Auswahl der wissenschaftlichen Literatur zum Thema „Sémiotique des images“
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Zeitschriftenartikel zum Thema "Sémiotique des images"
Kharbouch, Ahmed. „Meaning and Imaginary: An « In-Between ». About Semiotic Aspects of the Work of Gilbert Durand“. L’Entre-deux et l’Imaginaire, Nr. 37 (30.06.2016): 135–48. http://dx.doi.org/10.35562/iris.1462.
Der volle Inhalt der QuelleKharbouch, Ahmed. „Meaning and Imaginary: An « In-Between ». About Semiotic Aspects of the Work of Gilbert Durand“. L’Entre-deux et l’Imaginaire, Nr. 37 (30.06.2016): 135–48. http://dx.doi.org/10.35562/iris.1462.
Der volle Inhalt der QuelleHébert, Louis. „Essais de définition du sémiotique, de la sémiotique et de l’interdisciplinarité“. Semiotica 2020, Nr. 234 (25.10.2020): 123–43. http://dx.doi.org/10.1515/sem-2018-0140.
Der volle Inhalt der QuelleCatellani, Andrea. „Symbolisme et rhétorique“. Protée 36, Nr. 1 (15.09.2008): 39–51. http://dx.doi.org/10.7202/018804ar.
Der volle Inhalt der QuelleLeone, Massimo. „Sutures taxidermiques : sémiotique et ontologie“. Cygne noir, Nr. 2 (26.07.2022): 57–72. http://dx.doi.org/10.7202/1090757ar.
Der volle Inhalt der QuellePons, Christian-Marie. „L’illitérature en images“. Études littéraires 30, Nr. 1 (12.04.2005): 97–104. http://dx.doi.org/10.7202/501191ar.
Der volle Inhalt der QuelleNastopka, Kęstutis. „La sémiotique poétique de Gytis Norvilas“. Semiotika 12 (22.12.2016): 55–69. http://dx.doi.org/10.15388/semiotika.2016.16735.
Der volle Inhalt der QuelleGirardi, Bertrand. „Les docu-fictions, nouvelle identité ou double pouvoir des images“. Figures de l'Art. Revue d'études esthétiques 11, Nr. 1 (2006): 151–62. http://dx.doi.org/10.3406/fdart.2006.1407.
Der volle Inhalt der QuelleBoudon, Pierre. „Tracés territoriaux d’un point de vue sémiotique“. Semiotica 2017, Nr. 219 (27.11.2017): 563–74. http://dx.doi.org/10.1515/sem-2017-0067.
Der volle Inhalt der QuelleSauvagnargues, Anne. „Le sujet cinématographique, de l’arc sensorimoteur à la voyance“. Cinémas 16, Nr. 2-3 (22.03.2007): 96–114. http://dx.doi.org/10.7202/014617ar.
Der volle Inhalt der QuelleDissertationen zum Thema "Sémiotique des images"
Périneau, Sylvie. „Les film-annonces : sémiotique d'un discours médiatique“. Limoges, 2007. http://www.theses.fr/2007LIMO2016.
Der volle Inhalt der QuelleCavassilas, Marina. „La sémiotique des langages visuels du packaging“. Limoges, 2005. http://www.theses.fr/2005LIMO2016.
Der volle Inhalt der QuelleBaisset-Chatelier, Pascale. „L'image Web à lécran : Les usages créatifs de la tribu d'hommes-images“. Université de Perpignan, 2004. http://www.theses.fr/2004PERP0503.
Der volle Inhalt der QuelleAll over our planet the globalized digital Economy manages the relations between the individuals: companies, executives, professionals, countries… the communications are interfaced by the images web on the screens. We profiled the behaviors of publics in professional training, trying to create Web sites. This study allowed us to shape social cognitive profiles and to point out types of behaviors. The theories we used to build our scientific approach, are the sociology of Max Weber, the theories of communication of Alex Mucchielli, the Semiotic of Charles Sanders Peirce and the Psychology of Jean Piaget. This work allowed us to build of a new transdisciplinary approach: the semiosociological approach to study the humans behavior’s
Escande-Gauquié, Pauline. „Pour une sémiologie du cinéma : aspects théoriques et méthodologiques : analyse de films français contemporains“. Paris 5, 2005. http://www.theses.fr/2005PA05H045.
