Zeitschriftenartikel zum Thema „Singing voice recognition“
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Wang, Xiaochen, und Tao Wang. „Voice Recognition and Evaluation of Vocal Music Based on Neural Network“. Computational Intelligence and Neuroscience 2022 (20.05.2022): 1–9. http://dx.doi.org/10.1155/2022/3466987.
Der volle Inhalt der QuelleLiusong, Yang, und Du Hui. „Voice Quality Evaluation of Singing Art Based on 1DCNN Model“. Mathematical Problems in Engineering 2022 (30.07.2022): 1–9. http://dx.doi.org/10.1155/2022/2074844.
Der volle Inhalt der QuelleHuang, Chunyuan. „Vocal Music Teaching Pharyngeal Training Method Based on Audio Extraction by Big Data Analysis“. Wireless Communications and Mobile Computing 2022 (06.05.2022): 1–11. http://dx.doi.org/10.1155/2022/4572904.
Der volle Inhalt der QuelleOwen, Ceri. „On Singing and Listening in Vaughan Williams's Early Songs“. 19th-Century Music 40, Nr. 3 (2017): 257–82. http://dx.doi.org/10.1525/ncm.2017.40.3.257.
Der volle Inhalt der QuelleMuhathir, R. Muliono, N. Khairina, M. K. Harahap und S. M. Putri. „Analysis Discrete Hartley Transform for the recognition of female voice based on voice register in singing techniques“. Journal of Physics: Conference Series 1361 (November 2019): 012039. http://dx.doi.org/10.1088/1742-6596/1361/1/012039.
Der volle Inhalt der QuelleYuan, Weitao, Boxin He, Shengbei Wang, Jianming Wang und Masashi Unoki. „Enhanced feature network for monaural singing voice separation“. Speech Communication 106 (Januar 2019): 1–6. http://dx.doi.org/10.1016/j.specom.2018.11.004.
Der volle Inhalt der QuelleHu, Meihui, Zhiwei Xiang und Kai Li. „Application of Artificial Intelligence Voice Technology in Radio and Television Media“. Journal of Physics: Conference Series 2031, Nr. 1 (01.09.2021): 012051. http://dx.doi.org/10.1088/1742-6596/2031/1/012051.
Der volle Inhalt der QuelleLiu, Pengfei, Wenjin Deng, Hengda Li, Jintai Wang, Yinglin Zheng, Yiwei Ding, Xiaohu Guo und Ming Zeng. „MusicFace: Music-driven expressive singing face synthesis“. Computational Visual Media 10, Nr. 1 (Februar 2023): 119–36. http://dx.doi.org/10.1007/s41095-023-0343-7.
Der volle Inhalt der QuelleLiu, Lilin. „The New Approach Research on Singing Voice Detection Algorithm Based on Enhanced Reconstruction Residual Network“. Journal of Mathematics 2022 (23.02.2022): 1–11. http://dx.doi.org/10.1155/2022/7987592.
Der volle Inhalt der QuelleLe, Dinh Son, Huy Hung Ha, Dinh Quan Nguyen, Van An Tran und The Hung Nguyen. „Researching and designing an intelligent humanoid robot for teaching English language“. Ministry of Science and Technology, Vietnam 64, Nr. 6 (25.06.2022): 35–39. http://dx.doi.org/10.31276/vjst.64(6).35-39.
Der volle Inhalt der QuelleNicoara, Olga. „Cultural Leadership and Entrepreneurship As Antecedents of Estonia’s Singing Revolution and Post-Communist Success“. Baltic Journal of European Studies 8, Nr. 2 (01.09.2018): 65–91. http://dx.doi.org/10.1515/bjes-2018-0016.
Der volle Inhalt der QuelleShen, Dan, und Wenjia Zhao. „A Method for Improving the Pronunciation Quality of Vocal Music Students Based on Big Data Technology“. International Journal of Web-Based Learning and Teaching Technologies 19, Nr. 1 (18.12.2023): 1–18. http://dx.doi.org/10.4018/ijwltt.335034.
