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Zeitschriftenartikel zum Thema „Series:Henry and Mudge“

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Veröffentlicht am 25. Juli 2024

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1

Lyuty, Taras. „Translation Program and “Philosophy” Series“. NaUKMA Research Papers in Philosophy and Religious Studies 8 (23.11.2021): 88–93. http://dx.doi.org/10.18523/2617-1678.2021.8.88-93.

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The review presents the main translations of the classics of philosophical literature in previous years. The publication was made in cooperation with the Mizhvukhamy Foundation and the Tempora Publishing House. The main stress of the review is made on the works of Emanuele Severino, Ibn Sina, Henry David Thoreau and Edmund Husserl.

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2

Esma, Dumanli Kadizade, und Sakar Can. „Violence and fear In Francesca Simons Series of Horrid Henry“. Educational Research and Reviews 14, Nr. 1 (10.01.2019): 25–32. http://dx.doi.org/10.5897/err2018.3617.

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3

Harrison, Ross. „Cambridge Philosophers VI: Henry Sidgwick“. Philosophy 71, Nr. 277 (Juli 1996): 423–38. http://dx.doi.org/10.1017/s003181910004167x.

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The philosophy department in Edinburgh is in David Hume tower; the philosophy faculty at Cambridge is in Sidgwick Avenue. In one way, no competition. Everybody (who's anybody) has heard of Hume, whereas even the anybody who's anybody may not have heard of Sidgwick. Yet in another way, Sidgwick wins this arcane contest. For if David Hume, contradicting the Humean theory of personal identity, were to return to Edinburgh, he would not recognize the tower. Whereas, if someone with more success in rearousing spirits than Sidgwick himself had could now produce him, Sidgwick would know the avenue. For he planned it; he partially paid for it; and he pushed it past the local opposition. He was its creator. And creator not just of the avenue: if Sidgwick is not quite the only begetter, it was he more than anyone who was responsible for building the school of philosophy in Cambridge which is being celebrated in this series of articles.

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4

O’Hanrahan, Elaine. „The Contribution of Desmond Paul Henry (1921–2004) to Twentieth-Century Computer Art“. Leonardo 51, Nr. 2 (April 2018): 156–62. http://dx.doi.org/10.1162/leon_a_01326.

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This paper describes the series of three electronic drawing machines Desmond Paul Henry constructed during the 1960s from World War II analogue bombsight computers and which, by virtue of their inspiration, idiosyncratic modus operandi and analogue-derived effects, earn Henry a place as a British computer art pioneer. The abstract graphic results of these now-defunct drawing machines are presented as precursors to digital images.

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5

Alkan, Leman. „Enantioselective Henry Reaction Catalyzed by Chiral Piperazine Derivatives“. Acta Chimica Slovenica 69, Nr. 2 (15.06.2022): 316–21. http://dx.doi.org/10.17344/acsi.2021.7150.

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A series of novel tridentate Schiff bases is synthesized from piperazine-amine and substituted salicylaldehydes, and characterized by spectroscopic methods. These chiral ligands were used to catalyze the addition of nitromethane to various aldehydes in the presence of Cu(II) ions under ambient conditions in good yields (98%) and high enantioselectivities (9:91 er).

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6

Stevens, Marc Y., Krzysztof Wieckowski, Peng Wu, Rajiv T. Sawant und Luke R. Odell. „A microwave-assisted multicomponent synthesis of substituted 3,4-dihydroquinazolinones“. Organic & Biomolecular Chemistry 13, Nr. 7 (2015): 2044–54. http://dx.doi.org/10.1039/c4ob02417f.

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7

Rivarola, E. J., C. García Gerardi, D. Santillan, G. Martín Reinas, M. Abal, J. C. Calarame, E. Gil Deza, E. Morgenfeld und F. G. Gercovich. „Gonadal germinal testicular tumors (GGTT): The Henry Moore´s latest series“. Journal of Clinical Oncology 26, Nr. 15_suppl (20.05.2008): 16132. http://dx.doi.org/10.1200/jco.2008.26.15_suppl.16132.

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8

Ashokkumar, Veeramanoharan, Kumaraguru Duraimurugan und Ayyanar Siva. „A new series of bipyridine based chiral organocatalysts for enantioselective Henry reaction“. New Journal of Chemistry 40, Nr. 8 (2016): 7148–56. http://dx.doi.org/10.1039/c6nj01045h.

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We report the design and synthesis of a new series of binaphthol based chiral organocatalysts which can act as metal-free organocatalysts in the enantioselective Henry reaction with very good yield and ee.

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9

Young, Harvey. „An Interview with David Henry Hwang“. Theatre Survey 57, Nr. 2 (13.04.2016): 232–37. http://dx.doi.org/10.1017/s0040557416000077.

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Since winning wide acclaim and a Tony Award for his play M. Butterfly in 1988, David Henry Hwang (Fig. 1) has remained one of the brightest luminaries in American theatre. A playwright, screenwriter, and librettist, he regularly tells stories that center on complex characters and reveal their experiences with Western imperialism, American racism, and cross-generational family differences. His works include the plays FOB, Golden Child, Yellow Face, Chinglish, and Kung Fu; the revised book for the 2002 Broadway revival of the Rodgers and Hammerstein's musical Flower Drum Song; and, most recently, episodes of the television series The Affair. In this interview, Hwang reflects on the longevity of East West Players, comments on today's culture wars, and shares his perspective on the current state of Asian American theatre.

