Thematische Bibliographien / Senses and sensation – history

Auswahl der wissenschaftlichen Literatur zum Thema „Senses and sensation – history“

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Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Senses and sensation – history"

Wortel, Elise. „From history to haecceity“. Alphaville: Journal of Film and Screen Media, Nr. 2 (14.02.2012): 60–75. http://dx.doi.org/10.33178/alpha.2.05.

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This article investigates the transformation of history into haecceities that allow us to grasp history through a nonlinear, cinematic sensation of pure past. Here, cinema merges classical knowledge of historical facts with the lived reality of the unrecorded past. Experiments with spatial reframings of the past in The Lady and the Duke, The King's Daughters, The White Ribbon and Coco Before Chanel are discussed to create nonlinear sensations of duration that link with Deleuze and Guattari's notions of affect and haecceity, which transform history into cinematic sets of speed, movement, and texture. Furthermore, the article analyses how the traditionally linear narrative of history is transposed into the abstract sensation of time through haecceity as pure past, where time and space come together to put the sensory quality of memory to the fore. Shifting the perspective from the linear account of history to the multilinear effects of affect and haecceity this analysis challenges the cultural hegemony of representation that favours a homogeneous image of thought. Focussing on the material and performative quality of the film image, the article analyses the spatiotemporal relations that create an analytical perception through the senses.

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Smith, Roger. „“The Sixth Sense”: Towards a History of Muscular Sensation“. Gesnerus 68, Nr. 2 (11.11.2011): 218–71. http://dx.doi.org/10.1163/22977953-06802004.

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This paper outlines the history of knowledge about the muscular sense and provides a bibliographic resource for further research. A range of different topics, questions and approaches have interrelated throughout this history, and the discussion clarifies this rather than presenting detailed research in any one area. P art I relates the origin of belief in a muscular sense to empiricist accounts of the contribution of the senses to knowledge from Locke, via the idéologues and other authors, to the second half of the nineteenth century. Analysis paid much attention to touch, first in the context of the theory of vision and then in its own right, which led to naming a distinct muscular sense. From 1800 to the present, there was much debate, the main lines of which this paper introduces, about the nature and function of what turned out to be a complex sense. A number of influential psycho-physiologists, notably Alexander Bain and Herbert Spencer, thought this sense the most primitive and primary of all, the origin of knowledge of world, causation and self as an active subject. Part II relates accounts of the muscular sense to the development of nervous physiology and of psychology. In the decades before 1900, t he developing separation of philosophy, psychology and physiology as specialised disciplines divided up questions which earlier writers had discussed under the umbrella heading of muscular sensation. The term ‘kinaesthesia’ came in 1880 and ‘proprio-ception’ in 1906. There was, all the same, a lasting interest in the argument that touch and muscular sensation are intrinsic to the existence of embodied being in the way the other senses are not. In the wider culture – the arts, sport, the psychophysiology of labour and so on – there were many ways in which people expressed appreciation of the importance of what the anatomist Charles Bell had called ‘the sixth sense’.

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Larson, Scott. „Histrionics of the Pulpit“. TSQ: Transgender Studies Quarterly 6, Nr. 3 (01.08.2019): 315–37. http://dx.doi.org/10.1215/23289252-7549428.

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Abstract The eighteenth-century Atlantic world was swept with a radical new form of Christian preaching that aimed to engage the feelings and sensations of mass audiences. In the nineteenth century, this heart-centered preaching became a mainstream form of American Christianity, but in its first hundred years, it was widely regarded as perverse, effeminate, and depraved. Early evangelical Christianity threatened to destabilize social and political orders, to drive the masses “out of their senses,” and to throw gender norms into chaos. This article argues that attention to “trans tonality”—an investigation of trans at the level of tone, expression, and sensation—offers a surprising trans history of early American culture and opens up an archive rich with accounts of gender and sensory variance.

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Daly, Nicholas. „Railway Novels: Sensation Fiction and the Modernization of the Senses“. ELH 66, Nr. 2 (1999): 461–87. http://dx.doi.org/10.1353/elh.1999.0013.

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Zepke, Stephen. „The Sublime Conditions of Contemporary Art“. Deleuze Studies 5, Nr. 1 (März 2011): 73–83. http://dx.doi.org/10.3366/dls.2011.0008.

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Deleuze's relationship to Kant is intricate and fundamental, given that Deleuze develops his transcendental philosophy of difference in large part out of Kant's work. In doing so he utilises the moment of the sublime from the third Critique as the genetic model for the irruption of the faculties beyond their capture within common sense. In this sense, the sublime offers the model not only for transcendental genesis but also for aesthetic experience unleashed from any conditions of possibility. As a result, sensation in both its wider and more specifically artistic senses (senses that become increasingly entwined in Deleuze's work) will explode the clichés of human perception, and continually reinvent the history of art without recourse to representation. In tracing Deleuze's ‘aesthetics’ from Kant we are therefore returned to the viciously anti-human (and Nietzschean) trajectory of Deleuze's work, while simultaneously being forced to address the extent of its remaining Idealism. Both of these elements play an important part in relation to Deleuze's ‘modernism’, and to the discussion of his possible relevance to contemporary artistic practices.

