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Thematische Bibliographien / Self-portrait

Inhaltsverzeichnis

Zeitschriftenartikel
Dissertationen
Bücher
Buchteile
Konferenzberichte
Berichte der Organisationen

Auswahl der wissenschaftlichen Literatur zum Thema „Self-portrait“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 7. September 2024

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Zeitschriftenartikel zum Thema "Self-portrait"

1

C. K. Williams. „Self-Portrait with Rembrandt Self-Portrait“. Princeton University Library Chronicle 63, Nr. 1-2 (2002): 384. http://dx.doi.org/10.25290/prinunivlibrchro.63.1-2.0384.

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Miller, Kerry. „Self-Portrait“. Iowa Journal of Literary Studies 7, Nr. 1 (1986): 136. http://dx.doi.org/10.17077/0743-2747.1204.

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Ellis, Patrick. „Self Portrait“. Iowa Journal of Literary Studies 9, Nr. 1 (1988): 32. http://dx.doi.org/10.17077/0743-2747.1261.

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Reynolds, Jolene. „Self-Portrait“. Iowa Journal of Literary Studies 10, Nr. 1 (1989): 81. http://dx.doi.org/10.17077/0743-2747.1303.

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Montero, Anna, und Lawrence Venuti. „Self-Portrait“. World Literature Today 83, Nr. 5 (2009): 50. http://dx.doi.org/10.1353/wlt.2009.0013.

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Köhler, Barbara, und Rosmarie Waldrop. „Self Portrait“. Chicago Review 48, Nr. 2/3 (2002): 169. http://dx.doi.org/10.2307/25304913.

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Waters, John. „Self-Portrait“. Grand Street, Nr. 55 (1996): 107. http://dx.doi.org/10.2307/25007967.

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Khoo, Eddin Bu-Eng. „Self-Portrait“. Iowa Review 33, Nr. 2 (Oktober 2003): 116. http://dx.doi.org/10.17077/0021-065x.5646.

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Dominguez, Mel “Melo”. „Self-Portrait“. Equity & Excellence in Education 52, Nr. 4 (02.10.2019): 527. http://dx.doi.org/10.1080/10665684.2020.1713252.

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Kaiman, Charles. „Self-Portrait“. American Journal of Nursing 100, Nr. 2 (Februar 2000): 45. http://dx.doi.org/10.1097/00000446-200002000-00045.

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Dissertationen zum Thema "Self-portrait"

1

Letts, Michael. „Self-portrait“. The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1300475353.

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Jugend, Nurit K. „Self-portrait /“. May be available electronically:, 2004. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Foley, Sean Patrick. „A self portrait“. The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314739094.

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Painter-de, Jonge Mardoe. „A self portrait“. The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1328122393.

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Leiserson, Emily M. „Self-portrait and autobiography“. Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397642.

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This creative project is a series of self portraits, records of self and the stamp of culture that is placed on the physical body. In the series of prints and handmade books described in these pages, self-portrait provides a vehicle for examining creativity and humanity, self-image as a reflection on women, and autobiography as a means of cultural storytelling.
Department of Art

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Baldissera, Julien. „MIRAGE: A SELF PORTRAIT“. Thesis, Sydney College of the Arts, 2019. http://hdl.handle.net/2123/20170.

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Haun, Gregory Cosmo. „The timely self-portrait machine“. Thesis, Massachusetts Institute of Technology, 1992. http://hdl.handle.net/1721.1/66744.

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Thesis (M.S.V.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1992.
Includes bibliographical references (leaves 50-57).
This thesis explores the philosophy which underlies the Timely Self-Portrait Machine. The cultural history of the machine, the phenomenon of Television, and the personal history of this project are discussed. Technical information and a functional explanation of The Timely Self-Portrait Machine are provided. A central theme is echoed throughout; essentially, a request is made that the machine be treated by artists and designers as an agent of expression in itself, regardless of superfluous decoration.
by Gregory Cosmo Haun.
M.S.V.S.

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Palumbo, Fiorella <1994&gt. „Francesca Woodman: Unfinished self- portrait“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19556.

