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Thematische Bibliographien / Sarat Chandra

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Auswahl der wissenschaftlichen Literatur zum Thema „Sarat Chandra“

Autor: Grafiati

Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Sarat Chandra"

1

Mohanty, Manoranjan. „Sarat Chandra Patnaik (1935–2018)“. Journal of the Geological Society of India 93, Nr. 2 (Februar 2019): 252. http://dx.doi.org/10.1007/s12594-019-1135-7.

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2

Khan, Ayantik. „Narrative Techniques and Storytelling in Sarat Chandra Chattopadhyay's 'Parinita'“. International Journal of Science and Research (IJSR) 12, Nr. 12 (05.12.2023): 698–717. http://dx.doi.org/10.21275/sr231205234128.

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3

Nasrin, Farzana. „Exploring the Depiction of Women in Bengal in the Novels of Sarat Chandra Chatterjee: Patriarchy in Bengali Society“. Journal of Critical Studies in Language and Literature 4, Nr. 6 (10.11.2023): 14–19. http://dx.doi.org/10.46809/jcsll.v4i6.235.

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Sarat Chandra Chatterjee has portrayed female characters from southern Bengal who struggle in a conservative patriarchal society. His female characters are in the interposed stage of decomposing feudalism and initial industrialization. He delineates boldly the pain and torment of lower-middle class women. Sarat demonstrates many widows as “fallen women” in Srikant and Charitrahin which projects their space as a reinforcement of purity amidst a grovelling atmosphere of general dirt. The women must have purity, virtue and integrity otherwise they become victimized by the conservative patriarchal society. Most of his women characters share an extraneous relationship with society. Sarat demonstrates the complex conundrums of widows’ sufferings, child-marriage, disease, poverty, public bias and fallen women’s victimization which focused his perception of social realism. He also satirically represents the prevalent system of child-marriage and dowry which has infested the so-called modern society asserts to bring the estimation of women at par with that of men.

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4

Goswami, Manash Pratim. „Study of pc Barua'S Bengali celluloid version of Sarat Chandra Chattopadhyay'S Novel Devdas“. Mass Communicator: International Journal of Communication Studies 12, Nr. 1 (2018): 37. http://dx.doi.org/10.5958/0973-967x.2018.00007.8.

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5

Kling, Blair B., und Leonard A. Gordon. „Brothers against the Raj: A Biography of Indian Nationalists Sarat and Subhas Chandra Bose“. Journal of the American Oriental Society 113, Nr. 1 (Januar 1993): 155. http://dx.doi.org/10.2307/604239.

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6

Kopf, David, und Leonard A. Gordon. „Brothers against the Raj: A Biography of Indian Nationalists Sarat and Subhas Chandra Bose.“ American Historical Review 97, Nr. 1 (Februar 1992): 270. http://dx.doi.org/10.2307/2164695.

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7

Channa, Subhadra Mitra. „Sarat Chandra’s Women: An Anthropological Gendered Analysis of the Works of an Indian Writer of the Early Twentieth Century“. Journal of the Anthropological Survey of India 69, Nr. 1 (01.04.2020): 58–70. http://dx.doi.org/10.1177/2277436x20905926.

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The works of literary masters often encapsulate history and anthropology of their times. Of several doyens of colonial writers in Bengal, Sarat Chandra Chattopadhyaya is well known for mirroring the position of women and also drawing some strong sketches of women reflecting social issues as well as inequality and injustice meted out to them at that period of Bengal’s history. His empathetic concern for women and his keen insight into their minds has often been commented on and appreciated. This paper is concerned with his inter-subjective relationship with the questions of class and caste and how, he as a male member of upper caste and from a genteel background dealt with his innate caste and class concerns in constructing his women characters representing various strata of society.

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8

Hasan, Md, Mohsina Ahsan und Naziba Saiyara. „Society Versus the Desires of Women in Madame Bovary and Grihadaha: The Scandalous Woman Conundrum“. International Journal of Language and Literary Studies 4, Nr. 1 (27.03.2022): 239–48. http://dx.doi.org/10.36892/ijlls.v4i1.830.

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This research paper attempts a comparative study between Sarat Chandra Chattopadhaya’s novel Grihadaha and Gustave Flaubert’s Madame Bovary. The exploration involves a comparative analysis of the dreams and desires of the female protagonists in relation to the social and cultural norms of the times in which the novels are set with an intention to evaluate how the respective societies treat these women. Initially, both texts were closely read and analyzed separately for better understanding. Then the texts were read comparatively to identify the similarities and the differences. The study led to the discovery that be it the conservative Bengali society or the comparatively lenient French society, the pursuit, and fulfillment of the dreams and desires of women are always restricted in favor of patriarchy. Men enjoy privileges that are not offered to women and societies are often inherently hypocritical and unjustifiable.

