Dissertationen: „Short stories (multiple authors)“

1

McCaffrey, Molly Ann. „Heaven and Earth a collection of short stories /“. Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?ucin1116245589.

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Thesis (Ph. D.)--University of Cincinnati, 2005.
Committee/Advisors: Brock Clarke, James Schiff, Michael Griffith. Title from electronic thesis title page (viewed May 20, 2008). Keywords: Short stories; Fiction; American; Women authors; Class; Race; Interpersonal relations; Man-woman relationships. Includes abstract. Includes bibliographical references.

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2

Lloyd, Clive N. V. „H C Bosman : South African history in black and white“. Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362269.

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3

Brown, Sheree Mancini. „Conjuring Olympus: Defining Place for Women“. Xavier University / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1352667500.

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4

Nakasa, Dennis Sipho. „The dialectic between African and Black aesthetics in some South African short stories“. Master's thesis, University of Cape Town, 1993. http://hdl.handle.net/11427/22394.

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Most current studies on 'African' and/or 'Black' literature in South Africa appear to ignore the contradictions underlying the valuative concepts 'African' and 'Black'. This (Jamesonian) unconsciousness has led, primarily, to a situation where writers and critics assume generally that the concepts 'African' and 'Black' are synonymous and interchangeable. This study argues that such an attitude either unconsciously represses an awareness of the distinctive aspects of the worldview connotations of these concepts or deliberately suppresses them. The theoretical and pragmatic approach which this study adopts to explore the distinctive aspects of the worldview connotations of these concepts takes the form, initially, of a critique of such assumptions and their connotations. It is argued that any misconceptions about the relations between the concepts 'African' and 'Black' can only be elucidated through a rigorous and distinct definition of each of these concepts and the respective world views embodied in them. Each of the variables of these definitions is also examined thoroughly through an application of, inter alia, Frederick Jameson's 'dialectical' theory of textual criticism, Pierre Macherey's 'theory of literary production' and also through the post-colonial notions of 'hybridity' and 'syncreticity' propounded by Bill Ashcroft et.al (eds). In this way the study examines the dialectical interplay between, for instance, such oppositional notions as 'African' and 'Western' (place-conscious), 'Black' and 'White' (race-conscious), and other forms of ideological 'dominance' and 'marginality' reflected in the 'African' and/or 'Black' writers' motivations for the acquisition, appropriation and uses of the language of the 'other' (i.e. English) and its literary discourse in South Africa, Africa and elsewhere in the world. A close textual reading of the stories in Mothobi Mutloatse's (ed) Forced Landing, Mbulelo Mzamane's (ed) Hungry Flames underlies an examination of the processes of anthologisation and their implications of aesthetic collectivism, reconstruction and world view monolithicism which repress the distinctive world outlooks of the stories in these anthologies. The notions of aesthetic monolithicism implicit in each of these anthologies are interrogated via the editors' truistic assumptions about the organic nature of the relations between the concepts 'African' and 'Black'. The notion of a monolithic 'African' and 'Black' aesthetic is further decentred through a close textual reading of the uses of the 'African' and 'Black' valuative concepts in the short story collections The Living and the Dead and In Corner B by Es'kia (formerly Ezekiel) Mphahlele. The humanistic pronouncements in Mphahlele' s critical and short story texts suggest various ways of resolving the racial demarcations in both the 'Black' and 'White' South African literary formations. According to Mphahlele, a predominant racial consciousness inherent in the racial capitalist mode of economic production has deprived South African literature and culture an opportunity of creating a national humanistic and 'Afrocentric' form of aesthetic consciousness. The logical consequence of such a deprivation has been that the racial impediments toward the formation of a single national literature will have to be dismantled before the vision of a humanistic and 'Afrocentric' aesthetic can be realised in South Africa. The dismantling of both the 'Black' and 'White' monolithic forms of consciousness may pave the way toward the attainment of a synthetic and place-centred humanistic aesthetic. Such a dismantling of racial monolithicism will, hopefully, stimulate a debate on the question of an equally humanistic economic mode of production.

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5

Hans, Birgit 1957. „THE HAWK IS HUNGRY: AN ANNOTATED ANTHOLOGY OF D'ARCY MCNICKLE'S SHORT FICTION (MONTANA)“. Thesis, The University of Arizona, 1986. http://hdl.handle.net/10150/291803.

