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Elian, Marta. „WHY AUTHORS USE MULTIPLE SCLEROSIS IN NOVELS, PLAYS AND SHORT STORIES?“ Journal of Neurology, Neurosurgery & Psychiatry 86, Nr. 9 (13.08.2015): e3.54-e3. http://dx.doi.org/10.1136/jnnp-2015-311750.58.
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Nghi, Trinh Quynh Dong. „APPLYING THE HETEROPHONIC PERSPECTIVE TO ANALYZING MODALITY OF THE VIETNAMESE FRAGMENTS“. Linguistics & Education 3, Nr. 4 (12.12.2023): 80–93. http://dx.doi.org/10.17021/2712-9519-2023-4-80-93.
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The term "heteroglossia" comes from the Russian term "raznorechie," right from the beginning of "heteroglossia," which values the difference of dialogue. This article has applied heterophonic theory to analyze the meaning of Vietnamese fragments in the survey fragment corpus, statistics from 24 short stories collected in Truyện ngắn hay 2019 (multiple authors). The categories “narrowing the dialogue” and “expanding the dialogue” are considered, which makes it possible to believe that the heterophonic approach contributed to the study in identifying isolated groups of sentence modalities. In addition, the article also points out the "unfoundedness" of heterophonic theory in its ability to explain the modality of the fragment.
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Sumithra Devi, S. „Relocating Oneself Beyond Barriers“. Shanlax International Journal of English 12, Nr. 1 (01.12.2023): 4–10. http://dx.doi.org/10.34293/english.v12i1.6839.
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South-Asian diasporic authors write out of their specific cultural, individual and collective needs that relate to their experiences of racism, ethnic discrimination and sexism in the new space. The task at hand is to re-structure and re-constitute alien paradigms to suit the spaces inhabited by the immigrant. Immigrant writing involves a powerful “presencing” of source and host cultures. There are indeed variations within the immigrant groups in terms of the degree of retention of ethnic cultural values, the behavioural patterns and the degree of accommodation arrived at with the demands of the host culture. These various facets of immigrant experience, that are thrown into focus as a result of cross-cultural encounter, point to the shared experiences of the immigrant communities, which constitute the ethos of the diaspora. Diaspora is an important conceptual tool because it highlights the multiple standpoints borne of migration and displacement. It illuminates an ambivalent politics of positioning and being positioned, of identification and being identified.In her debut collection of short stories Interpreter of Maladies, also called, “stories of Bengal, Boston and Beyond”, Jhumpa Lahiri probes deeply into the maladies of cultural dislocation and the consequential emotional trauma. This paper analyses four short stories titled “A Temporary Matter”, “The Third and Final Continent”, “Mrs. Sen’s” and “Interpreter of Maladies” in the anthology and attempts to trace how the immigrants who vacillate between two cultures overcome the identity crisis they face.
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Vázquez, David J. „Mapping Decolonial Environmental Imaginaries in Latinx Culture“. American Literary History 33, Nr. 3 (03.08.2021): 657–73. http://dx.doi.org/10.1093/alh/ajab054.
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Abstract Mapping Decolonial Environmental Imaginaries in Latinx Culture addresses a growing dialogue between antiracist environmental humanities and Latinx studies scholars that emphasizes how Latinx creativity expresses decolonial environmental values. Even as we face a racial crisis in the US, there is a looming, similarly daunting challenge in environmental change. Locating forms of progressive environmental ideas that think simultaneously about race and racialization is crucial if we are to meet these twin challenges. This essay introduces a mode of comparative analysis that places multiple genres and forms (novels, films, visual art, and short stories) created by authors from multiple Latinx communities (Chicanx, Puerto Rican, Peruvian, and Central American) into conversation. This comparative approach provides a more nuanced account of how Latinxs from multiple racial, class, gender, sexual, and other identity positions think about and represent environmental ideas. As the legatees of colonialism and racism, Latinx artists have much to say about combatting, circumventing, and, at times, proposing remedies for oppression and environmental harm as complex, interrelated phenomena. These authors and artists comprehend racial capitalism as directly causing environmental crises that perform in concert with racism and colonialism.
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Jaramillo Zuluaga, José Eduardo. „José Asunción Silva entre el lector intuitivo y el lector digital“. Estudios de Literatura Colombiana, Nr. 19 (23.08.2013): 83–90. http://dx.doi.org/10.17533/udea.elc.16455.
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Resumen: Si un autor es un estilo o una función interpretativa que unifica una colección de textos, hay tantos José Asunción Silvas como autores de El libro de versos, Gotas amargas y De sobremesa. Esta multiplicidad de Silvas dificulta la identificación del autor de los relatos reunidos en los Cuentos negros. Para establecer dicha identificación un lector debe acudir tanto a la intuición como a los análisis estadísticos computacionales. De hecho, una lectura intuitiva no excluye y sí complementa una lectura digital. Descriptores: Silva, José Asunción; Cuentos negros; Cuentos colombianos; atribución autorial; estética de la recepción. Abstract: If an author is a style or a hermeneutic function that unifies a number of texts, there are as many José Asunción Silvas as there are authors of El libro de versos, Gotas amargas, and De sobremesa. The existence of these multiple Silvas hinders determining the authorship of the stories published in Cuentos negros. To identify the author, the reader must rely both on intuition and on statistical analysis. Indeed, an intuitive reading does not exclude but rather complements a digital reading, a reading supported by computational tools. Key words: Colombian short stories; authorship; readership; Cuentos negros; Silva, José Asunción.
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Prathap Chandran, R., und P. Kumaresan. „Gynocentrism in Langston Hughes selected poetic works“. RUDN Journal of Studies in Literature and Journalism 27, Nr. 4 (15.12.2022): 716–25. http://dx.doi.org/10.22363/2312-9220-2022-27-4-716-725.
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Gynocentrism exclusive focuses on women both as theory and practice. Anything can be considered gynocentric when it is concerned exclusively with a female point of view. The works of Langston Hughes, which reflect the intersection of races and genders in the lives of blacks, are studied. His contributions take multiple forms including poetry, short stories, dramas and novels which are about black women's love, nature, romantic dilemmas, mother - daughter relationships, friendship, and silences. The authors analyze how gender in a special way colors female identity in Hughes' works. He expresses interdependence of genders and racial identities in his representations of black women and hence can be dubbed as gender racial. His writings are in a gender racial style, highlighting and intertwining gender and racial identities. Hughes' overcomes gender and racial stereotypes with open discussions on contentious themes. It is concluded that Hughes creates an alternative to repressive social realities by combining challenges with sensual visions.
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Ekawati, Rosyida, und Nata Permata. „Lexical Richness of Short Stories Written by EFL Students“. EFL Education Journal 9, Nr. 1 (31.03.2022): 102. http://dx.doi.org/10.19184/eej.v9i1.29052.
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The study concerns with lexical richness of short stories. The data consist of 48 short stories written by English Study Program of University of Trunojoyo Madura. This study aims at measuring the lexical richness of short stories by different gender based on three measurements, i.e. lexical density, lexical sophistication, and lexical variation. This study employs the theory and the lexical richness formula proposed by Laufer and Nation (1995). It applies descriptive quantitative design. The results showed that the results of each measurements are 11 short stories in high lexical density (LD), 37 short stories in quite high LD, 27 short stories in high Lexical Sophistication (LS), 21 short stories in low LS, 25 short stories in high Lexical Variation (LV), and 23 short stories in low LV, the results of lexical richness that obtained from the combination of LD, LS, and LV are high lexical richness category (5 stories), quite high category (14 stories), quite low category (20 stories), and low category (9 stories), and the results of lexical richness based gender differences show that the short stories of male authors have higher lexical richness than female authors. The overall results show that short stories written by English Study Program students of University of Trunojoyo Madura have quite low lexical richness.