Der volle Inhalt der QuelleKadiri, Sudarsana Reddy, Paavo Alku und B. Yegnanarayana. „Analysis and classification of phonation types in speech and singing voice“. Speech Communication 118 (April 2020): 33–47. http://dx.doi.org/10.1016/j.specom.2020.02.004.
Der volle Inhalt der QuelleMeiyanti, R., A. Subandi, N. Fuqara, M. A. Budiman und A. P. U. Siahaan. „The recognition of female voice based on voice registers in singing techniques in real-time using hankel transform method and macdonald function“. Journal of Physics: Conference Series 978 (März 2018): 012051. http://dx.doi.org/10.1088/1742-6596/978/1/012051.
Der volle Inhalt der QuelleLestariningsih, Tri, Hendrik Kusbandono, Angger Binuko Paksi, Yosi Afandi und Ikhwan Baidlowi Sumafta. „Development of Game-based Learning Media for Early Childhood Animal Recognition“. East Asian Journal of Multidisciplinary Research 2, Nr. 8 (04.09.2023): 3507–16. http://dx.doi.org/10.55927/eajmr.v2i8.5219.
Der volle Inhalt der QuelleStilwell, Robynn J. „Black Voices, White Women's Tears, and the Civil War in Classical Hollywood Movies“. 19th-Century Music 40, Nr. 1 (2016): 56–78. http://dx.doi.org/10.1525/ncm.2016.40.1.56.
Der volle Inhalt der QuelleWei, E. „Intonation Characteristics of Singing Based on Artificial Intelligence Technology and Its Application in Song-on-Demand Scoring System“. Mathematical Problems in Engineering 2021 (20.03.2021): 1–11. http://dx.doi.org/10.1155/2021/5510401.
Der volle Inhalt der QuelleLi, Feng, und Masato Akagi. „Combining F0 and non-negative constraint robust principal component analysis for singing voice separation“. Signal Processing 170 (Mai 2020): 107432. http://dx.doi.org/10.1016/j.sigpro.2019.107432.
Der volle Inhalt der QuelleParker, Elizabeth Cassidy. „A Grounded Theory of Adolescent High School Women’s Choir Singers’ Process of Social Identity Development“. Journal of Research in Music Education 65, Nr. 4 (16.11.2017): 439–60. http://dx.doi.org/10.1177/0022429417743478.
Der volle Inhalt der QuelleKobayashi, Kazuhiro, Tomoki Toda und Satoshi Nakamura. „Intra-gender statistical singing voice conversion with direct waveform modification using log-spectral differential“. Speech Communication 99 (Mai 2018): 211–20. http://dx.doi.org/10.1016/j.specom.2018.03.011.
Der volle Inhalt der QuelleSaitou, Takeshi, Masashi Unoki und Masato Akagi. „Development of an F0 control model based on F0 dynamic characteristics for singing-voice synthesis“. Speech Communication 46, Nr. 3-4 (Juli 2005): 405–17. http://dx.doi.org/10.1016/j.specom.2005.01.010.
Der volle Inhalt der QuelleLyan, Tszitao. „The image of Andrea from the opera “Andrea Chenier” by U. Giordano: the history of vocal interpretations“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, Nr. 50 (03.10.2018): 29–42. http://dx.doi.org/10.34064/khnum1-50.03.
Der volle Inhalt der QuelleMitchell, Helen F., und Raymond A. R. MacDonald. „Recognition and description of singing voices: The impact of verbal overshadowing“. Musicae Scientiae 16, Nr. 3 (22.10.2012): 307–16. http://dx.doi.org/10.1177/1029864912458849.
Der volle Inhalt der QuelleHakanpää, Tua, Teija Waaramaa und Anne-Maria Laukkanen. „Emotion Recognition From Singing Voices Using Contemporary Commercial Music and Classical Styles“. Journal of Voice 33, Nr. 4 (Juli 2019): 501–9. http://dx.doi.org/10.1016/j.jvoice.2018.01.012.
