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Zeitschriftenartikel zum Thema "Saint Helena – History – 19th century"
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Gotovtseva, Anastasia. „Napoleon on Saint Helena: Symbols of European Poetry of the 19th century“. Novaia i noveishaia istoriia, Nr. 3 (2021): 83. http://dx.doi.org/10.31857/s013038640014693-0.
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Mironov, Boris. „Saint Petersburg at the Forefront of Demographic Transition in Russia“. Vestnik of Saint Petersburg University. History 67, Nr. 3 (2022): 709–32. http://dx.doi.org/10.21638/spbu02.2022.303.
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In post-reform Russia, a demographic transition began — a replacement of the traditional type of population reproduction with the modern one. A significant part of the population had rationalized demographic behavior; demographic indicators had improved; the efficiency of population reproduction had increased; intra-family relations had been humanized; and individual birth control had been developed — mainly in cities. The demographic transition began earlier than is commonly thought — among the townspeople of the Saint Petersburg province, where obvious signs of birth control and a decrease in mortality and marriage were already revealed in the first half of the 19th century. The province was in the lead because it was the most urbanized and one of the most cosmopolitan, and Saint Petersburg was the most cosmopolitan city in Russia, which had intensive economic and cultural ties with the West, where demographic transition had already begun at the end of the 18th century in France. In the second half of the 19th century, it spread among the entire urban population, and at the turn of the 19th–20th centuries — among the entire rural population of Russia, but to varying degrees in individual provinces. Demographic indicators had improved because of the progress of medicine and sanitation, the expansion of free medical care, an increase in the cultural level of the population, a change in demographic mentality, and the beginning of birth control, as well as due to an increase in the standard of living of the general population.
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Miller, Randy F., und Diane N. Buhay. „19th to early 20th century geology lectures in Saint John, New Brunswick, Canada“. Atlantic Geology 51, Nr. 1 (28.10.2015): 311. http://dx.doi.org/10.4138/atlgeol.2015.014.
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Saint John, New Brunswick, has a long history of popularization of geology dating back to lectures presented in the 1820s. The first lecture series that included geology and presented to a public audience in 1824 was followed by almost a century of public engagement and presentation of geology topics to a relatively small city of 20 000 to 30 000 people. Lectures were often very general about the science of geology, specific as to the nature of minerals and mining in New Brunswick, and leading edge concerning the first discoveries of significant fossils in the Province. Even though it was a relatively small community, Saint John had an abundance of knowledgeable people, and institutions for presentation and discussion at the Saint John Mechanics’ Institute and the Natural History Society of New Brunswick.
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Granstrem, Maria, und Milena Zolotareva. „Architectural and urban planning evolution of the industrial area near Moskovskaya Zastava in Saint Petersburg“. E3S Web of Conferences 274 (2021): 01031. http://dx.doi.org/10.1051/e3sconf/202127401031.
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This paper discusses the urban planning history of an area in Saint Petersburg around the former Moskovskaya Zastava, a historical gateway that travelers passed through when approaching Saint Petersburg from Moscow. Specifically, we are interested in the architecture of the carriage building plant. By the end of the 19th century, this part of the city had turned into an industrial area, which saw dense development from 1897 to 1917. For the next one hundred years, this vast space did not see any transformations, constituting a complete, self-sufficient environment. The carriage building plant, originally constructed at the very end of the 19th century, remained standing near Moskovskaya Zastava until the early 21st century. In 2013, the industrial area ceased its existence, and the former carriage building plant was given for residential development.
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Koreniuk, Yuri. „Kyiv’s Saint Sophia Cathedral: An Outline of the Research History“. ARTISTIC CULTURE. TOPICAL ISSUES, Nr. 19(2) (29.11.2023): 17–28. http://dx.doi.org/10.31500/1992-5514.19(2).2023.294619.
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The paper focuses on the history of the research of Sophia of Kyiv from its first measurements made at the beginning of the 19th century to the present day. Listed are the research problems that emerged at each stage of research, whether slved, unresolved, or polemic. The reconstruction models of Sofia, proposed at different time periods, reflect the ideas of the the original appearance of the temple are reviewed and compared. The results of the research of the Saint Sophia, which changed the traditional conceptions about the order of execution of its mosaics and fresco decorations are analyzed, as well as the publications on the excavations that revealed the previously unknown parts of the catherdral
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Rostovtsev, Evgeny A., und Dmitry A. Sosnitsky. „The First Commemorative Practices of Saint Petersburg University“. Vestnik of Saint Petersburg University. History 69, Nr. 2 (2024): 251–66. http://dx.doi.org/10.21638/spbu02.2024.201.
