear is not inborn but rather a cognitive construct emergent from the use of one’s native language practiced within a particular socio-cultural context. The unique atmosphere of Hughes’s poetry has been achieved by a rich lexicon of fear-related notions and a skillfully applied figuration (anthropomorphisms, similes). His poetic imagery powerfully complements the vocabulary and troping in calling to life fictional worlds, often uncanny and menacing, remote from the young readers’ experience. The author of this article perceives in the lexicon, figuration and multimodal imagery (both verbal and visual, the latter realized as illustrations in picture-books) an important didactic device that teaches children how to manage fearsome experiences. This capability will also prepare children to face anxiety, an emotion typical of adult life and related mostly to existential problems.
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Henze, Adam. „Read This Book Out Loud: A Review of Young Adult Works by Artists from the Poetry Slam Community“. ALAN Review 44, Nr. 2 (21.12.2017): 68–78. http://dx.doi.org/10.21061/alan.v44i2.a.8.
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Zinchuk, N., und O. Pogrebnyak. „THE OEUVRE OF ANDREI HADANOVICH IN THE CONTEXT OF MODERN BELARUSIAN-UKRAINIAN LITERARY INTERACTION“. Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, Nr. 35 (2019): 230–38. http://dx.doi.org/10.17721/2075-437x.2019.35.22.
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The article covers the main features of Andrei Hadanovich’s works as s a representative of the modern literary process in Belarus and his liaison with Ukrainian writers and translators. Considerable attention is paid to the first literary attempts of the Belarusian writer, the process of professional development and the features of postmodernism in his writings. In this context the poetry of Andrei Khadanovich combines the achievements of Eastern European «book» poetry with elements of modern culture (pop, rock, rap, urban slang). Using his poetry-song «Hotel Belarus» as example, the research depicts «classical» postmodernism features in Andrei Hadanovich’s works – intermediality, intertextuality, irony, play, numerous allusions, parodies, experiments with form and genre. The paper also describes the main directions of the Belarusian writer’s literary work in Ukraine, his role and place in the development and popularization of modern Ukrainian literature and culture among Belarusian readers. The creative cooperation between Andrei Hadanovich, Serhiy Zhadan, Oleksandr Irvanets and Yurii Andrukhovych is characterized on the basis of their poetry books and collaborations. In particular, review of Khadanovich’s works includes several books of poems – his very first edition of «Letters from the Blankets» in Ukrainian, «From Belarus with Love», also published in Ukraine but in Belarusian, twin books «Belarusian Man» and «Ukrainian Airlines», created in the close collaboration with Serhiy Zhadan and other young artists and translators. In addition to creating some «adult» poetry, the writer from Belarus is shown as children’s author. His book of funny lyrics for children “Daddy’s Notes” was also first published in Ukraine in Ukrainian translation.
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Brown, Margie K., und Kristana Miskin. „Young Adult Literature: Silverstein and Seuss to Shakespeare: What Is in Between? Discoveries: A Whole Lot of YA Poetry“. English Journal 90, Nr. 5 (Mai 2001): 150. http://dx.doi.org/10.2307/821889.
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Saper, Craig. „Saudades: Toward a Sociopoetics of Diaspora, Migration, & Exiled Writing“. Gragoatá 28, Nr. 62 (14.11.2023): e58721. http://dx.doi.org/10.22409/gragoata.v28i62.58721.en.
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Unpacking the term saudades, this article weaves together Claude Lévi-Strauss's research in Brazil for Tristes Tropiques with both Oswald de Andrade's 1928 Manifesto Anthropofago, and Rose and Bob Brown's visual poetry, travel guides, cookbooks, and young adult history books about Brazil. One can consider these projects as decolonial theory, poetry, and sociopoetics seventy or eighty years before decolonial theory became a widely discussed term. Augusto de Campos of the Noigandres group and a leader of the International Concrete Poetry movement wrote introductions to facsimile editions of both Oswald de Andrade's manifesto and then later to Bob Brown's republished collection of visual poems, 1450-1950. Although almost completely unknown now, Rose herself authored three children’s books, Two Children of Brazil, Two Children and their Jungle Zoo, and Amazon Adventures of Two Children, one social geography, Land and People of Brazil, and one biographical history, American Emperor: Dom Pedro II of Brazil, all while living in Brazil. Rose and Bob together edited the Brazilian American business weekly in the early and mid-1920s. All of these people may have known each other in Brazil as they worked and lived among overlapping circles of friends and colleagues involved in the modernist avant-garde, but as-of-yet, whether they met or not remains a mystery.