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Hacker, P. M. S. „The Sad and Sorry History of Consciousness: being, among other things, a Challenge to the ‘Consciousness-studies Community’“. Royal Institute of Philosophy Supplement 70 (12.04.2012): 149–68. http://dx.doi.org/10.1017/s1358246112000082.

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The term ‘consciousness’ is a latecomer upon the stage of Western philosophy. The ancients had no such term. Sunoida, like its Latin equivalent conscio, meant the same as ‘I know together with’ or ‘I am privy, with another, to the knowledge that’. If the prefixes sun and cum functioned merely as intensifiers, then the verbs meant simply ‘I know well’ or ‘I am well aware that’. Although the ancients did indeed raise questions about the nature of our knowledge of our own perceptions and thought, and introduced the idea of an inner sense, they did not characterize the mind as the domain of consciousness. Aristotelians conceived of the mind as the array of powers that distinguish humanity from the rest of animate nature. The powers of self-movement, of perception and sensation, and of appetite, are shared with other animals. What is distinctive of humanity, and what characterizes the mind, are the powers of the intellect – of reason, and of the rational will. Knowledge of these powers is not obtained by consciousness or introspection, but by observation of their exercise in our engagement with the world around us. The mediaevals followed suit. They likewise lacked any term for consciousness, although they too indulged in reflections upon ‘inner senses’ – in the wake of Avicenna's distinguishing, arguably to excess, five such senses.

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Mukherjee, Triparna. „Mobile Ubiquitous Learning is the Need of the Hour for English Language Teaching During COVID-19 Pandemic“. Vidhyayana 9, si4 (01.03.2024): 40–49. http://dx.doi.org/10.58213/vidhyayana.v9isi4.1791.

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All people naturally want to know" is how Aristotle, one of the greatest thinkers in history, opens his well-known book Metaphysics (Aristotle, 2010). Humans are recognised to possess a wide range of potential skills in the modern day. Among these skills, knowledge, learning, and curiosity surface during a person's growth and start to take shape under the impact of their surroundings. Our understanding comes from the realm of sensations. In the same book, Aristotle discusses the value of the senses and offers the proverb "who loses a sense loses a world." He stresses the value of the senses in learning by noting that they are a vital tool for comprehending the cosmos and what is happening. He stresses the use of the senses in learning by stating that "science is based on the senses but senses are not science," noting that "the senses are an important aid in understanding the universe and what is happening" but also acknowledging that "the senses can be misleading from time to time.

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Howes, David. „Quali(a)tative Methods: Sense-Based Research in the Social Sciences and Humanities“. Qualitative Sociology Review 18, Nr. 4 (31.10.2022): 18–37. http://dx.doi.org/10.18778/1733-8077.18.4.02.

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This paper begins by tracing the sensory turn in the human sciences—most notably, history and anthropology—which, in turn, gave rise to the interdisciplinary field of sensory studies. The latter field is articulated around the concept of the sensorium (defined as the entire sensory apparatus, including the extension of the senses via diverse media, as an operational complex) and the notion of qualia (defined as those aspects of the material world, such as color and sound, that are contingent on the human perceptual apparatus—in contrast to the inherent or elementary properties of materials, such as number or form, which are not). Sense-based research in the human sciences is tied to sensing and making sense together with others. Its methodology of choice is sensory ethnography, or “participant sensation.” This method departs from the emphasis on observation in conventional qualitative research, as well as the latter’s reliance on such verbocentric methods as the questionnaire or focus group. Sensory ethnography highlights the primacy of the quali(a)tative dimensions of our being together in society. It extrapolates on Georg Simmel’s point: “That we get involved in interactions at all depends on the fact that we have a sensory effect upon one another” (as cited in Howes 2013). In part II of this paper, a critique is presented of the diminution of the quali(a)tative in the context of the Scientific Revolution of the sixteenth and seventeenth century, the cognitive revolution of the mid-twentieth century, and the scientization of the senses in the Sensory Evaluation Research Laboratory. These revolutions are problematized for their lopsidedness: the privileging of the infrasensible over the sensible and elemental (or atomistic) over the phenomenal in the case of the Scientific Revolution; the neuronal over the sensual and social in the case of the cognitive revolution; and, the unimodal (or one-sensation- and one-sense-at-a-time) over the multimodal, as well as the reduction of “significance” to the statistical, in the case of the research protocols of the sensory science laboratory. The paper concludes by presenting the results of a series of case studies in sensory ethnography that push the bounds of sense by leading with the senses and bringing the quali(a)tative back in.

