Zeitschriftenartikel zum Thema „Sadness – Poetry“
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김정수. „The Aesthetics of Sadness in Sowol’s Poetry“. Korean Language and Literature ll, Nr. 163 (April 2013): 347–74. http://dx.doi.org/10.17291/kolali.2013..163.012.
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AL-OTEIBI, DEIFALLA. „Aspects of Sadness in the Poetry ofal-Shabi“. Journal of King Abdulaziz University-Arts and Humanities 5, Nr. 1 (1992): 153–200. http://dx.doi.org/10.4197/art.5-1.7.
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Khraban, Tatyana. „EMOTIONAL AND SEMANTIC DOMINANT IN THE POETRY OF THE PARTICIPANTS IN JOINT FORCES OPERATION“. Fìlologìčnì traktati 13, Nr. 1 (2021): 132–39. http://dx.doi.org/10.21272/ftrk.2021.13(1)-13.
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The aim of this article is to identify the emotional and semantic dominant in the poetry of the participants in the Joint Forces Operation. Materials & Methods. The study is carried out from the standpoint of a comprehensive psycholinguistic approach based on the integration of discourse analysis and psychoanalytic interpretation. To recognize the emotional and semantic dominant in the poetry of the participants in the Joint Forces Operation, the basic emotion theory is important. Decomposing complex emotions into simpler pieces of basic emotions makes it possible to determine the emotional and semantic dominant of a text. Materials to conduct this research are poetry of the participants in the Joint Forces Operation that is posted on Facebook social media accounts “Poems of ATO. Soldier”, “Songs created in the zone of Anti-Terrorist Operation”. Results & discussions. The poetry is characterized by paired combinations of the emotion of anger with emotions of fear, disgust, sadness, grief and joy. Anger also becomes the main element of complex emotions consisting of several components. The semantic dominant in the poetry from the perspective of the emotion of anger can be expressed as “I hate war”. Expression of intensity of combatants’ suffering is achieved in poetry by conveying sthenic emotion resulting in increased activity, which we denote as grief, and asthenic emotion which doesn’t encourage further action, which we denote as sadness. The semantic dominant in the poetry from the perspective of grief and sadness can be considered as a cry for help. Emotion of fear in the poetry can be associated with the emergence of “existential anxiety”, a core of which lies in a person’s perception of the threat of non-being (mortality). In the poetry the emotion of fear often adjoins the emotion of guilt. The semantic dominant in the poetry from the perspective of the emotions of fear and guilt is understanding of death and immortality in the philosophical and religious context. In contrast to negative emotions associated with the past or present, the emotion of joy refers to the future tense. The semantic dominant in the poetry from the perspective of the emotion of joy is the idea of peace. Conclusions. Basic emotions of anger, grief, sadness prevail in the poetry of the participants in the Joint Forces Operation. However, any emotion is not in its own right, it exists in manifold combinations with other basic emotions creating different conglomerates. The general semantic dominant in the poetry of the participants in the Joint Forces Operation is “No to war”.
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Latif, Abdul. „Analisis puisi “lau annana lam naftariq” karya farouk juwaidah“. Al-Fathin: Jurnal Bahasa dan Sastra Arab 2, Nr. 1 (31.07.2019): 121. http://dx.doi.org/10.32332/al-fathin.v2i2.1426.
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Literary was born to reveal the writer’s appreciation for the problems inside, and also as an expression of the writer’s heart situation. Talk about literary certainly have many types, one of them is poetry. Farouk Juwaidah which has been known as king of love nickname because being able to make poetry with beautiful words. One of the poetry is LAU ANNANA LAM NAFTARIQ collect in one of the anthology. The purpose of this reserch to analyze poetry from heuristic and hermeneutic substance in semiotick Riffaterre. Use of this semiotick Riffaterre substance to reveal konotatif meaning in the poetry. The result of this research show that this poetry is an expression of deep sadness because of the separation with the lover, which is caused by the fate of death. So from the separation made him experience fragility of his life so lost of strength in his self to continue a new life. Wishful thinking with the lover disappered like a suddenly dim light. But, behind deep sadness there is positive belief later a new star will appear that illuminate the days.