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10

Voeltz, Richard. „Wonders Of The African World With Henry Louis Gates, Jr.,.“ Teaching History: A Journal of Methods 25, Nr. 2 (01.09.2000): 89–91. http://dx.doi.org/10.33043/th.25.2.89-91.

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When Kenneth Clark did his monumental Civilisation series for the BBC some thirty years ago he subtitled it "A Personal View," which really amounts to an oxymoron, as if a survey of some two thousand years of western culture could be anything else. Henry Louis Gates, Jr., scholar-celebrity, chair of Harvard University's Afro-American studies program, director of the W.E.B. DuBois Institute for Afro-American Research, MacArthur Foundation fellow, frequent contributor to the New Yorker magazine, and author of the award winning The Signifying Monkey: A Theory of Afro-American Literary Criticism, recalls the influence that series had on a young and impressionable "Skip" Gates growing up in Piedmont, West Virginia.

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11

Cohen, Brianne. „An Interview with Lucy Skaer of Henry VIII’s Wives“. Contemporaneity: Historical Presence in Visual Culture 2 (11.07.2012): 88–94. http://dx.doi.org/10.5195/contemp.2012.47.

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This interview took place on January 26, 2012 over Skype. I, Brianne Cohen, posed a series of questions to Lucy Skaer about three of Henry VIIIs’s Wives’ artworks presented in this volume of Contemporaneity – Spiral Betty (2004), Mr. Hysteria (2005), and The Returning Officer (2009) – in order to draw out thematic connections not only among the art collective’s moving-image installations, but also throughout their larger, diverse oeuvre. The six members of Henry VIII’s Wives live and work in different cities, but have collaborated and exhibited together since 1997, primarily in Europe. I am thankful to Lucy Skaer for her thoughtful answers and to Henry VIII’s Wives for permission to present their video and filmic work.The interview serves to introduce an artist portfolio containing three videos – Spiral Betty, Mr. Hysteria, and The Returning Officer – by the art collective Henry VIII’s Wives.

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12

Van Puymbroeck, Birgit. „Between Genre and Medium: Hilda Tablet , Henry Reed's Fictional Metabiography for Radio“. Biography 46, Nr. 2 (2023): 313–31. http://dx.doi.org/10.1353/bio.2023.a928374.

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Abstract: In the 1950s, Henry Reed wrote the seven-part series Hilda Tablet , a humorous radio play for the Third Programme, the BBC's cultural channel. The series deals with the fictional biographer Herbert Reeve—Henry Reed's alter ego—who writes a biography of the also fictional author Richard Shewin and later the composer Hilda Tablet. This article analyzes Hilda Tablet in the light of biography studies. It argues that the series "remediates" the genre of biography on radio, and uses techniques associated with fictional metabiography and mockbiography to highlight, question, and satirize genre and media conventions. Through a contextual and audionarratological analysis, it recovers Hilda Tablet for critical analysis, and reflects on the use of audio techniques for biographical construction and interpretation. It contributes to the study of biography in two ways: by focusing on the little-explored hybrid genre of the radio biography, and by paying close attention to aspects of the fictional metabiography and mockbiography.

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Gilmour, Claire. „Alexander Henry Rhind (1833–63)“. Proceedings of the Society of Antiquaries of Scotland 145 (30.11.2016): 427–40. http://dx.doi.org/10.9750/psas.145.427.440.

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Alexander Henry Rhind (1833–63) was one of the earliest exponents of scientific techniques and methodology in archaeological excavations, but the last in-depth survey of his life and career in the field was published in the year after his death. He undertook fieldwork in Scotland before travelling to Egypt for health reasons. There, he applied for a permit to excavate and some of his subsequent acquisitions and finds are among the finest in the collections of the British Museum and National Museums Scotland. He advocated for proper recognition and protection of monuments, in Britain and abroad, and implemented publication standards and excavation and recording methods followed by others. He may be called the first educated archaeologist to work in Egypt and publish his finds, and he left bequests to ensure the continuation of his work and to assist the work of others, such as the establishment of the prestigious annual Rhind Lecture Series. Some of his Scottish fieldwork and publications are relatively well known to scholars in this area, but he is also known to Egyptologists for artefacts such as the Rhind Mathematical Papyrus and his seminal volume Thebes: Its Tombs and Their Tenants. This paper revisits his life, with emphasis on his work beyond Scotland and his impact on the study of ancient Egypt.

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Drabina, Pavel, Eva Horáková, Zdeňka Růžičková und Miloš Sedlák. „Henry reaction catalyzed by new series of imidazolidine-4-one Cu-complexes“. Tetrahedron: Asymmetry 26, Nr. 2-3 (Februar 2015): 141–47. http://dx.doi.org/10.1016/j.tetasy.2015.01.001.

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15

Raiford, Norman G., und Norma Lois Peterson. „The Presidencies of William Henry Harrison and John Tyler: American Presidency Series.“ Journal of Southern History 57, Nr. 1 (Februar 1991): 108. http://dx.doi.org/10.2307/2209892.

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16

Mazrui, Ali A. „A Preliminary Critique of the TV Series by Henry Louis Gates, Jr.“ Black Scholar 30, Nr. 1 (März 2000): 5–6. http://dx.doi.org/10.1080/00064246.2000.11431063.