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Pavlicic, Jelena, und Ivan Nisavic. „Epicurean view on the validity of sensation: On the contextual reading of the content of the perception“. Filozofija i drustvo 34, Nr. 4 (2023): 681–93. http://dx.doi.org/10.2298/fid2304681p.

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Scholars have argued that we have good reason to defend the Epicurean view of the validity of sensation on the basis of a contextual reading of the content of perception. More specifically, it has been suggested that we can respond to skeptical challenges by acknowledging the contextual character of perceptual content and by linking its truth to the conditions under which it occurs. By examining these proposals, we identify some sources of concern and point out the limitations in providing an adequate framework for the Epicurean idea that the senses are capable of providing the ultimate criteria of truth. In particular, we argue that we should be wary of a contextual reading of perceptual content, not only because this is not a viable model for reliably distinguishing truth from falsity, but also because it is not adequately supported by the available textual evidence of Epicurean empiricist epistemology. Finally, we point out further problems for the Epicurean viewpoint by drawing on some later considerations in the history of the philosophy of perception.

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Magee, Joseph. „Sense Organs and the Activity of Sensation in Aristotle“. Phronesis 45, Nr. 4 (2000): 306–30. http://dx.doi.org/10.1163/156852800510243.

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AbstractAmid the ongoing debate over the proper interpretation of Aristotle's theory of sense perception in the De Anima, Steven Everson has recently presented a well-documented and ambitious treatment of the issue, arguing in favor of Richard Sorabji's controversial position that sense organs literally take on the qualities of their proper objects. Against the interpretation of M. F. Burnyeat, Everson and others make a compelling case the Aristotelian account of sensation requires some physical process to occur in sense organs. A detailed examination of the interpretation by Everson and Sorabji of Aristotle's theory, however, shows that their reading cannot be the correct one, since it involves many textual and philosophical difficulties. Their interpretation, for instance, would require abandoning Aristotle's requirement that only a transparent substance is suitable matter for an eye. Likewise, their understanding of the Aristotle's doctrine of sensation as the reception of form without matter in DA 2.12 cannot be reconciled with other texts of his from On Generation and Corruption. An analysis of these texts, as well as DA 2.7 and De Sensu 6 on the roles of light and the transparent medium in vision, show that, for Aristotle, the physical processes which sense organs undergo are not standard qualitative changes (i.e. alterations), but activities or the actualizations of potencies in the material constituents of living animal bodies.

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Dissertationen zum Thema "Senses and sensation – history"

Harris, Regina Gray. „Social emanations: Toward a sociology of human olfaction“. Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc5170/.

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Within the discipline of sociology human olfaction is rich with social significance yet remains a poorly charted frontier. Therefore, the following discourse is aimed toward the development of a foundation for the sociological study of olfaction. It is formed by the dual goals of unearthing the social history of olfaction and of providing a viable sociological account of the manner in which smells affect human ontology. From these goals arise the following research questions: (1) Have the meaning and social relevance of odors and the olfactory sensorium changed throughout different periods of history?; (2) How have those in the lineage of eminent sociological thinkers addressed the phenomenon of human olfaction during these periods?; and (3) What is the process by which aromatic stimuli are transformed from simple chemical compounds, drifting in the atmosphere, into sensations in a sensory field and then on to perceived objects, to subjects of judgment and interpretation, and finally to bases of knowledge which form and continually reform individuals in the world? The weaving of the sociohistorical tapestry of smell is undertaken to provide examples from thousands of years lived experiences as to the fluid and sociologically complex nature of individuals' olfactory senses. This historical information is presented in a narrative format and is synthesized from data gleaned from books, advertisements, articles in popular non-scientific magazines, as well as from the findings of studies published in medical/neurological, psychological, anthropological, and sociological scholarly journals. Regarding theoretical aim of this discourse, insights are drawn from Maurice Merleau-Ponty's phenomenological theory of human perception for the generation of a framework for the sociological study of olfaction. Merleau-Ponty's theoretical notions are modified, modernized, and refitted to more specifically fit the subject of human olfaction and to include all that has been discovered about the biological specifics of olfactory perception since the time of his writing. Taken in sum, this effort is an access point to the understanding of how olfactory sensory perceptions flow toward the ontological unfolding of individuals.

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Wansten, Jamie. „Back to your senses“. This title; PDF viewer required Home page for entire collection, 2008. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Solander, Tove. „"Creating the Senses" : Sensation in the work of Shelley Jackson“. Doctoral thesis, Umeå universitet, Institutionen för språkstudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-65968.