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Koichumanova, G. „Philosophical Poetry Nature and Genesis“. Bulletin of Science and Practice 8, Nr. 1 (15.01.2022): 299–303. http://dx.doi.org/10.33619/2414-2948/74/44.
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Research relevance: philosophical poetry expands the level of not only the poet, but also the reader, enriches his inner world, and teaches him to short, clear, figurative speech, showing the power of verbal art. Research purpose: is to consider the features of philosophical poetry, the relationship between philosophy and philosophical poetry. Philosophical poetry focuses on the philosophical meaning of being, man and the philosophical views of the lyrical character. Research methods and materials: attempts are being made to study worldview orientations and philosophical problems on the basis of their artistic heritage. The article also characterizes the nature and basis of philosophical poetry. Philosophical anthropological concepts, views and ideas of poets are studied. The article deals with the difference from philosophy, philosophical lyricism expresses the poet's artistic perception of the poetic world. Research results: direct contact between the author and the reader, as an old friend who shares good and evil, joy and sadness with him, creates a close and trusting atmosphere between them. Conclusions: Despite this universality, philosophical lyricism reflects the fundamental features and national worldview.
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Hayat, Ghamkhawar, Muhammad Yousaf Mengal und Muhammad Akram Rakhshani. „براہو ئی راجی ،مزاحمتی وآشوبی ادب“. Al-Burz 6, Nr. 1 (20.12.2014): 48–85. http://dx.doi.org/10.54781/abz.v6i1.160.
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This research article shows the way of expression and style, where socio cultural, economical changes accrued. The rhyme, saying verses, and poetry describe, the social norms of a society in this regard Brahui poetry has strong feathers. Brahui poetry represents the thoughts, feelings and psychology of people, especially epics reflects the norms, un-restless and sadness of society. Mulla Mazar Baduzai, Babu Abdul Rehman Kurd, and Nadir Kambarani has played vital role while in shape of epics and revolutionary poetry.
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Hussein Hasan, Hazim Mohammed. „The Concept of Sadness and distress in the poetry of Ahmet Hamdi Tanpınar“. Al-Adab Journal 2, Nr. 138 (15.09.2021): 53–66. http://dx.doi.org/10.31973/aj.v2i138.1374.
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Ahmet Hamdi Tanpınar is considered one of the successful Turkish authors in the twentieth century. Undoubtfully, he left his own print during the age he lived in. He wrote several books in several literary fields like poetry, novel, short story, essay writing and analysis. Although he wrote so many literary works in several fields, we often know him as a poet. I decide to make my research paper deal with the concept of sadness and distress which is the main subject for our paper. It reflects the nature of Turkish society. The reason behind that is the condition of sadness and pains in the Turkish history. Turkish people suffered from persecution and pain from the beginning of their settlement in central Asia. This resulted in deep wounds. Accordingly, the poet made use of sadness and agonies in his literary texts. We can also notice that Ahmet Hamdi Tanpınar is a poet and scholar in the history of literature. Hence, the poet who knows his history well, he will witness more sadness and distress. This will include, without any doubts, those two concepts intensively in his works. It is noteworthy that the poet introduced a few works in this field because of his accuracy in poetry. Ahmet Hamdi Tanpınar is considered one of the pioneer figures in psychology. This is why we see that the poet deals with the concept of sadness and distress in a very wonderful way in his poems. This is clear in his writings about human psychology.
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Nida, Nushrotun. „حقائق الحياة الفلسطينية في الشعر "يوميات جرح فلسطين" لمحمود درويش“. Journal of Arabic Literature (Jali) 2, Nr. 2 (30.06.2021): 135–50. http://dx.doi.org/10.18860/jali.v2i2.12065.
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Talking about Mahmud Darwis works is as if we were invited to see the real world reality. In this study, the researcher used the object of Mahmud Darwis' poetry entitled "yaumiyyatu Jurhi Falistin" because the poem depicts the real life of the Palestinian people, which is full of sadness and suffering. Therefore, this study aims to determine the real life of the Palestinian people which is described in the poem “yaumiyyatu jurhi falistiin” with the sociology of literature theory by Alan Swingewood and descriptive qualitative methods. The results of the reality of the life of the Palestinian people are described in Mahmud Dawis poetry, namely war, sadness, death and also the patriotism of the Palestinian people in defending their country.