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6

Zelaya, Jenny. „El personaje femenino : una visión panorámica en la literatura femenina hondureña del siglo XX y las concepciones de identidad y nación /“. free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3164556.

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7

Gaylard, Rob. „Writing black : the South African short story by black writers /“. Thesis, Link to the online version, 2008. http://hdl.handle.net/10019/3224.

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8

Zheltukhina, Daria. „The Functions of Journey and Ascent in Selected Short Stories in Margaret Drabble’s A Day in the Life of a Smiling Woman“. Thesis, Linköpings universitet, Avdelningen för språk och kultur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-97719.

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The present essay studies the functions of journey and ascent as recurrent motifs in A Day in the Life of a Smiling Woman by Margaret Drabble. The relationships between the geographical and psychological journeys and ascents are explored. Chapter 2 of the core analysis presents the four themes in which the protagonists articulate their strength and self-worth. Chapter 3 is devoted to the comparative analysis of the structures of the geographical and psychological journeys and ascents (item 3.2) and the study of the author's multiple angles on marriage, adultery and widowhood (item 3.3).

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9

Slagle, Judith Bailey. „Romantic Appropriations of History: The Legends of Joanna Baillie and Margaret Holford Hodson“. Digital Commons @ East Tennessee State University, 2012. http://amzn.com/1611475090.

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Introduction: The Historical Tradition of Baillie, Scott, Hodson and Southey -- William Wallace : "A Terrible Beauty" -- Exploration and conquest : Columbus, Balboa, and Pizarro -- National and Domestic Heroines : Margaret of Anjou and Lady Griseld Baillie -- Gothic Interactions : The Miscellaneous Legends of Baillie and Hodson.
https://dc.etsu.edu/etsu_books/1035/thumbnail.jpg

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10

Hawryluk, Lynda J. „Semi-detached“. Thesis, View thesis, 1997. http://handle.uws.edu.au:8081/1959.7/28403.

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This collection of short stories is about being a twenty-something in the 90s, trying to get by, have a little fun and make somewhat of a mark in the process. It’s about the process of growing up, and the seemingly desperate need to hold onto all those youthful pursuits. It’s about finding out that life as an adult tries to suck the life out of you, rather than allowing you to suck the life out of it. That constant struggle, the battle of wills between attending to your needs or just satisfying your wants. This is a time for you when your needs and wants are siblings, bickering in the back of the car on a long drive up the coast. The characters in these stories are having their good time while it lasts. Avoiding the inevitable: maturity, responsibility, adulthood. And so they should. After all, these aren’t called ‘the best years of our lives’ for nothing. The stories celebrate your life as a twenty-something.

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11

Schaller, Karen Ann. „The Bowen affect : the short fiction of Elizabeth Bowen and the case for re-reading emotion“. Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6950/.

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This thesis argues that the short fiction of Elizabeth Bowen is acutely preoccupied with reading emotion. Despite the growth of Bowen criticism, her stories remain understudied and this project proposes that their marginal status corresponds to this preoccupation. Through a close engagement with the literary representations of emotion at work in selected Bowen's stories, read alongside Bowen criticism, short story theory, and work on emotion, however, I show how her stories not only anticipate, but radically disrupt, current emotion theory. Recent theorisations of, and research on, emotion and affect across the disciplines tend to rely on the readability of emotion, emphasising the interpretation of specific emotions and reviving practices of affective criticism. Yet Bowen‟s short fiction foregrounds emotion‟s textuality: rather than allow us to read emotion „in‟ literature, I argue that her stories theorise the literariness of emotion. The project begins by suggesting a correspondence between her stories‟ engagement with emotion and their status, both within her literary oeuvre and in Bowen scholarship, to suggest that the complexity of her short fiction is often under-represented by occluding the deconstructions emotion mobilises. This enables us to map critical debates amongst Bowen scholars about the radicality of Bowen‟s fiction onto wider narratives about emotion and critical resistances to its textuality. I go on to undertake close readings of selected stories to show how Bowen‟s short fiction destabilises, rather than reinforces, the geographies of subjectivity, reality, time, and materiality to which emotion is presumed to belong. This project extends Bowen criticism that observes the ways her work anticipates psychoanalytical and Derridean readings, but through its focus on the short story it offers the second focused study of Bowen‟s short fiction, and the first study of her short fiction to be informed by critical emotion theory. Not only does this thesis carve out a new territory within Bowen scholarship, but it offers a timely contribution to problems in thinking emotion and affect in literary criticism and theory. More broadly, it is my hope that my reading of Bowen demonstrates the necessity of attending to the textuality of emotion in the reading and theorisation of emotion across the disciplines.