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In questo elaborato viene letto e interpretato il lavoro della fotografa americana Francesca Woodman. La sua vita, strettamente legata all’amore per la fotografia, è segnata da una morte prematura e volontaria che non diventa qui l’unica chiave di lettura della sua opera. Al contrario sono i confronti con le opere d’arte che studiò e che amò sin dalla giovane età a diventare un valido supporto per l’interpretazione delle sue fotografie, tanto evocative quanto enigmatiche. Le sue stesse parole, estratte da alcune lettere personali, facilitano la comprensione circa la sua devozione per l’arte tutta. Parte del corpus delle sue opere fotografiche, pittoriche, cianografiche e di videoriproduzione vengono in questa sede analizzate operando numerosi confronti tra queste e i lavori di altri artisti. Ciò che ne scaturisce è un elaborato monografico su un’artista affascinante ed emotiva che vive ancora oggi grazie ai suoi autoritratti celati e, per questo, incompleti. È questo, dunque, il senso di “Unfinished self-portrait”: una ricerca basata su una giovane donna che si servì dell’arte per rispecchiarsi in essa e per comprendere maggiormente il suo Io. Il percorso deduttivo basato sull’arte in quanto strumento di comprensione - dalla fotografa finalizzato all’analisi personale e introspettiva - viene usato qui per definire la genesi dei suoi lavori. Si può quindi affermare che questo elaborato segue i medesimi criteri adoperati da Woodman sia per la realizzazione di bozzetti preparatori che per la messa in atto delle sue opere, se così si possono definire, “compiute”.

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Lobos, Victor Andres. „A Self Portrait: "The Embassy of Chile"“. Thesis, Virginia Tech, 2004. http://hdl.handle.net/10919/31118.

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Washington D.C. is a city of multicultural richness difficult to surpass. The huge diversity of languages, cultures, and people found in the city are the bases of its identity. Countless diplomatic missions, international organizations and agencies are a dramatic proof that Washington D.C. is currently the center of the world, the Rome of modern times. To this extent, each country that holds a diplomatic mission strives to make its representation, its presence to the host country, as good as possible. With this in mind, architecture is provided with a great opportunity to showcase the spirit of each country through the buildings that represent them, their embassies. The desire that sparked the idea of making a thesis about the Embassy of Chile may be traced to the experience of being a foreigner, a Chilean, living in Washington D.C. In the same manner that a person may represent its country, an embassy building gives the opportunity to express and show a lot of what that country is about; it has the potential of becoming a symbol for it. Although this may seem a very straightforward theme, itâ s actually very broad, and may be regarded in a number of ways. How do we represent Chile? What do we show? What donâ t we want to show? How do we express it? And even how can we define Chile. These were questions that had to be addressed before even thinking about designing the embassy. In order to this, the concept that had to be adopted had to be capable of handling this selective process. Itâ s a process in which the person doing the representation also takes part in it. In other words, itâ s a process by which you are presenting yourself. Through research done at this stage of the thesis, the best way to describe the procedure was by making a Self Portrait. By adopting this concept we were given the possibility to create our own image of what Chile was, and to reveal and conceal whatever we thought was appropriate.
Master of Architecture

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Shininger, Soni. „Portraiture : the self as art“. Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864932.

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The purpose of this project was to find out what it is about the self that deserves to be depicted in a work of art; what other artists have done in selfportraiture that may help me in my efforts; and what my own contribution to the history of self-portraiture could be. Self-portraiture is significant in its ability to serve as a personal platform to define the artist's life and relationships with society as well as other individuals. Many times selfportraiture becomes a visual self-search to recognize our own characteristics and traits that make us complete individuals. I investigated the history of self-portraiture as well as the life and work of six artists. I concentrated on the symbolism and psychological undercurrents present in many selfportraits. With my research in mind, four images were created based on preliminary sketches of myself and another close friend. The final images are watercolor, oilbar and sgraffito on paper. Two images are grid pieces and the other two are single companion pieces. The finished pieces were framed andexhibited at the Ball State University Museum of Art. The final images fulfilled all the goals at which I had aimed. They are visually exciting, successfully composed and well constructed. During their execution I was able to elevate the quality of my work, bringing it to a greater maturity level. This group of portraits also worked as a tool to put my life and relationships into a new perspective.
Department of Art

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Bücher zum Thema "Self-portrait"

1

Man Ray, Juliet, d. 1991., Hrsg. Self portrait. Boston, Mass: Little, Brown, 1998.