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The article is devoted to an under-researched episode in the history of St. Petersburg University — commemorations of the first half of the 19th century. The article, on the basis of the archival sources, reconstructs the context of the preparation and subsequent conduct of solemn university ceremonies of 1838 and 1844. To create a comprehensive picture, the authors refer to the data from the periodical press and personal records in addition to archival sources and regulatory documentation. The authors come to the conclusion that the period of 1830–1840s was of fundamental importance for the commemorative practices of the university and determined the procedure for holding annual solemn ceremonies for many years. The article also shows that during the first university commemorative practices, two main approaches to understanding the corporate history of the university were formulated. The first one concerned the inclusion of institutions of the 18th century in the context of university history, including the “academic” institution. However, it was the second approach that was established, which considered the history of the university as an institution created by the will of Emperor Alexander I and S. S. Uvarov in 1819. The reasons for the success of this discourse can be attributed to both the circumstances of the university history of the reign of Nicholas, and to a perceptionof the university corporate history as self-sufficient and independent in the Russian science and society, more convenient and acceptable for the nineteen-century students.
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Kabanova, Irina V. „Christian truth and political power in Evelyn Waugh’s Helena“. Izvestiya of Saratov University. Philology. Journalism 24, Nr. 2 (22.05.2024): 197–203. http://dx.doi.org/10.18500/1817-7115-2024-24-2-197-203.
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The novel Helena (1950) is analyzed as Evelyn Waugh’s profound statement on his most significant problems: the possibility to resolve the crises of the 20th-century consciousness through Christianity and on the nature of power. Cradle Anglo-Catholics were always suspicious of Waugh, seeing him as an errant Catholic; the paper uses the work of Waugh’s biographers and interpreters to pinpoint his personal reception of Catholicism as the most sophisticated, strictly logical system, firmly grounded in historical fact. Waugh’s story of St. Helena is simultaneously a biography of half-legendary Saint, known for her discovery of the Cross of Golgotha, who thus proved the truthfulness of the founding Christian narrative, and an ironic modern historical novel on the decline of the Roman Empire. Many parallels between the period of Helena’s husband and son (Constantius Chlor and Constantine the Great, respectively) and the catastrophic history of the 20th century are suggested through the devices of anachronism, grotesque, figurative style. The author depicts the persistence of paganism, the use of religious cults as political instrument by cynical persons in their pursuit of individual power. High dose of irony prevents the novel from going in the direction of hagiography; nevertheless the author’s concept of his title character brings to life the most positive and optimistic text in Waugh’s whole oeuvre. By the end of her long life, by converting to Christianity, Helena finds her vocation, her providential mission, completes it, and gains in the fact satisfaction and peace.
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Koronevskii, Viktor Iliich. „The idea of a «Belarusian Saint» in the 19th – early 20th centuries: Alternatives and contradictions“. Studia Slavica et Balcanica Petropolitana 2(32) (2022): 130–44. http://dx.doi.org/10.21638/spbu19.2022.209.
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The article is devoted to the problem of the origin and formation of the idea of the patron saint of the Belarusian territories and the Belarusian people in the period up to 1914. First of all, the history of the «Belarusian» component of the cult of St. Euphrosyne of Polotsk is analyzed. For the first time in the Belarusian context, she appears as early as 1663 in the poems of Simeon of Polotsk, however, in the future, the corresponding idea of the «patron saint of Belarus» was actualized only in the 1830s and then in the early 1870s. Until the 1890s it is mentioned only situationally: in periods that are especially important for local Orthodoxy, individual representatives of the Orthodox clergy of Polotsk and Vitebsk position the saint as the patroness of not only the Polotsk, but also the Belarusian region. However, at the turn of the XIX–XX centuries the idea of the «Belarusian Euphrosyne» is becoming more popular, and not only the Belarusian region, but also the Belarusian people are increasingly being called the object of the patronage of St. Euphrosyne. The idea reached its peak in 1910, when it was loudly declared that Euphrosyne of Polotsk was the patroness of the Belarusian branch of the «triune Russian people». In addition, the existence of the idea of a «Belarusian saint» among the leaders of the Belarusian national movement at the beginning of the 20th century is considered. It is established that as such they positioned the traditionally revered in the region Polish Catholic saints, and, first of all, St. Andrew Bobola, while the image of St. Euphrosyne did not play a prominent role in their narrative. The common and special features in the processes of origin and development of two «projects» of Belarusian saints, their correlation with each other are singled out.
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Tóth, János Attila. „Dragons on the island : Archaeological data to the foundation of Ráckeve and the Saint Abraham Monastery“. Hungarian Archaeology 12, Nr. 1 (2023): 23–36. http://dx.doi.org/10.36338/ha.2023.1.2.
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The foundation of the Medieval settlement of Szentábrahámtelke (meaning Saint Abraham’s grounds), the Saint Abraham Monastery, and the town of Ráckeve on Csepel Island have been in the focus of research since the 19th century; their entangled history provided research and the scholarly discussion with topics since long. Revisiting earlier research, it is striking to realise how existing hypotheses neglect archaeological finds and field observations. For this reason, after briefly outlining historic data and related theories, the present article focuses on new field observations and recovered artefacts, and concludes with a preliminary summary of the archaeological fieldwork conducted in the past five years.