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Callinan, J., und I. Coyne. „Arts-based interventions to promote transition outcomes for young people with long-term conditions: A review“. Chronic Illness 16, Nr. 1 (13.07.2018): 23–40. http://dx.doi.org/10.1177/1742395318782370.
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Objectives To conduct a systematic review of arts-based interventions promoting transition from paediatric to adult services for young people (Note: The term young people refers to adolescents and young adults.) with long-term conditions and to explore their effectiveness. Interventions Arts-based interventions included studies of young people who were actively participating in the intervention rather than passive observers. Visual arts interventions included film/video production, time-based media, photography, animation, sculpture, audio, installation, sound recordings, painting, textiles, print, mixed media, multimedia. Arts-based interventions included creative writing, poetry, dance, choreography and storytelling. Main outcome measures We included all outcome measures relevant to transition and any chronic condition. These included: self-care knowledge and skills, autonomy, continuity of care, adherence to treatment and attendance at appointments. Results Seven studies reported arts-based interventions promoting outcomes that are relevant to transition. These studies showed that arts-based interventions may influence young people with long-term conditions self-esteem, confidence and self-expression. The findings must be treated with caution as the evidence was weak with studies using qualitative measures and of poor methodological quality. Conclusions There is a need for further research of arts-based interventions for children and adolescents with long-term conditions that incorporate objective measurements or validated tools to assess outcomes relevant to the transition process.
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Travagliati, Anna. „From illustrating poems to creating a picture book: Creative collaborations with Italian author Anna Travagliati, Italian artist Serena Della Bona and US translator and editor Bristin Scalzo Jones“. Book 2.0 13, Nr. 1 (01.07.2023): 51–74. http://dx.doi.org/10.1386/btwo_00082_1.
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In this article, author Anna Travagliati explores her creative collaborations with artist Serena Della Bona and translator and editor Bristin Scalzo Jones, in the form of summaries of two projects: Presagi | Omens: A Collection of Illustrated Poetry in Italian and in English (2021), whose English translation was carried out by Jones, and their latest project, the picture book La Cavaliera e la Notturna | The Knightess and the Nocturne, an original story which reinterprets the familiar fairy tale Sleeping Beauty. A large part of the article consists of interviews conducted by the author with Serena Della Bona and Bristin Scalzo Jones, who detail their respective backgrounds, interests, professional practices and their views on collaboration and on creating picture books for a young adult and adult readership. These interviews centre feminist collaboration in both content and form, in so far as they allow this article to push back against masculine individualistic conceptions of authorship by providing a polyphony of female voices, spoken in their own words. The article is accompanied by two appendices which provide examples from both Omens and The Knightess and the Nocturne.
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Ojcewicz, Grzegorz. „Muzyczno-synestezyjna przestrzeń Mariny Cwietajewej w eseju autobiograficznym „Matka i muzyka”“. Acta Neophilologica 1, Nr. XXII (01.06.2020): 149–70. http://dx.doi.org/10.31648/an.5224.
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The author presents Marina Tsvetaeva’s musical and synaesthetic space on the basis of My Mother and Music, her autobiographical essay. Synaesthesia, although present in the life of Tsvetaeva as a young child and adult poet, is not especially depict-ed in this particular piece of work. The writer chose her memories which encompass a significant period of time from her birth to her 42nd birthday as her main narrative focus. The musical sphere of the young child was presented through the piano and its attributes (the keyboard, pedals, music stand, metronome, notes, piano stool), which were a source of various – both positive and negative – experiences for this sensitive girl. Marina Tsvetaeva’s mother, unfulfilled as a pianist, undoubtedly played a toxic role in her musical education. Maria Tsvetaeva “drowned and killed her daughters with music”, making them feel an organic resistance towards required physical and mental efforts far too great for their age. The situation changed after her mother’s death when Marina could pour all her love for music into incredibly original lyric poetry, becoming one of the greatest writers of the 20th century.