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12

Kato, Megumi Humanities &amp Social Sciences Australian Defence Force Academy UNSW. „Representations of Japan and Japanese people in Australian literature“. Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.

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This thesis is a broadly chronological study of representations of Japan and the Japanese in Australian novels, stories and memoirs from the late nineteenth century to the twenty-first century. Adopting Edward Said???s Orientalist notion of the `Other???, it attempts to elaborate patterns in which Australian authors describe and evaluate the Japanese. As well as examining these patterns of representation, this thesis outlines the course of their development and change over the years, how they relate to the context in which they occur, and how they contribute to the formation of wider Australian views on Japan and the Japanese. The thesis considers the role of certain Australian authors in formulating images and ideas of the Japanese ???Other???. These authors, ranging from fiction writers to journalists, scholars and war memoirists, act as observers, interpreters, translators, and sometimes ???traitors??? in their cross-cultural interactions. The thesis includes work from within and outside ???mainstream??? writings, thus expanding the contexts of Australian literary history. The major ???periods??? of Australian literature discussed in this thesis include: the 1880s to World War II; the Pacific War; the post-war period; and the multicultural period (1980s to 2000). While a comprehensive examination of available literature reveals the powerful and continuing influence of the Pacific War, images of ???the stranger???, ???the enemy??? and later ???the ally??? or ???partner??? are shown to vary according to authors, situations and wider international relations. This thesis also examines gender issues, which are often brought into sharp relief in cross-cultural representations. While typical East-West power-relationships are reflected in gender relations, more complex approaches are also taken by some authors. This thesis argues that, while certain patterns recur, such as versions of the ???Cho-Cho-San??? or ???Madame Butterfly??? story, Japan-related works have given some Australian authors, especially women, opportunities to reveal more ???liberated??? viewpoints than seemed possible in their own cultural context. As the first extensive study of Japan in Australian literary consciousness, this thesis brings to the surface many neglected texts. It shows a pattern of changing interests and interactions between two nations whose economic interactions have usually been explored more deeply than their literary and cultural relations.

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13

Silveira, Daniela Magalhães da. „Contos de Machado de Assis : leituras e leitores do Jornal das Familias“. [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281951.

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Orientador: Sidney Chalhoub
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-04T02:07:50Z (GMT). No. of bitstreams: 1 Silveira_DanielaMagalhaesda_M.pdf: 660112 bytes, checksum: f305a2d196cfa5237b6b59e1390f3b5a (MD5) Previous issue date: 2005
Resumo: Esta dissertação tem como objetivo central estudar uma revista feminina, intitulada Jornal das Famílias, editada entre 1863 e 1878. Uma de suas principais questões girava em torno de se disponibilizar leituras com certo tom moralizante e religioso, que servissem como lições às leitoras. Seus colaboradores posicionaram-se de maneiras diferenciadas. Machado de Assis, literato que mais assinou contos para essa revista, recorreu de várias estratégias para se aproximar mais de suas leitoras. Escreveu textos não só com caráter moralizador, mas também questionadores desse mesmo tema, da política Imperial e das formas de domínio à época. Também por meio da criação de personagens leitores e da indicação de alguns romances em seus contos, abriu-nos a possibilidade de saber algo do perfil dos leitores daquela revista
Abstract: This dissertation is a study of the Jornal das Famílias ¿ a female magazine published in Rio de Janeiro from 1863 to1878. Despite differences in style and politics, most writers who collaborated to the Jornal das Famílias offered women a whole set of essays with moralizing and religious overtones. Machado de Assis, the intellectual who wrote most of the short stories published by the magazine, deployed several strategies to get closer to his female readers. For instance, he wrote fictional pieces with characters who played the agents of morality and, at same time, questioned royal politics and forms of domination. Also through his ¿reader-characters¿ and suggestions of some novels, Machado allowed us to know something about the profile of that magazine¿s readers
Mestrado
Historia Social
Mestre em História

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14

Household, Sarah C. „Negociating the nation: time, history and national identities in Scott's medieval novels“. Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210995.