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This monograph on the œuvre of contemporary American author and multimedia artist Shelley Jackson addresses the question of how literary works employ language to evoke sense impressions. Gilles Deleuze’s notion of aesthetic percepts is drawn on to develop a theory of literary phantom sensations which is then tested on the work of Jackson and related authors. Although imperceptible as such, it is argued that percepts are made perceptible in art in sense-specific forms as phantom sensations. “Phantom” is not meant to indicate a pale shadow of real sensations but the intensely perceived realness of phantom limb phenomena, in accordance with Deleuze’s understanding of the virtual as real but not actual. For the sake of clarity, literary phantom sensations are divided into phantom smells, tastes, touches, sights and sounds, with a chapter devoted to each in turn. It is found that different phantom sensations serve different functions in Jackson’s work, correlated to the cultural history of the senses as outlined by recent sensory scholarship. Phantom smells are associated with Deleuze’s concept of becoming due to their liminality. Phantom tastes contribute to an aesthetics of distaste in which shades of disgust are cultivated and drawn upon for literary effect. Phantom touch creates conceptual intimacy and invites the reader to handle words like toys in a game. Phantom sight is turned back upon itself in an anatomy of the eye. Phantom hearing is associated with forms of ventriloquism in which it is unclear who is speaking through whom and in which language itself throws its voice. However, it is also found that all phantom sensations similarly serve to create a material and affective connection between the body of the reader and the body of the text. Throughout the dissertation, Jackson’s work is read against and alongside that of other writers such as Djuna Barnes, Neil Bartlett, Brigid Brophy and Leonora Carrington. Together these form a trajectory termed minor writing for queers to come, which is meant to indicate that aesthetic and sexual-political radicalism go hand in hand. Furthermore, Jackson’s work is described as a form of body writing informed by feminist body art and écriture féminine. Specifically, Jackson takes her cue from early modern anatomical blazons and describes living bodies in pieces. Her work is also described as object writing: a literary equivalent to surrealist object art. A central method for making words more like things is to arrange her texts spatially rather than temporally, as exemplified by her electronic hypertexts.

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Wilson, Jim. „An analysis of the significance of the senses in Scripture with a view toward their use in expository preaching“. Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Li, Kelin, und 李科林. „The liberation of sensation from reason: going beyond Kant with Deleuze“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43703835.

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Davidson, Kelly Patricia. „On unifying the laws of sensation : an empirical investigation of predictions arising from Norwich's theory of perception“. Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29594.

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The present thesis constitutes an empirical investigation of the prediction of Norwich's Entropy Theory of Perception that the positive exponent of the magnitude estimation power function and the negative exponents of equations relating the Weber fraction and simple reaction time to stimulus intensity should, since they can all be derived from the theory's Fundamental Equation, be numerically the same. A pilot study consisting of magnitude estimation and reaction time experiments (using pure tone auditory stimuli of varying intensities at five frequencies), and a "main" study comprised of magnitude estimation, reaction time, and Weber fraction experiments are described. The results, while offering possible confirmation of the prediction, remain somewhat tentative, owing to the persistently problematic technique of curve fitting upon which determination of the reaction time and Weber fraction exponents rests. The theory, in leading one to even attempt to compare such previously unrelated measures as magnitude estimation and reaction time with Weber fractions, has yielded, theoretical issues aside, some worthwhile empirical results: I have obtained measures on three different psychophysical tasks from the same subjects over (effectively) the same stimulus range for each of those subjects; and, moreover have, I believe for the first time, explicitly noted that the Weber fraction displays the same decrease in exponent with increasing frequency, followed by an upturn at the highest frequencies, that characterizes both the equal loudness curves and the reaction time curves a la Chocholle. Suggestions are made regarding supplementary curve fitting methods by which to analyze these data, as well as for future research in the psychophysiological realm which, in addition to expanding the scope of the prediction that is being tested, may provide some much needed insight into the numerical values of the multiplicative and additive constants that occur in the equations under consideration in this thesis.
Arts, Faculty of
Psychology, Department of
Graduate

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Sahai, Vineet Medical Sciences Faculty of Medicine UNSW. „The physiology and psychophysics of vibrotactile sensation“. Awarded by:University of New South Wales. School of Medical Sciences, 2006. http://handle.unsw.edu.au/1959.4/27323.