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Borisova, Tatyana. „Hymnographic Texts Devoted to Saint John the Russian from 19th — Early 20th Centuries and the Evolution of the Saint’s Cult“. ISTORIYA 12, Nr. 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015705-4.
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The present article deals with the evolution of the hymnographic discourse devoted to St. John the Russian in the Greek and Russian traditions, and to the Turkish-language sources of the certain traditions. The research was carried out on the basis of the material of three editions of the Greek Service to St. John the Russian from the middle and the end of 19th century and Russian manuscripts from the archive of the Russian St. Panteleimon Monastery on Mount Athos from the 19th — early 20th centuries. Special consideration was given to the changes in the image of the saint caused by the text transfer to another language and the reception of the cult in the target culture. The evolution of the cult of the Saint which follows the expansion of the geographical and ethnic borders of his veneration, and the role of the St. Panteleimon monastery on Athos in this process are also discussed.
Dissertationen zum Thema "Saint Helena – History – 19th century"
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Brick, Michael 1984. „The proffered pen: Saint-Simonianism and the public sphere in 19th century France“. Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11270.
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viii, 157 p.The French "utopian socialist" movement known as Saint-Simonianism has long been recognized for its influence among 19th century engineers. An examination of the early Saint-Simonian journal, Le Producteur , however, reveals the articulation of an appeal to contemporary men of letters. A survey of the life and career of Hippolyte Carnot, a prominent Saint-Simonian man of letters, confirms and illustrates the nature of this appeal as it developed alongside Saint-Simonian ideology. Central to this appeal was the Saint-Simonians' attributing to the "artist" the role of moral educator. In their conceptualization of this function, the Saint-Simonians essentially presented a model of what Jürgen Habermas has termed the "public sphere" in strong contrast to that of classical liberalism. In the final analysis, however, the Saint-Simonians can be read as arguing not for the totalitarian domination of public life (as some have suggested) but rather the necessity of what Antonio Gramsci described as "hegemony."
Committee in charge: Dr. George Sheridan, Chair; Dr. David Luebke, Member; Dr. Daniel Pope, Member
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James, Kevin 1973. „The Saint Patrick's Society of Montreal : ethno-religious realignment in a nineteenth-century national society“. Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27944.
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This study explores the effects of ethno-religious tensions on the dynamics of fraternalism in nineteenth-century Montreal. With the Irish "national society" as its focus, it relates the internal politics of the Saint Patrick's Society of Montreal to broader narratives of the cultural, intellectual and institutional evolution of civil society in Lower Canada. Beginning with an overview of sources and a discussion of early Irish migration, it proceeds to explore the effects of emerging social and political patterns and ethno-religious identities on a middle-class fraternal project from the early nineteenth-century to the dissolution of the Saint Patrick's Society in 1856.
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Daughtry, Ann Dring. „Convent refuges for disgraced girls and women in nineteenth-century France /“. Title page, contents and summary only, 1991. http://web4.library.adelaide.edu.au/theses/09PH/09phd238.pdf.
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Zhiltsova, Maria. „Le transfert des ballets de Paris à Saint-Pétersbourg au milieu du XIXe siècle, entre copie et création : le cas de Jules Perrot (1810-1892), chorégraphe français dans l'Empire russe“. Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H054.