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Moskalenko, Olga A. „The world of childhood in poetry by F. García Lorca: representation in Russian translation“. Philological Sciences. Scientific Essays of Higher Education, Nr. 1 (Januar 2021): 50–57. http://dx.doi.org/10.20339/phs.1-21.050.
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The article is devoted to a comparative analysis of translation Garcia Lorca’s verses from the series “Canciones para niños”. The author suggests to give up on understanding the work of the Spanish poet as tragic and pay attention on the phenomenon of “bright joy” in his works. The world of childhood is a core uniting many poems. “Canciones para niños” is distinguished by duality both at the level of structure and content, which is achieved by combining folklore motifs from the childhood with the adult symbolism of traditional images for Garcia Lorca. It should be noted that the "cold" color scheme, metal, monochrome are dominant: in this way the poet creates the mirror effect between the world of childhood and the world of adulthood. Light, weightless tunes are intended for children, and the cold world behind the looking glass is made for adults, for the “generation of 27” with whom Garcia Lorca determined the creative trajectories of the new era. А translator faces a difficult task: to convey the ambivalence of images, preserving the simplicity and playful laconicism of the form for young readers, revealing the deep tragedy of the disappointments of growing up for their parents.
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Oikarinen-Jabai, Helena. „Young Finnish People of Muslim Background: Creating “Spiritual Becomings” and “Coming Communities” in Their Artworks“. Open Cultural Studies 3, Nr. 1 (01.02.2019): 148–60. http://dx.doi.org/10.1515/culture-2019-0013.
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Abstract In this essay I discuss artworks by a sample of young people with a Muslim background who participated in the Numur—Islam and I exhibition, which was organised as part of the Young Muslims and Resilience (2016-2018) research project. Art exhibitions were staged in November 2017 and March 2018 with eighteen young adult participants/co-researchers. Their artworks included video and textile installations, photo collages, paintings, calligraphy and poetry, dealing with issues such as faith, dialogues between religious communities, gender, belonging and sexual diversity. Here I concentrate on some works by the participants who stated that they leaned on Sufism or spirituality in their working processes, or whose works expressed qualities that may be reflected through the spectrum in which rhizomes of Sufi ways of understanding human existence in the world are present. In their artworks, the participants created fresh ideas about possible encounters, which I interpret as being linked to modern and postmodern ideas of relationships between spaces and “becoming communities.” Likewise, these ideas can be traced to our common philosophical heritage, which is partly based on spiritual mystic thought and practices of different religions. By using art, the participants could embody this legacy, create spaces for themselves and open landscapes for discussions between Muslim believers and people with different religions and worldviews.
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Niederberger, Erin, Sarah A. Buchanan und Hali Allen. „Mary F. Lenox: Library and Information Science Connector and Poet of Justice“. Libraries: Culture, History, and Society 6, Nr. 1 (01.03.2022): 187–210. http://dx.doi.org/10.5325/libraries.6.1.0187.
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ABSTRACT Mary F. Lenox, born 1944, is a notable scholar, library school leader, Kellogg National Fellow 1982, school librarian in Chicago (MLS Rosary College), and ardent poet. Best known as the first Black dean at the University of Missouri, Dr. Lenox has many accomplishments before, within, and after that post meriting parallel recognition. She is a role model for Black students and faculty across the campus, and for her compeers nationwide – colleagues in ALA’s then-Young Adult Services Division and readers of her poetry in two books (2015, 2019), spoken at TEDx San Diego, or on the airwaves anew after the killing of George Floyd in May 2020. In our study of Dr. Lenox’s LIS educator career we draw together her leadership of the school librarianship study program and grants, her successful organizing against proposed budget cuts and selection as dean, and her scholarship on libraries in African American life, youth services, and cooperative multimedia-collection building.
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Сурнина, Лидия Егоровна. „Forms of expression of the author’s consciousness in N. Shchukin’s children’s poetry“. Tomsk state pedagogical university bulletin, Nr. 4(144) (21.07.2023): 136–44. http://dx.doi.org/10.23951/1609-624x-2023-4-136-144.