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17

Pérez Jáuregui, Mª Jesús. „Henry Constable’s Sonnets to Arbella Stuart“. Sederi, Nr. 19 (2009): 189–202. http://dx.doi.org/10.34136/sederi.2009.9.

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Although the Elizabethan poet and courtier Henry Constable is best known for his sonnet-sequence Diana (1592), he also wrote a series of sonnets addressed to noble personages that appear only in one manuscript (Victoria and Albert Museum, MS Dyce 44). Three of these lyrics are dedicated to Lady Arbella Stuart – cousin-german to James VI of Scotland–, who was considered a candidate to Elizabeth’s succession for a long time. Two of the sonnets were probably written on the occasion of Constable and Arbella’s meeting at court in 1588, and praise the thirteen-year old lady for her numerous virtues; the other one seems to have been written later on, as a conclusion to the whole book, implying that Constable at a certain moment presented it to Arbella in search for patronage and political protection. At a time when the succession seemed imminent, Constable’s allegiance to the Earl of Essex, who befriended Arbella and yet sent messages to James to assure him of his circle’s support, raises the question of the true motivation of these sonnets. This paper will analyze these particular works in a political context rife with courtly intrigue.

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18

PHILIPS, DEBORAH. „Healthy Heroines: Sue Barton, Lillian Wald, Lavinia Lloyd Dock and the Henry Street Settlement“. Journal of American Studies 33, Nr. 1 (April 1999): 65–82. http://dx.doi.org/10.1017/s0021875898006070.

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Sue Barton is the fictional redhaired nursing heroine of a series of novels written for young women. Recalled by several generations of women readers with affection, Sue Barton has remained in print ever since the publication of the first novel in the series: Sue Barton, Student Nurse, written by Helen Dore Boylston, was published in America in 1936. Neither the covers of her four novels now in paperback, nor the publisher's catalogue entry, however, acknowledge Sue Barton's age: “Sue Barton Series – The everyday stories of redheaded Sue Barton and hospital life as she progresses from being a student nurse through her varied nursing career.”The catalogue entry for the series and the novels' paperback covers now claim Sue Barton as a contemporary young woman, poised for romance. Sue is, however, a pre-war heroine, and very much located within an American history and tradition of nursing. With her close contemporary, Cherry Ames, Sue Barton is one of the nursing heroines who were to establish a genre in popular fiction for young women, the career novel, and, more particularly, the nursing career novel.

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19

Worsley, Victoria. „‘Activating the archive’: the Henry Moore Institute Archive, Leeds“. Art Libraries Journal 31, Nr. 1 (2006): 22–27. http://dx.doi.org/10.1017/s0307472200014346.

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A set of papers becomes an archive when its life as a series of active documents is finished and they are deemed worthy of permanent preservation. Archives are not, however, an ending but rather a beginning. Although one of the major functions of a repository is to store and preserve, one of the other challenges for archivists is how to activate their collections and exploit the latent potential of the silent memory that is stored in the boxes. This article outlines how the archive at the Henry Moore Institute is attempting to do this.

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20

Chapman, Alison A. „Whose Saint Crispins Day Is It?: Shoemaking, Holiday Making, and the Politics of Memory in Early Modern England“. Renaissance Quarterly 54, Nr. 4-Part2 (2001): 1467–94. http://dx.doi.org/10.2307/1262159.

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This article demonstrates an early modern association between the trade of shoemaking and the act of altering the festal calendar. It traces this link through a series of sixteenth- and seventeenth-century English literary texts including Thomas Deloney's Gentle Craft, Thomas Dekker's Shoemaker's Holiday, and Shakespeare's Julius Caesar and — most notably — Henry V. The article argues that the depictions of cobblers making holidays resonated with the early modern English politics of ritual observance, and its concluding discussion of the Saint Crispin's Day speech in Henry V shows how the play imagines king and cobblers vying for control of England's commemorative practice.

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21

Hutton, Sarah. „Henry More and the Apocalypse“. Studies in Church History. Subsidia 10 (1994): 131–40. http://dx.doi.org/10.1017/s0143045900000168.

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An interest in prophecy is a continuing theme of the writings of the Cambridge Platonist, Henry More (1614–87). In his earlier writings, the focus is on prophecy in general, particularly in relation to religious enthusiasm. He did not turn his attention to millenarianism until relatively late in his career, after he had established himself as a philosopher. From 1660 onwards, his writings are characterized by a deepening interest in biblical prophecy generally and in the Book of Revelation in particular. More first discusses biblical prophecy in print in his An Explanation of the Grand Mystery of Godliness (1660). His first systematic treatment of the topic appears in his Synopsis Propheticon which was appended to his Mystery of Iniquity (1664). Aspects of this discussion are elaborated in the fourth and fifth dialogues of his Divine Dialogues (1668), and in his An Exposition of the Seven Epistles to the Seven Churches (1669). He continued to defend his position in other works to the end of his life. As a millenarian, Henry More belongs within the general Protestant tradition which identifies Antichrist as the Pope, the Apocalypse being an ‘aenigmaticall, prefiguration and prediction of the Apostasy thereof [the church] into Antichristianism by the misguidance of the Church-men’. Furthermore, as Jan van den Berg has shown, Henry More was a disciple of the great English millenarian, Joseph Mede. He followed Mede’s synchronic reading of events described in the Apocalypse, that is he interpreted them not as one linear sequence but as a series of concurrent events. In large part More accepted Mede’s collation of the seals, trumpets, and vials with other events described. None the less, More did not agree with Mede on all points. Although the points on which he differed were small, he defended his view with tenacity, as can be seen from his discussion of prophecy with his life-long correspondent and erstwhile pupil, Lady Anne Conway (1630?–79).