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Zaenuri, Riza Rahman. „Tiga Model Ratapan Dalam Syair Arab Analisis Semiotik Puisi Burikta Ya Qabra Ar-Rasuli Karya Hassan Bin Tsabit“. Middle Eastern Culture & Religion Issues 1, Nr. 1 (24.07.2022): 57–79. http://dx.doi.org/10.22146/mecri.v1(1).57-79.
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This study discusses the poetry of Hassan bin Thabit's best friend, a figure known by his nickname as a “Prophet’s Poet” when mourning the death of the Prophet through his poem entitled “Burikta ya qabra ar-rasuli” using Riffaterre's semiotic theory approach. The purpose of this study is to describe the features and characteristics of the three models of lamenting poetry in the Arabic tradition, as well as to strengthen the opinion which states that lamentation poetry is a the most honest poetry from the poet's point of view or his feel. as this is what distinguishes it from all other types of Arabic poetry such as madh and hija’. The results show that the three models of lamentation in Hasan's ratsa` poetry have the following features and characteristics: 1) An-nadbu: is an expression form of sadness through the atlal method, namely mentioning objects and places that are related to the dead.. 2) At-ta`bin: is a flattery expression to the dead by mentioning some commendable traits and behavior during his factual life 3) Al-‘aza`: which is a way and comforting expression for relatives and people who have a direct relationship with the dead.
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V, Renuka. „Techniques in Tamil Haiku Poetry“. Indian Journal of Tamil 4, Nr. 4 (07.02.2024): 14–20. http://dx.doi.org/10.54392/ijot2343.
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Tamil haiku poems are characterized by the unique characteristics of expressing the feelings, such as mild sadness, mild humor, it have only three lines, it is very simple, it has emphasis on all life, it resembles the nature of lightning in a vortex system and it also express innermost feelings. Symposium itself has given the boom to Tamil poetry which everyone desires. However, the metaphor technique, irony technique, symbolic technique, question answer technique, narrative technique, title technique, component technique, myth technique, criticism technique, pun technique, figurative variety technique, dark technique, are studied well in this type of poetry. These kind of techniques popularised the Tamil Haiku poems. Tamil haiku poems are written in a question-and-answer format, with present-day justice, matching the justices found in old mythological and epic stories, and criticizing contemporary political and social justice. With such types of Tamil poems, the poet's opinion is revealed in a subtle way, and the value and beauty of the Tamil language is enhanced.
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Rahmatina, Fildzah, und Muhamad Haryanto. „Tema dan Pola Penggambaran Suasana pada Alih Wahana Puisi di Youtube“. Jurnal Bahasa dan Sastra 10, Nr. 3 (20.12.2022): 288. http://dx.doi.org/10.24036/jbs.v10i3.117964.
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The presence of YouTube poetry has resulted in the emergence of many new poets and the increasing development of the world of literature. The purpose of this research to describe the tendency of the theme and depiction of the scene in the poetry ecranisation on Youtube. The research method used is a qualitative quantitative method with statistical analysis. Data collection techniques in this study used observation and documentation techniques. Data analysis in this study included grouping data based on variables and types of respondents, tabulating data based on variables, presenting data on each variable studied, performing calculations to answer the problem formulation and testing hypotheses. The results of research about theme of poetry ecranisation on Youtube tend be themed about love, such as appiness because of love, disappointment because of love, sadness because of love, lost because of love. The themes show 77% about sadness and 23% about happiness. The theme is contained in several accounts, namely Fiersa Besari. Boy Candra, Catatan Khoirul Trian, Salshabilla TV, Wira Nagara, Rhia Lestari, Fiksionalisme, Pena Safa, MIHP, Ika Nacita, dan Bedcover Official. The depiction of the scece in the poetry ecranisation on Youtube tends to display images as a support the scene, cinematic videos, and simple videos.
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Shodiyev Fakhriddin, Namozov Abdimurat, Rakhimova Gulbakhor und Gadoyev Oybek. „Interpretation of History and Historical Truth in the Samples of Alisher Navoi's Hasbi Hazal“. Journal of Advanced Zoology 44, S6 (19.11.2023): 1–5. http://dx.doi.org/10.17762/jaz.v44is6.1943.