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Литература для детей – целый пласт коми литературы, который на сегодняшний день является мало изученным. Существуют критические статьи, в которых раскрывается тематическое и образное своеобразие поэтических произведений для детей, но нет отдельных работ, в которых стихотворения коми поэтов рассматривались бы с точки зрения их субъектной организации. Научная новизна данного исследования заключается в подходе к анализу стихотворений Н. Щукина – коми детского поэта – с точки зрения их субъектной организации. На основе анализа литературного материала установлено, что в его творчестве преобладающими формами выражения авторского сознания являются лирический герой и предметно-поэтический мир. Для детской поэзии коми поэта свойственен такой лирический герой, в котором отражается и детское, и взрослое начало, но с очевидным доминированием взрослого. Лирический герой – это человек, для которого детские впечатления становятся воспоминаниями во взрослой жизни. На то, что в стихотворениях преобладает взрослое начало, указывает временной фактор: через глаголы отражается единство настоящего с прошлым. В ходе анализа установлено, что лирический герой занимает определенное, но не преобладающее положение. В детской поэзии Н. Щукина основной формой выражения авторского сознания становится предметно-поэтический мир. Особенностью стихотворений становится то, что поэт сосредотачивает внимание маленьких читателей на открытии простой и неброской красоты северной природы. Однако прием метафорического одушевления природных явлений, использование глаголов и звуковая оркестровка произведений создают образ живой природы, что дает возможность детям почувствовать, ощутить и услышать окружающий их мир. Поэтический мир как способ выражения авторского сознания в детской лирике Н. Щукина проявляется и в стихотворениях, основанных на художественных приемах фольклорной жанровой формы – загадки. В данных поэтических произведениях предметы даются в ярких, выразительных, но в то же время понятных детям деталях, соотносимых с его жизненным опытом в родном краю. Literature for children is a whole layer of Komi literature, which is little studied today. There are critical articles that reveal the thematic and figurative originality of poetic works for children, but there are no separate works in which the poems of Komi poets would be considered from the point of view of their subject organization. The scientific novelty of this study lies in the approach to the analysis of N. Shchukin’s poems from the point of view of their subjective organization. Based on the analysis of literary material, it was established that in his work the predominant forms of expression of the author’s consciousness are the lyrical hero and the subject-poetic world. The Komi poet’s children’s poetry is characterized by such a lyrical hero, which reflects both the childish and adult beginnings, but with the obvious dominance of the adult. A lyrical hero is a person for whom childhood impressions become memories in adulthood. The fact that the adult beginning prevails in the poems is indicated by the time factor: the unity of the present with the past is reflected through the verbs. The lyrical hero occupies a certain, but not dominant position. In N. Shchukin’s children’s poetry, the subject-poetic world becomes the main form of expression of the author’s consciousness. A feature of the poems is that the poet in them, with the help of colors, focuses the attention of young readers on discovering the simple and discreet beauty of the northern nature. However, the use of metaphorical animation of natural phenomena, the use of verbs and the sound orchestration of works create an image of an unusual, fabulously magical wildlife, which makes it possible for children to feel, feel and hear the world around them. The poetic world as a way of expressing the author’s consciousness in N. Shchukin’s children’s lyrics is also manifested in poems based on artistic techniques of the folklore genre form – riddles. In this poetic work, objects are given in bright, expressive, but at the same time, details understandable to children, correlated with his life experience in his native land.
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Pöhlmann, Egert. „Excavation, Dating and Content of Two Tombs in Daphne, Odos Olgas 53, Athens“. Greek and Roman Musical Studies 1, Nr. 1 (2013): 7–24. http://dx.doi.org/10.1163/22129758-12341235.
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Abstract On 13. and 14. May 1981, in the course of emergency excavations in Odos Olgas 53 in Daphne, Athens, two tombs were excavated, the second of which was heralded as the Tomb of the Musician by the press. The contents were transferred to the National Archaeological Museum and later, after restoration, to the Archaeological Museum of Piraeus. In Tomb I there were found the bones of an adult person in his or her 40s, together with four lekythoi, which can be dated by their shape and the style of the paintings to about 430 B.C. In Tomb II there were found the bones of a young adult in his or her early 20s, together with toys, tools, a writing case with stylus and inkpot, fragments of a papyrus scroll and five leaves of two different wooden note-books (polyptycha), together with the remains of a lyre, a harp and one tube of a pair of auloi with mouthpiece. On the papyrus fragments and the polyptycha scanty remains of writing in the Ionian alphabet can be read. Some mythical names point to poetry; musical notation, alleged by the inventory books to be detectable, could not be seen. The harp is an example of the type called the ‘spindle harp’, which is represented on vase pictures from 430 to 410.