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Picetti, Peter. „James C. Bulman, ed. King Henry IV, Part 2. Arden Shakespeare Third Series.“ Shakespeare Quarterly 69, Nr. 2 (2018): 128–29. http://dx.doi.org/10.1353/shq.2018.0012.

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23

Van Der Klooster, L. J. „Opnieuw de Nassause tapijten“. Oud Holland - Quarterly for Dutch Art History 104, Nr. 3-4 (1990): 140–48. http://dx.doi.org/10.1163/187501790x00066.

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AbstractThe author supplements studies published in the 1969 and 1975 volumes of Oud Holland concerning the Nassau tapestries which Count Henry III of Nassau ordered to be made in 1531 after designs by Barend van Orley. Five of Van Orley's drawings for this series of tapestries with equestrian portraits have been preserved. The inscription in the cartouche on one of these drawings is not consistent with the depicted persons. The author contends that they are Henry III himself and his third wife, the Spanish Mencia de Mendoza, with his first two wives in the background Arguments supporting this hypothesis are based on the resemblance to other portraits of the couple, the insignia of the order of the Golden Fleece on the cuirass and on the count's coat of arms, the countess's garments and the mule on which she alone is scated. The mule should be seen as the mount most commonly ridden by ladies in Spain. Frederick Henry had copies of the original series made in 1632. They hung in the Noordeinde palace first, and later in Breda castle. The name of the maker of these copies was hitherto unknown. However, a pamphlet containing a description of a wedding feast held in February 1638 in the Noordeinde palace states the artist's name: Jan Raes, a Brussels tapestry weaver.

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Lester, David. „Exploration of a Durkheimian Theory of Suicide and Homicide in Australia and New Zealand“. Medicine, Science and the Law 38, Nr. 2 (April 1998): 170–72. http://dx.doi.org/10.1177/002580249803800216.

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A time-series study of suicide and homicide rates in Australia and New Zealand from 1950–85 provided limited support for Durkheim's theory of suicide and no support for Henry and Short's theory of the relationship between suicide and homicide. The need for rival theories is discussed.

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25

Kustermans, Jorg. „Henry Maine and the Modern Invention of Peace“. Journal of the History of International Law 20, Nr. 1 (31.01.2018): 57–88. http://dx.doi.org/10.1163/15718050-20021014.

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AbstractThis articles examines Henry Maine’s arguments about the prospects of achieving a lasting and comprehensive peace. In a series of lectures on International Law, Maine famously held that ‘war is as old as mankind but peace is a modern invention’. The sentence situates Maine within a long-standing debate on the state of nature. The article reconstructs the meaning of the sentence by interpreting it in light of Maine’s broader theoretical framework and comparative-historical approach. An important conclusion of the article is that Maine never meant the sentence to express a gullible evolutionist perspective on the problem of war and peace. The invention of peace would not, Maine understood, solve the problem of war. Another important finding concerns the centrality of historical arguments to the debate on the state of nature. Proper historical consideration, the article concludes, does not resolve the problem of the state of nature, but dissolves it.

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Formisano, Roberto. „The Selbständigkeit of the Essence: Michel Henry and the Meaning of Philosophical Knowledge“. Religions 12, Nr. 10 (27.09.2021): 813. http://dx.doi.org/10.3390/rel12100813.

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This paper deals with a research hypothesis tying the legacy of German idealism to the first foundation of Michel Henry’s “phenomenology of life”. Based on a series of archive documents, the paper reconstitutes the hermeneutical horizon in contrast with which the young Henry (1946–1963) defined his conception of phenomenology, philosophy, and religion, i.e., the French existential–Hegelian debate (Wahl, Kojève). The reconstitution of this dialogue between the young Henry and the French Hegelianism of the 20th century will provide the theoretical framework for the analysis of the “religious attitude” in Henry’s philosophy and in his attempt to rethink the transcendental connection between phenomenality and (philosophical) discourse.

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Innes, Paul. „The Structure of Laughter in Shakespeare’s 1 Henry IV“. Arab World English Journal For Translation and Literary Studies 6, Nr. 4 (24.10.2022): 2–14. http://dx.doi.org/10.24093/awejtls/vol6no4.1.

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Shakespeare’s 1 Henry IV (c.1597) is the second play in a group of four that deals with the first two Lancastrian kings of England, Henry IV and his son Henry V. This loosely connected series is known as the Second Tetralogy because even though the events portrayed precede the four plays that deal with Henry VI and Richard III, Shakespeare wrote those set earlier in English history a little later in his career. The main aim of this study is to investigate the carnivalesque in 1 Henry IV, understood as a layer of unofficial or popular culture that plays against and undercuts or inverts the official world of the court, high politics, and chivalry. The significance of this study lies in its analysis of how this interaction structures the play; these are not just surface features. The main question is how the carnivalesque affects the level of high politics in the play. The context for the study derives from critical approaches to the play that have been influenced by critical theory, especially in the carnivalesque; the procedure is a detailed qualitative analysis using techniques of textual criticism. The main finding is that the play is not only structured along these lines but also that the level of high official culture is itself put in question by a full awareness of the historical events mentioned in the play.