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Softic - Gasal, Larisa. „SHORT STORIES IN THE BALKANS AND CONTEMPORARY - SHORT STORIES IN THE WORLD“. Journal Human Research in Rehabilitation 4, Nr. 1 (Januar 2014): 13–23. http://dx.doi.org/10.21554/hrr.011406.
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A comparative analysis of selected short stories in the Balkan countries, as well as contemporary short stories of the world, will show us that the key themes of those stories are very similar to the short stories written during the period of transition in Bosnia and Herzegovina (1995-2010). For example, the story of the Soul Operation by an Iranian writer Mohsen Mahmalbafa, The Falcons by a Dutch writer Kader Abdolaha and On the Kitchen Stairs by a Polish writer Witold Gombrowic zinter connect with short stories by authors from Bosnia and Herzegovina, such as The Secret of Raspberry jam by Karim Zaimović or The Devilish work of Zoran Riđanović. A common thread manifests itself in the aforementioned stories, more specifically, a common theme which focuses on the need for eradication of the seeds of submission and compliance with the political system. Most authors focus on their domestic political systems; however, some portray and analyze systems in other countries as they see it, such as a Dutch narrator who focuses on a potential threat of infringement of human freedom. Moreover, Bellow Hubei by an Argentinian writer Anhelika Gorodis her underlines the importance of humanization within a political order. Faruk Šehić examines the political system in Bosnia and Herzegovina from a slightly different perspective. His collection of stories Under Pressure emphases the issue of pressure in the above war model of short stories in Bosnia and Herzegovina. These stories are the product of pressure and anxiety, with intent to latently promote new ways of spiritual survival, directly relating to the concept and the theme of the story The Past Age Man by Christian Karlson Stead. Further analysis of the alienation theme singled out short stories in Bosnia and Herzegovina, Plants are Something Else by Alma Lazarevska and Dialogues by Lamija Begagić, and pointed out their connection with some recent international short stories such as The Last Defence by Mahdi Šodžaija a contemporary Persian author who indicates the inappropriateness of spousal relations and the crisis of modern marriage. The alienation theme present in many short stories in Bosnia and Herzegovina also appears in a particularly impressive way in a short story Raggedy Africa by a Slovenian author Mark Švabič, which is clearly related to a short story The Seaside Fairy Tale by Miljenko Jergović from Bosnia and Herzegovina. Extremely interesting are the stories that suggest a crisis of legitimacy of culture and behavior, such as the story of Tito or Curriculum Vitae by a Slovenian writer Maja Novak, or Bankophobia by Ante Zirdum, demonstrating the individual culture of behavior and society in general in a regressive dimension manifested through addiction or phobia from banking institutions
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Anwar, M. Shoim. „Cerita Pendek Malaysia: Interaksi Simbolik untuk Membangun Citra Etnis Cina“. ATAVISME 22, Nr. 2 (31.12.2019): 185–99. http://dx.doi.org/10.24257/atavisme.v22i2.575.185-199.
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The population of ethnic Chinese in Malaysia ranks second, after ethnic Bumiputra. Some of ethnic Chinese residents write short stories in order to build an image of themselves. Their work pieces are written in the short story anthology of Menara 7 (1998). This Malay anthology is interesting because its authors speak their mother tongue instead of Malay language. The objective of this research was to describe how the symbolic interactions was constructed on the short stories of Menara 7. By using symbolic interaction theory and the Hermeneutic Circle analysis methods, in short stories written by Chinese authors, the efforts to build image were manifested through the use of titles, characterizations, and cultural missions. It showed that short stories were also used as a meaning of cultural mission internally, as a manifestation of tendentious literature.
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Antell, Karen. „Book Review: Teaching Information Literacy through Short Stories“. Reference & User Services Quarterly 57, Nr. 4 (15.06.2018): 298. http://dx.doi.org/10.5860/rusq.57.4.6710.
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The ACRL Framework for Information Literacy for Higher Education, adopted in 2016, “encourages information literacy librarians to be imaginative and innovative in implementing the Framework in their institutions” (ACRL Framework, appendix 1). In this spirit, authors Brier and Lebbin have collected eighteen very short stories—typically one to three pages in length—whose themes raise questions concerning the nature of authority, the process of searching, and the creation and value of information. Following each story, the authors add discussion questions designed to initiate philosophical conversations among librarians, instructors, and students about significant topics in information literacy.
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Atikah Ruslianti und Annisaa Syifa Nuramalina. „Ethics in Classical and Contemporary Children’s Short Stories“. AKSIS: Jurnal Pendidikan Bahasa dan Sastra Indonesia 3, Nr. 1 (10.09.2019): 185–92. http://dx.doi.org/10.21009/aksis.030117.
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Children short stories are one way among other literature studies to educate children about moral values and social life around them. In order to be able to socialize with other people, one of the important moral values that an individual must have is ethics. Most of children short stories, both classical and contemporary, are trying to present ethics as the main theme. This paper explores the way ethics is being conveyed in classical and contemporary children short stories. This paper uses Narrative Inquiry of Qualitative Method. This method is used to explore the background of the stories and authors with diverse culture as it is shown through the stories. There are 6 children short stories being analyzed. Three stories are classical, and the other three are contemporary. This paper also shows the results of comparison of ethic in classical and contemporary children short stories.
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Bukal, I. S. „NARRATIVE STRATEGIES IN L. ULITSKAYA ’S NOVEL THE KUKOTSKY ENIGMA“. Siberian Philological Forum 11, Nr. 3 (30.09.2020): 65–75. http://dx.doi.org/10.25146/2587-7844-2020-11-3-53.
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Problem statement and goal. Lyudmila Ulitskaya is one of the most widely read contemporary Russian authors. L. Ulitskaya’s works are popular not only in Russia, but also in other countries. They arouse genuine research interest both among literary critics and linguists. Currently, there are more than two dozen dissertations, many review chapters in monographs, as well as scientific articles devoted to the analysis of such works of the author as novellas Sonechka, The Funeral Party, Women’s Lies; collections of short stories Poor Relatives, Girls, Gift not made with hands; novels Sincerely your Shurik, Medea and Her Children, Daniel Stein, Interpreter, The Big Green Tent. L. Ulitskaya’s novel The Kukotsky Enigma remains the least studied text of the author. In this article, the content of this novel is analyzed for narratology. The researcher reflects on one of the topical literary problems: the influence of narrative strategies on the reception of the author’s text. The research was based on the works by V. Tyupa, Yu. Lotman, N. Leiderman, and M. Lipovetsky. The research methodology is based on historical-cultural and structural-typological approaches. The subject of the research is the specifics of the implementation of narrative strategies in L. Ulitskaya’s novel The Kukotsky Enigma. Research result. Based on the analysis of L. Ulitskaya’s novel The Kukotsky Enigma, it is shown how the narrative strategy of the work affects its potential reception. Based on the concept by V. Tyupa, who defined the narrative strategy as a set of three equivalent bases (the narrative picture of the world, the narrative modality, and the narrative intrigue), the researcher identifies the changes that the narrative strategy undergoes in the course of the plot development, notes how these changes affect the poetics of the novel and its axiological content. Conclusion. The narrative strategy by which the narrative of the novel in question is organized can be defined as “the strategy of breaking the horizon of readers’ expectations”. Multiple changes in the narrative instance fill the work with a variety of points of view, creates a sense of ghostly, ephemeral events, and encourages the reader to independently search for the truth. The content of the novel is not directly dependent on the chronology of events. Fragments of the story are arranged inversely, segmentally, so that their juxtaposition contributes to the fullest understanding of the content. The narratives presented in the novel actualize the “ontological intrigue”, based on the representation of individual mythopoetic models and revealing the plot of comprehension of truth and purpose.