Der volle Inhalt der QuelleThis dissertation develops a semiological method for film analysis from a multidisciplinary point of view : its first stage involves looking into the various existing approaches to film semiology as well as into the main areas of film theory and analysis involving or not semiology (sociology, aesthetics, and film history). The various approaches investigated are constructed as complementary. This involves a specific and relevant selection of operating concepts, followed by their integration into a semiological modeling of innovative film. The following stage confronts this model to the reality of a given film corpus. The starting point here is a generally shared and acknowledged opinion on French contemporary film (hereafter "the doxa"). A corpus of recent French films of various types is devised , using criteria developed by film professionals. (. . . )
Sicard, Monique. „L'image comme preuve : essai critique sur les relations entre la science et les images“. Paris 10, 1996. http://www.theses.fr/1996PA100167.
Der volle Inhalt der QuelleIn this group of publications, science pictures (photographs, movies pictures, radiographs, computers pictures, scannings. . . ) are examined through a lot of questions. How pictures can give us informations about the world while they are materialized subjectivities? How can they are an access to knowledge while they need a preliminary adherence to work? Why science use photographs on sight in the middle of the nineteenth century while it receives new cinematograph pictures with hesitations fifty five years after? These paradoxes hide a true strategy of proof. Pictures are fundamentally fluid; they bring no truth by themselves. They exist only when they are revealed by legitimacy and rationality systems. But this significance itself is never acquired definitively: passages from science to art, changes of pictures status are evidence of that. The results of these investigations which concern pictures of the ninetieth and the twentieth centuries bring to a new understanding of signification and functions of science pictures, uses of pictures as witnesses, nature of image in general. Asking the "new picturing technologies", these researches open the way to an archeology of novelty
Deroche, Benjamin. „Quelles images pour Brest ? : photographier la ville : usages pluriels du medium dans la construction de l'image urbaine“. Thesis, Brest, 2012. http://www.theses.fr/2012BRES0008.
Der volle Inhalt der QuelleWhat is a photographed city ? How can the medium depict the physical territory and its community of citizens ? Is there a more reliable model, more “genuine” than the others ? If the problematic of urban photography in this study had to be summarized, the most concrete sentence would be : how can the city be expressed with the photography autonomy ? In order to offer an answer to this question, we use in this study a large tool case for urban image analysis: historical or modern, biased or objectively documentary, photographs become analytical supports, articulated consequences of reflexive propositions using the image semiology as precondition for the construction of the iconic substrate. Thus, the photographical approach of the city of Brest is based on the analysis of the visual sign. Establishing the analytical bases from a photographic corpus, which results from the area destroyed during World War Two, the reflections then focus on the rebuilt modern area and the photographical issues represented by such a territory in terms of image. Through the use of various corpuses such as art, advertising and communication, or even utilizing an author’s production built to answer the problematic, the thesis proposes a set of tools and analysis models for a better understanding of an urban site’s identity through photography
Marimpouy, Patrice. „Sémiologie de l'image filmique ou numérique et grammaire énonciative“. Paris 4, 2003. http://www.theses.fr/2003PA040227.
Der volle Inhalt der QuelleThe present thesis originates in research based on training periods attended by teachers of English. It is based on the argument that the analysis of the intimate relationships between pictures and the utterances that go with them reveals the unconscious grammatical representation underlying them. Whether we deal with sequences drawn from narrative films in which the concatenation of images and words enables us to get access to the secret operations that take place before the emergence of grammatical operators or with the scriptovisual arrangement of Internet websites, our close scrutiny of film language sheds light on the way English works. This research on mental operations conducted in the spirit of metaoperational grammar also aims at adding a fresh contribution to the development of the reflection on learning strategies which has been at the core of the 'didactics' of English over the last few years. Its goal is to show our colleagues how they can train their pupils to exert their powers of observation and deduction on the audiovisual and digital aids that are now part and parcel of their everyday lives. In addition, it allows them to think up the new ways of teaching English induced by the remote control of a DVD, the mouse of a computer or the Internet
Gagnon, Louis. „Charlie Inupuk, étude sémiotique d'un cas en art inuit“. Master's thesis, Université Laval, 1990. http://hdl.handle.net/20.500.11794/33509.
Der volle Inhalt der Quelle106412\u Résumé en anglais
106413\u Résumé en espagnol
Montréal Trigonix inc. 2018
Vallée, Lisette. „La sémiotique peircienne : pour une relecture de l'œuvre de Pellan“. Master's thesis, Université Laval, 1989. http://hdl.handle.net/20.500.11794/33482.