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Cette thèse cherche à comprendre le phénomène de la circulation des spectacles chorégraphiques de Paris à Saint-Pétersbourg au milieu du XIXe siècle et relève de l’histoire des relations culturelles internationales. La recherche se focalise sur les ballets créés à l’Opéra de Paris et remontés au Grand théâtre de Saint-Pétersbourg par Jules Perrot (1810-1892), danseur et chorégraphe français qui travaille en Russie de 1848 à 1861, et vise à montrer dans quelle mesure les ballets parisiens donnés à Saint-Pétersbourg correspondent à leurs versions originales. Le problème du transfert des spectacles est abordé sous des angles différents, inscrit dans son double contexte exportation-réception et dans la longue tradition des échanges culturels franco-russes. Nous éclairons d’abord le mécanisme des échanges dans le ballet entre la France et la Russie, qui comprend les circulations humaines, les importations en danse et le transport des objets. Ensuite les spectacles sont étudiés dans le processus de leur réalisation des points de vue chorégraphique, musical et scénographique. Nous examinons la réception des ballets dans les deux pays. Les ballets présentés à Saint-Pétersbourg dans des conditions artistiques, intellectuelles et techniques similaires de celles de leur création à Paris s’avèrent proches de leurs versions originales mais revisités pour le meilleur par Perrot : en tant que maître de ballet qui possède une forte personnalité artistique, un grand talent et beaucoup d’expérience, Perrot influence et coordonne différentes parties des spectacles. La tradition du transfert des ballets de la France en Russie au milieu du XIXe siècle permet de conserver les œuvres mais également de les enrichir grâce à la contribution de meilleurs artistes russes et européens, notamment français, présents constamment en Russie dans la cadre d’échanges culturels développés entre les deux paysThis thesis intends to understand the phenomenon of the circulation of choreographic performances from Paris to St. Petersburg in the middle of the 19th century and is part of the history of international cultural relations. The research focuses on ballets created at the Paris Opera and returned to the Grand Theater of St. Petersburg by Jules Perrot (1810-1892), a French dancer and choreographer who worked in Russia from 1848 to 1861, and aims to explain in what measure the Parisian ballets performed in St. Petersburg correspond to their original versions. The problem of transferring shows is approached from different angles, in its dual export-reception context and a long tradition of Franco-Russian cultural exchanges. First, we shed light on the mechanism of ballet exchanges between France and Russia, which includes human movements, dance imports and the transportation of objects. Then the shows are studied in the process of their realization from the choreographic, musical and scenographic points of view. Finally, we examine the ballet reception in both countries. The ballets performed in St. Petersburg under artistic, intellectual and technical conditions similar to those of their creation in Paris are close to their original versions but revisited for the better by Perrot: as a ballet master with a strong artistic personality, a great talent and a lot of experience, Perrot influences and coordinates different parts of the shows. The tradition of transferring ballets from France to Russia in the mid-nineteenth century makes it possible to preserve the works but also to enrich them thanks to the contribution of better Russian and European artists, particularly French, constantly present in Russia in the context of cultural exchanges developed between the two countries
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Hahn, Bridget K. „Conflict and consensus in Catholic women's education : a history of Saint Mary's College, 1844-1900“. 2012. http://liblink.bsu.edu/uhtbin/catkey/1670050.
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Taylor, Holly Zumwalt. „Neither North nor South: sectionalism, St. Louis politics, and the coming of the Civil War, 1846-1861“. Thesis, 2004. http://hdl.handle.net/2152/2220.
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JORDAN, Alexander. „'Noble just industrialism' : Saint-Simonism in the political thought of Thomas Carlyle“. Doctoral thesis, 2015. http://hdl.handle.net/1814/35438.
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Defence date: 27 March 2015Examining Board: Professor Martin Van Gelderen, EUI / University of Göttingen (supervisor); Professor Ann Thomson, EUI (second reader); Professor Gregory Claeys, Royal Holloway, University of London; Professor Brian Young, Christ Church, University of Oxford.
This thesis deals with the contribution of the Saint-Simonians, a group of early French socialists, to the political thought of Thomas Carlyle, one of the most eminent Victorian intellectuals. First, an introduction surveys the existing secondary literature, and discusses the theory and method employed in the thesis. The subsequent chapter briefly recounts the story of Carlyle's encounter with the Saint-Simonians during the early 1830s. Each of the following five chapters deals with the 'transfer' of a particular Saint-Simonian concept, that is, the use that Carlyle made of the concept in a specifically British context. These five concepts are, broadly: (1) 'Industrialism'; (2) History; (3) Democracy and Laissez-Faire; (4) the 'Organisation of Labour'; (5) Empire. Finally, an epilogue addresses the contribution of Carlyle's thought to the early Labour movement, 1880-1935.
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Daughtry, Ann Dring. „Convent refuges for disgraced girls and women in nineteenth-century France / Ann Dring Daughtry“. Thesis, 1991. http://hdl.handle.net/2440/19593.
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Hwang, Hyunyoung. „A musical discussion and analysis of romance sans paroles by three French composers : Charles-Francois Gounod, Camille Saint-Saens and Gabriel Faure“. 2013. http://liblink.bsu.edu/uhtbin/catkey/1738934.
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Contained in this study is a musical discussion and analysis of seven Romance Sans Paroles (song without words), written by three French composers, Charles-François Gounod, Camille Saint-Saëns, and Gabriel Fauré.
The Romance Sans Parole genre seems to be quite unknown in the piano field; as a result, there are few secondary sources available. By immersing myself in these scores, I sought to discover their musical value and compositional nuance and excellence. I thoroughly investigated each composer’s unique treatment of melody, harmony, rhythm, texture, and form.
Chapter One includes an Introduction, brief biographical information on each composer, the Need for the Study, the Purpose of the Study, a Review of Literature, and a Methodology. Chapters Two, Three, and Four consist of a musical analysis and discussion of the seven Romance Sans Paroles. Chapter Five offers a Conclusion and Suggestions for Further Study.
I believe my dissertation will enhance the understanding and appreciation of this art form.School of Music
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Cadorette, Mickaël. „Liberté, égalité, fraternité, la place des réfugiés de Saint-Domingue et de la France à La Nouvelle-Orléans vue par les correspondances d’Henri de Ste Gême (1767-1842)“. Thèse, 2016. http://hdl.handle.net/1866/18728.