Der volle Inhalt der QuelleHuang, Lei. „Pastoral and the Principles of Its Stylization (Based On the Material of Vocal Music)“. Culture of Ukraine, Nr. 73 (23.09.2021): 104–12. http://dx.doi.org/10.31516/2410-5325.073.15.
Der volle Inhalt der QuelleGentric, Katja. „[Un]performing voice: Simnikiwe Buhlungu/Euridice Zaituna Kala“. Image & Text, Nr. 36 (02.09.2022): 1–23. http://dx.doi.org/10.17159/2617-3255/2022/n36a11.
Der volle Inhalt der QuelleTsai, Wei-Ho, und Cin-Hao Ma. „Automatic Identification of Simultaneous and Non-Simultaneous Singers for Music Data Indexing“. International Journal of Web Services Research 14, Nr. 1 (Januar 2017): 29–43. http://dx.doi.org/10.4018/ijwsr.2017010103.
Der volle Inhalt der QuelleSaeed, Ayesha, Muhammad Faisal Hayat, Tania Habib, Darakhshan Abdul Ghaffar und Muhammad Ali Qureshi. „A novel multi-speakers Urdu singing voices synthesizer using Wasserstein Generative Adversarial Network“. Speech Communication 137 (Februar 2022): 103–13. http://dx.doi.org/10.1016/j.specom.2021.12.005.
Der volle Inhalt der QuelleTAMARU, Hiroki, Yuki SAITO, Shinnosuke TAKAMICHI, Tomoki KORIYAMA und Hiroshi SARUWATARI. „Generative Moment Matching Network-Based Neural Double-Tracking for Synthesized and Natural Singing Voices“. IEICE Transactions on Information and Systems E103.D, Nr. 3 (01.03.2020): 639–47. http://dx.doi.org/10.1587/transinf.2019edp7228.
Der volle Inhalt der QuelleOkuno, Hiroshi G., und Kazuhiro Nakadai. „Special Issue on Robot Audition Technologies“. Journal of Robotics and Mechatronics 29, Nr. 1 (20.02.2017): 15. http://dx.doi.org/10.20965/jrm.2017.p0015.
Der volle Inhalt der QuelleSun, Bo. „The parameters of co-creation: a performing look at “The Six Romances for the Words by A. S. Pushkin” by G. Sviridov“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, Nr. 50 (03.10.2018): 76–88. http://dx.doi.org/10.34064/khnum1-50.06.
Der volle Inhalt der QuelleN., Mikhailova. „Sergiy Prokopov: phenomenon of the creative personality“. Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, Nr. 52 (03.10.2019): 6–21. http://dx.doi.org/10.34064/khnum1-52.01.
Der volle Inhalt der QuelleXu, Yanze, Weiqing Wang, Huahua Cui, Mingyang Xu und Ming Li. „Paralinguistic singing attribute recognition using supervised machine learning for describing the classical tenor solo singing voice in vocal pedagogy“. EURASIP Journal on Audio, Speech, and Music Processing 2022, Nr. 1 (15.04.2022). http://dx.doi.org/10.1186/s13636-022-00240-z.
Der volle Inhalt der QuelleChen, Mingzhu. „Research on the Cultivation of Western Opera Singing Ability of College Vocal Music Students Based on Multi-feature Fusion Technology“. Applied Mathematics and Nonlinear Sciences 9, Nr. 1 (01.01.2024). http://dx.doi.org/10.2478/amns-2024-0313.
Der volle Inhalt der QuellePark, Jonggwon, Kyoyun Choi, Seola Oh, Leekyung Kim und Jonghun Park. „Note-level singing melody transcription with transformers“. Intelligent Data Analysis, 19.10.2023, 1–19. http://dx.doi.org/10.3233/ida-227077.