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9

Quayum, Mohammad A. „Inspired by the Bengal Renaissance:“. Crossings: A Journal of English Studies 11 (01.09.2020): 8–22. http://dx.doi.org/10.59817/cjes.v11i.42.

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Rokeya Sakhawat Hossain (1880-1932) is often considered as one of the most significant figures in the education and emancipation of Bengali (Muslim) women, especially during the early decades of the twentieth century. A contemporary of Rabindranath Tagore (1861-1941), Sarat Chandra Chattapadhyay (1876-1938) and Kazi Nazrul Islam (1899-1976), she was not only a brilliant writer but also one who passionately fought for the rights and dignity of women, as well as for women’s social, economic, and intellectual empowerment. Here I would like to argue that Rokeya’s efforts in educating and emancipating Indian women in general, and Bengali Muslim women in particular, were part of a larger social reform program or movement which began in Bengal in the early decades of the nineteenth century and lasted through the first half of the twentieth century, eventually resulting in a change in the course of Bengal’s history, as well as in the fate and circumstances of Bengali (Muslim) women. In other words, I contend that Rokeya was influenced and inspired by this movement in taking up the gauntlet against the deeply entrenched patriarchy that shaped the mind and habits of her society.

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10

Robin, Patricia. „Mitologi Host Cerdas 5 Menit Metro TV“. Communicare : Journal of Communication Studies 6, Nr. 2 (13.06.2020): 116. http://dx.doi.org/10.37535/101006220192.

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Televisi sebagai salah satu media masa, dihandalkan perusahaan (penjual barang ataupun penawar jasa) untuk mengomunikasikan produknya dengan cara yang begitu “lembut” dan “elegan”. Hal ini tidak lain lantaran dalam menjalankan fungsi informasi, edukasi, dan hiburannya, televisi sarat kepentingan dan ideologi yang berlomba mempengaruhi audiens. Talkshowberkekuatan “menyihir” pemirsa lantaran bersanding dengan setting(visual) santai dan paparan percakapan (audio) yang membuat perbincangan mudah dicerna. Makna, mitologi dan ideologi yang terselubung dalam setiap tanda verbal dan nonverbal hostCerdas 5 Menit Metro TV layak dikaji secara mendalam. Penelitian ini menggunakan teori terkait kajian kritis semiotika, talkshow, serta kajian elemen verbal dan nonverbal. Adapun paradigma kritis berjalan beriringan dengan teori semiotika Roland Barthes berfungsi sebagai pisau analisis yang mengkaji pesan linguistik, pesan ikonik terkodekan dan pesan ikonik tidak terkodekan. Hasil penelitian yang didapatkan adalah pergeseran makna atas tanda verbal dan nonverbal Chandra Dewi selaku host, baik dari segi ekspresi, gerakan kepala dan tangan, hingga pelafalan dan atribut yang digunakan berikut elemen pendukung keberadaannya sebagai hostCerdas 5 Menit. Hal ini dirangkum dalam 4mitologi kunci, antara lain transformasi makna,gaya hidup, keberpihakan, serta kepentingan materialistis. Keempat mitologi ini mengantarkan pada ideologi kapitalismeyang dimiliki oleh hostCerdas 5 Menit Metro TV. Talk shows have the power to "bewitch" the audience because they are coupled with a relaxed (visual) setting and conversation exposure (audio) that makes the conversation easy to digest. The meaning, mythology, and ideology that are shrouded in every verbal and nonverbal sign of Host at the “Cerdas 5 Menit Metro TV” deserve to be studied in depth. This study uses theories related to semiotic critical studies, talk shows, and the study of verbal and nonverbal elements. The critical paradigm goes hand in hand with the theory of semiotics Roland Barthes functions as a knife of analysis that examines linguistic messages, coded iconic messages and uncoded iconic messages. The results obtained are a shift in the meaning of verbal and nonverbal signs Chandra Dewi as the host, both in terms of expression, head and handmovements, to pronunciation and attributes used along with supporting elements of its existence as a Host at the “Cerdas 5 Menit Metro TV”. This is summarized in 4 key mythologies, including the transformation of meaning, lifestyle, partisanship, and materialistic interests. These four mythologies usher in the ideology of capitalism that is owned by Host at the “Cerdas 5 Menit Metro TV”.

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Dissertationen zum Thema "Sarat Chandra"

1

Roy, Chowdhury Arpita. „Saratchandrer upanyaser bhashashilpo শরৎচন্দ্রের উপন্যাসের ভাষাশিল্প“. Thesis, University of North Bengal, 2012. http://hdl.handle.net/123456789/1671.