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Au cours de sa vie de 1767 à 1842, Henri de Ste Gême un émigré de la Révolution française immigrera à Saint-Domingue où il combattra pour les armées britanniques et républicaines tour à tour. Immigrant à Cuba et à La Nouvelle-Orléans par la suite, il participera à la bataille de La Nouvelle-Orléans où il recevra les éloges du général Jackson. Ste Gême retournera en France en 1818 où il laisse le soin de ses affaires louisianaises à ses amis, dont Jean Boze qui écrira de véritables chroniques sur tout ce qui se passe à La Nouvelle-Orléans. Les correspondances de Boze témoignent de l’évolution de La Nouvelle-Orléans au cours des années 1830 à une période où les francophones passent d’une population majoritaire à minoritaire. Cette américanisation et cette diversification de la population sont décrites par Boze, un réfugié de Saint-Domingue, qui porte une attention particulière à cette catégorie de la population ainsi qu’aux liens qu’ils entretiennent avec les autres francophones. De plus, les correspondances de Boze sont révélatrices de l’importance qu’occupe la France dans la Louisiane américaine au cours de la décennie 1830 spécialement, où La Nouvelle-Orléans représente une enclave du monde atlantique français et où les habitants francophones développent une identité hybride.During his lifetime from 1767 to 1842, Henri de Ste-Gême, an émigré of the French Revolution migrated to the French colony of Saint-Domingue where he fought for both the British and the Republican armies. Afterwards he migrated to Cuba and to New Orleans where he fought under the command of General Andrew Jackson during the Battle of New Orleans and was praised for his service. Henri de Ste-Gême returned to France in 1818 and imparted the Louisiana business to his friends. Notably, it was Jean Boze who would later write chronicles about what was going on in New Orleans. This correspondence serves as a witness to the evolution of New Orleans during the 1830s at a moment where the Francophones went from being a majority to a minority. Further, this Americanization and diversification of the population is described by Boze, a Saint-Domingue refugee, who devotes special attention to this part of the population and to their relationship with other francophones during that time period. Furthermore, Boze’s correspondence reveals France’s importance in American Louisiana particularly in the 1830s, when New Orleans formed an enclave in the French Atlantic world and when the French-speaking population developed a hybrid identity.
Bücher zum Thema "Saint Helena – History – 19th century"
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Fox, Colin. The Bennett Letters: A 19th century family in St Helena, England and the Cape. Gloucester: The Choir Press, 2006.
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K, Chesterton G. Saint Thomas Aquinas. New York: Image Books/Doubleday, 2001.
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Hazareesingh, Sudhir. The Saint-Napoleon: Celebrations of sovereignty in nineteenth-century France. Cambridge, MA: Harvard University Press, 2003.
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1951-, Beckerman Michael Brim, Bauer Glen und International Conference and Festival "Janáček and Czech Music" (1988 : Saint Louis, Mo.), Hrsg. Janáček and Czech music: Proceedings of the international conference (Saint Louis, 1988). Stuyvesant, NY: Pendragon Press, 1995.
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Camille Saint-Saëns on music and musicians. New York: Oxford University Press, 2008.
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K, Chesterton G. St. Thomas Aquinas. Mineola, N.Y: Dover Publications, 2009.
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K, Chesterton G. St. Thomas Aquinas. San Francisco, CA: Ignatius Press, 2002.
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K, Chesterton G. Tommaso d'Aquino. Napoli: Guida, 1992.
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1953-, Winch Julie, Hrsg. The colored aristocracy of St. Louis. Columbia: University of Missouri Press, 1999.
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Wilde, Oscar. Oscar Wilde: A life in letters. London: Fourth Estate, 2003.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Saint Helena – History – 19th century"
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Krutova, Marina S. „Information on the study of ancient Slavic monuments of writing in the mid-19th century in the correspondence of Spiridon Palauzov and Aleksey Viktorov“. In Literary process in Russia of the 18 th — 19 th centuries. Secular and spiritual literature, 465–79. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/lit.pr.2020-2-465-479.
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Letters of 1869–1872 of the famous figure of the Bulgarian Renaissance Spiridon Nikolayevich Palauzov to the outstanding researcher and collector of manuscript books Aleksey Yegorovich Viktorov, stored in the Russian State Library’s manuscripts department, are published in full for the first time. The value of these epistolary documents for Russian and Slavic literature of the 19th century lies in the fact that they contain little-known information on the history of research, attribution and publication of handwritten monuments such as “The Life and Praise of Saint Philothei of Athens”, “The Commendation of Saint Euthymius of Tarnovo” by Gregory Tsamblak, the Service of Holy Venerable Theodosius of Tarnovo, and the writings of Saint Clement of Ohrid and Tsar Simeon I the Great, the Great Menaion Reader was compiled in the 1530s–1540s under the supervision of Metropolitan Macarius of Moscow, etc. An introductory article gives a brief description of the letters. The text of the epistolary documents is provided with historical, literary and real commentary.