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author, Manson Hugo, Hrsg. Self-portrait. Auckland: Auckland University Press, 2013.

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Spilsbury, Louise. Self-portrait. Mankato, Minn: Cherrytree Books, 2008.

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Friedlander, Lee. Self portrait. 3. Aufl. New York: Museum of Modern Art, 2005.

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5

Corinne, Tee. Self-portrait. Wolf Creek, Or: Pearlchild, 1991.

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Beija, Rāmakiṅkara. Self-portrait. Kolkata: Monfakira, 2006.

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Friedlander, Lee. Self portrait. 2. Aufl. New City, NY: D.A.P./Fraenkel Gallery, 1998.

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Copyright Paperback Collection (Library of Congress), Hrsg. Self-portrait. New York: Scholastic Inc., 2003.

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Spilsbury, Louise. Self-portrait. London: Evans, 2007.

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Louisiana (Museum : Humlebæk, Denmark), Hrsg. Self-portrait. Humlebæk: Louisiana Museum of Modern Art, 2012.

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Buchteile zum Thema "Self-portrait"

1

Bruyn, J., B. Haak, S. H. Levie, P. J. J. Van Thiel und E. Van De Wetering. „Self portrait“. In A Corpus of Rembrandt Paintings, 375–81. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-0811-6_40.

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Raiser, Konrad. „Self-Portrait“. In Carl Friedrich von Weizsäcker, 6–25. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-03704-2_2.

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Sotelo, Analicia. „Self-Portrait“. In Global Mexican Cultural Productions, 201. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230370395_13.

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4

Rowse, A. L. „Shakespeare’s Self-Portrait“. In Shakespeare’s Self-Portrait, 1–15. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17836-0_1.

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Kotarbiński, Tadeusz. „Philosophical Self-Portrait“. In Kotarbiński: Logic, Semantics and Ontology, 1–6. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-2097-2_1.

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6

Braddock, Jomills Henry. „Intellectual Self-Portrait“. In Leaders in the Sociology of Education, 29–36. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-717-7_3.

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7

Roof, Lisa, und Mary B. McVee. „The Self-Portrait“. In The Experiences of Refugee Youth from Burma in an American High School, 93–108. New York, NY : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003096467-7.

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Raymond, Claire. „Self-Portrait Performance“. In The Selfie, Temporality, and Contemporary Photography, 152–71. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429319044-8.

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Rowse, A. L. „The Young Patron: Southampton“. In Shakespeare’s Self-Portrait, 70–78. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17836-0_10.

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Rowse, A. L. „The Dark Lady: Emilia Lanier“. In Shakespeare’s Self-Portrait, 79–86. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17836-0_11.

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Konferenzberichte zum Thema "Self-portrait"

1

Sampaio, Catarina, Luísa Ribas und Pedro Ângelo. „Data Self-Portrait“. In ARTECH 2019: 9th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3359852.3359963.

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Guhde, Jeffrey. „Solar self portrait“. In ACM SIGGRAPH 2004 Art gallery. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/1185884.1185924.

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Kang, Eddie. „Digital self-portrait“. In ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.281477.

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Legler, Charlcie. „Digital self-portrait“. In ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.281424.

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McCartney, Erin. „Digital self-portrait“. In ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.284833.

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Mah, Eunji. „Digital self-portrait“. In ACM SIGGRAPH 98 Conference abstracts and applications. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/280953.281546.

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Mao, Liping. „The Hidden Self in Self-portrait“. In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.025.

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Jiang, Hanying, Xianfei Liang und Guoying Chen. „Research on Self-portrait Artistic Creation“. In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.3.

