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Zeitschriftenartikel zum Thema "Shelley, mary , 1797-1851"
Hunting, Penelope. „A birth and a death: Mary Shelley née Godwin (1797–1851) and Mary Wollstonecraft Godwin (1759–1797)“. Journal of Medical Biography 15, Nr. 3 (August 2007): 165. http://dx.doi.org/10.1258/j.jmb.2007.06-68a.
Der volle Inhalt der QuelleFerreira, Eliane Aparecida Galvão Ribeiro, und Guilherme Magri da Rocha. „Cânone e mercado editorial: uma reflexão sobre a vitalidade de Frankenstein, de Mary Shelley“. FronteiraZ. Revista do Programa de Estudos Pós-Graduados em Literatura e Crítica Literária, Nr. 24 (06.07.2020): 119–37. http://dx.doi.org/10.23925/1983-4373.2020i24p119-137.
Der volle Inhalt der QuelleChernaik, Judith. „The two marys. a dialogue between mary wollstonecraft (1759–97) and her daughter, mary shelley (1797–1851)“. Women's Writing 6, Nr. 3 (01.10.1999): 451–68. http://dx.doi.org/10.1080/09699089900200096.
Der volle Inhalt der QuelleCosta, Silvia Maria Fernandes Alves da Silva, Maria Aparecida Saraiva Magalhães de Sousa und Luciana Eleonora de Freitas Calado Deplagne. „A CRIATURA, A CRIADORA E A CRÍTICA: FRANKENSTEIN, DE MARY SHELLEY, SOB A ÓTICA DE UM TETO TODO SEU, DE VIRGINIA WOOLF“. Revista Graphos 20, Nr. 1 (25.01.2019): 83. http://dx.doi.org/10.22478/ufpb.1516-1536.2018v20n2.44126.
Der volle Inhalt der QuelleCoêlho de Moura, Mellyssa, und Orlando Luiz De Araújo. „A NATUREZA VIOLENTADA EM FRANKENSTEIN OU O PROMETEU MODERNO E PROSERPINE, DE MARY SHELLEY“. Diálogos Pertinentes 18, matico (19.12.2022): 164–82. http://dx.doi.org/10.26843/dp.v18itematico.3815.
Der volle Inhalt der QuelleTheologou, Kostas. „In the quest of a novel BTI (bio-technical identity) Beyond the ontology of the human person“. Ηθική. Περιοδικό φιλοσοφίας, Nr. 13 (28.01.2021): 64. http://dx.doi.org/10.12681/ethiki.25986.
Der volle Inhalt der QuelleCarter, Richard. „Mary Shelley’s Nightmare (1797–1851): Frankenstein; Her Life, Literary Legacy, and Last Illness“. World Journal of Surgery 23, Nr. 11 (November 1999): 1195–201. http://dx.doi.org/10.1007/s002689900646.
Der volle Inhalt der QuelleQueiroz, Clara. „Uma Mulher Singular: Mary Shelley (1797-1851)“. ex aequo - Revista da Associação Portuguesa de Estudos sobre as Mulheres, Nr. 30 (15.12.2014). http://dx.doi.org/10.22355/exaequo.2014.30.04.
Der volle Inhalt der QuelleKnowles, Claire Elizabeth. „A Woman’s Place Is in the Morgue: Understanding Scully in the Context of 1990s Feminism“. M/C Journal 21, Nr. 5 (06.12.2018). http://dx.doi.org/10.5204/mcj.1465.
Der volle Inhalt der QuelleDissertationen zum Thema "Shelley, mary , 1797-1851"
Varenne, Caroline. „Ordre et subversion : la vie et l'écriture de Mary Shelley“. Saint-Etienne, 2003. http://www.theses.fr/2003STET2079.