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Birnbaum, Gary. „A Brief History of Multiple Sclerosis“. In Multiple Sclerosis, 3–5. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195373165.003.0002.
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Abstract It is not possible to define the historical onset of a disease characterized not only by a particular clinical course but also by particular changes in the central nervous system (CNS; brain and spinal cord), since the technology necessary to look at changes in the CNS was not available until the late 19th century. However, by interpreting biographies and diaries of persons with symptoms suggestive of MS, it is possible that MS occurred as early as the 14th century. In a biography of St. Lidwina of Schiedam, symptoms suggestive of a fluctuating, multifocal neurologic illness are described that started in the year 1396 after ice skating. Her subsequent course of increased walking difficulties, with episodes that may have been remissions, suggests that she may have had MS, though this is far from certain. St. Lidwina was canonized in 1890 and is now the patron saint of skaters. A more robust description of symptoms strongly suggestive of MS is found in the diary of Sir Augustus Frederick d’Este (1794–1848), a grandson of England’s King George III. In it he describes exacerbating remitting symptoms suggestive of optic neuritis with double vision, leg weakness, and bowel and bladder difficulties, followed over the years by gradually progressive weakness and spasms that left him bed-bound by the end of his life.
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Kudlasevich, Ioann. „Archimandrite Leonid (Kavelin) and St. Panteleimon Monastery: on the history of the relations between Russia and Mount Athos in the second half of the 19th century“. In Russia — Turkey — Greece: Dialogue opportunities in the Balkans, 81–103. Nestor-Istoriia, 2021. http://dx.doi.org/10.31168/4469-2030-3.06.
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This chapter examines the relations between Russia and Mount Athos in the second half of the 19th century. The author examines certain aspects of the Church and diplomatic activities of Archimandrite Leonid (Kavelin) during his service in the Embassy church in Constantinople (1865–1869). Drawing on previously unused materials published by researchers of Saint Panteleimon Monastery on Mount Athos and archive material from the personal fund of Archimandrite Leonid (Kavelin) (Department of Manuscripts of the RSL, Coll. 148) that have also not yet entered scientific circulation, the author traces the interaction between the chief priest of the Embassy church with N. P. Ignat’ev, who was the head of the Russian diplomatic mission in the East, on the protection of the interests of Russian monasticism on Mount Athos.
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Maslauskaitė-Mažylienė, Sigita. „The Bell Tower of the Vilnius Cathedral – History and the Present“. In 500 lat dzwonu Zygmunta, 63–74. Ksiegarnia Akademicka Publishing, 2023. http://dx.doi.org/10.12797/9788381388627.05.
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The belfry is an element of key importance in the complex of the Vilnius Archcathedral Basilica and the Higher and Lower Castles, as well as one of the main vertical landmarks of the Old Town of Vilnius, which has become a symbol of the city. As a heritage object, the building is acclaimed for its volume, décor elements and authentic constructions. The 13th century tower originally was part of the defensive wall. Its ground floor has survived almost in its entirety. It is one of the oldest and best-preserved brickwork structures in Lithuania. In Lithuania, the appearance of large bells is related to the name of Grand Duke of Lithuania Algirdas. The master K.S. Skobeltas cast the first large bell for this ruler in the second half of the 14th century. In the Grand Duchy of Lithuania, bells and cannons were most often cast in weapon foundries by the same masters. Sigismund Augustus established such a foundry in the territory of the Lower Castle in the 16th century. From the 16th century onwards, bells began to be cast in Varniai, Kaunas and Nesvizh as well. In 2002, six large bells were consecrated in the Vilnius Cathedral Square and installed in the belfry. It was a gift from the Archdiocese of Cologne to the Vilnius Cathedral and the city. As a token of gratitude to Archbishop of Cologne Joachim Meisner (1933-2017), the largest bell was given the name of Saint Joachim. In 2002, the bells were cast in one of the largest foundries of Germany, “Petit und Edelbrock” in Westphalia, which is in operation since the second half of the 18th century. The clock of the belfry of the Vilnius Cathedral is the oldest and most important clock in the capital of Lithuania. It was installed in this tower in 1672. It is presumed that the mechanism of the clock was produced in Germany, but the name of the master is unknown. The date 1803 incised on the forged frame bears witness to the last significant repair of the clock, supervised by the elder of the Vilnius clock makers’ guild Juozapas Bergmanas. When the clock tower of the Vilnius Town Hall collapsed in the late 19th century, this mechanism became the city’s main clock. The bell cast in 1673 by Jan Delamars, the bellfounder working in Vilnius, strikes the hours in the cathedral belfry. Its height is 58 cm, and its diameter is 107 cm. The bell is a work of art: it is encircled with a Latin inscription and an ornament, and decorated with the figures of the Blessed Virgin Mary and the patrons of the Vilnius Cathedral, Saint Casimir and Saint Stanislaus.