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Somerset, Jo. „Juxtaposing and Jostling: The Art of Writing History?“ European Journal of Life Writing 9 (28.12.2020): C91—C114. http://dx.doi.org/10.21827/ejlw.9.35933.
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This reflective essay seeks to question, through my creative practice, methods of writing the history of post-1945 events for a young adult reader. Using creative techniques to add depth to the research, I explore the scope of the future project through a palimpsest diagram as well as poetry, word association and vignettes of my lived experiences. I compare how other creative writers have treated historical narrative in fiction, memoir and drama. Building on schoalrly debate on the role of life writing in historical processes, both source materials and historiography, the essay analyses the scholarship on postmodern representations of the recent past in literature, including personalised life writing and autobiography as well as novels. Problems jostle for attention: blank spaces of the historical records, unreliable memories, competing definitions of truth, Western class-bound identity and twenty-first century retrospection. My conclusions suggest that novelistic and lyrical techniques and voices may be an effective medium for shining a spotlight on the themes of the late twentieth century. The resulting work of auto/history will be written and read through a personal lens which that is at the same time a memoir, history and historiography, which juxtaposes a microscopic life against the constellation of world events.
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Morawski, Cynthia Marlene, und Catherine-Laura Dunnington. „From Landfill to Loom: Two Teacher-Researchers Chronicle Their Sustainability Narratives via The Secret Under My Skin“. Journal of the Canadian Association for Curriculum Studies 17, Nr. 2 (02.03.2020): 80–99. http://dx.doi.org/10.25071/1916-4467.40377.
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Traditionally, the responsibility for sustainability education has been assigned to the fields of science, engineering, technology and outdoor education. More recently, English language arts have begun to play an integral role in educating students on the importance of preserving the environment for future generations. Pertinent research, however, indicates that many teachers, including those teaching English, do not feel fully prepared to address sustainability in their classrooms. Such teachers would benefit from either pre-service or in-service support where they would have opportunities to gain more knowledge about sustainability, while also critically inquiring into their related pedagogical beliefs and practices. Before beginning the process of planning and implementing relevant sustainability education experiences for English teachers, it is imperative that we, two teacher educators, first examine our own teaching narratives related to this important topic. Focusing on the dystopian young adult novel, The Secret Under My Skin (McNaughton, 2000), we make generous use of Rosenblatt’s (1995) transactional theory of reader response to critically inquire into past experiences that shape our recurrent views and actions in the classroom. We express our back-and-forth transactions in interspersing sections of poetry, prose and image, including emerging questions to consider as starting points for future engagement with teachers on the integration of sustainability education into the English language arts curriculum at the secondary school level.
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Marttinen, Heta. „Muodollisesti queer?“ SQS – Suomen Queer-tutkimuksen Seuran lehti 18, Nr. 1-2 (17.06.2024): 53–70. http://dx.doi.org/10.23980/sqs.146460.