Der volle Inhalt der QuelleMary Shelley, born and later married to celebrated writers, constructed her identity around the activities of reading and writing. Three forms of subversion can be found in her work : 1°) the subversion of ideologies : Mary takes up the radical themes and theories developed by her family circle, theories which she often subverts discreetly ; 2°) the subversion of nature (immortality, monstrosity, incest) shows an anxiety of motherhood, a desire to destroy the oppressive institutions of patriarchal society, and a subversion of moral codes and religious doctrine, which are two instruments used by men to subordinate women ; 3°) the subversion of literary conventions, characteristic of many women's writing. Mary Shelley' novels, which often defy classification or do not respect norms, subvert the very notion of genre, even though her very literary style remains conventional. Her personal writings testify to her constant wish to define herself as an author
Kibaris, Anna-Maria. „Mary Shelley's monstrous patchwork : textual "grafting" and the novel“. Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23337.
Der volle Inhalt der QuelleVan, Wyk Wihan. „Shelleyan monsters: the figure of Percy Shelley in Mary Shelley’s Frankenstein and Peter Ackroyd’s The Casebook of Victor Frankenstein“. University of the Western Cape, 2015. http://hdl.handle.net/11394/4860.
Der volle Inhalt der QuelleThis thesis will examine the representation of the figure of Percy Shelley in the text of Mary Shelley’s Frankenstein (1818). My hypothesis is that Percy Shelley represents to Mary Shelley a figure who embodies the contrasting and more startling aspects of both the Romantic Movement and the Enlightenment era. This I will demonstrate through a close examination of the text of Frankenstein and through an exploration of the figure of Percy Shelley as he is represented in the novel. The representation of Shelley is most marked in the figures of Victor and the Creature, but is not exclusively confined to them. The thesis will attempt to show that Victor and the Creature can be read as figures for the Enlightenment and the Romantic movements respectively. As several critics have noted, these fictional protagonists also represent the divergent elements of Percy Shelley’s own divided personality, as he was both a dedicated man of science and a radical Romantic poet. He is a figure who exemplifies the contrasting notions of the archetypal Enlightenment man, while simultaneously embodying the Romantic resistance to some aspects of that zeitgeist. Lately, there has been a resurgence of interest in the novel by contemporary authors, biographers and playwrights, who have responded to it in a range of literary forms. I will pay particular attention to Peter Ackroyd’s, The Casebook of Victor Frankenstein (2011), which shows that the questions Frankenstein poses to the reader are still with us today. I suggest that this is one of the main impulses behind this recent resurgence of interest in Mary Shelley’s novel. In particular, my thesis will explore the idea that the question of knowledge itself, and the scientific and moral limits which may apply to it, has a renewed urgency in early 21st century literature. In Frankenstein this is a central theme and is related to the figure of the “modern Prometheus”, which was the subtitle of Frankenstein, and which points to the ambitious figure who wishes to advance his own knowledge at all costs. I will consider this point by exploring the ways in which the tensions embodied by Percy Shelley and raised by the original novel are addressed in these contemporary texts. The renewed interest in these questions suggests that they remain pressing in our time, and continue to haunt us in our current society, not unlike the Creature in the novel.
Rouhette, Anne. „Présentation, traduction et annotation de The Fortunes of Perkin Warbeck, a romance de Mary Selley“. Paris 3, 2004. http://www.theses.fr/2004PA030076.
Der volle Inhalt der QuelleThis work aims at presenting and translating Mary Shelley's lesser-known historical novel, The Fortunes of Perkin Warbeck, A Romance, often considered as a mere potboiler, which, among other things, tackles the theme of imposture. A first part is devoted to its composition and publication. Then, thanks to its subtitle, "A Romance," are studied the links this implies with the Gothic novel and the medieval revival, as well as the place of this work in the evolution of the historical novel, with respect in particular to Sir Walter Scott. The last part deals with Mary Shelley's political and feminist opinions; expressed in an indirect, "veiled" way, they highlight the ambivalence of a woman many blame for her later-life conservatism
Albornoz, Ábrigo Pamela. „Madness as the necessary element for the process of creation in Mary Shelley's novel Frankenstein: a romantic perspective“. Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/137792.
Der volle Inhalt der QuelleFontes, Janaina Gomes. „A voz materna : Mary Wollstonecraft e Michèle Roberts“. reponame:Repositório Institucional da UnB, 2008. http://repositorio.unb.br/handle/10482/2681.