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Kelly, Kenneth G. „Sugar Plantations in the French West Indies“. In Archaeological Perspectives on the French in the New World. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054391.003.0009.
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The French West Indian colonial possessions of Martinique, Guadeloupe, and Saint Domingue were among the most valuable overseas European colonies due to the production of the tropical commodities of coffee, cocoa, and in particular, sugar. The crops were raised on plantations through the labor of hundreds of thousands of enslaved Africans and their descendants between the mid 17th century and the mid 19th century. In spite of the importance of this heritage to the history of the French colonial enterprise, and more importantly, the history of the descendant populations, commemoration of this chapter of history has only recently begun. This commemoration includes public monuments, official recognition, and archaeological research. Historical archaeology contributes a perspective that sheds light on otherwise undocumented or poorly-documented aspects of the slavery era, such as the organization of villages, the housing within them, and the ways in which enslaved people saw to their needs for food.
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Fichter, James R. „American and International Whaling, c. 1770–1820“. In Oceanic Archives, Indigenous Epistemologies, and Transpacific American Studies, 25–48. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455775.003.0002.
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This chapter outlines an international environmental history of whaling in the South Seas (the Southern Atlantic, Indian and Pacific Oceans). Pelagic (ie., deep-sea) whaling was not discretely national. “American” whaling, as traditionally understood, existed as part of a broader ecological and economic phenomenon which included whalers from other nations. Application of “American,” “British” and other national labels to an ocean process that by its nature crossed national boundaries has occluded a full understanding of whaling’s international nature, a fullness which begins with whaling community diaspora spread across the North Atlantic from the United States to Britain and France, and which extends to the varied locations where whalers hunted and the yet other locations to which they returned with their catch. Ocean archives—the Saint Helena Archive, the Cape Town Archive Repository, and the Brazilian Arquivo Nacional—and a reinterpretation of published primary sources and national whaling historiographies reveal the fundamentally international nature of “American” pelagic whaling, suggesting that an undue focus on US whaling data by whaling historians has likely underestimated the extent of turn-of-the-nineteenth-century pelagic whaling.
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Petrak, Marko. „Roman Law as Ius Commune in East Central Europe: the Example of the Lands of the Crown of Saint Stephen“. In Lectures on East Central European Legal History (Second, Enlarged Edition), 25–41. 2. Aufl. Central European Academic Publishing, 2023. http://dx.doi.org/10.54171/2023.ps.loecelh_2.
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The aim of the chapter is to analyze the significance and role of Roman law as ius commune in East Central Europe (Ostmitteleuropa) from the Middle Ages up until today. The notion of East Central Europe will be pragmatically exemplified for the purposes of this contribution within the context of the Lands of the Crown of Saint Stephen. This territory was and is ‘the very heart’ of East Central Europe, as it comprises, in their entirety or partly, the following present-day states: Hungary, Croatia, Slovakia, Austria, Poland, Romania, Serbia, Slovenia, and Ukraine. The centrality and importance of the Lands of the Crown of Saint Stephen within East Central Europe also guarantee that the experience of Roman law as ius commune in these territories is not unimportant and has a certain level of paradigmaticity. The most important source of traditional pre-1848 law in the Lands of the Crown of Saint Stephen was undoubtedly the Tripartitum (1514), which represents one of the milestones of East Central Europe’s legal tradition and culture. Despite the explicit declaration that Roman law and canon law are the very basis of the law of Archiregnum Hungaricum (omnia fere iura regni huius originaliter ex pontificiis caesareique iuris fontibus progressum habeant), this legal collection was, in reality, a compilation of customary law and a powerful legal practice forming work that hindered any major legal transfer. Regardless of the fact that European ius commune was not a direct source of law in the pre-1848 period, there were definitely some ‘channels’ through which Roman legal tradition exerted a considerable influence and impact in the Lands of the Crown of Saint Stephen (e.g., procedural law manuals like Kitonich’s Directio Methodica and the inclusion of Digesta 50,17 in Corpus Iuris Hungarici), creating the phenomenon called tacita receptio. Only since the second half of the 19th century onward has Hungarian judicial practice and doctrine – due to the withering away of feudal relations and consecutive failed attempts to pass a modern national civil code – gradually elevated Roman private law in the form of ius commune to the level of a subsidiary source of law. The last part of the contribution deals with the role and significance of Roman law as ius commune in the former Lands of the Crown of Saint Stephen in the last hundred years, emphasizing that a possible wider scope of the application of the ius commune rules in the national judicial practice, especially in the form of regulae iuris, would not just represent a nostalgic quest for the hidden treasure of the European legal tradition but rather a part of a long-term creative effort toward the non-legislative Europeanization of the contemporary legal orders on the firm foundations of the common legal culture.