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Ståhle Sjönell, Barbro. „Det tidiga 1800-talets svenska novellistik“. Tidskrift för litteraturvetenskap 43, Nr. 2 (01.01.2013): 5–17. http://dx.doi.org/10.54797/tfl.v43i2.10840.
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Swedish Short Stories in the Early 19th Century. Publication and Subgenres
The present study of Swedish short stories published between the years 1810 and 1829 illustrates that authors representing the Romantic Movement made special efforts to put the short story on the market. At V. F. Palmblad’s publishing house, German contemporary short stories were translated and distributed, later followed by Swedish contributions to the genre, which appeared primarily in literary magazines. Only a small number of short stories were published over the course of these 19 years, and the means of publication varied. Out of 45 works found in the catalogues of the National Library of Sweden, 27 are published separately, while 14 are published in periodicals or newspapers and two in anthologies (one of which is a frame story and the other a modern collection). Authors connected to the Romantic school introduced two new varieties of short story: the exotic story and the fantastic story. The pre-existing subgenres included, for instance: adventures, satirical or comic stories, stories of family life, travel stories and historical short stories. Among these, the historical story was the only subgenre to be printed separately. Characteristic for the short story is its ability to be inserted into many different kinds of publications. Another result of the study is the discovery of the ease with which a short story may be transferred from one form of publication to another. For instance, the short story may originate as part of a novel, only to turn into a separate work in its own right. Alternatively, it may develop as a serial story in a newspaper and go on to be printed separately, and later appear in a publishing house series or in a volume of selected works. This adaptive, or transferable, quality should be included in the ongoing discussion pertaining to the definition of the short story.
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Rahman, Ahmad Zufrie Abd, und Ida Baizura Bahar. „ETHNIC RELATIONS AND ETHNOCENTRISM IN SELECTED MALAYSIAN SHORT STORIES“. AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, Nr. 1 (17.04.2018): 11–20. http://dx.doi.org/10.30743/aicll.v1i1.2.
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The issues of the ethnic diversity of the Malaysian way of life, have been explored in scholarship on Fernando’s selection of Malaysian Short Stories (2006), consisting of six fictional narratives on life in pre-independence Malaya namely “Nannan and A Certain Cry” by Cynthia Anthony, “Ratnamuni” by K.S. Maniam, “Pasang” by Pretam Kaur, “The Third Child” by K.S. Maniam, and “Birthday” by M. Shanmugalingam, through the lens of post-colonialism. The stories have been described as an exceptional compilation due to the fact that Fernando is able to assemble stories written by authors from different ethnic backgrounds and cultures other than their own but we argue in this paper that the short stories do not contain intercultural sensitivity as they depict more ethnocentric orientations. We define ethnocentric experiences here as interculturally-sensitive elements which trigger a series of complex emotions in avoiding cultural differences either by denying their existence, raising defences against them, or by minimising their importance. Using the understanding of ethnocentrism as conceptualised by Milton J. Bennet (2013) as part of his Developmental Model of Intercultural Sensitivity, we attempt to examine the type of ethnocentric experiences depicted by the authors through selected characters in two out of the six short stories. Our findings demonstrate that the three types of ethnocentric experiences, denial, defense and minimisation of cultural differences, are indeed found embedded in the unconscious minds of the authors through their portrayals of selected characters, which in turn provide a platform of cultural fertilisation in Malaysian pluralistic society.
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Nurelah, Ai, Erik Chandra Pertala und Siska Hestiana. „The Existence of The Main Character's Crime in The Short Stories of Berenice and The Tell-Tale Heart by Edgar Allan Poe“. Jurnal Ilmiah Social Teknik 5, Nr. 1 (24.01.2023): 22–29. http://dx.doi.org/10.59261/jequi.v5i1.130.
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This study examines the existence of crimes committed by the protagonists of Edgar Allan Poe's short stories "Berenice" and "The Tell-Tale Heart". This study aims to describe the crimes committed by the main character of both short stories. The data sources used are short stories, books, and website. In this study, we categorize the data into subchapters and analyze them. The authors use the theory of Maguire et al., 2012. Crime description. When analyzing research data using descriptive qualitative methods. According to research results, some of the acts included in the two short stories that fall under the category of crime are horrific.
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Smyth, Theoni Soublis, und Angela Hansen. „Using Regional American Short Stories to Promote Student Collaboration“. English Journal 99, Nr. 5 (01.05.2010): 55–60. http://dx.doi.org/10.58680/ej201010817.
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Györgyey, Clara, Péter Doherty, Gyöngyi Köteles und Zsófia Bán. „Thy Kingdom Come: 19 Short Stories by 11 Hungarian Authors“. World Literature Today 73, Nr. 2 (1999): 370. http://dx.doi.org/10.2307/40154810.
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Tran, Tuoi Thi. „Dreams as an archetype in contemporary Vietnamese short stories“. Science and Technology Development Journal 18, Nr. 2 (30.06.2015): 161–67. http://dx.doi.org/10.32508/stdj.v18i2.1202.
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Archetypes are understood as ‘great symbols’ deriving from ancient times and arising from the collective unconsciousness. Through my studies, I realize that, in contemporary Vietnamese short stories, dreams can be considered as an archetype. Dreams are coded in conceptual metaphors, in allegorical expressions, and they appear everywhere in the works of many contemporary authors. On the one hand, this trend is the continuation of a traditional source of inspiration in folk and medieval literature; on the other hand, it is characterized by modern senses. Authors experimentally introduce a philosophy in dreams, and expand their creative range through dreams. This study provides a new insight into contemporary Vietnamese short stories under the archetypal lens.
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Helff, Sissy. „Children in Detention: Juvenile Authors Recollect Refugee Stories“. Papers: Explorations into Children's Literature 17, Nr. 2 (01.12.2007): 67–74. http://dx.doi.org/10.21153/pecl2007vol17no2art1197.
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'Dark Dreams: Australian Refugee Stories by Young Writers aged 11-20 Years', which is considered as one of the most original literary attempts made to grapple with the overwhelming number of often untold and nameless refugee stories in Australia, is discussed. Two short texts which cover the war and migration zones of Vietnam and Afghanistan, and are biographical accounts which differ in genre and style are considered for discussion.
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Morozova, Lyudmila. „CORONAVIRUS TOPIC IN GERMAN-LANGUAGE ELECTRONIC SHORT STORIES OF E-STORIES.DE LITERARY PLATFORM“. Fìlologìčnì traktati 14, Nr. 1 (2022): 112–24. http://dx.doi.org/10.21272/ftrk.2022.14(1)-12.