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This thesis examines the relationships between different nations and cultures in Ivanhoe, The Talisman, Quentin Durward, Anne of Geierstein and Count Robert of Paris using Post-colonial theory. An analysis of Scott’s conception of society in general shows that 18th century Scottish historiography is fundamental to his vision of the world because it forms the basis of his systematization of history, social development and interaction between communities. It also profoundly influences his imagery and descriptions, as well as providing him with a range of stereotypes that he manipulates so skilfully that his great dependence upon them is occulted. Contemporary ideas and his own attitude to the Union of Scotland and England lead him to conceive of nation formation in terms of descent and hybridity. In part, he sees the nation as a community of blood. Yet, his acceptance of the Union means that he also considers it to be a body of different ethnic elements that live together. His use of the 18th century metaphor of family to figure the nation allows him to incorporate heredity and miscegenation into his analysis of national development through father-daughter couples. The father represents traditional culture, and the daughter, the nation’s present and future; her marriage to a foreigner signifying that people of differing descent can cross the nation’s porous borders. Religion is the final frontier: Christian nations cannot absorb non-Christians. Scott sees dominance and subordination as a complex part of human relationships. Apparently-subordinate subjects possess occulted power because their support of the hegemonic is often essential if the latter is to maintain its superiority. While his conception of society in patriarchal terms means that his female characters cannot offer violence to men, he shows that passive resistance is very effective. Through mimicry, the subordinate threatens the power and identity of the dominant. Power is not only conceived of in political terms. In Ivanhoe, Scott reveals the importance of moral stature which allows Rebecca to dominate the work although she is at the bottom of the political and racial hierarchy that structures English society. Scott’s conception of time is fundamental to the manner in which he conceives of the nation. Historical cultural forms are physicalised through chronotopes. Politically subordinate cultures base their actions in the present on pedagogic time, while the dominant ignore their past and live only in the present and the future. He also expresses dominant-subordinate relationships through speed, with time moving quickly for the powerful and slowly for the weak. Time, whether in the form of history, the characters’ perception of it or speed amalgamates all the various elements of Scott’s conception of nationhood into a seamless whole.

Cette thèse analyse par le biais la théorie post-coloniale les relations internationales dans Ivanhoe, Quentin Durward, Anne of Geierstein et Count Robert of Paris. Les théories historiques élaborées en Écosse au XVIIIème siècle sont fondamentales dans la vision scottienne parce qu’elles forment la base de la systematisation de l’histoire, du développement sociale et, par conséquent, des relations entre les différentes communités. Ces théories influencent profondement les images qu’il utilise et la façon dont il décrit les caractères et les scènes. De plus, elles lui fournissent une gamme de stéréotypes qu’il manipule très adroitement. Sa conception de la manière dont se forment les nations vient des idées contemporaines et de sa propre expérience de l’union politique de l’Angleterre et de l’Écosse. Il considère la nation comme une communauté fondée sur l’ascendance par le sang mais aussi comme un groupe d’ethnies différentes qui vivent ensemble. Sa description de la nation emprunte à la métaphore de la famille courante au XVIIIième. Celle-ci lui permet d’inclure dans son analyse l’héridité et la mixité au moyen des couples formés par un père et sa fille. Le père représente la culture traditionelle, et la fille, le présent et le futur national. Son marriage avec un étranger signifie que les gens d’ascendance différente peuvent traverser les frontières perméables d’une nation. La religion est la frontière ultime: les nations chrétiennes ne peuvent absorber de non-chrétiens. Scott considère que la domination et la sujetion forment une partie complexe des relations humaines. Les sujets qui paraissent subordonnés possèdent en fait un pouvoir occulte, le dominant ayant besoin de leur soutien pour maintenir sa position. Bien que sa conception patriarcale de la société fasse que les caractères feminins ne manifestent pas d’agression envers les hommes, il montre que la résistance passive est très efficace. En imitant le sujet dominant, le sujet subordonné menace le pouvoir et l’identité de ce dernier. Le pouvoir ne s’exprime pas seulement dans la politique. Rebecca dans Ivanhoe revèle l’importance que revêtent le caractère et la moralité. Bien qu’elle soit au bas de la hiérarchie structurante de la société anglaise, elle domine le roman.