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Response characteristics and tactile coding capacities of single neurons of the dorsal column nuclei (DCN), and the dorsal horn, in particular, neurons of the spinocervical tract (SCT), were investigated in anaesthetized cats. Purely dynamically-sensitive tactile neurons of the DCN could be divided into two classes, one associated with hair follicle afferent (HFA) input, the other with Pacinian corpuscle (PC) input. The HFA-related class was most sensitive to low-frequency (<50 Hz) vibration, had phaselocked responses to vibration frequencies up to ~75 Hz and had a graded response output as a function of vibrotactile intensity changes. PC-related neurons had broader vibrotactile sensitivity, extending to ~300 Hz with tightest phaselocking between 50 and 200 Hz. The SCT neurons in the lumbar dorsal horn had tactile receptive fields on the hairy skin of the hindlimb and a very limited capacity to signal, in a graded way, the intensity parameter of the vibrotactile stimulus. Furthermore, because of their inability to respond on a cycle-by-cycle pattern at vibration frequencies above 5-10 Hz, these neurons were unable to provide any useful signal of vibration frequency beyond ~5-10 Hz, in contrast to DCN neurons. In the parallel human psychophysical study, the capacity for vibrotactile frequency detection and discrimination was examined in five subjects in glabrous and hairy skin. The vibrotactile detection threshold values obtained at four standard frequencies of 20, 50, 100 and 200 Hz were markedly higher on the hairy skin than on the glabrous skin. The discrimination task was examined by means of a two-alternative, forced-choice psychophysical procedure. Measures of the discriminable frequency increment (?????) and the Weber Fraction (????? / ??), revealed similar capacities for frequency discrimination at the two different skin sites at the standard frequencies of 20, 100 and 200 Hz, but an equivocal difference at 50 Hz. Cutaneous local anaesthesia in the dorsal forearm produced a marked impairment in vibrotactile detection and discrimination at the low frequencies of 20 and 50 Hz but little effect at higher frequencies, confirming that vibrotactile detection and discrimination in hairy skin depend upon superficial receptors at low vibrotactile frequencies, but depend on deep, probably Pacinian corpuscle receptors for high frequencies.

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Harris, Regina Gray Williamson David A. „Social emanations toward a sociology of human olfaction /“. [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-5170.

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Kobue-Lekalake, Rosemary Ikalafeng. „Sensory perception of bitterness and astringency in sorghum“. Pretoria : [s.n.], 2008. http://upetd.up.ac.za/thesis/available/etd-01152009-175536.

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Runyeon, Marian 1960. „Subjectivity and objectivity of body sensation: A study of kinesthesis“. Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276728.

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The importance of touch-related sensations as a kinesthetic perceptual system through the observation of the subject/object phenomenon is explored through defining aspects of movement learning experiences associated with dance training.

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Bücher zum Thema "Senses and sensation – history"

Wang, Orrin Nan Chung. Romantic sobriety: Sensation, revolution, commodification, history. Baltimore: Johns Hopkins University Press, 2011.

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Jütte, Robert. A history of the senses: From antiquity to cyberspace. Cambridge, UK: Polity, 2005.

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Classen, Constance. Worlds of sense: Exploring the senses in history and across cultures. London: Routledge, 1993.

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Jean-Pierre, Richard. Littérature et sensation: Stendhal, Flaubert. [Paris]: Editions du Seuil, 1990.

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Ackerman, Diane. A natural history of the senses. New York: Vintage Books, 1991.

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Duhl, Olga Anna, und Jean-Marie Fritz. Les cinq sens entre Moyen Âge et Renaissance: Enjeux épistémologiques et esthétiques. Dijon: Éditions universitaires de Dijon, 2016.

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M, Smith Mark. Sensing the past: Seeing, hearing, smelling, tasting, and touching in history. Berkeley: University of California Press, 2007.

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Woolgar, C. M. The senses in late medieval England. New Haven [Conn.]: Yale University Press, 2006.

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1943-, Bynum W. F., Porter Roy 1946- und Symposium on Medicine and the Five Senses (1987 : Wellcome Institute for the History of Medicine), Hrsg. Medicine and the five senses. Cambridge ; New York: Cambridge University Press, 1993.

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Jütte, Robert. Geschichte der Sinne: Von der Antike bis zum Cyberspace. München: Beck, 2000.

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Buchteile zum Thema "Senses and sensation – history"

Mather, George. „The chemical senses“. In Foundations of Sensation and Perception, 367–83. 4. Aufl. London: Psychology Press, 2022. http://dx.doi.org/10.4324/9781003335481-13.

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Zanker, Johannes M. „Chemical Senses: Smell and Taste“. In Sensation, perception and action, 112–23. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-09210-6_9.

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Zanker, Johannes M. „Body Senses: From the Control of Posture to Touch“. In Sensation, perception and action, 124–36. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-09210-6_10.

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Garrison, Laurie. „Magnetic Science and the Sensation Novel: Stimulating Bodies, Senses and Souls“. In Science, Sexuality and Sensation Novels, 56–106. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230297586_2.

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Delage-Toriel, Lara. „‘A Tactile Sensation Is a Blind Spot’: Nabokov’s Aesthetics of Touch“. In The Five Senses in Nabokov's Works, 347–59. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-45406-7_21.

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Misharina, Anna, und Eleanor Betts. „The Embodied City: A Method for Multisensory Mapping“. In Capturing the Senses, 237–64. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-23133-9_11.