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German-language electronic short stories have been published on e-Stories.de literary platform and devoted to the subject of coronavirus have not been a subject of special research either on their problem-thematic level or their genre specificity so far. This article aims to define the features of Covid-19 topic in German-language electronic short stories posted on the e-Stories.de. literary platform with the help of problem-thematic level analysis of «DerbarmherzigeSamariter»Brauer S., «DerewigePatient» Hidy I., «Querdenker» Wiener K., «DieCorona-Impfbefürwörter....» Waldner B.Considering the literary platform as one of the specific forms for online literature existence, the e-Stories.de literary platform structure was described in our work in detail. Also,we have defined its role in the latest literary Internet discourse as it was founded in 1999 by Jörg Schwab. The literary platform e-Stories.de. combines features of an electronic library which stores works by modern authors from different countries and allows readers to get acquainted with them. Visitors have an opportunity to see virtual communication possibilities between authors and readers, to observe so called synthesis of online literature forms that is an effective way for literary Internet discourse existence.The genre analysis of electronic short stories has been offered in this article. Further itwas substantiated that short e-stories are a typological variant of short stories of classical printed literature along with the Internet as its specific form of existence and its own concept of addressee (interactive polyaddressee).Subsequently the content component of the analyzed electronic short stories is characterized by both common themes, namely social life of the coronavirus pandemic, and differences of the considered issues that is caused due to individual authorial stylistic features. The authors of the stories we analyzed, reproduce various problematic situations, violate complex of socio-cultural, philosophical, moral and ethical issues of the coronavirus pandemic, such as: doctor-patient relationship, vaccination against Covid-19, restrictivemeasures during the pandemic, movement "Dissidents" (Querdenker), etc.
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Sumarsono, Irwan, Eny Kusumawati, Elizabeth Anggraeni Amalo, Imam Dui Agusalim und Radina Anggun Nurisma. „Gender Roles in Giambattista Basile’s Sun, Moon, and Talia, and Walt Disney’s Sleeping Beauty“. World Journal of English Language 13, Nr. 1 (12.12.2022): 195. http://dx.doi.org/10.5430/wjel.v13n1p195.
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This study examined the similarities and differences between two literary works, Giambattista Basile's Sun, Moon, and Talia and Walt Disney's Sleeping Beauty, emphasizing gender roles. The authors examined how both male and female characters were portrayed in the short stories. To analyze this problem, the qualitative methodology was employed. The data sources were acquired through library research. The primary data came from the two short stories, while the supporting data came from other sources such as journals, e-books, and other internet-based material that was relevant. In both stories, male characters are stronger, more powerful, and more dominant than their female counterparts, as indicated by the study's findings. This analysis also found that both stories were presented differently by their respective authors, with Sun Moon and Talia depicting the patriarchal structure more explicitly than Disney's Sleeping Beauty.
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Rahmatika, Citra Ayu. „A Content Analysis On the Quality of Short Stories in Short Stories For Children's Published By Children's Book Trust“. LUNAR 2, Nr. 02 (05.11.2018): 33–46. http://dx.doi.org/10.36526/ln.v2i02.533.
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Reading is one of the language skills. There are four components of the language skills are: listening, speaking, reading, and writing. Reading is one of the important skills in teaching English. In this research, the researcher is interested to discuss about a content analysis on the quality of short stories in short stories for children’s published by children’s book trust. The purpose of this research are to measure the quality of short stories in short stories for children’s published by children’s book trust, and to identify the readability and gender equality of short stories for children’s published by children’s book trust. The design of this research was descriptive qualitative research. To get the data of the research, The researcher used a documentation. The researcher used flesch reading ease formula. The data sources from this research taken from book entitled short stories for children’s published by children’s book trust. In this book consist of 17 titles from 17 authors. Based on the result of the data analysis of documentation, it can be known that all of short story can be read by children from the age 8 – 11 years old. Types of reading level in this short stories are easy and very easy. From the 17 short stories, total number of short stories that tell about men life there were 12. While total number of short stories that tell about women life there were The researcher concluded that the quality of short stories for children’s published by children’s book trust is enough. The readability of short stories in short stories for children’s published by children’s book trust is easily understood by children’s and all short stories are suitable as children’s books. The gender equality in short stories for children’s published by children’s book trust is gender bias. The short stories only focus on one gender. The suggestion are for the readers, the researcher suggest that the readers can selecting to choose short stories which is most suitable to reading. The reader can also apply the result of this study as feedback on their reading activities, improve their knowledge and experience in choosing appropriate book, so that the reader is better in reading skill. For the other researchers, it would be useful for the other researcher to use the result as additional reference for those who want to conduct research. The researcher suggest that the other researchers can add research on the short story
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Pujiharto, Pujiharto, und Sudibyo Sudibyo. „THE POSITION OF LOW MALAY SHORT STORIES IN THE HISTORY OF INDONESIAN LITERATURE“. Jurnal Humaniora 28, Nr. 1 (04.06.2016): 97. http://dx.doi.org/10.22146/jh.v28i1.11505.
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This article tries to determine the factors causing the Low Malay short stories became unaccounted, especially those that were collected in Miss Koelit Koetjing (2005), in the constellation of the history of modern Indonesian literature. To answer these problems, this paper explores the criteria applied by the author of the history of Indonesian literature, comparing it with the Low Malay short stories, and relates them to their cultural historical context.The results showed the reason that Low Malay short stories collected in Miss Koelit Koetjing were not accounted, are caused by the following factors. First, most of the short stories still retain the traditional genres, such as hikayat (saga) and fairy tales, which show the strength of the cultural orientation of the past. Second, the authors of short stories are not natives; the author is not in the sense of the creator, the creator, but a storyteller, just to recount a story that has been there before. Third, short stories were published in newspapers and not in the book form. Fourth, the world of their stories came from diverse cultures and not from the world of the Indonesian archipelago. With a similar reality, it can be concluded that the short stories collected in Miss Koelit Koetjing, in the broad realm of Low Malay literature, is a literary tradition of its own in the constelation history of Indonesian literature.
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Margono-Slamet, Yosep Bambang. „Socio-Political Engagement of Contemporary Javanese Literature“. GEMA Online® Journal of Language Studies 21, Nr. 3 (30.08.2021): 215–30. http://dx.doi.org/10.17576/gema-2021-2103-12.
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This paper analyzes four selected short stories in Javanese literature entitled “Durmogati” by Budianto, “Maju Tatu Mundur Ajur” (“Damned if One Does, Damned if One Doesn’t”) by Budiono, “Bojo” (“Wife”) and “Apik Meneng” (“It’s Better to be Silent”) by Harjono which were all published in 2018. In Indonesia, Javanese literature—together with other regional literatures—is a part of or complimentary to Indonesian literature but it has not received much attention at the national level, let alone at the international level. However, Javanese literature has not been less vocal than Indonesian literature. In this article, I will examine the socio-political engagements of the four short stories in Indonesian society. Using Phillips’ ethnographic approach and Foucault’s theory of power distribution, I will analyze how the four short stories are related to democracy, people’s power, equality, and corruption in Indonesia after the fall of Suharto as the president of Indonesia in 1998. The analysis shows that the four short stories have significant socio-political engagements in the present Indonesia. The authors of the four short stories discussed in this paper show courage to blatantly criticize those who are in power. As such, the discussion of this essay offers fresh insights about contemporary Javanese literature and its role in the socio-political situation of the country. In the end, this essay will show that these four short stories are not only a reflection of Javanese society in particular and that of Indonesia in general but also as expressions of their authors as key informants about their society, i.e., how they see and think about the society in which they live. Keywords Javanese literature; socio-political engagement; democracy; power; equality
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Sullivan, James D. „Reviews: An Omnibus Review of Six Introductory Fiction Ahthologies“. Teaching English in the Two-Year College 33, Nr. 2 (01.12.2005): 211–15. http://dx.doi.org/10.58680/tetyc20054646.