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A experiência da maternidade tem suscitado complexos sentimentos desde os mitos existentes nas primeiras sociedades, que comparavam a capacidade reprodutiva das mulheres às forças da natureza. Durante os séculos, tal comparação foi distorcida pela sociedade patriarcal para satisfazer seus interesses, causando a opressão e o sofrimento de milhares de mulheres. Esse processo está presente também na literatura, que é capaz de refletir e perpetuar essas distorções ou desconstruí-las, contribuindo para novas visões dessa complexa experiência. Neste trabalho, analiso a representação da maternidade em romances de autoria feminina, mais precisamente, Maria, or the Wrongs of Woman e Mary, a Fiction, de Mary Wollstonecraft (escritora inglesa do século XVIII), e Fair Exchange, de Michèle Roberts (escritora inglesa contemporânea), auxiliada por exemplos em diversos textos teóricos de como o papel da mãe foi construído ao longo do tempo e pela contribuição dos estudos feministas para a desconstrução dos mitos patriarcais sobre a maternidade. _________________________________________________________________________________________ ABSTRACT
The experience of motherhood has roused complex feelings since the myths existing in the first societies, wich used to compare women’s reproductive capability to the forces of nature. Throughout the centuries, such comparison was distorted by the patriarchal society in order to satisfy its interests, causing the oppression and the suffering of thousands of women. This process is also present in literature, which is able to reflect and perpetuate these distortions or deconstruct them, contributing to new views on this complex experience. In this work I analyze the representation of motherhood in novels written by women, more precisely, Maria, or the Wrongs of Woman and Mary, a Fiction, by Mary Wollstonecraft (eighteenth-century English writer) and Fair Exchange, by Michèle Roberts (comtemporary English writer), assisted by examples in different texts of how the mother’s role has been constructed throughout time and by the contributions of the feminist studies for the deconstruction of patriarchal myths about motherhood.
Andrade, Arancibia Génesis. „Gazing at the creature, gazing at the monster: an insight into monstrosity in Mary Shelley's Frankenstein; or, the modern prometheus“. Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/137755.
Der volle Inhalt der Quelleisterna, Oyarzun Orlando. „The mythical imagery under the context of english romanticism in Mary Shelley's Frankestein or the Modern Prometheus: about the plasticity and authenticity of myths in the novel“. Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/137776.
Der volle Inhalt der QuelleDonada, Jaqueline Bohn. „"Spontaneous overflow of powerful feelings" : romantic imagery in Mary Shelley's Frankenstein“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/7109.
Der volle Inhalt der QuelleRomantic English literature – written at a time when prose fiction was predominantly a medium for sheer entertainment – is rooted in poetry. One or two novelists may exceptionally be granted the adjective “Romantic”, but Mary Shelley is not ranked among them. For centuries, her work has been restricted to that section in handbooks reserved for exotic Gothic literature. This thesis argues that literary criticism has failed to recognize Frankenstein’s obvious relation with the movement. The argument will be fostered by a brief look at such handbooks, and developed through the analysis of the imagery of the novel, so as to trace the Romantic elements there contained. The analysis relies mainly on the frame developed by Northrop Frye concerning the nature and function of imagery in literature. The concept of intertextuality will also be useful as a tool to account for the insertion of images in the novel, and for the novel’s insertion within the Romantic context. The work is divided into three parts. The first contextualizes the main issues set forth by Frankenstein, establishing connections with the life of the author and with the Romantic movement. The second exposes the theoretical basis on which the thesis is grounded. The last presents my reading of the novel’s web of images. In the end, I hope to validate the thesis proposed, that Frankenstein embodies the aesthetic and philosophical assessments of the English Romantic agenda, and therefore deserves to be situated in its due place in the English Literary canon as the legitimate representative of Romanticism in prose form.
Souchet, Audrey. „La représentation du baiser dans les romans de Mary Shelley : pour une éthique du corps“. Caen, 2013. http://www.theses.fr/2013CAEN1717.