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AbstractThis chapter presents a methodology for recording sensory data in an urban landscape and looks forward to how this might be adapted to enable multisensory mapping of ancient spaces more broadly. The premise is that it is impossible to make a single map of a city without overlapping temporal, monumental, social, and sensory spaces, a premise situated in Henri Lefebvre’s philosophy of social space. The focus of the authors’ methodology is lived space. Lived space is constructed from the relations between people and their habitation of the physical environment. Recognition of, and attachment to, places is constructed through personal experience and memories. Sight, sound, smell, taste, kinaesthesia, and touch all contribute to the creation of the experience and affectiveness of place. Sensation is complex, and the sensory experience of place is more so. In any discipline, taking a multisensory approach means embracing this complexity, while recognising the myriad variables and finding methods and approaches by which to record them. In order to draw attention to the embodied city, the authors invited a group of workshop participants to work with a map of the Canterbury city centre (Kent, UK) as a critical tool with which to analyse concrete space. Participants were encouraged to map the impressions engendered by their physical environment in the specific moment in which they encountered it. The objective of this exercise was to capture the qualitative experience of sensory space by recording individual perceptions of sensory stimuli. The results were then digitised and are presented in the final section of this chapter.

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Hartley, Lucy. „Sensation, Art, and Capital“. In The History of British Women’s Writing, 1830–1880, 264–81. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-58465-6_16.

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Corbin, Alain. „Charting the Cultural History of the Senses“. In Empire of the Senses, 128–39. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003230700-12.

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Humphrey, Nicholas. „The Double Province of the Senses“. In A History of the Mind, 45–51. New York, NY: Springer New York, 1992. http://dx.doi.org/10.1007/978-1-4419-8544-6_4.

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Humphrey, Nicholas. „In the Realm of the Senses“. In A History of the Mind, 61–65. New York, NY: Springer New York, 1992. http://dx.doi.org/10.1007/978-1-4419-8544-6_7.

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Konferenzberichte zum Thema "Senses and sensation – history"

Michaëlis, Sabina Maria. „Design Museums: Making Sense or Sensation of Design“. In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0042.

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Saadeh, Mohammad, und Mohamed Trabia. „Development of a Measuring System of Contact Force for Braille Reading Using a Six-Axis Force Sensor“. In ASME 2010 International Mechanical Engineering Congress and Exposition. ASMEDC, 2010. http://dx.doi.org/10.1115/imece2010-39976.

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The objective of the recent research effort on tactile sensation is to provide the blind or visually impaired (BVI) persons with a more natural handling of their surrounding environment. To generate natural fingertip stimulations, the forces felt by the fingertip should be characterized. This work presents an approach to measure the fingertip forces while reading Braille characters. In the proposed experimental procedure, a subject is asked to identify five individual Braille characters that are hidden from view. Each Braille character is mounted on top of a six–axis force sensor. The experiment requires that each subject places a fingertip normal to a Braille character until the character is identified. The same experiment is repeated but with the subject applying pressure in the tangential direction. A new approach is proposed to identify these forces to ensure the validity of the readings. The subject is then asked to identify the letter out of images of the Braille characters. Twenty-eight subjects participated in the experiment so far. Data are statistically analyzed to obtain a general form of force-time history during the phase of Braille character identification. Normalization of the data is explored by identifying the equivalent fingertip pressure.

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Hua, Zizhong, und Jing Luo. „Interactive design based on five senses solution for the externalization of pain sensation“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001727.

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Pain is the most common cause of the elderly entering the medical system, and according to the survey, the elderly who visit the clinic due to chronic pain account for 44% (Tao et al., 2017). So the pain assessment for the elderly has become particularly important, but with the aging of the cognitive ability and behavior of the elderly, it has become difficult to communicate with doctors. This paper is based on the existing tools of pain assessment, starting from the interaction design based on the five senses, using questionnaire survey and in-depth interview, combining the cognitive thinking and behavior characteristics of the elderly. The design of tools of pain assessment suitable for the elderly was concluded, and finally the design scheme is proposed based on the conclusion. Keywords: Doctor-patient Communication, Pain Feelings, Interaction Design, Five Senses, The Elderly, Pain Assessment

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Antonio Gambera, Davide, Emilia Duarte und Dina Ricco. „Internet of Senses (IoS) and Internet of Sensory Health (IoSH): A New Technology Epiphany“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001403.