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Reviews of 6 books: An Omnibus Review of Six Introductory Fiction Ahthologies 40 Short Stories: A Portable Anthology, 2nd ed., ed. Beverly Lawn; Fiction: A Pocket Anthology, 4th ed., ed. R. S. Gwynn; Fiction 100: An Anthology of Short Fiction, 10th ed., ed. James H. Pickering; Exploring Fiction: Writing and Thinking about Fiction, ed. Frank Madden; Understanding Fiction, ed. Judith Roof; The Longman Anthology of Short Fiction: Stories and Authors in Context, ed. Dana Gioia and R. S. Gwynn.
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I Nyoman Darma Putra und Sutanegara Pidada Ida Bagus Jelantik. „Literary Tourism: Maintaining Balinese Identity in 'Host-Guest' Interaction in Short Stories by Balinese Writers“. Mudra Jurnal Seni Budaya 38, Nr. 4 (11.07.2023): 420–31. http://dx.doi.org/10.31091/mudra.v38i4.2471.
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The development of tourism in Bali with strong socio-cultural influences has inspired Balinese writers to create literary works about the interaction between Balinese people (hosts) and tourists (guests), both in Indonesian and Balinese language. This study examines how Balinese authors maintain Balinese identity in host-guest interactions featured in short stories by Balinese writers. The main object of research is the anthology of Balinese short stories Mekel Paris (Madame Paris, 2012) by IBW Keniten because all short stories in this anthology contain stories of interactions between Balinese and foreigners. Data from the short stories and interviews with authors were analyzed qualitatively using a tourism literary approach, an approach that uses anthropological tourism theory of host-guest contact introduced by Valene Smith. The results showed that there are various forms of host-guest interaction expressed in the Mekel Paris anthology, namely harmonious, conflict, mutualistic, and transactional interactions. Although there are various forms of interaction, all of them have one goal, which is to convey the message so that the Balinese people are not carried away by foreign influences, but are firm in maintaining Balinese identity. In addition to enriching the discussion on how Balinese people maintain their identity, this article also contributes to the development of the study of tourism literature that is growing rapidly in Indonesia.
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Trinh, Quynh Dong Nghi, und Thi Thanh Le. „RESEARCH SPECIAL SENTENCES IN THE COLLECTION "SHORT STORIES FROM FEMALE AUTHORS"“. UED Journal of Social Sciences, Humanities and Education 10, Special (27.09.2020): 125–32. http://dx.doi.org/10.47393/jshe.v10ispecial.280.
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A special sentence is an unusual sentence structure that carries many intentions of the user as well as multi-dimensional meanings for the recipient. The differences in the sentence structure are creatively manipulated by the authors in their short stories to show many valuable rhetorical content. The survey and analysis of special sentences in this article opens a more complete and accurate view of the impact of each particular sub-type of sentence in the text. The article has initially asserted the role and artistic value of a special sentence not only for literary works but also contributing to the manifestation of the female character in artistic creation.
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May, Charles E. „Why many authors like short stories and many readers do not“. Short Fiction in Theory & Practice 2, Nr. 1 (01.12.2012): 5–22. http://dx.doi.org/10.1386/fict.2.1-2.5_1.
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Karivets, Ihor, und Andrii Kadykalo. „Egzistencializmas literatūriniuose vaizdiniuose V. Pidmohylny’o ir M. Yatskivo novelėse“. Problemos 105 (10.04.2024): 88–101. http://dx.doi.org/10.15388/problemos.2024.105.7.
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This article analyses little-known short stories of modern Ukrainian writers Valerian Pidmohylny and Mykhailo Yatskiv in the context of the 20th century existentialism. It can be considered as a cultural phenomenon which combines philosophy with literature. Pidmohylny’s short stories were significantly influenced primarily by the ideas of the European philosophers of the late 19th and early 20th centuries. Therefore, we can search for similar motives in the works of Pidmohylny and the existentialists, which developed under the influence of the ideas of Schopenhauer, Kierkegaard, and Nietzsche. Also, the authors consider Yatskiv’s short stories through the prism of the core concepts of existentialism, namely, fate and death. Pidmohylny and Yatskiv can be assigned to existential writers on the basis of retrospective analysis of the themes of their short stories and the thematic areas of 20th century existentialism.
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Kurnikova, Natalia S., und Elena N. Zasetskova. „Stylistic peculiarities of Edgar Poe’s and Howard Phillips Lovecraft’s gothic novellas“. Vestnik of Kostroma State University 29, Nr. 4 (29.03.2024): 92–97. http://dx.doi.org/10.34216/1998-0817-2023-29-4-92-97.
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The article deals with the comparative analysis of stylistic features of selected short stories (novellas) by the American writers Edgar Poe and Howard Phillips Lovecraft. Using a set of methods (theoretical analysis, holistic text analysis, stylistic analysis), relying on the creative manifestos of the two authors, as well as on the results of stylistic analysis of the corpus of short stories, the authors of the article trace the continuity and distinctive features in the work of the two writers. The obtained results allow to state the presence of similar features in the short stories of Edgar Poe and Howard Lovecraft, such as gothic chronotope, mystical and fantastic elements, common type of narrator, characterised by a borderline state, and deliberate fear-mongering. At the same time, however, the texts of both authors demonstrate specific features. Poe’s Gothic novellas are characterised by increased psychologism, which manifests itself in the prevalence of such stylistic devices as repetition, gradation, aposiopeisis, rhetorical question and exclamation, which eloquently testify to the “inner horrorˮ of the characters. The high allusiveness of Poe’s short stories testifies to the close connection of the described events with reality. The prevailing stylistic devices of Lovecraft’s novellas (epithets, personifications) testify to the author’s attempt to breathe life into inanimate objects, to extract them from non-existence, and to make the reader experience a “cosmicˮ horror of the unknown and external. The author’s complicated syntax combined with irrational enumerative rows suggests that Lovecraft’s work might be influenced by modernist aesthetics.
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Uzun, Kıvılcım, und Arda Arıkan. „Sait Faik Abasıyanık’ın Seçilmiş Üç Öyküsünde Zaman, Mekân ve Ahlak“. Sosyolojik Bağlam Dergisi 1, Nr. 1 (28.12.2020): 54–65. http://dx.doi.org/10.52108/2757-5942.1.1.5.
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One of the most influential Turkish literature authors after the post-republic period, Sait Faik Abasıyanık pursued virtue and morality in his literary work, although literary critics have not underlined this aspect of his work. In his non-didactic and open-ended stories, the perception of morality he adopted is quite evident. Analyzing Sait Faik’s selected stories in the context of their temporal and spatial settings, this study aims to resolve the moral equation manifested. In this paper, three randomly selected short stories by Abasiyanik were studied to understand how he perceived morality and how the subject of morality is treated in his select short stories. His short stories The Old Teenager, The White Gold, and Just a Story were studied in terms of how the selected subject, morality, appears in these texts. While analyzing these stories, it is recognized that the author was affected from the space and time in and during which he lived and wrote in Istanbul.
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emerald, elke, und Lorelei Carpenter. „Researching the researcher: the heart and mind in sub-prime times“. Qualitative Research Journal 15, Nr. 2 (05.05.2015): 178–88. http://dx.doi.org/10.1108/qrj-12-2014-0067.