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Page, Andrew. „The Role of Imagination in the Preaching of Henry Ward Beecher“. Homiletic 49, Nr. 1 (01.06.2024): 14–29. http://dx.doi.org/10.15695/hmltc.v49i1.5622.

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This article argues that Henry Ward Beecher’s use of imagination in preaching serves as a significant contribution to the field of homiletics. A renowned pastor and three-time lecturer at Yale’s distinguished preaching series, Beecher relied on his extensive creativity to not only shape the contours of his sermons, but also to impact a nation in the throes of Civil War. Though not always appreciated, Beecher models the need for, and practice of, imagination in Christian pulpits.

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Tkachenko, Nataliya. „PSYCHOLINGUISTIC ANALYSIS OF THE VERBAL AND NONVERBAL PRESENTATIONS IN THE ANIMATED CARTOON “HORRID HENRY”“. PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, Nr. 41 (2022): 59–67. http://dx.doi.org/10.17721/2663-6530.2022.41.05.

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The article accounts on the psycholinguistic semantics of the verbal and nonverbal children’s representations thus reflecting the everlasting problem of children upbringing. The animated cartoon “Horrid Henry” has not yet been chosen as the material for the polyparadigmal psycholingustic study of communication, comprising lexicosemantic, linguocognitive, pragmalinguistic and linguodidactic analyses. The cоmplex investigation of the collocation “Horrid Henry” comprised lexicosemantic, contextual and textual analyses. The object of the article is the dialogical speech in the children's animated cartoon television series “Horrid Henry. The subject matter of the research is the linguistic and conceptual semantics of the title “Horrid Henry”. The novelty of the research is represented both by the material and by the psycholinguistic functional paradigmal methods applied as psycholinguistic studies are inseparable from other branches of linguistics. The article is aimed at interpreting and classifying the motives of the child’s misbehavior in verbal and nonverbal psycho-semantic representations, The purpose of the article is reflecting the pluses and minuses of communication adults-children and their far-going influence on society. The key notion “horrid” forms the complex concept of subjective egotism that can be attributed to the child’s sub-consciousness and his search for the social recognition. The functional paradigm revealed the fact that it is useful activity rather than the parents’ instructions or adaptation to society that organizes the child’s mind and behavior. Thus, the title “Horid Henry” loses its semantic “horid”, revealing positive conceptual transformations.

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Koohbor, B., M. Fahs, B. Belfort, B. Ataie-Ashtiani und C. T. Simmons. „Fourier series solution for an anisotropic and layered configuration of the dispersive Henry Problem“. E3S Web of Conferences 54 (2018): 00014. http://dx.doi.org/10.1051/e3sconf/20185400014.

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Henry Problem (HP) still plays an important role in benchmarking numerical models of seawater intrusion (SWI) as well as being applied to practical and managerial purposes. The popularity of this problem is due to having a closed-form semi-analytical (SA) solution. The early SA solutions obtained for HP were limited to extensive assumptions that restrict its application in practical works. Several further studies expended the generality of the solution by assuming lower diffusion coefficients or including velocity-dependent dispersion in the results. However, all these studies are limited to homogeneous and isotropic domains. The present work made an attempt to improve the reality of the SA solution obtained for dispersive HP by considering anisotropic and stratified heterogeneous coastal aquifers. The solution is obtained by defining Fourier series for both stream function and salt concentration, applying a Galerkin treatment using the Fourier modes as trial functions and solving the flow and the salt transport equations simultaneously in the spectral space. In order to include stratified heterogeneity, a special depth-hydraulic conductivity model is applied that can be solved analytically without significant mathematical complexity. Several examples are proposed and studied. The results show excellent agreement between the SA and numerical solutions obtained with an in-house advanced finite element code.

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Rogers, William Warren. „:A Southern Moderate in Radical Times: Henry Washington Hilliard, 1808–1892.(Southern Biography Series.)“. American Historical Review 114, Nr. 3 (Juni 2009): 766–67. http://dx.doi.org/10.1086/ahr.114.3.766.

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32

Sengupta, Arindam. „Applied Time Series Analysis by Wayne A. Woodward, Henry L. Gray, Alan C. Elliott“. International Statistical Review 82, Nr. 2 (August 2014): 322–23. http://dx.doi.org/10.1111/insr.12068_11.

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33

Koz, Gamze, Demet Astley und Stephen T. Astley. „Synthesis of Stable Acyclic Aminals Derived from L-(+)-Aspartic Acid and Their Application in Asymmetric Henry Reactions“. Zeitschrift für Naturforschung B 68, Nr. 1 (01.01.2013): 57–63. http://dx.doi.org/10.5560/znb.2013-2228.

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A series of stable acyclic aminals derived from L-(+)-aspartic acid were synthesized in excellent yields (up to 96%) and characterized by spectroscopic methods. They were applied as enantioselective catalysts in Henry reactions of nitromethane with various aldehydes in the presence of Cu(II) ions, affording the corresponding adducts in high yields (up to 90%) and enantioselectivities (up to 92% ee).

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Enders, Dieter, Ehsan Jafari, Dipti Kundu, Pankaj Chauhan, V. Gajulapalli, Carolina von Essen und Kari Rissanen. „Organocatalytic Enantioselective Vinylogous Henry Reaction of 3,5-Dimethyl-4-nitroisoxazole with Trifluoromethyl Ketones“. Synthesis 50, Nr. 02 (04.10.2017): 323–29. http://dx.doi.org/10.1055/s-0036-1590928.