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2

Dantu, Sarath Chandra [Verfasser], Kai [Akademischer Betreuer] Tittmann, Burkhard [Akademischer Betreuer] Morgenstern und Gerrit [Akademischer Betreuer] Groenhof. „Conformational Sampling of Enzyme dynamics: Triosephosphate Isomerase / Sarath Chandra Dantu. Gutachter: Kai Tittmann ; Burkhard Morgenstern ; Gerrit Groenhof. Betreuer: Kai Tittmann“. Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2012. http://d-nb.info/1044767413/34.

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Bücher zum Thema "Sarat Chandra"

1

Debo, Sarat Chandra. Sarat Chandra Debo. Bhubaneswar: Working Artists' Association of Orissa, 1987.

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2

Debo, Sarat Chandra. Sarat Chandra Debo. New Delhi: Lalit Kala Akademi, 1992.

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3

Sarat Chandra, rebel and humanist. New Delhi: National Book Trust, India, 1985.

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4

Bureau, Netaji Research, Hrsg. Sarat Chandra Bose: Remembering my father. Calcutta: Netaji Research Bureau, 2014.

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5

Caṭṭopādhyāya, Śaratcandra. Selected novels of Sarat Chandra Chatterjee. [Philadelphia]: Xlibris Corporation, 2006.

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6

Prabhakar, Vishnu. Awara messiah: A biography of Sarat Chandra Chatterjee. Delhi: B.R. Pub. Corp., 1989.

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7

Añjana, Berā, und Netaji Institute for Asian Studies., Hrsg. Interpreting a nation: Selections from Sarat Chandra Bose's the Nation. Kolkata: Netaji Institute for Asian Studies, 2001.

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8

Bose, Sisir Kumar. Sarat Chandra Bose, 1889-1989: A centenary offering : remembering my father. Calcutta: Netaji Research Bureau, 1988.

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9

Bose, Sisir Kumar. Sarat Chandra Bose, 1889-1989: A centenary offering : remembering my father. Calcutta: Netaji Research Bureau, 1988.

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10

Gordon, Leonard A. Brothers against the Raj: A biography of Sarat and Subhas Bose. Harmondsworth: Viking, 1990.

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Buchteile zum Thema "Sarat Chandra"

1

Hetherington, Naomi, und Richa Dwor. „Sarat Chandra Das, Autobiography: Narratives of the Incidents of my Early Life“. In Nineteenth-Century Religion, Literature and Society, 235–37. Routledge, 2020. http://dx.doi.org/10.4324/9781351272162-51.

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Konferenzberichte zum Thema "Sarat Chandra"

1

Tjahjono, Eka Budi, Fahmi Umasangadji und Oktavia Fatmawati. „Analisis Sistem Prosedur Penggunaan Peralatan Keselamatan Kerja Untuk Menghindari Kecelakaan Kerja Di Atas Kapal MT. Surya“. In Peran Penelitian Di Era 4.0 Dalam Menciptakan Sumber Daya Manusia Yang Link And Match Di Industri Maritim. Sekolah Tinggi Ilmu Pelayaran Jakarta, 2021. http://dx.doi.org/10.36101/pcsa.v3i1.167.

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Dalam pengoperasian kapal ditemukan banyak pekerjaan berat yang beresiko terhadap keselamatan awak kapal. Dalam skripsi ini penulis mengamati aspek keselamatan kerja awak kapal di atas kapal MT. Surya Chandra. Selama penulis melaksanakan praktek laut di atas kapal MT. Surya Chandra, penulis seringkali menemukan pelanggaran pelanggaran yang dilakukan oleh beberapa awak kapal yang tidak mematuhi perturan tentang prosedur diatas kapal. Beberapa kali pun sering terjadi kecelakaan kecelakaan yang diakibatkan kelalaian dan ketidaktaatan awak kapal dalam menjalankan prosedur keselamatan kerja Dengan dasar seperti itu penulis akan memaparkan pengalaman dan ilmu yang diperoleh selama di kapal pada saat praktek laut dan dalam skripsi ini secara penulis melaksanakan penelitian dengan sifat penelitian yaitu secara metodologi penelitian kualitatif , yakni penulis lebih menggunakan teknik analisis, mengkaji masalah secara khusus dengan cara menuliskan kendala-kendala dalam penerapan penggunaan alat keselamatan kerja guna menghindari kecelakaan di atas kapal pada saat melaksanakan praktek laut di atas kapal MT. SURYA CHANDRAPeraturan-peraturan ini secara global bertujuan untuk mencegah dan atau mengurangi kecelakaan dan akibatnya serta menjamin keselamatan kerja bagi kru di atas kapal. Manfaat dari penelitian ini untuk mendapatkan model yang paling tepat dalam menerapkan sistem prosedur keselamatan kerja diatas MT. Surya Chandra.

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