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Purpose – The purpose of this paper is to gather research-stories, that is, the stories of the researcher themselves. The authors gather stories that situate researchers in their social, political, personal and professional contexts to learn about being a researcher in a University at this particular historical moment. Design/methodology/approach – The authors’ stories began with the naive question – “What is it like to be a researcher in a University right now?”. The authors asked this question of Julie White’s (2012) “disposable academics” (p. 50); short-term and casualised staff with insecure teaching or research contracts. They asked White’s (2012, p. 48) “academic infantry” the mid-career researchers who have felt the labour intensification of recent times. They also asked senior academics, established professors with established research histories and the security (they hope) of a steady track record and a list of external grants. Findings – The answers were not simple. They were stories of the pragmatics of managing the new academic scene; maintaining a research passion despite the pressures of new managerialism’s focus on certain forms of efficiency, external accountability and monitoring; resolving the apparent losses of autonomy, academic freedom, support, security and academic dignity. The authors heard emotional and vulnerable stories, stories of personal investment and emotionally and physically risky and dangerous encounters. The authors learnt something of the complex business of negotiating personal and professional subjectivities. Originality/value – The authors heard emotional and vulnerable stories, stories of personal investment and emotionally and physically risky and dangerous encounters. They learnt something of the complex business of negotiating personal and professional subjectivities.
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Pranatha, I. Dewa Dode Agus Adi, I. Gusti Ayu Agung Mas Triadnyani und I. Ketut Nama. „Konflik Sosial dalam Kumpulan Cerpen Tak Ada Asu di Antara Kita Karya Joko Pinurbo“. Humanis 28, Nr. 1 (18.02.2024): 67. http://dx.doi.org/10.24843/jh.2024.v28.i01.p07.
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This research discusses a collection of short stories entitled Tak Ada Asu di Antara Kita by Joko Pinurbo. This anthology contains fifteen short stories, five of which have the same conflict, namely the conflict between characters who work as authors. The five short stories are "Ayat Kopi", "Guru Bahagia", "Duel", "Korban Hoaks" and "Cakrawala". This research aims to answer the problem formulation, namely how social conflict is depicted in the short story collection Tak Ada Asu di Antara Kita by Joko Pinurbo. The five short stories were analyzed using social conflict theory. Analysis using social conflict theory aims to determine the conflict contained in this short story. The conflict found is a conflict between the author's characters. The analysis of social conflict in this short story is divided into three, namely forms of conflict, causes of conflict, and conflict resolution. The form of conflict is a description of the conflict that occurs in the author's characters. The cause of conflict is the thing that starts the conflict. Conflict resolution is the process or thing that causes the conflict to end.
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Guz, Natalia A., und Yulia G. Babicheva. „The system of points of view in Vasily Shukshin's short stories“. Vestnik of Kostroma State University 27, Nr. 3 (28.10.2021): 148–54. http://dx.doi.org/10.34216/1998-0817-2021-27-3-148-154.
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The purpose of the work is to explore the point of view in Vasily Shukshin's short stories in its systematic and diverse manifestation. Topicality is provided by the exceptional significance of this category in narratology. The study of the point of view based on the material of short stories by Vasily Shukshin has been conducted for the first time. The article briefly traces the history of scientific understanding of the category of point of view in foreign and Russian philology and notes the variety of approaches and definitions in the formulation of the concept. The authors use the classification of Boris Uspenskij for analysis and consider the point of view in Vasily Shukshin's short stories in psychological, ideological (evaluative), spatial-temporal and phraseological terms. The positions of Boris Korman, Yuri Lotman, Wolf Schmid and Franz Karl Stanzel also take into account. The authors note the features of Vasily Shukshin's narration that affect the expression of the point of view in the text. Vasily Shukshin's short stories are characterised by a dynamic and frequent change of points of view, which indicates the technique of “montageˮ and similarities in this regard with cinematic techniques. The conclusions generalise the variety of ways and forms of expression of the point of view in the studied artistic material. The point of view in the considered stories is characterised by variability in the correlation of subjects of speech and subjects of consciousness, alternation of external and internal points of view, mutual transitions from one to the other, text interference and other hybrid phenomena.
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Hassan, Hazha S., und Chinar K. Tayib. „Irony in Kate Chopin’s Selected Short Stories“. Koya University Journal of Humanities and Social Sciences 3, Nr. 1 (26.06.2020): 137–44. http://dx.doi.org/10.14500/kujhss.v3n1y2020.pp137-144.
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Many authors often employ irony as a powerful literary device since it makes the language of their literary works more suggestive and more emphatic. They usually use irony as a kind of satire, thereby to emphasize faults in their characters or in society in general. Among the American writers who use irony in their short stories is Kate Chopin. This study aims to discuss the nature of irony in Kate Chopin’s three short stories, “The Story of an Hour”, “The Storm”, and “Desiree’s Baby”. The study tries to analyze the presence of three main types of irony, their functions, their relation to the theme or message of the story, and the reasons behind the use of irony. The study concludes that though Chopin satirizes her contemporary society through irony, her irony is neither humorous nor funny but invariably tragic. She deliberately uses irony in her stories. She creates an atmosphere of suspense by adding turns and twists to the stories in order to shock the reader. Another reason for using irony is to employ her unconventional ideas about the condition of women and to bring the reader to the main theme of the story. Moreover, the ultimate goal behind all is to criticize as well as to highlight the flaws of the American patriarchal society of her lifetime and to support her feminist ideas.
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AlJazrawi, Dunya A., und Zeena A. AlJazrawi. „The Use of Meta-discourse An Analysis of Interactive and Interactional Markers in English Short Stories as a Type of Literary Genre“. International Journal of Applied Linguistics and English Literature 8, Nr. 3 (31.05.2019): 66. http://dx.doi.org/10.7575/aiac.ijalel.v.8n.3p.66.
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The present study investigated the frequency and type of metadiscourse markers in short stories as a kind of literary genre and how these markers are used by short story writers to produce persuasive texts. It is a pioneering study, since very few studies in the literature tackled literary genre and no study involved analyzing short stories. The corpus of 88,940 words consisted of 18 short story texts written by the three famous American authors Edgar Allan Poe, Mark Twain and Raymond Carver. To analyze this corpus, Hyland’s (2005) comprehensive model of metadiscourse was used. Results of the study indicated that metadiscourse markers are employed by short story writers to produce coherent texts and to make their stories persuasive. These results agreed with those of previous studies that involved literary texts indicating that metadiscourse markers are used frequently in such texts. The study findings proved that short stories are considered as persuasive texts not only due to non-linguistic factors, such as transportation, but also due to a linguistic one, namely, the use of metadiscourse markers. This finding is the most significant one, since it refutes the opinion that short stories are persuasive texts solely due to transportation and other similar factors.
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Khronopulo, L. Yu. „The influence of Fredric W. Brown’s micro fiction on Hoshi Shin’ichi’s and Akagawa Jirō’s short-short stories“. Japanese Studies in Russia, Nr. 2 (04.07.2022): 95–107. http://dx.doi.org/10.55105/2500-2872-2022-2-95-107.