Der volle Inhalt der QuelleMontréal Trigonix inc. 2018
Magloire, Marie-Christine. „Approche intersémiotique des inscriptions murales taguées“. Besançon, 2001. http://www.theses.fr/2001BESA1015.
Der volle Inhalt der QuelleBücher zum Thema "Sémiotique des images"
Hébert, Louis. Dispositifs pour l'analyse des textes et des images: Introduction à la sémiotique appliquée. Paris: Pulim, 2007.
Den vollen Inhalt der Quelle findenPorcher, Louis. Introduction à une sémiotique des images: Sur quelques exemples d'images publicitaires. Paris: Les Éditions Didier, 1987.
Den vollen Inhalt der Quelle finden1953-, Carani Marie, und CELAT (Organization), Hrsg. De l'histoire de l'art à la sémiotique visuelle. Sillery, Québec: Septentrion en collab. avec le CÉLAT, 1992.
Den vollen Inhalt der Quelle findenPavis, Patrice. Voix et images de la scene: Vers une sémiologie de la réception. Lille: Presses Universitaires de Lille, 1985.
Den vollen Inhalt der Quelle findenSaouter, Catherine. Le langage visuel. Montréal: XYZ éditeur, 1998.
Den vollen Inhalt der Quelle findenSaouter, Catherine. Le langage visuel: Essai. Montral: XYZ éditeur, 2000.
Den vollen Inhalt der Quelle findenBéguin, Annette. Images en texte, images du texte: Dispositifs graphiques et communication écrite. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2006.
Den vollen Inhalt der Quelle findenCossette, Claude. Les images démaquillées: Approche scientifique de la communication par l'image. Québec: Ed. Riguil Internationales, 1989.
Den vollen Inhalt der Quelle findenGervereau, Laurent. Voir, comprendre, analyser les images. Paris: Découverte, 1994.
Den vollen Inhalt der Quelle findenGervereau, Laurent. Voir, comprendre, analyser les images. Paris: La Découverte, 1997.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Sémiotique des images"
Hudrisier, H. „Sémiotique et ergonomie d’un système documentaire-image interactif“. In Foundations of Semiotics, 407. Amsterdam: John Benjamins Publishing Company, 1989. http://dx.doi.org/10.1075/fos.18.37hud.
Der volle Inhalt der QuelleCatellani, Andrea. „Pour une sémiotique de l’‘image dirigée’ dans la littérature jésuite : syncrétisme, narrativité, énonciation dans le Chemin de la vie éternelle d’Antoine Sucquet S.J.“ In Imago Figurata. Studies, 109–25. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.ifstu-eb.4.2017008.
Der volle Inhalt der QuelleHONBA HONBA, Cédric. „Sémiotique et archive d’images“. In Corpus audiovisuels, 125–46. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.5705.
Der volle Inhalt der QuelleTasca, Norma. „Interactions sémiotiques entre la France et le Brésil“. In Images réciproques du Brésil et de la France, 195–201. Éditions de l’IHEAL, 1991. http://dx.doi.org/10.4000/books.iheal.4910.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Sémiotique des images"
Sonesson, Göran. „Rhetoric from the standpoint of the Lifeworld“. In Le Groupe μ : quarante ans de rhétorique – trente-trois ans de sémiotique visuelle. Limoges: Université de Limoges, 2010. http://dx.doi.org/10.25965/as.3106.
Der volle Inhalt der QuelleAbraham, Marine. „Jeunesse et plage : approche sociolinguistique des publicités contemporaines“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3171.
Der volle Inhalt der QuelleLe Guern, Odile. „Image de … Entre individu et catégorie, de la logique à la rhétorique“. In Le Groupe μ : quarante ans de rhétorique – trente-trois ans de sémiotique visuelle. Limoges: Université de Limoges, 2010. http://dx.doi.org/10.25965/as.3087.
Der volle Inhalt der QuelleAndersson, Fred. „Groupe µ and “the system of plastic form” -for an evaluation-“. In Le Groupe μ : quarante ans de rhétorique – trente-trois ans de sémiotique visuelle. Limoges: Université de Limoges, 2010. http://dx.doi.org/10.25965/as.3097.
Der volle Inhalt der QuelleBeyaert-Geslin, Anne. „Faire un point“. In Arts du faire : production et expertise. Limoges: Université de Limoges, 2009. http://dx.doi.org/10.25965/as.3232.
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