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This article examines the samples of poetry of Hazrat Alisher Navoi, which are one of the important sources for studying his personal life. Therefore, the poetry of a great poet is an image of his joy, dreams, happy moments, sorrows. Through the experiences of the poet, the spiritual world of a person is known, his feelings, experiences, the world of sadness, joy and desire, philosophical and moral issues worthy of study are imprinted.
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Al Banna, Hermin Samir Mustafa. „The Aesthetics of Images and Language between Defeat and Creativity in Al-Khansa’s Lament: Analytical Study of “A Moda in Your Eyes” Poem“. Journal of Humanities and Social Sciences Studies 4, Nr. 4 (07.12.2022): 280–91. http://dx.doi.org/10.32996/jhsss.2022.4.4.34.
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The research aims to study the manifestations of psychological defeat and the aesthetics of images and language in Al-Khansa’s poetry, an analytical psychological reading, and it influenced Al-Khansa’s poetry, because it was characterized by the sincerity of feelings and emotional feelings. Sadness, crying, pain and suffering in her poetry, and the follower of Al-Khansa’s poetry in lamentation finds the echo of psychological defeat in her poems as a result of the loss of her brother and her bereavement in him. Al-Khansa’s poetry, especially lamentation, prompts the reader to represent the state of refraction and pity that he sees in the poetic images, the chosen language, and the glimpse of sadness that dominates the music of her poems.We stand on Al-Khansa’s poetry as a poet capable of her artistic tools on the one hand, and the weak female woman who has nothing but moans and groans and her body on the other hand to express her sadness, to reveal the subconscious side using the psychoanalytic mechanisms of the poems of lamentation and show the pent-up psychological struggles as a result of psychological and dark labyrinths that she faced with death her brother.The events begin with the broken, painful female Khansa, to unveil the effect of the psychological defeat that she went through, so she transformed her life and tried to resist it with all her strength to face the multiple psychological disorders, some of which are about to turn into a decade.Then the research aims to clarify the impact of manifestations of psychological defeat on the aesthetics of the poetic elegiac images of Khansa, to monitor its implications, and the dimensions of this effect on the elegy of Khansa in the light of psychoanalytic reading, in order to clarify the poetic image and probe the depths of the aesthetic impact and artistic formulation and for the recipient. Especially lamentation is just a feeling or a fleeting state, but it was a position and an entity, and we have summarized the reading of lamentation in conjunction with the psychological dimension, to seek the emotions of the recipient as a result of his sense of Khansa’s special vision and her psychological state.
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Pokhrel, Mira. „Pathos in the Poetry of COVID-19 Pandemic“. Koshi Pravah: Multidisciplinary Peer Reviewed Journal 1, Nr. 1 (01.10.2022): 64–74. http://dx.doi.org/10.3126/koshipravah.v1i1.57374.
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Poetry written during global pandemic of COVID-19 display pathos. The present article explores the use of pathos in four of the pandemic time poems. The study aims to unveil the predicament that the earth and humans endured during that time. For the analysis, theory of pathos has been taken as a tool. Pathos is one of the persuasive techniques that evokes the emotion of pity and sympathy to the audience or the readership on the suffering and sadness of the characters and the speakers of the rhetoric. This article also discusses vivid pictures of the pathetic state of the characters in the poems that is similar to the state of the entire humans who underwent it during pandemic. The present inquiry concludes that the poetry written during pandemic evokes the strong positive emotion of joy, excitement and hope, and the negative emotion of fear, sadness, agony and sympathy as well in the mind of the readers. Doing so, it establishes the close connection between the readership and the poets who had the same emotions and feelings of hope and excitement, and pain and sufferings during the composition of the poems.
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Li, Yang. „Flute archetypes of sounds in Chinese Tang era poetry“. Музикознавча думка Дніпропетровщини, Nr. 18 (13.11.2020): 93–104. http://dx.doi.org/10.33287/222020.