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The short-short story was first introduced by Japanese writer Tsuzuki Michio, who in the late 1950s – the early 1960s familiarized the Japanese reader with extra-short stories of American author Fredric W. Brown (1906–1972); his traditions were followed by Japanese writer Hoshi Shin’ichi (1926–1997), Akagawa Jirō (b. 1948), and other authors experimenting in the new genre of social and psychological science fiction, as well as in the genre of fantasy and detective stories. In American literature, three major specific features of a short-short story were formulated: 1) a fresh idea, 2) an unexpected turn of events, 3) an unpredictable ending. These specific features can be traced in Japanese extra-short stories as well. Since the process of the emergence and development of the extra-short story as a new form of Japanese literature was influenced by American micro fiction, the research examines the elements borrowed from Fredric W. Brown’s micro fiction in Hoshi Shin’ichi’s and Akagawa Jirō’s first short-short stories; this includes genres, topics, canons, artistic styles and devices, as well as the treatment of certain social problems. The paper analyzes Hoshi’s and Akagawa’s short-short fiction from a comparative perspective, with an emphasis on intertextuality – shaping of a text’s meaning by another text, in this case, the texts by an American writer. Some literary parallels to Fredric W. Brown’s micro fiction can be found in Hoshi Shin’ichi’s first collection of short-short stories «Bokko-chan» (1971), which consists of stories written in 1958–1970, as well as in Akagawa Jirō’s first collection of short-short stories «The Dancing Man» (1986), which consists of stories written in the late 1970s – early 1980s. The succession of plots and philosophical ideas by Brown is examined on the material of seven early short-shorts by Hoshi, where the allusion to the American writer’s micro fiction can be traced; in addition, it is also noted that, in some mystic extra-short stories by Akagawa, it is not the plots which are borrowed, but mostly artistic devices and various techniques, such as psychologism, black humor, wordplay, and metaphorical images. American origins of the Japanese short-short story are investigated for the first time.
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Khoury, Samah. „Caricature in Palestinian very Short Stories Written by Diasporic Writers“. International Journal of Language and Literary Studies 3, Nr. 4 (05.12.2021): 83–92. http://dx.doi.org/10.36892/ijlls.v3i4.729.
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This article studies the caricature techniques used in Palestinian very short stories written by writers living in the diaspora. This study includes three examples of very short stories in which caricature is manifested in events, characters and language. This technique is used in order to try to find the link between the harsh reality of post-1948 war and the changes it created, and the effects it had on society, politics and economics. I monitored the subjects that Palestinian authors write about in very short stories, and intend to expose the varied use of caricature in its different techniques. This study reveals how caricature is used in very short stories to expose the inhumane conditions, worsening relationships between human beings, and the way people turn to violence in an attempt to solve their problems. This violence surrounds people from all sides and defines their relationships, whether with other people, their leaders or their enemies.
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Marsih, Linusia, und Christine Saragih. „SEX WORKER STIGMA IN MAUPASSANT’S “BOULE DE SUIF” AND TIRTAWIRYA’S “CATATAN SEORANG PELACUR”“. Anaphora: Journal of Language, Literary and Cultural Studies 4, Nr. 2 (31.01.2022): 162–69. http://dx.doi.org/10.30996/anaphora.v4i2.6072.
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This study aims to reveal stigma toward sex worker depicted in two literary texts i. e. a short story entitled “Boule de Suif” by Guy de Maupassant, a French writer and a short story entitled “Catatan Seorang Pelacur” by Putu Arya Tirtawirya, an Indonesian writer. The two short stories are chosen for the reason that both works depect the life of a female sex worker. This study is designed as a descriptive qualitative study with sociological approach. The sociological approach is applied because this study looks at society’s views on female sex workers tht is reflected in the short stories. Moreover, theories of stigma are reviewed to support the analysis. The Analysis is focused on the sex worker stigma, the manifestation of stigmatization against sex workers, how the female sex worker in each short story responds to the stigmatization, and whether authors of the short stories affirm or criticize their society.
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Sarguzina, Irina A. „Unabridged Short Stories by 21st-Century Spanish-Speaking Authors in Teaching Spanish as a Foreign Language“. Integration of Education 25, Nr. 4 (30.12.2021): 700–714. http://dx.doi.org/10.15507/1991-9468.105.025.202104.700-714.
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Introduction. The need to include authentic works of fiction in the foreign language teaching process is obvious, but the selection of texts of the appropriate level at the elementary and intermediate stages of Spanish teaching remains a challenge. Since this phenomenon has not been sufficiently explored, the aim of this article is to present a list of unabridged short stories that correspond to the intermediate level (B1 PCIC) and the results of the study on the benefits of using these stories as a means of stimulating communication skills in the Spanish class. Materials and Methods. To study the problem, a Likert scale questionnaire, oral interviews, and a check of the final work were carried out. The study involved 54 students from three Russian universities and one school where Spanish and English are studied in depth. The collected data were processed by methods of mathematical statistics in Microsoft Office Excel. For the study, 36 short stories by contemporary Hispanic authors were selected and pre and post-reading questions were developed to introduce the topic and stimulate oral speech. Results. Based on the results of the study, it was revealed that the selected stories correspond to the B1 level of the Cervantes Instituteʼs curriculum, and the topics presented in the stories stimulate communication in the class, pushing the fear of making a mistake into the background. Many Spanish teachers introduce unabridged fiction starting at B2 level. This experiment demonstrates the successful use of short stories at an intermediate level of language proficiency. Discussion and Conclusion. The results of the study contribute to the development and improvement of the methodology of teaching Spanish with the use of authentic fiction texts. The materials of the article will be useful for practicing teachers and methodologists of the Spanish language.
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Hamm, Lauren Elizabeth. „Chasing Shadows: Visions of Our Coming Transparent World, edited by David Brin and Stephen W. Potts“. Journal of Intellectual Freedom & Privacy 3, Nr. 1 (06.07.2018): 21. http://dx.doi.org/10.5860/jifp.v3i1.6503.
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Chasing Shadows is a collection of short stories by various authors. The stories illustrate how transparent we've become in terms of privacy now that we're constantly connected to social media. They target such topics as government surveillance, live blogging, politics, and parenting. The collection was edited by David Brin and Stephen W. Potts.
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Nakonechna, Larysa, und Liudmyla Nakonechna. „POETICS OF NARRATIVE STRUCTURES IN THE TEXTS OF VASYL STEFANYK“. PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, Nr. 16(63) (26.08.2022): 222–31. http://dx.doi.org/10.31471/2304-7402-2022-16(63)-222-231.
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The article is devoted to the topic of poetics in Vasyl Stefanyk's short stories.
The purpose of the article is to analyze the poetics of narrative structures of Vasyl Stefanyk's works on the example of motive-thematic complex of death, to consider also features of descriptive structures of the writer, in particular combination and interaction of descriptive and narrative manners.
This goal was possible to be achieved by using the research methods, namely: analysis and synthesis, comparison, specification, and generalization.
The authors explore the issues of poetics of narrative structures on the basis of the texts of short stories "Maple Leaves", "Funeral", "Lan", "May" and others.
Comparisons of descriptive and narrative elements in Vasyl Stefanyk's short stories are made mainly on the basis of a thorough study of the problems of Gerard Genet's poetics "Figures".
The authors focused on the analysis of narrative structures, the peculiarities of the combination and interaction of descriptive and narrative manners of the writer, the functions of the strategy of visualization and descriptiveness in the narrative texts of Vasyl Stefanyk.
This is the practical value and novelty of the presented study.
The authors found that the principle of visualization allows adding a moment of descriptiveness to the narrative text. Considering the distinction and interaction of visualization and descriptiveness in the texts of Vasyl Stefanyk, the authors trace the moments of transition (or intersection/overlap) of passages in a descriptive and narrative manner of narrative.