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Artikkelissani tarkastelen proosan ja runouden konventioita yhdistelevän säeromaanin ja queerin yhtymäkohtia kertojuuden, tilallisuuden ja affektiivisuuden näkökulmista. Tutkimuksellinen viitekehykseni nojaa kertomuksenteoriaan mutta hyödynnän luennassani myös multimodaalista stilistiikkaa ja affektitutkimusta. Analysoin artikkelissani kahta suomalaista nuorille ja nuorille aikuisille suunnattua säeromaania. Dess Terentjevan Ihana (2021) käsittelee Terentjevan muiden säeromaanien tapaan sukupuolen ja seksuaalisen moninaisuuteen sekä vähemmistöihin kuulumiseen liittyviä teemoja. Pintapuolisesti epäsuoremmin queer-tematiikkaan kytkeytyvä Kirsti Kurosen Merikki (2019) käsittelee minuuden ja identiteetin rakentumista ja hajoamista kerronnallisesti ja rakenteellisesti oivaltavalla tavalla, joka perustelee queer-näkökulman soveltamista teokseen. Artikkelissani kysyn, kuinka säeromaanille ominaiset kerronnalliset ja muodolliset keinot rakentavat kertomusta ja sen ilmentämää tematiikkaa. Millä tavoin tematiikka voi konkretisoitua tekstin asettelussa ja typografisissa ratkaisuissa? Millaista affektiivisuutta säeromaanin pelkistetty mutta merkityksiltään tiivis ilmaisu tuottaa? Voiko eri kirjallisuudenlajien konventioita yhdistelevän muodon ymmärtää itsessään queerina? Avainsanat: säeromaani; narratologia; kertoja; tilallisuus; affektiivisuus; Kirsti Kuronen; Dess Terentjeva Abstract In this article, I examine the intersections of queerness and the verse novel, a literary form that combines conventions from prose and poetry, focusing on narrative voice, spatiality, and affectivity. My theoretical framework is based on narrative theory, but I also utilize multimodal stylistics and affect studies. I examine two Finnish young adult verse novels. Dess Terentjeva’s Ihana (2021, “Gorgeous”), like Terentjeva’s other verse novels, addresses themes related to gender and sexual diversity and minorities. Kirsti Kuronen’s Merikki (2019), which is superficially less directly connected to queer thematics, explores the construction and deconstruction of selfhood and identity in both narratively and formally insightful ways that justifies the application of the queer perspective to Kuronen’s novel. In my article, I ask how the narrative and formal techniques of the verse novel construct the narrative as a whole and its themes. In what ways can the themes be concretized in the text’s layout and typographical choices? What kind of affectivity does verse novel’s concise yet complex narration produce? Can a form that combines conventions of different literary genres be understood as queer in itself? Keywords: verse novel; narratology; narrative voice; spatiality; affectivity; Kirsti Kuronen; Dess Terentjeva
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Bleeker, Gerrit, und Barbara Bleeker. „Responding to Young Adult Fiction through Writing Poetry“. ALAN Review 23, Nr. 3 (01.05.1996). http://dx.doi.org/10.21061/alan.v23i3.a.8.
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Perovic, Alexandra, Dušica Filipović Đurđević und Sabina Halupka-Rešetar. „The effect of bilingualism on executive functions when languages are similar: a comparison between Hungarian–Serbian and Slovak–Serbian young adult bilinguals“. Memory & Cognition, 29.07.2022. http://dx.doi.org/10.3758/s13421-022-01345-8.
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AbstractAmong the factors argued to contribute to a bilingual advantage in executive function (EF), the combination of languages spoken by the bilingual is often overlooked. In this study, we explored the role of language similarity on memory and EF task by comparing performance of three groups of young adults—Hungarian–Serbian and Slovak–Serbian early balanced bilinguals, and Serbian-speaking monolinguals. Slovak is typologically related to Serbian, which are both Slavic, in contrast to Hungarian, which is Finno–Ugric. On the computerized tasks from the CANTAB battery (CANTAB Cognition, 2016, www.cantab.com), differences between monolinguals and bilinguals emerged on the EF tasks: Stockings of Cambridge (SOC) and Attentional Set Shifting (AST), but not the memory tasks: Delayed Matching to Sample (DMS), Paired Associate Learning (PAL), Spatial Working Memory (SWM). Both Hungarian–Serbian and Slovak–Serbian bilinguals outperformed the monolinguals on the more difficult SOC tasks, solved using more than a minimally required number of moves. This is in line with reports that bilinguals perform better under more complex conditions that require more monitoring and switching. However, bilinguals speaking Hungarian and Serbian spent less time preparing to execute the simpler SOC tasks, which can be solved in a minimum of two or three moves; they also exhibited reduced local switching cost and were faster overall on AST than both the Slovak–Serbian bilinguals and Serbian monolinguals. The advantageous performance of speakers of the typologically unrelated languages in our study suggests that these bilinguals may have more efficient attention switching and inhibition systems than bilinguals who speak typologically similar languages.
