Dissertationen zum Thema „Short stories, Canadian – 21st century“
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Dougherty, Mary Ann. „Betrayal : Short Stories“. PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2233.
Der volle Inhalt der QuelleHouseholder, Aaron J. „The shadow line : short stories“. Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1365516.
Der volle Inhalt der QuelleA story to tell -- Grass grows greener -- Salvation -- Places -- The delivery -- The ivory tower.
Department of English
Myers, Nathan C. „A veritable press : short stories“. Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1365520.
Der volle Inhalt der QuelleYou and I -- Violet in blue, swimming -- Mole hunt -- We three make up a solitude -- Savages -- Other books.
Department of English
Hoffman, Christopher M. „A fantastic chaos : snapshots of a life, past and present“. Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1337195.
Der volle Inhalt der QuelleDepartment of English
Kuit, Henali. „Dear space dad and other stories“. Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017774.
Der volle Inhalt der QuelleMadingwane, June. „Kaffirmeid and other stories“. Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015659.
Der volle Inhalt der QuelleMusavengana, Shelter K. „Before before & after after“. Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017775.
Der volle Inhalt der QuelleMajola, Fundile Lawrence. „Good-Gooder-Goodest“. Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015657.
Der volle Inhalt der QuelleAmabali am asekelwe ezilokishini yaye ahambelana neemeko ezimaxongo zokuphila zasezilokishini apho yaye amanye asukela kwixesha lengcinezelo yesizwe esimnyama. Imiba echatshazelwa kula mabali iquka intlupheko, intiyo kwakunye nokuphilisana koluntu ezilokishini, phantsi kwezo meko. Amabali la ndizame ukuwenza alandele indlela yokubalisa yhenkwenkwana enguSkhumba, ethi ibone iqwalasele iimeko zokuphila zabantu bohlanga lwayo. Ingqokelela esisiqendu sokuqala yona ibhalwe ze yangeniswa ngesiNgesi.
This thesis is presented in two parts: English and isiXhosa.
Reed, Graham Conan. „The talisman“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001817.
Der volle Inhalt der QuelleRawlins, Isabel Bethan. „Counting planes“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001816.
Der volle Inhalt der QuelleShishkin, Timur. „Marginalized Characters in Contemporary American Short Fiction“. PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/297.
Der volle Inhalt der QuelleNjovane, Thandokazi. „"The wings of whipped butterflies" : trauma, silence and representation of the suffering child in selected contemporary African short fiction“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1004214.
Der volle Inhalt der QuelleAdobe Acrobat 9.54 Paper Capture Plug-in
Maharaj, Keshav. „Rehab is for quitters“. Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1011901.
Der volle Inhalt der QuelleWoudstra, Ruth. „Touching Brýnstone“. Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1015032.
Der volle Inhalt der QuelleMorgan, Jane Mary Kathleen. „Like Katherine“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001814.
Der volle Inhalt der QuelleMolino, Nicolene Chloe. „Dog wars : a Victorian steampunk adventure“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001815.
Der volle Inhalt der QuelleWatermeyer, Laura. „The gentle pressure of the sky“. Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1017780.
Der volle Inhalt der QuelleWilliams, Allan James. „Getting to know them : characters labelled as mentally disabled in ten Canadian short stories and novels“. Thesis, 1993. http://hdl.handle.net/2429/1541.
Der volle Inhalt der QuelleAndrews, Chad Michael. „"Minds will grow perplexed": The Labyrinthine Short Fiction of Steven Millhauser“. Thesis, 2014. http://hdl.handle.net/1805/4023.
Der volle Inhalt der QuelleSteven Millhauser has been recognized for his abilities as both a novelist and a writer of short fiction. Yet, he has evaded definitive categorization because his fiction does not fit into any one category. Millhauser’s fiction has defied clean categorization specifically because of his regular oscillation between the modes of realism and fantasy. Much of Millhauser’s short fiction contains images of labyrinths: wandering narratives that appear to split off or come to a dead end, massive structures of branching, winding paths and complex mysteries that are as deep and impenetrable as the labyrinth itself. This project aims to specifically explore the presence of labyrinthine elements throughout Steven Millhauser’s short fiction. Millhauser’s labyrinths are either described spatially and/or suggested in his narrative form; they are, in other words, spatial and/or discursive. Millhauser’s spatial labyrinths (which I refer to as ‘architecture’ stories) involve the lengthy description of some immense or underground structure. The structures are fantastic in their size and often seem infinite in scale. These labyrinths are quite literal. Millhauser’s discursive labyrinths demonstrate the labyrinthine primarily through a forking, branching and repetitive narrative form. Millhauser’s use of the labyrinth is at once the same and different than preceding generations of short fiction. Postmodern short fiction in the 1960’s and 70’s used labyrinthine elements to draw the reader’s attention to the story’s textuality. Millhauser, too, writes in the experimental/fantastic mode, but to different ends. The devices of metafiction and realism are employed in his short fiction as agents of investigating and expressing two competing visions of reality. Using the ‘tricks’ and techniques of postmodern metafiction in tandem with realistic detail, Steven Millhauser’s labyrinthine fiction adjusts and reapplies the experimental short story to new ends: real-world applications and thematic expression.