In addition, the authors of the article analyzed the relationship of time and space dimensions in texts to narrative and descriptive structures.
Analysis of Vasyl Stefanyk's short stories through the prism of the interaction of ekphrasis and diegesis opens up completely new perspectives on the interpretation of the text. The high frequency of descriptive structures in Vasyl Stefanyk's texts may be one of the signs of genre heterogeneity in the writer's works.
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Akun, Akun. „The Portrayal of Indonesian Image in 2007 Kompas Selected Short Stories: Social Problems, Criticisms and Hopes“. Lingua Cultura 4, Nr. 2 (30.11.2010): 140. http://dx.doi.org/10.21512/lc.v4i2.362.
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Article aimed at exploring social problems reflected in 15 selected short stories printed in Kompas during 2007 both explicitly and implicitly. Specifically, this research is focused on the mapping of dominant social problems raised by the short stories, the social criticisms strongly voiced by the authors and the hopes of a better situation implicitly reflected in these interesting short stories. This study applies the Defamiliarization Effect promoted by Bertolt Brecht and Negative Dialectics or Negative Knowledge by Theodor Adorno, specifically in analyzing the literary works as a criticism tool. The result of the research shows that phenomena of social problems current lately in Indonesian context like identity, poverty, corruption, religious tensions, moral degradation, politics dirtiness, minority group problems, social security, natural disasters and the like are clearly seen and teased in these writings.
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Juanda, Juanda, und Azis Azis. „PENYINGKAPAN CITRA PEREMPUAN CERPEN MEDIA INDONESIA: KAJIAN FEMINISME“. LINGUA: Journal of Language, Literature and Teaching 15, Nr. 2 (29.08.2018): 71. http://dx.doi.org/10.30957/lingua.v15i2.478.
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One of the female phenomena which was authored by the authors short stories in Media Indonesia is the narrative of oppressed women. The purpose of this study is to explore the image of women in short stories in the Media Indonesia. This research is descriptive qualitative research that focuses on the image of women. The approach used in this research is the feminism approach. The data were analysis techniques using heuristic and hermeneutic techniques. The results of the study indicate that there are various negative treatments experienced by women. The author used the short stories as a representation of their images through the Media Indonesia daily. Women's image is manifested in the form of physical image, psychic, helpless, resigned to the situation, housewife, loyalty, child guard, domestic, husband's companion, and social.
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Tran Thi Hong, Nhung. „The issue of gender equality in Vietnam short stories with female authors in nowadays that writes about love, marriage, family“. Journal of Science Social Science 66, Nr. 2 (Mai 2021): 44–53. http://dx.doi.org/10.18173/2354-1067.2021-0024.
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With the initiative in creative sense and concept of art consistently that writes about love, marriage, family, Vietnamese short stories for female in nowadays, they forcefully confirmed the point of view is equal between men and women. Through the world of art to be created, the powerfull aspects of this have been opened up. The article focuses on clarifying the manifestations of gender equality issues in vietnam short stories with authors are female in nowadays that is one of the social problems - unique aesthetics.
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Soh, Byungkuk. „Literary Activities of Malay Nationalists in Malaya under Japanese Rule, 1942–45“. International Area Review 8, Nr. 2 (Juni 2005): 93–106. http://dx.doi.org/10.1177/223386590500800205.
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This study is an attempt to decode nationalist messages in poems and short stories that were written by Malay authors during the Japanese occupation. To this aim, are introduced firstly, Malay journalists and publications under Japanese rule. Secondly, this work analyzes nationalist messages in some poems. Thirdly, it attempts to reveal nationalist messages in some short stories. Based upon the examinations, this study implies that the literary activities of Malay nationalists during the war might contribute to the development of Malay national awareness to a certain degree.
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Podbrežnik, Andrej. „Katherine Mansfield in Slovene translations“. Acta Neophilologica 34, Nr. 1-2 (01.12.2001): 39–57. http://dx.doi.org/10.4312/an.34.1-2.39-57.
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During her short life Katherine Mansfield wrote numerous short stories, which place her among the best authors of this genre in world literature. The au thor of this paper tries to establish the reception of Mansfield's work and the critics' response in Slovenia. First translations of her stories were published in various Slovene magazines and reviews after the Second World War. However, the most complete and artistically successful presentation of her work was prepared in 1963 when Jože Udovič published twenty-eight short stories written by this author under the title Katherine Mansfield: The Garden Party. Udovič also contributed the introduction about the author and her work. The book was very well received in Slovenia not only by the reading public, but also by critics, who praised Mansfield and Udovič's translation as well. After that more than twenty years passed, before Katarina Mahnič translated Katherine Mansfield's short story "The Singing Lesson" in 1988. We can conclude that hopefully some new translations of Katherine Mansfield's stories will appear soon.
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Hernández Martín, José Alonso. „Writing short stories to describe literary language use and perceptions as writer“. Enletawa Journal 10, Nr. 2 (22.11.2018): 13–28. http://dx.doi.org/10.19053/2011835x.8691.
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This qualitative case study aims at describing the process followed by ninth grade students at a private religious school when using and analyzing literary language. The instruments used to carry out this study were: students’ artifacts to identify and analyze the literary language used, field notes, and interviews. During this process, the learners as authors generated the construction of meaning and developed their competence in writing. The results show that students used metaphors and similes (literary features) to express ideas and details about their contexts in written production. In turn, students profited from the poetic function of the language where their voices as authors describe their perceptions and experiences as writers.
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Sarip, Hasmina Domato. „The Images of Women in Selected Contemporary Short Stories by Contemporary Filipino Women Writers“. International Journal of English Language Studies 3, Nr. 2 (27.02.2021): 111–19. http://dx.doi.org/10.32996/ijels.2021.3.2.12.
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This inquiry sought to discover the images of women as portrayed in the contemporary short stories entitled “Fallout” by Maria L.M. Fres-Felix and “Language” by Sunantha Mendoza. Feminist Literary Criticism, specifically liberal, radical, Freudian, socio-cultural, stereotypical feminist perspective were employed to critically analyze the actions and feminist perspective of the female characters. The study attempted to meet the following objectives: 1) to describe the images of women as depicted by the authors in the stories; 2) to identify the dominant devices used in the stories; and, 3) to determine the feminist themes conveyed in the stories. Through examining and analyzing the short stories, different images of women were discovered. The close textual reading resulted in the researcher’s coming up with the following findings: female characters are portrayed as involved, sophisticated, strong-minded, competitive, independent and unconventional. The dominant devices are symbols, juxtaposition, foreshadowing, imagery, idiom, metaphor, irony and figures of speech were effectively utilized in the stories to probe the images of women that are found in each story. Indeed, women will come a long way in facing the battle against patriarchal values.
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Dydrov, Artur A., und Alexandra S. Varlamova. „WEB-BODY: REPRESENTATIONS OF CORPORITY IN MICROFORMATS OF INTERNET“. Bulletin of Chelyabinsk State University 480, Nr. 10 (20.11.2023): 38–44. http://dx.doi.org/10.47475/1994-2796-2023-480-10-38-44.
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The object of the article is microformats (mainly memes and short stories), consumed by modern people as popular network content. The focus is on the methods and characteristic features of body representation in memes and short stories, and specific cases are examined in detail. It is well known that the designated content is systematically used for short “statements” and, among other things, in auto-presentation terms. Based on microformat analytics data, the authors have documented some trends directly related to body representation practices. These trends still need clarification and addition, but their initial identification will make it possible to contribute to the conceptual matrix of digital studies.