La conception que Scott se fait du temps est fondamentale à celle de la nation et de la culture. Au moyen du chronotope, les cultures historiques prennent des formes physiques. Les cultures qui sont subordonnées politiquement basent leur action au présent sur le “temps pédagogique”. Au contraire, le dominant rejette son passé et ne vit qu’au présent et au futur. Les relations entre le pouvoir dominant et le subordonné s’expriment aussi par la vitesse: le temps passe vite pour les puissants, mais lentement pour les faibles. En définitive, tous les éléments de la conception scottienne de la nation sont liés au temps, qu’il s’agisse de l’histoire, de perception par les caractères, ou de la vitesse.

Doctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished

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15

Hayashi, Mari. „Images de femmes dans la littérature japonaise contemporaine, 1935-1975: cas des nouvelles couronnées par le prix Akutagawa“. Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210557.

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The images of Japanese women in the Japanese contemporary literature (1935-1975) — Short-stories crowned with the Akutagawa Prize

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Doctorat en sciences sociales, Orientation sociologie
info:eu-repo/semantics/nonPublished

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16

Carbajal, Aleksandra M. „The fifth commandment and other short stories by Rocío Qespi“. 2008. http://hdl.rutgers.edu/1782.2/rucore10001600001.ETD.17284.

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17

„中國女作家短篇小說中的新女性: 一九一七年至一九三七年“. 1991. http://library.cuhk.edu.hk/record=b5895430.