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The enantioselective vinylogous Henry reaction of 3,5-dimethyl-4-nitroisoxazole with trifluoromethyl ketones employing a bifunctional squaramide organocatalyst has been developed. A series of isoxazole bearing trifluoromethyl-substituted tertiary alcohols, 2-substituted (R)-1,1,1-trifluoro-3-(3-methyl-4-nitroisoxazol-5-yl)propan-2-ols, were obtained under these mild reaction conditions in good yields and moderate to good enantioselectivities

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Rexhaj, Elsajed, und Blerina Xhelaj. „Wives of Henry VIII: Historiography in the concepts of modern cinema“. Interdisciplinary Cultural and Humanities Review 2, Nr. 3 (10.08.2023): 18–24. http://dx.doi.org/10.59214/cultural/3.2023.18.

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The research relevance is determined by the variety of myths and legends formed around the historical personality of Henry VIII, which are not true, yet are repeated in the context of contemporary cinema. The study aims to analyse each of Henry VIII’s wives, using literature as a primary source, analyse modern cinema and attempt to introduce an innovative view of the historical situation in the history of the British monarchy. The artistic and stylistic method and the method of comparative analysis were used. Aside from the rapid change in the paradigm of personal life, the second monarch of the Tudor dynasty is also known for several significant reforms that were demonstrated only in a few films and TV series, and then in passing, leaving a bad impression of the English crown. Under the Tudors, England became the “mistress of the seas” and established the Anglican Church independent of the Pope, from a period of turmoil to stability. The work combines the embodied images with portraits of Henry VIII’s wives’ contemporaries, namely those of Hans Holbein the Younger. General information on the establishment of the English monarch, their origin, as well as the circumstances at court after the marriage, namely the death of the heirs to the throne, which, as recent studies have proved, was related to the health of the monarch, not his wives, was analysed. The study examines the external features, behavioural patterns, and influence on the internal politics of medieval England. The following films were analysed: “The Other Boleyn Girl” (2008, directed by Justin Chadwick), the TV series “The Tudors” (2007-2010, directed by Michael Hirst), “Henry VIII and His Six Wives” (2016, directed by Chris Holt), establishing that cinema does not accurately convey the era, the character and appearance of the girls. This study may be useful for researchers, history buffs, specialists in the Tudor dynasty, students of history and amateurs

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Rexhaj, Elsajed, und Blerina Xhelaj. „Wives of Henry VIII: Historiography in the concepts of modern cinema“. Interdisciplinary Cultural and Humanities Review 3, Nr. 1 (10.02.2024): 18–24. http://dx.doi.org/10.59214/cultural/1.2024.18.

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The research relevance is determined by the variety of myths and legends formed around the historical personality of Henry VIII, which are not true, yet are repeated in the context of contemporary cinema. The study aims to analyse each of Henry VIII’s wives, using literature as a primary source, analyse modern cinema and attempt to introduce an innovative view of the historical situation in the history of the British monarchy. The artistic and stylistic method and the method of comparative analysis were used. Aside from the rapid change in the paradigm of personal life, the second monarch of the Tudor dynasty is also known for several significant reforms that were demonstrated only in a few films and TV series, and then in passing, leaving a bad impression of the English crown. Under the Tudors, England became the “mistress of the seas” and established the Anglican Church independent of the Pope, from a period of turmoil to stability. The work combines the embodied images with portraits of Henry VIII’s wives’ contemporaries, namely those of Hans Holbein the Younger. General information on the establishment of the English monarch, their origin, as well as the circumstances at court after the marriage, namely the death of the heirs to the throne, which, as recent studies have proved, was related to the health of the monarch, not his wives, was analysed. The study examines the external features, behavioural patterns, and influence on the internal politics of medieval England. The following films were analysed: “The Other Boleyn Girl” (2008, directed by Justin Chadwick), the TV series “The Tudors” (2007-2010, directed by Michael Hirst), “Henry VIII and His Six Wives” (2016, directed by Chris Holt), establishing that cinema does not accurately convey the era, the character and appearance of the girls. This study may be useful for researchers, history buffs, specialists in the Tudor dynasty, students of history and amateurs

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Grummitt, David. „Henry VII, Chamber Finance and the ‘New Monarchy’: some new Evidence*“. Historical Research 72, Nr. 179 (01.10.1999): 229–43. http://dx.doi.org/10.1111/1468-2281.00082.

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Abstract This article re‐examines Henry VII's use of the king's chamber as the principal means of managing royal revenue. This is done in the light of the rediscovery of a series of account books belonging to two clerks of John Heron, treasurer of the chamber. This article challenges the assumption that Heron's account books are straightforward ledgers of royal income and expenditure. It also argues that stories of Henry's great wealth were not fables of Tudor propaganda and that the machinery of the chamber allowed the first two Tudors to employ effectively the private, as well as public, revenues. Moreover, Henry VII's methods of revenue management were not merely developments of Yorkist innovations but a concerted attempt to address some of the deep‐rooted fiscal problems of late‐medieval monarchy.

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Mayer, Thomas F. „A Diet for Henry VIII: The Failure of Reginald Pole's 1537 Legation“. Journal of British Studies 26, Nr. 3 (Juli 1987): 305–31. http://dx.doi.org/10.1086/385892.