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Yang, Shuai, Jiaying Liu, Sifeng Xia und Zongming Guo. „1+N fusion: Cascaded self-portrait enhancement“. In 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2017. http://dx.doi.org/10.1109/icassp.2017.7952377.

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Xia, Sifeng, Shuai Yang, Jiaying Liu und Zongming Guo. „Novel self-portrait enhancement via multi-photo fusing“. In 2016 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA). IEEE, 2016. http://dx.doi.org/10.1109/apsipa.2016.7820740.

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Berichte der Organisationen zum Thema "Self-portrait"

1

Timmons, Jeffrey. Theory and Poetry: John Ashbery's "Self-portrait in a Convex Mirror". Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.6774.

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Chornodon, Myroslava. FEAUTURES OF GENDER IN MODERN MASS MEDIA. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11064.

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The article clarifies of gender identity stereotypes in modern media. The main gender stereotypes covered in modern mass media are analyzed and refuted. The model of gender relations in the media is reflected mainly in the stereotypical images of men and woman. The features of the use of gender concepts in modern periodicals for women and men were determined. The most frequently used derivatives of these macroconcepts were identified and analyzed in detail. It has been found that publications for women and men are full of various gender concepts that are used in different contexts. Ingeneral, theanalysisofthe concept-maximums and concept-minimum gender and their characteristics is carried out in the context of gender stereotypes that have been forme dand function in the society, system atizing the a ctual presentations. The study of the gender concept is relevant because it reveals new trends and features of modern gender images. Taking into account the special features of gender-labeled periodicals in general and the practical absence of comprehensive scientific studies of the gender concept in particular, there is a need to supplement Ukrainian science with this topic. Gender psychology, which is served by methods of various sciences, primarily sociological, pedagogical, linguistic, psychological, socio-psychological. Let us pay attention to linguistic and psycholinguistic methods in gender studies. Linguistic methods complement intelligence research tasks, associated with speech, word and text. Psycholinguistic methods used in gender psychology (semantic differential, semantic integral, semantic analysis of words and texts), aimed at studying speech messages, specific mechanisms of origin and perception, functions of speech activity in society, studying the relationship between speech messages and gender properties participants in the communication, to analyze the linguistic development in connection with the general development of the individual. Nowhere in gender practice there is the whole arsenal of psychological methods that allow you to explore psychological peculiarities of a person like observation, experiments, questionnaires, interviews, testing, modeling, etc. The methods of psychological self-diagnostics include: the gender aspect of the own socio-psychological portrait, a gender biography as a variant of the biographical method, aimed at the reconstruction of individual social experience. In the process of writing a gender autobiography, a person can understand the characteristics of his gender identity, as well as ways and means of their formation. Socio-psychological methods of studying gender include the study of socially constructed women’s and men’s roles, relationships and identities, sexual characteristics, psychological characteristics, etc. The use of gender indicators and gender approaches as a means of socio-psychological and sociological analysis broadens the subject boundaries of these disciplines and makes them the subject of study within these disciplines. And also, in the article a combination of concrete-historical, structural-typological, system-functional methods is implemented. Descriptive and comparative methods, method of typology, modeling are used. Also used is a method of content analysis for the study of gender content of modern gender-stamped journals. It was he who allowed quantitatively to identify and explore the features of the gender concept in the pages of periodicals for women and men. A combination of historical, structural-typological, system-functional methods is also implemented in the article. Descriptive and comparative methods, method of typology, modeling are used. A method of content analysis for the study of gender content of modern gender-labeled journals is also used. It allowed to identify and explore the features of the gender concept quantitatively in the periodicals for women and men. The conceptual perception and interpretation of the gender concept «woman», which is highlighted in the modern gender-labeled press in Ukraine, requires the elaboration of the polyfunctionality of gender interpretations, the comprehension of the metaphorical perception of this image and its role and purpose in society. A gendered approach to researching the gender content of contemporary periodicals for women and men. Conceptual analysis of contemporary gender-stamped publications within the gender conceptual sphere allows to identify and correlate the meta-gender and gender concepts that appear in society.

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