Der volle Inhalt der QuelleMary Shelley’s work as a novelist is best known for her first novel, Frankenstein; or, the Modern Prometheus (1818). This novel shows strong, graphic scenes which have had a deep impact on modern society’s imagination. One of the most striking scenes in Frankenstein is the moment when Victor gives a kiss to his cousin, who is also his fiancée, while having a nightmare, because this kiss kills Elizabeth and turns her into the corpse of Victor’s dead mother. It seems that the erotic kiss as a literary motif played a decisive role in the making of Mary Shelley as a novelist because it appears in the first drafts of Frankenstein, whose content, as we know, was heavily modified until the novel was published. The project underlying this study consists in displacing this aesthetic hypothesis and applying it to the other six novels which Mary Shelley wrote and which have been almost completely eclipsed by Frankenstein: the kiss as a literary motif will then be considered as a metaphor for the making of the woman writer. If the literary kiss can be considered as a motif belonging to the philosophical categories of aesthetics and eroticism, what can the kiss as it appears in the work of a female writer indicate about this writer’s relation to the conceptual categories of her time? As Mary Shelley’s novels suggest that aesthetics and eroticism as they are conceived by modern society are no longer productive, and as they reinvest the meaning of the literary kiss with an ethic of caring for the body of the other, bringing these novels together will help rediscover a writer’s vision of literature, her vision of Man, and most of all our own vision of what literature is about
Bücher zum Thema "Shelley, mary , 1797-1851"
Graham, Allen. Mary Shelley. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2008.
Den vollen Inhalt der Quelle findenHarold, Bloom, Hrsg. Mary Shelley. New York: Bloom's Literary Criticism, 2008.
Den vollen Inhalt der Quelle findenHarold, Bloom, Hrsg. Mary Wollstonecraft Shelley. New York: Bloom's Literary Criticism, 2008.
Den vollen Inhalt der Quelle findenGarrett, Martin. Mary Shelley. London: British Library, 2002.
Den vollen Inhalt der Quelle findenLibrary, British, Hrsg. Mary Shelley. New York: Oxford University Press, 2002.
Den vollen Inhalt der Quelle findenPhy, Allene Stuart. Mary Shelley. Mercer Island, WA: Starmont House, 1988.
Den vollen Inhalt der Quelle findenPhy, Allene Stuart. Mary Shelley. San Bernardino, Calif: Borgo Press, 1988.
Den vollen Inhalt der Quelle findenGarrett, Martin. A Mary Shelley chronology. Houndmills, Basingstoke, Hampshire: Palgrave, 2002.
Den vollen Inhalt der Quelle findenHarold, Bloom, Hrsg. Mary Shelley. New York: Chelsea House, 2008.
Den vollen Inhalt der Quelle findenShelley, Mary Wollstonecraft. Selected lettersof Mary Wollstonecraft Shelley. Baltimore: Johns Hopkins University Press, 1995.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Shelley, mary , 1797-1851"
Watson, J. R. „Shelley, Mary (1797–1851)“. In A Handbook to English Romanticism, 246–49. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22288-9_72.
Der volle Inhalt der QuelleWatson, J. R. „Shelley, Mary (1797–1851)“. In A Handbook to English Romanticism, 246–49. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-13375-8_72.
Der volle Inhalt der QuelleCrook, Nora, und Lisa Vargo. „Mary Wollstonecraft Shelley, née Godwin (1797–1851)“. In The Routledge Companion to Romantic Women Writers, 440–56. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315613536-47.
Der volle Inhalt der QuellePunter, David. „Mary Shelley (1797–1851): The Gothic novel“. In The Cambridge Companion to European Novelists, 176–91. Cambridge University Press, 2012. http://dx.doi.org/10.1017/ccol9780521515047.012.
Der volle Inhalt der Quellede Lima, Luiz Fernando Martins. „O impacto de Frankenstein (1818), de Mary Shelley (1797-1851), nas literaturas contemporâneas de língua inglesa“. In O monstro bicentenário: leituras de Frankenstein 200 anos depois, 60–75. Pantanal Editora, 2020. http://dx.doi.org/10.46420/9786588319178cap4.
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