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The triennium 1536–38 marks the crisis of Henry VIII's reign. The palace coup that toppled Anne Boleyn in May and June 1536 and apparently left Thomas Cromwell more firmly in control instead ushered in a series of further threats to both Cromwell and Henry. The upheaval of the Pilgrimage of Grace convulsed the north in late 1536 and early 1537 and looked for a time as if it would shake Henry's throne. The Pilgrims' calls for the upstart Cromwell's removal forced the chief minister to withdraw behind the scenes for a time, always a tricky maneuver. The battle of wits and wills between the king and his cousin and sometime protégé Reginald Pole runs as counterpoint throughout these dislocations. Pole's intemperate attack on Henry's divorce from Catherine of Aragon, De unitate, arrived at the extremely sensitive moment of June 1536 and announced the beginning of an eighteen-month struggle that finally led to an irreparable breach between Henry and Pole. De unitate has often been taken to signal Pole's crossing of the Rubicon. It should certainly have discomfited Pole's potential allies just as many of his partisans thought they had jockeyed themselves into power by engineering Anne's downfall. In fact, the work had a minimal effect, mainly because the committee entrusted with reading it was heavily stacked with Pole's friends. Henry probably never saw De unitate. Despite its violent language, neither Pole nor his supporters were then quite ready to give up on Henry. Early the next year the situation changed. Paul III created the new cardinal Pole a legate and dispatched him to Flanders, traditional locus of plots against England.

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Bouakkadia, Amel, Youssouf Driouche, Noureddine Kertiou und Djelloul Messadi. „Modeling of the Henry Constant of a Series of Pesticides: Quantitative Structure-Property Relationship Approach“. International Journal of Safety and Security Engineering 10, Nr. 3 (30.06.2020): 389–96. http://dx.doi.org/10.18280/ijsse.100311.

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Valtiala, Robin. „Parland, Henry (2014). Liquidación de ideales. Granada: El Genio Maligno, Series Minor/2, 159 pp.“ Sendebar 29 (14.11.2018): 349–54. http://dx.doi.org/10.30827/sendebar.v29i0.8100.

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41

Windleburn, Maurice. „Benjamin Piekut. Henry Cow: The World Is a Problem and George Henderson. Blind Joe Death’s America: John Fahey, the Blues, and Writing White Discontent (review)“. Context, Nr. 48 (31.01.2023): 121–25. http://dx.doi.org/10.46580/cx47064.

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In the last decade or so there has been an increase in musicological studies on the liminal space between art music and popular styles. A foremost scholar in this field (if it can be called that) is Benjamin Piekut, who wrote his first book, Experimentalism Otherwise: The New York Avant-Garde and its Limits (University of California Press, 2011) as a series of interrelated case studies. For his second book, Piekut focuses instead on a single band, Henry Cow, who sit neatly in the twilight zone between high and low art. Appropriately, this book is equally accessible to general readers and critically minded musicologists alike: its highly readable narrative avoids jargon and unnecessary citation. Divided into eight chapters (plus an introduction and afterword), Henry Cow traces the band’s story from its genesis in 1968 to its dissolution ten years later. […]

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Loudon, R., und C. Baxter. „Contributions of John Henry Poynting to the understanding of radiation pressure“. Proceedings of the Royal Society A: Mathematical, Physical and Engineering Sciences 468, Nr. 2143 (28.03.2012): 1825–38. http://dx.doi.org/10.1098/rspa.2011.0573.

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The name of Poynting is universally recognized for his development of the well-known expression for the flow of electromagnetic energy. Not so well known is Poynting's series of papers on radiation pressure, with 2011 marking the centenary of the last of his 15 publications on this topic. This paper reviews and assesses his radiation-pressure work, with a level of coverage aimed at the reader familiar with the Maxwell electromagnetic theory and interested in the current understanding of radiation pressure. We begin with brief details of Poynting's life, followed by accounts of the relevant publications by others before and during his period of activity in the field from 1903 to 1911. His contributions to the understanding of radiation-pressure effects in the solar system, and the linear and angular momenta of light are discussed, with evaluations from a modern perspective.

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Meardon, Stephen. „HENRY C. CAREY’S “ZONE THEORY” AND AMERICAN SECTIONAL CONFLICT“. Journal of the History of Economic Thought 37, Nr. 2 (Juni 2015): 305–20. http://dx.doi.org/10.1017/s1053837215000115.

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In the spring of 1860, Henry C. Carey, the Philadelphia political economist and apostle of protectionism, offered a revision of his doctrine in hope of saving the Union. For several years, in such writings as The Slave Trade, Domestic and Foreign (1853) and The North and the South (1854), he had argued that reimposition of high protective tariffs promised material prosperity for the free population and gradual emancipation of the slaves. With secession looming he enlarged the argument. In a series of letters to the Memphis Daily Enquirer, he explained how the original error of liberal trade beginning in 1833 had interacted with climate and migration to produce economic crises and sectional conflict. Political economy not only pointed to the right course, it showed why the course was blocked from view. Prosperity, gradual emancipation, and preservation of the union all depended on the inhabitants of the central "Mineral Zone," from Pennsylvania to Tennessee, first seeing the blockage and then uniting to correct the combined policy errors of the northern "Trading Zone" and the southern "Planting Zone." Carey's neglected "zone theory" shows the direction and ambitions of an important strain of American political economy in the immediate antebellum period. It also merits attention as an early example of economic theories of geography and institutions akin to those claiming attention today.