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Garziano, Svetlana A. „The French Essay ‛La Vie et l’OEuvre d’Ivan Bunin’ (‛The Life and Work of Ivan Bunin’, 1969) by Georgy Adamovich“. In I.A. Bunin and his time: Context of Life — History of Work, 315–56. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-315-356.
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This work is dedicated to the essay “La vie et l’oeuvre d’Ivan Bunin” (“The life and work of Ivan Bunin”), written by Georgy Adamovich in French for a French reader and published in 1963 (republ. in 1967, 1969, 1970, 1971) in the “Collection of the Nobel Prizes in Literature Laureats”. This twenty-eight page text is rather little known, it is not mentioned either in L. Livak’s bibliographic book, or in “Classics without Retouching. The Literary World about the Work of Ivan Bunin” collection. The analysis of the text “La vie et l’oeuvre d’Ivan Bunin” is coupled with its translationreconstruction into Russian, based on the theoretical views Adamovich had on the practice of translation expressed in the essay “In Memory of Baudelaire”, in the preface to the translation of “The Stranger” novel by A. Camus and in the essay “About us and the French. A few comments on the translation of ‘Anabasis’, the poem by Saint-John Perse”. In the French essay, it is possible to find many references to key moments in the history of Russian literature (Russian classics of the 19th century, literature of the early 20th century, the fundamental figures of Fyodor Dostoevsky and Leo Tolstoy, Ivan Turgenev, Anton Chekhov, Maxim Gorky). It is worth noting that Pushkin’s heritage is not mentioned in the French text. The essay especially touches upon the image of Bunin as a poet and at the same time mentions Alexander Blok, a signature name for the poetry of the beginning of the 20th century. The French article will be compared with other texts of Adamovich about the work of Ivan Bunin: essays from the collection “Loneliness and Freedom” (“Bunin”, “More about Bunin”), “Bunin as a poet”, “Memories”.
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Borisova, Valentina V., und Sergey S. Shaulov. „The Adolescent. Realia and Historical-Literary Commentary“. In Dostoevsky’s Novel The Adolescent: Current State of Research, 608–50. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0677-2-608-650.
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The article presents a commentary on the realia and the historicalliterary aspects of the novel The Adolescent, mostly based on the proceedings over the Kumanin inheritance. There is distinct parallelism between the case and Dostoevsky’s novel, which allows us to assume that the writer could have intentionally used this true-to-life material in his oeuvre. However, unlike the Petrashevsky case, the proceedings over the Kumanin inheritance did not become a part of Dostoevsky’s biographic myths. The two legends through history kept modifying the writer’s image, personality, and destiny in the common perception of the society. Yet, the Kumanin case failed to outrun the rival. However, if the reflection of the case in the novel is missed out, the receptive aspect of The Adolescent risks remaining considerably limited. The Kumanin inheritance appeared ‘miserable’ and ‘haunted’ due to its original criminal background associated with the activity of a criminal community in 1870 called “The Jacks of Hearts Club”. Alexander Timofeevich Neofitov was a member of the Club and the first will executor of Aleksandra Fedorovna Kumanina. It is assumed that he also became a prototype of the leader of the ‘gang’ that included Lambert, Stebelkov, and other ‘cunning fraudsters’ depicted in the novel. Another “Jack of Heart” was the knjaz Vsevolod Alekseevich Dolgorukov. At first, he became a prototype for some characters of The Adolescent, eventually, however, having sunk to the bottom and then ‘resurrected’, he became the author’s epigon. He followed Dostoevsky and reproduced the image of a Russian adolescent from a ‘random family’ to which, together with Arkady Dolgoruky and Sergei Sokolsky, belongs the protagonist of Vsevolod Dolgorukov’s novel Literary Bohemia (1890), the young Count Nagorov. Vsevolod Dolgorukov’s memoirs have much in common with the ‘notes’ of The Adolescent. How Dostoevsky’s novel affected Dolgorukov is seen through his short story Mishka The Flea, which is typologically similar to Notes from the House of the Dead and the short story The Peasant Marey. On this basis, the article concludes that the life and oeuvre of Vsevolod Dolgorukov in a certain manner manifested the realization of Dostoevsky’s hope for a meeting between the ‘Russian adolescent’ and the idea of Orthodox Christianity. From the point of view of historicalliterary commentary the article considers literature sources for The Adolescent that have not been taken into account before: the novels The Jack of Hearts Club and The Dramas of Paris by Pierre Ponson du Terrail, both popular in the second half of 19th century. The characters of Madame de Saint-Alphonse, an intriguer with compromising papers, and captain Lambert, the embodiment of all human sins, became prototypes for Dostoevsky’s heroes with the same name. This allows us to conclude that The Adolescent was deliberately contaminated by the author with historic and biographic narration, up-to-date criminal chronicles, and literature tradition for fictional purposes.