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In the field of healthcare design, a great revolution is taking place. The use of Internet of Things (IoT) technologies, and in particular the great success of smartwatches, fit bands, and specific wearable medical devices allowed people to self-monitor their health parameters. At the same time, physicians were allowed to track, assist, make diagnoses, and prescribe treatments, remotely. Everything is done with the collection of and analysis of high-quality data, assisted by Artificial Intelligence (AI) (Forgan; 2021; Chiapponi & Ciotti, 2015; Islam et. al, 2015). At the same time, the easier accessibility to sensory technology, the high-speed internet connection, and rate of adoption of Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR), which are altogether known as eXtended Reality (XR), is accelerating innovations, with the digital experiences expected to become even more immersive.According to a recent report of Sony Ericsson® the biggest trend for future technology developments until 2030, will be the evolution from IoT (Internet of things) to IoS (Internet of Senses). Nowadays, we can use XR solutions to support patients’ recovery, promote mental health, or treat chronic pain conditions, but, digital communications are still audio-visual. In the next decade, it is expected that devices, sensors, and actuators, and software would enable these experiences to become even richer, through the concomitant use of all our senses, and merging the digital and the physical reality. This type of experience is based on the Internet of Senses.This revolution will drive designers to create more immersive environments. Future experiences with the diffuse use of haptic feedback will be enriched with digital flavors/aromas, more sophisticated haptic stimulations, and immersive interfaces. Future experiences are going to involve multiple sensory modalities, opening interesting possibilities for multi-sensory and cross-sensory interactions. (Sony Ericsson, 2020)These observations are particularly interesting for the field of Synesthetic Design, («synaesthesia» from the Greek syn," together", and aisthēsis, "sensation", literarily “perceiving together”), the study of sensory perception is used to design sensory stimuli with the specific purpose of “contaminating” other different sensory modalities (senses) changing the nature of stimuli. All the sensations can be coordinated based on the systematic connections between different modalities”. (Haverkamp, 2014). How this revolution is going to affect the world of healthcare?The Internet of Senses revolution will open important horizons for designers, responsible for the sensory characterization of everyday experiences. In this paper, we are going to introduce what are the opportunities of implementing Internet of Senses technologies for healthcare. To do so, we are going to present and discuss a Case-Study (a between-subjects experience involving 42 participants) in which a synesthetic design approach has been used to reduce the sensation of pain in people (using cold-induced pain CPT). The study has been realized creating an immersive experience based on cross-sensory interactions in a sensory-controlled environment. Particular attention will be given to the methodological aspects of the study.

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Adachi, Takuto, Keiichi Watanuki, Kazunori Kaede und Yusuke Osawa. „Factor of Discomfort During Jumping Extended in Virtual Space“. In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004671.

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In conventional games, enhancing a character’s physical abilities leads to increased entertainment and exhilaration. However, in virtual reality (VR) games, the movements of the in-game characters and players are synchronized, enhancing the sense of physical presence and immersion. Therefore, it is believed that the entertainment value of VR games can be enhanced by extending the characters’ physical abilities. This study focuses on the impact of enhancing a character’s jumping ability in a VR game, which is a fundamental human movement. Our findings indicate that significantly increasing the jump height diminishes the sense of motor subjectivity. This is attributed to the incongruence between visual input and the anticipated sensation based on previous experience. We then investigated the senses that exhibited the largest discrepancies. We found that the discrepancies were particularly large in terms of speed and height, with a higher sense of levitation correlating to increased entertainment value. Future work will aim to propose a trajectory that can minimize the discrepancy in sensations of speed and height and enhance the sensation of floating.

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Sharma, Akanksha, Saritha Shamsunder, Geetika Khanna, Neeti Khunger und Vijay Zutshi. „Chronic vulval problems: A gynaecologist’s perspective“. In 16th Annual International Conference RGCON. Thieme Medical and Scientific Publishers Private Ltd., 2016. http://dx.doi.org/10.1055/s-0039-1685355.

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Introduction: Chronic vulval symptoms are common complaints in women seeking health care and can significantly interfere with a woman’s sexual function and sense of well being. Many practitioners feel diagnostically challenged, particularly by chronic or recurrent forms of vulval disease. The aim of this study was to assess the role of various diagnostic modalities in evaluation of chronic vulval symptoms. Methods: Between August 2012 and February 2014, 100 women presenting with chronic vulval symptoms (i.e. ≥ 3 months duration) were evaluated. All of them had a thorough clinical history taken including use of vulval washes and creams, a general and gynaecological examination. Patients having chronic vaginal discharge in addition had urethral, vaginal and cervical smear and culture. All women had a careful examination of the vulva with and without magnification. Vulval scrape cytology was taken after moistening the vulva with normal saline and stained by Pap stain. Colposcopy of the vulva was then carried out after applying 5% acetic acid and 1% toluidine blue dye. Vulval biopsy was taken from suspicious areas on colposcopy and further management was based on histopathology report. Results: The mean age of women in our study was 43.57 years (range 22-80 years.), 70% women were pre-menopausal and 30% were post-menopausal. The mean duration of symptoms was 1.625 years (range 6 months - 15 years) and atypical vulval hygiene practices (excessive washing with soaps) was used in 77% of women. The commonest presenting complaint was pruritus in 92% of women; visible lesions on vulva were seen in 20%, pain in 6% and burning sensation in vulva in 5% of women. The histopathology was abnormal in 77 patients; the most common histopathological finding was non-neoplastic epithelial disorders in 64 women {Squamous cell hyperplasia (n=52), Lichen Sclerosus et atrophicus (n=6), other dermatoses including lichen Planus (n=6)}. Vulvar Intra-epithelial Neoplasia (VIN) was seen in 6 patients, 5 were squamous type VIN and 1 was non-squamous type (Paget’s disease). Squamous cell carcinoma was seen in 3 patients; malignant melanoma, benign appendiceal tumor, angiofibroma and neurofibroma in 1 patient. Examination without magnification had sensitivity of 25.97% and with magnification was 29.87% and specificity was 100% for both of them. Cytology had sensitivity and specificity of 75.32% and 86.95% respectively and sensitivity and specificity of colposcopy was 77.92% and 17.39% respectively. Conclusion: Clinical examination with and without magnification had low sensitivity but were highly specific in diagnosing vulvar lesions. A normal vulval smear and colposcopy have a high negative predictive value and are very reassuring. Colposcopy and biopsy is the gold standard for diagnosis, however clinical examination with naked eyes and magnifying glass are invaluable and can diagnose most of the neoplastic lesions.