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Nieracka, Agnieszka. „Wędrując z TARDIS przez „rozrywkowe supersystemy” albo jak niebieska budka policyjna ratuje (?) badaczy z opresji“. Literatura i Kultura Popularna 25 (28.07.2020): 97–108. http://dx.doi.org/10.19195/0867-7441.25.6.

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Contemporary reflection upon the category of entertainment supersystem proposed by Marsha Kinder can be combined with the concept of transmedia storytelling (Henry Jenkins) applied in numerous academic publications in various contexts and understandings. The subject of the author’s reflection is the functioning of the BBC TV series, Doctor Who, and its media extensions. This BBC TV series is considered to be the most complex model example of transmedia storytelling. Both the classic series (1963–1989) and the 2005 Doctor Who reboot make researchers conduct a textual an-alysis which is inextricably linked to the research on television production practices. The new series of Doctor Who’s adventures can be best described by the culture of convergence and its practices. While tracing the development of the brand, its historic and contemporary contexts inscribed in British cultural studies, as well as relations of the anchor product with the categories of transmed-iality and remediation — the author concludes that nowadays studying supersystems requires the application of much more complex research tools.

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Fórizs, László. „Szemelvények a Páli Kánonból“. Keréknyomok, Nr. 13 (2019): 75–100. http://dx.doi.org/10.56213/kerekny.13.2019.04.

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Éppen 25 éve jelent meg az India bölcsessége c. szöveggyűjtemény. Ebből az alkalomból közöljük az 1994-ben megjelent változatra épülő, új jegyzetekkel ellátott fordításokat. Ezzel a 120 éve fiatalon elhunyt Henry Clarke Warren amerikai szanszkrit és páli tudós emléke előtt is tisztelgünk, aki Rockwell Lanmannal együtt a méltán híres Harvard Oriental Series (HAOS) könyvsorozatot alapította. Buddhism in translations c. munkája, amire válogatásunkban mi is támaszkodtunk, halála előtt három évvel jelent meg a HAOS III. köteteként.

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Gutorow, Jacek. „Radość patrzenia. O „Godzinach włoskich" Henry’ego Jamesa“. Fabrica Litterarum Polono-Italica, Nr. 1(7) (04.04.2024): 1–13. http://dx.doi.org/10.31261/flpi.2024.07.05.

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This short article interprets Henry James’s Italian Hours (1909) as a series of insights into a phenomenology of seeing, treating the latter as both opening towards the surrounding reality and an act of self-consciousness. James’s phenomenological awareness is informed by his sense of joy, which turns out to be something more than mere delight with beautiful sights and scenes – it is in fact a joy of discovering the world’s freshness and novelty.

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Liscombe, Rhodri Windsor, Benjamin Henry Latrobe, Jeffrey A. Cohen und Charles E. Brownell. „The Papers of Benjamin Henry Latrobe, Series II: The Architectural and Engineering Drawings, Vol. 2: The Architectural Drawings of Benjamin Henry Latrobe, Parts 1 and 2“. Journal of the Early Republic 15, Nr. 4 (1995): 674. http://dx.doi.org/10.2307/3124028.

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Harris, C. M., Jeffrey A. Cohen und Charles E. Brownell. „The Papers of Benjamin Henry Latrobe. Series II: The Architectural and Engineering Drawings. Vol. 2: The Architectural Drawings of Benjamin Henry Latrobe. Pts. 1 and 2“. Technology and Culture 37, Nr. 3 (Juli 1996): 629. http://dx.doi.org/10.2307/3107180.

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Allen, David. „Realism and Malarkey: Henry Kissinger's State Department, Détente, and Domestic Consensus“. Journal of Cold War Studies 17, Nr. 3 (Juli 2015): 184–219. http://dx.doi.org/10.1162/jcws_a_00548.

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This article uses recently declassified archival documents to reassess public opinion in the United States regarding East-West détente. When Henry Kissinger was U.S. secretary of state during the Nixon and Ford administrations, he made dozens of speeches intended to educate the public in what he considered the proper methods of diplomacy. By analyzing those “heartland” speeches using recently released documents, the article shows that Kissinger and the State Department tried much harder to create a foreign policy consensus behind détente and realism than previously understood. Despite these efforts, Kissinger's message was lost on the public. The article provides the first extended analysis of a series of fact-finding “town meetings” held by the State Department in five locations across the United States—meetings that revealed how badly Kissinger had failed. By February 1976, all those involved in U.S. foreign policymaking—Kissinger's opponents, his advisers, and the wider public—desired a greater role for moral values in foreign policy.

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Kamińska, Magdalena. „„Pozdrawiam Fanki i Sułtanki”. Internetowe praktyki polskiego fandomu serialu "Wspaniałe stulecie"“. Panoptikum, Nr. 20 (17.12.2018): 47–68. http://dx.doi.org/10.26881/pan.2018.20.03.

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The article discusses fan practices of Polish viewers of the Turkish TV series Magnificent Century (Muhteşem Yüzyıl, Wspaniałe stulecie). Using this example, the author analyzes the issue of cultural incorporation, recontextualization and reinterpretation of foreign narrative conventions. The article also describes how people digitally excluded join the fandom and get `infected` by the need for `drilling` down into their favorite text. As a result, they acquire new technological skills and build online knowledge communities described by Henry Jenkins.

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