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Tang epoch trains (618–907) – an important source of judgments about expressive possibilities and sound archetypes of the Chinese flute, preserved in the music of the Celestial Empire composers of the XX – XXI centuries. The purpose of this investigation is to establish sound archetypes of the flute in the Chinese poetry of the Tang epoch. The methods of investigation are historical, semantic, genre and comparative approaches. The scientific novelty of the study is to introduce the concept of «flute poetry» of the Tang era into the musicology context, to establish its characteristic properties (spiritualization of the desolate time space with a magic melody, the reflection of the state of the soul of a lonely hero, the presence of the image of the listener-poet, connection with the elements of the wind, the nocturonal semantics of the natural landscape, signs of the palace style, the embodiment in the sounds of the flute - the mediator between the earthly and celestial worlds – philosophical ideas), the formation of the thesaurus of flute affects (moaning, sadness, sadness, state of waiting, experiencing loneliness). The samples of «flute poetry» by Li Bo, Du Fu, Wang Wei, Zhao Gu are considered. The image of the jade flute from Li Bo's poem symbolizes the priceless in human life. In Li Bo's poem about the Qiang Maiden, the flute music takes on the meaning of a leitmotif that accompanies the drama of love and separation. In Du Fu's work, the limits of earthly time and space contrast with the boundless celestial chronotope associated with the flute's sound image. In Wang Wei's poetry, the flute's crying accompanies the suffering of an abandoned woman and finds a response in the soul of a lonely traveler. Zhao Gu's poem includes the names of mythical flute artists Huan Tzu and Ma Rong, contributing to the sacralization of time and space in the work. Conclusions. In «flute poetry» of the Tang era, there are typical features of a common creative method inherent to the masters of the word «golden age»: the sound image of the flute is inscribed in a common artistic continuum based on the reflection of the poet's surrounding nature in a lyrical-philosophical landscape.
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Raden Muhammad Ardiansyah Kurniawan, Ridwan Ritonga, Arpin Aminuddin Hrp, Puji Kastrawi, Abdul Manan Nasution und Ismail. „Analisis Semiotika Riffaterre dalam Puisi "Hiya Fil Masāi Waḥīdatin” Karya Mahmoud Darwish“. Kajian Linguistik dan Sastra 9, Nr. 1 (28.06.2024): 43–61. http://dx.doi.org/10.23917/kls.v9i1.3233.
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This study aims to uncover the deepest meaning of language signs in Mahmoud Darwish's Hiya Fil Masāi Waḥīdatin poetry using Micheal Riffaterre's semiotic theory. This research uses a descriptive method with qualitative analysis. The source of this research data is the poerty Hiya Fil Masāi Waḥīdatin which consists of 34 lines. In interpreting signs in poetry, Riffaterre offers two concepts of reading. The first stage is through heuristic reading, then hermeneutic reading, followed by models, variants, matrices, as well as hypograms. The results of this study were found in heuristic readings of the meanings that are still ambiguous and heterogeneous. On the other hand, in hermeneutic reading, the model that is in the form of "sadness" is found in stanzas 1 and 2. These two stanzas represent the entire content of the poem, for the whole stanza reflects a man's sorrow for him (his country). Then the model was developed into variants namely sympathy and struggle. The matrix in this poem describes "the meaning of a homeland". The hypogram of Hiya Fil Masāi Waḥīdatin poetry is backed by two poetries, namely Yaumiyātu Jurḥ Filasṭīnī and Al-Waṭan ‘an Syain which have the meaning of suffering from alienation and longing so that a sense of struggle arises.
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Fatimah, Siti, Ngatmini Ngatmini und Latif Anshori Kurniawan. „THE POETRY’S POTENCIES AS EMOTION THERAPY MEDIA IN SOCIETY 5.0“. Diksi 29, Nr. 1 (29.03.2021): 30–40. http://dx.doi.org/10.21831/diksi.v29i1.33204.
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(Title: The Poetry’s Potencies As Emotion Therapy Media in Society 5.0). This study aims to describe the function of poetry as a medium for emotional therapy in society 5.0. The data from this study are poetry texts written by students. Data were collected through test techniques (poetry writing) and non-tests (interviews, observations, and documentation). Based on the results of the study, it is said that aside from being a medium for brainstorming one's thoughts, feelings and experiences, poetry has the potential to become a medium for emotional therapy. Dictionaries, Enjambments, typography, and arrangement of lines can be said to represent the soul of the poet when angry, happy, in love, traumatized, experiencing sadness, and other emotions. The entire contents of the poem is a reflection of the emotions that the poet naturally experienced, saw, and felt in the packaging of words that were solid and full of meaning.Keywords: poetry, emotion therapy, therapy media, society 5.0
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B, Dulmaa. „About Mongolian translation of poems by Kim So-Wol“. Translation Studies 11, Nr. 1 (2023): 190–205. http://dx.doi.org/10.22353/ts20230120.