Der volle Inhalt der QuelleHuang, Danxia. „An objective evaluation method of vocal singing effect based on artificial intelligence technology“. Applied Mathematics and Nonlinear Sciences 9, Nr. 1 (01.01.2024). http://dx.doi.org/10.2478/amns-2024-0865.
Der volle Inhalt der QuelleBruder, Camila, und Pauline Larrouy-Maestri. „Classical singers are also proficient in non-classical singing“. Frontiers in Psychology 14 (25.10.2023). http://dx.doi.org/10.3389/fpsyg.2023.1215370.
Der volle Inhalt der QuelleBarrett, Margaret S., und Katie Zhukov. „“A Common Obsession”: Children’s and Young People’s Perceptions of Learning in an Intensive Summer Choral Program“. Frontiers in Education 7 (22.02.2022). http://dx.doi.org/10.3389/feduc.2022.827496.
Der volle Inhalt der QuelleRajesh, Sangeetha, und N. J. Nalini. „Combined Evidence of MFCC and CRP Features Using Machine Learning Algorithms for Singer Identification“. International Journal of Pattern Recognition and Artificial Intelligence, 29.07.2020, 2158001. http://dx.doi.org/10.1142/s0218001421580015.
Der volle Inhalt der QuelleGysels, Marjolein, Chris Tonelli und Thomas Johannsen. „Making Dementia Matter Through Sound“. Voices: A World Forum for Music Therapy 24, Nr. 1 (01.03.2024). http://dx.doi.org/10.15845/voices.v24i1.3961.
Der volle Inhalt der QuelleHolmes, Susan. „'The Only Place Where ''Success'' Comes before ''Work'' Is in the Dictionary...?'“. M/C Journal 7, Nr. 5 (01.11.2004). http://dx.doi.org/10.5204/mcj.2421.
Der volle Inhalt der QuelleBrabazon, Tara. „Welcome to the Robbiedome“. M/C Journal 4, Nr. 3 (01.06.2001). http://dx.doi.org/10.5204/mcj.1907.
Der volle Inhalt der QuelleAdams, Jillian Elaine. „Australian Women Writers Abroad“. M/C Journal 19, Nr. 5 (13.10.2016). http://dx.doi.org/10.5204/mcj.1151.
Der volle Inhalt der QuelleNairn, Angelique. „Chasing Dreams, Finding Nightmares: Exploring the Creative Limits of the Music Career“. M/C Journal 23, Nr. 1 (18.03.2020). http://dx.doi.org/10.5204/mcj.1624.
Der volle Inhalt der QuelleC.Foley, Patricia. „"That All May Be One"“. M/C Journal 4, Nr. 4 (01.08.2001). http://dx.doi.org/10.5204/mcj.1924.
Der volle Inhalt der QuelleHopkins, Lekkie. „Articulating Everyday Catastrophes: Reflections on the Research Literacies of Lorri Neilsen“. M/C Journal 16, Nr. 1 (19.03.2013). http://dx.doi.org/10.5204/mcj.602.
Der volle Inhalt der QuelleMaydan, Danielle. „Truth that Matters“. Voices in Bioethics 9 (01.07.2023). http://dx.doi.org/10.52214/vib.v9i.11588.
Der volle Inhalt der QuelleMahon, Elaine. „Ireland on a Plate: Curating the 2011 State Banquet for Queen Elizabeth II“. M/C Journal 18, Nr. 4 (07.08.2015). http://dx.doi.org/10.5204/mcj.1011.
Der volle Inhalt der QuelleVavasour, Kris. „Pop Songs and Solastalgia in a Broken City“. M/C Journal 20, Nr. 5 (13.10.2017). http://dx.doi.org/10.5204/mcj.1292.
Der volle Inhalt der QuelleBrunt, Shelley, Mike Callander, Sebastian Diaz-Gasca, Tami Gadir, Ian Rogers und Catherine Strong. „Music as Magic“. M/C Journal 26, Nr. 5 (02.10.2023). http://dx.doi.org/10.5204/mcj.2998.
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