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霍玉英.
稿本(電腦打印本)
Thesis (M.A.)--香港中文大學中國語言及文學學部.
Gao ben (dian nao da yin ben)
Includes bibliographical references (leaves 319-338).
Huo Yuying.
Thesis (M.A.)--Xianggang Zhong wen da xue Zhongguo yu yan ji wen xue xue bu.
提要
目錄 --- p.1-5
前言 --- p.1-4
Chapter 一 --- 論文的研究目的 --- p.1-2
Chapter 二 --- 論文的研究範圍與方法 --- p.2-4
Chapter 1. --- 研究範圍
Chapter 2. --- 研究方法
Chapter 第一章 --- 緒言 --- p.5-29
Chapter 第一節 --- 晚清「小說界革命」及小說中女性形象的描寫 --- p.5-12
Chapter 一 --- 晚清「小說界革命」
Chapter 二 --- 晚清小說中女性形象的描寫
Chapter 第二節 --- 易卜生戲劇、易卜生主義的紹介及其對新文學的影響 --- p.12-20
Chapter 一 --- 魯迅的〈摩羅詩力說〉
Chapter 二 --- 《玩偶之家》的上演與洪深的〈嬌妻〉
Chapter 三 --- 一九一八年《新青年》的「易卜生號」
Chapter 1. --- 胡適的〈易卜生主義〉
Chapter 2. --- 袁振英的〈易卜生傳〉
Chapter 四 --- 早期新文學對易卜生作品思想的攝取
Chapter 第三節 --- 中國女性的覺醒 --- p.20-28
Chapter 一 --- 中國近代女子教育的發展
Chapter 1. --- 梁啓超興辦女學與蔡元培開放大學女禁
Chapter 2. --- 西方教會學校在中國女子教育所扮演的角色
Chapter 二 --- 秋瑾與中國婦女解放
Chapter 三 --- 「五四」時期的新女性
Chapter 第四節 --- 小結 --- p.28-29
Chapter 第二章 --- 新文學創作的拓荒者-陳衡哲 --- p.30-50
Chapter 第一節 --- 埋沒了的「第一人」 --- p.30-38
Chapter 一 --- 新文學小說創作第一人
Chapter 二 --- 女作家第一人
Chapter 三 --- 陳衡哲與婦女解放
Chapter 1. --- 「個人人格」與「性別人格」
Chapter 2. --- 婚姻觀念
Chapter 第二節 --- 陳衡哲短篇小說中的新女性形象 --- p.38-50
Chapter 一 --- 追求理想的知識女性
Chapter 1. --- 理想的追求
Chapter 2. --- 情感的昇華
Chapter 3. --- 晚境的孤寂
Chapter 二 --- 撫育子女為己任的賢惠婦女
Chapter 三 --- 小結
Chapter 第三章 --- 愛的禮讚者-冰心 --- p.51-90
Chapter 第一節 --- 人生究竟 --- p.51-67
Chapter 一 --- 「五四」驚雷來天地
Chapter 二 --- 愛的哲學
Chapter 三 --- 冰心的婦女觀
Chapter 四 --- 冰心的創作觀
Chapter 1. --- 「真」的抒發
Chapter 2. --- 創作的陶冶與思想技巧的攝取
Chapter 第二節 --- 冰心短篇小說中的新女性形象 --- p.67-90
Chapter 一 --- 時代的犧牲者
Chapter 二 --- 中外兼賅的理想新女性
Chapter 三 --- 孤寂的落拓者
Chapter 四 --- 小結
Chapter 第四章 --- 「五四」思潮掀起的産兒-廬隠 --- p.91-137
Chapter 第一節 --- 敢¨ёł窠臼的新女性 --- p.91-104
Chapter 一 --- 「五四」的産兒
Chapter 二 --- 廬隱的婦女觀
Chapter 三 --- 廬隠隱的創作觀
Chapter 1. --- 靈機說
Chapter 2. --- 個性與生命的表現
Chapter 3. --- 創作養份的攝取
Chapter 四 --- 廬隱的「停滯」
Chapter 第二節 --- 廬隱短篇小說中的新女性形象 --- p.104-137
Chapter 一 --- 精神戀愛
Chapter 1. --- 「憂讒畏譏」的弱者
Chapter 2. --- 「不畏譏誚」的勇士
Chapter 二 --- 同性愛戀
Chapter 三 --- 情智夾缝的新女性
Chapter 四 --- 擱淺的人
Chapter 五 --- 革命的「娜拉」
Chapter 六 --- 小結
Chapter 第五章 --- 中國的「曼殊斐兒」---凌叔華 --- p.138-175
Chapter 第一節 --- 高門的精魂 --- p.138-147
Chapter 一 --- 酒後的一派？
Chapter 二 --- 凌叔華小說創作的取向
Chapter 1. --- 站在時代洪潮以外？
Chapter 2. --- 溫婉嫻靜中見剛健
Chapter 三 --- 凌叔華對婦女問題的見解
Chapter 第二節 --- 凌叔華短篇小說中的新女性形象 --- p.147-175
Chapter 一 --- 新舊時代交替的婦女
Chapter 二 --- 時代新女性
Chapter 1. --- 賢妻
Chapter 2. --- 家庭束縛下的犧牲
Chapter i --- 沉悶的家庭生活
Chapter ii --- 家庭生活的煎迫
Chapter 三 --- 規矩以外的變奏者
Chapter 1. --- 同性愛戀
Chapter 2. --- 「娜拉」的踵武者
Chapter 3. --- 孤寂的人
Chapter 四 --- 小結
Chapter 第六章 --- 拔心不死的「卷葹」---馮沅君 --- p.176-197
Chapter 第一節 --- 大膽無畏的代言者 --- p.176-183
Chapter 一 --- 敢作敢言
Chapter 二 --- 馮沅君的文學創作觀及其作品的時代意義
Chapter 1. --- 文學創作觀
Chapter i --- 「為人生而藝術」？為藝術而藝術」？
Chapter ii --- 情感的抒發
Chapter 2. --- 作品的時代意義
Chapter 第二節 --- 馮沅君短篇小說中的新女性形象 --- p.183-197
Chapter 一 --- 不得自由我寧死
Chapter 二 --- 「靈」的追求
Chapter 三 --- 親子之愛與男女之愛的掙扎者
Chapter 四 --- 小結
Chapter 第七章 --- 黑暗中摸索的「莎菲」---丁玲 --- p.198-231
Chapter 第一節 --- 「近代女子」的姿態 --- p.198-208
Chapter 一 --- 從ModernGirl到「革命女性」
Chapter 1. --- 一顆炸彈
Chapter 2. --- ModernGirl
Chapter 3. --- 走向革命？
Chapter 二 --- 丁玲的文學創作觀
Chapter 1. --- 一九三零年以前
Chapter 2. --- 一九三零年以後
Chapter 第二節 --- 丁玲短篇小說中的新女性形象 --- p.208-231
Chapter 一 --- 都市的惶惑者
Chapter 二 --- 同性愛戀
Chapter 三 --- 「革命女性」
Chapter 四 --- 新時代的落後者
Chapter 五 --- 小結
Chapter 第八章 --- 結論 --- p.232-248
Chapter 一 --- 婦女觀的形成
Chapter 1. --- 西風的衝擊
Chapter 2. --- 家庭背景與學校教育
Chapter 二 --- 新女性形象的類型
Chapter 1. --- 精神戀愛的禮讚者
Chapter 2. --- 時代的犧牲者
Chapter 3. --- 賢妻良母
Chapter 4. --- 娜拉的踵武者
Chapter 5. --- 同性愛戀的追求者
Chapter 6. --- 孤寂的落拓者
Chapter 三 --- 結語
注釋（一至八章） --- p.249-307
附錄（一至六） --- p.308-318
中文參考書目及論文目錄 --- p.319-335
英文參考書目及論文目錄 --- p.336-338
後記 --- p.339