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Stenbeck, Evelina. „Ungdomens poetiska form“. Barnboken, 16.12.2021. http://dx.doi.org/10.14811/clr.v44.633.
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The Poetic Form of Youth: The Rebellious Power of Language and Desire in the Anthologies Kärlek och uppror and Berör och förstör
Siv Widerberg and Anna Artén’s poetry anthology Kärlek och uppror: 210 dikter för unga människor (Love and Rebellion: 210 Poems for Young People, 1989) is something of a classic when it comes to Swedish contemporary poetry explicitly addressing young readers. Thirty years after its publication another poetry anthology, Berör och förstör: Dikter för unga (Affect and Destroy: Poems for Youth, 2019), edited by Athena Farrokhzad and Kristofer Folkhammar, was published. Both books tap into a long tradition of lyrical anthologies. Neither of the anthologies contain poetry written primarily for young readers. On the contrary, the anthologies include poems from the Swedish lyrical canon. Although the two anthologies share a similar structure and joint themes such as youth, love, poetry, and rebellion, they are significantly different in regard to poetic form and the conceptualizations of youth. The main theoretical perspective in this study is that the form of the anthologized poems can be understood as ideological expressions of an interplay between the genre's tradition and its specific aesthetic context. By historizing the genre and comparing the different paratexts of the anthologies, the article shows that adult conceptions of youth hides behind the editorial choices. In a quest to (re)create new writing subjects, through the rebellious powers of poetic language and love, the symbolic form of youth poetry both challenges and negates adult notions of youth in the two anthologies.
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Lipsett, Laura R. „No Need to "Duck, Run and Hide": Young Adult Poetry that Taps into You“. ALAN Review 28, Nr. 3 (01.05.2001). http://dx.doi.org/10.21061/alan.v28i3.a.11.
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Parsons, Linda T., und Lisa Pinkerton. „Poetry and prose as methodology: A synergy of knowing“. Methodological Innovations, 19.04.2022, 205979912210871. http://dx.doi.org/10.1177/20597991221087150.
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In this study, situated in the borderland between traditional and artistic methodologies, we innovatively represent our research findings in both prose and poetry. This is an act of exploration and resistance to hegemonic assumptions about legitimate research writing. A content analysis of young adult literature featuring trafficked child soldiers is the vehicle through which we advocate for the simultaneous use of prose and poetry. Several overarching insights emerged from this work as our prose and poetic representations, taken together, did more than either could have done on its own. We noted significant differences in scope, impact, and use of words when representing findings in the two forms. Additionally, independently selecting many of the same quotes as we created our separate representations contributed to the validity of the analysis. We saw very concretely that what one knows in one form one might know differently in another, generating a synergy of knowing.
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Shashwati, Sudha, Preksha Kansal und Deisha Sethi. „Exploring Artistic Representations in Psychological Research: A Step-by-Step Guide for Using Found Poetry“. Qualitative Report, 15.08.2022. http://dx.doi.org/10.46743/2160-3715/2022.5446.
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This paper argues for engaging in unconventional/artistic representations in psychological research and presents step-by-step instructions to make use of a specific form of artistic representation, namely found poetry. Found poetry is a form of poetic inquiry that has been used in a variety of social science disciplines, primarily to amplify meaning making possibilities in qualitative research and to make research more accessible to the reader in various ways. Accessibility of research to the general public can be greatly enhanced by artful representations, particularly poetry, because of its immense socio-epistemic potential. The paper thus attempts to provide a guide on fashioning a found poem out of qualitative data. There are 5 steps in all, represented by the acronym BEST-M. These steps consist of the following: beginning data analysis, excavating evocative data nuggets, scooping out the data, tying the thread, and member checking. As an exemplar, an interview of a young adult participant and their experience of navigating lockdown imposed during the COVID-19 pandemic is used for demonstrating the implementation of the five steps that the paper puts forward.
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Bleeker, Gerrit W., und Barbara Bleeker. „Hearts and Wings: Using Young Adult Multicultural Poetry Inspired by Art as Models for Middle School Artists/Writers“. ALAN Review 33, Nr. 1 (01.09.2005). http://dx.doi.org/10.21061/alan.v33i1.a.7.
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