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KEULEMANS, Guy. „Italian Radicals and Dutch conceptuals: the sensation of affect in two movements“. In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-108.

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Бургундер, П. „The « Lost » Ashik’s tomb. The history of its exploration and archive discoveries“. In Древности Боспора. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-339-8.34-64.

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The painted tomb brought to light by Ashik at Kerch is considered to be lost nowadays. However, its discovery in 1842 had proved to be a true sensation when the splendor of the frescoes in excellent state of preservation became evident to the archaeologist and his draftsman. Within three days they had been copying the frescoes which had afterwards been used as an illustrative material for the publication dedicated to this painted tomb. Several copies of the publication, intended for important persons, included hand-colored drawings of paintings. Patient search allowed us to discover two colored versions of this publication stored today in well-known Russian museums. Our findings, presented for the first time, propose to look anew at this unique funeral monument.

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Shirakawa, Kazuma, und Daigo Misaki. „Multimodal haptics perception of underwater flow for scuba diving safety training“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002639.

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Water accidents require intuitive decisions and training for such decisions because of the short time between involvement and death. The goal is to use engineering techniques to train and prevent accidents that require split-second decisions or are caused by human actions or scenarios that are difficult to anticipate.In recent years, the number of fatalities in traffic accidents and disasters has decreased significantly due to the development of technology and new technologies. However, water-related accidents, especially those caused by currents, involve human factors, and the ratio of fatalities to the number of accidents is still high. It is difficult to cover and solve such human-caused accidents with engineering technology alone. Therefore, it is necessary to solve the fundamental problem. The most important solution is to train people. By training people, the fundamental awareness of human factors can be trained, which will reduce accidents. The most effective way to learn these factors is through hands-on education and training. Among these, VR can be performed regardless of the location. It is expected to be much more effective than those obtained from videos or books.Many studies on VR training and Evangelos Markopoulo et al. have conducted a study on maintenance and safety education of ship engine systems using VR. In another study, Victor Saint-Martin et al. studied fire VR training for hospital personnel who have difficulty participating in regular on-the-job training. While there are studies on VR training that focus mainly on visual training, few studies on VR training focus on water accidents and aim to reduce accidents by tactilely displaying the strength of underwater currents. In addition, many underwater VR studies have been conducted for entertainment purposes, and few studies evaluate the perception of danger. In this study, we propose a VR system and a multimodal interface to post the flow of water hazards caused by the flow. Here, we validated the experience of flow using multiple senses, including VR and tactile sensation, to confirm the validity of the risk assessment. We found that the degree of risk perceived by a person can be combined in an additive manner with the risk postings given to each sensory organ, resulting in a higher risk rating. We also found that force postings produced higher danger ratings than tactile postings. These results indicate that using multiple senses to assess the danger of water currents increases the danger rating, and combining it with force instead of tactile sensation further increases the danger rating. In the future, we plan to discuss the effectiveness of this training in developing intuitive judgment. Furthermore, we would like to utilize this training for water accidents and other intuitive accidents to develop the ability to grasp the situation and make a judgment instantly.

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Stanton, Michael. „The American City“. In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.9.

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A city divides into forms and attitudes, into significances, in the most political of senses, into episodic impressions, grand narratives and great collective generalizations. Cities are the vehicles for vivid nostalgia and are often the victims of banal cliche, both in the making of their form and in the way they are perceived. They are collaborative works, and, like works of art, they are conceived passionately, formed imperfectly, understood and misread by a continually transforming and distracted collective. Cities embody myth and fact, blurring the border between the two. All this applies especially to the fraught history and troubled body of the American city.

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