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Hawryluk, Lynda J., University of Western Sydney und Faculty of Humanities and Social Sciences. „Semi-detached“. 1997. http://handle.uws.edu.au:8081/1959.7/28403.

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This collection of short stories is about being a twenty-something in the 90s, trying to get by, have a little fun and make somewhat of a mark in the process. It’s about the process of growing up, and the seemingly desperate need to hold onto all those youthful pursuits. It’s about finding out that life as an adult tries to suck the life out of you, rather than allowing you to suck the life out of it. That constant struggle, the battle of wills between attending to your needs or just satisfying your wants. This is a time for you when your needs and wants are siblings, bickering in the back of the car on a long drive up the coast. The characters in these stories are having their good time while it lasts. Avoiding the inevitable: maturity, responsibility, adulthood. And so they should. After all, these aren’t called ‘the best years of our lives’ for nothing. The stories celebrate your life as a twenty-something.
Master of Arts (Hons) Writing

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Finney, Margaret Anne. „Versions of madness in Southern short fiction : Chopin, Faulkner, and O'Connor“. Thesis, 1992. https://eprints.utas.edu.au/19612/1/whole_FinneyMargaretAnne1993_thesis.pdf.

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This thesis examines the idea that strong interconnections exist between the depiction of Southern America as a region and the use of concepts of 'madness' in the short fiction of Kate Chopin, William Faulkner, and Flannery O'Connor. From a brief discussion of Poe, the 'father' of the short story, whose theories and works first establish the short narrative as an important literary form, and also demonstrate its particular effectiveness in exploring forms of mental distortion, this discussion moves to more extensive analysis of the works of Chopin, Faulkner, and O'Connor. Covering a period between the 1890s and the 1960s, and despite displaying differing perspectives on their region, these authors establish distinct interrelationships between the experience of the South, ideas of personal and social madness, and the unique ability of the short narrative to articulate these themes with the impact of concentrated totality.

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Cooper, Lucille. „Is there a woman in the text? : a feminist exploration of Katherine Mansfield's search for authentic selves in a selection of short stories“. Diss., 2008. http://hdl.handle.net/10500/2410.

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Katherine Mansfield (1888-1923), British Modernist writer whose search for authentic selves in the lives of the characters in her short stories, is reflected in her innovative style of writing in which she examines the interior consciousness of their minds. Mansfield questions the inauthentic lives of the characters, revealing that the roles they play are socially imposed forcing them to hide their true selves behind masks. The stories which have been chosen for this study focus on women characters (and men also) who grapple with societal prescriptions for accepted actions, and are rendered mute as a result. The women characters include all age groups and social classes. Some are young and impressionable (The Tiredness of Rosabel, The Little Governess and The Garden Party), others are married and older (Bliss, Prelude and Frau Brechenmacher attends a wedding ), while there are also middle-aged women in Miss Brill and The Life of Ma Parker.
English Studies
M.A. (English)

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ČÍŽKOVÁ, Jitka. „Vliv koncepce dějin F. Palackého na soudobou historickou prózu“. Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-80502.

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Diplomová práce přináší příspěvek k problematice inspirace historické prózy devatenáctého století odbornou dějepisnou literaturou. Jejím úkolem je zhodnocení provázanosti Palackého husitské koncepce s vybranými dvěma povídkami Josefa Kajetána Tyla, jejichž děj je situován do první poloviny patnáctého století v Čechách. První část diplomové práce uvádí stručnou charakteristiku obou autorů a jejich tvorby s historickou tematikou. Následující teoretická kapitola je věnována pohledu na husitství v devatenáctém století. Druhá část práce je zaměřena prakticky, neboť vedle srovnání výkladu dějin oběma autory také obsahuje subjektivní interpretaci literárních kvalit postav a okolností, jež si Tyl domýšlí.

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Dissertationen zum Thema „Short stories (multiple authors)“

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