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Abstract of the Mongolian language translation of two poems by Kim So-Wol, a famous Korean poet One of the prominent poet Kim So-Wol's poems is famous for being like "traditional folk song lyrics". Kim So-Wol is well known for expressing the feeling of Korean people's "sadness and sorrow" through his poems. In this study, I tried to do side by side comparison of Mongolian language translation by 3 different translators' work in his poems "Azalea Flower" and "Calling the Soul". In these two poems, one describes the sorrow of feeling separated from his love of life by no choice but to let her go, and the other poem describes the sadness of a heart that is already gone and not able to do anything about their love. In this research, I did a quantitive analysis of a number of words, lines, and stanzas. Also, the poem's context and cultural adaption were researched. The research paper's main purpose was to reveal how Korean poetry was Mongolianized in the nature of the unique characteristics of the country's culture, customs, consciousness, and expressions embedded in poetry.
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Li, Ya. „A Comparative Study of the English Translation Versions of Yu Meiren from the Perspective of the Skopos Theory“. International Journal of Education and Humanities 9, Nr. 3 (25.07.2023): 174–79. http://dx.doi.org/10.54097/ijeh.v9i3.10508.
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Yu Meiren is a wonderful work of classical Chinese poetry because of the poet’s inexhaustible sadness for the destruction of his country, which is just like a torrent of water. Due to the unique cultural symbols, Chinese poetry has also been given much attention in the study of foreign translations of Chinese culture. With the frequent cultural exchanges between China and other foreign countries, translators for Chinese poetry translation are also becoming more than before. However, the translation of the same poem may have different characteristics because of the different translation views and purposes of translators. Under the guidance of the Skopos Theory, this paper will analyze different versions of translations of Yu Meiren and discuss the translation strategies that should be adopted in the translation of Chinese poems. Thus, the translation of Chinese poetry will be more in line with the reading habits of the target readers and promote the foreign dissemination of China’s excellent traditional culture.
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Suryaningsih, Iin, Safira Muhammad und Wael Ali El Sayyed. „Al-Kulira’s Poetry Works of Nazik al-Malaika: Sociological Literature Analysis“. Arabiyat : Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban 10, Nr. 2 (28.12.2023): 230–41. http://dx.doi.org/10.15408/a.v10i2.34840.
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In 1947, Egypt experienced a cholera epidemic that killed thousands of people every day for three months. Furthermore, Nazik al-Malaika wrote a poem entitled al-Kulira. The poem describes events and expresses deep sorrow over the spread of cholera. The poem became the first free poetry in Arabic literature. This study describes the sociological theory of Wellek & Werren's to find state point of view of the author, the sociology of literary works, and the sociology of the readers of al-Kulira’s poetry, with descriptive analysis method and objective approach. The results of this study is in terms of socio-cultural background in authorship; Nazik, was born in an environment that loves science and literature. It was concluded that Nazik's thought of composing al-Kulira's poetry was influenced by the cholera epidemic sweeping Egypt then. Nazik's expressions in his poetry, which are filled with sorrow and sadness, are influenced by the large number of Egyptian people who died due to a cholera epidemic.
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Pertsova, Inna. „SUBJECT GROUP OF OXYMORONS WITH JOY / SADNESS SEMANTIC LOAD IN POEMS OF VASYL STUS“. Research Bulletin Series Philological Sciences 1, Nr. 193 (April 2021): 242–46. http://dx.doi.org/10.36550/2522-4077-2021-1-193-242-246.
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Vasyl Stus is a brilliant representative of Ukrainian existentialism, a person of tragic fate. Emotionalism and complexity of his poetic manner, «obscureness» of verses to his contemporaries and even the majority of readers are neither escape from reality, nor deliberate inversion of reality, of which the poet was blamed by the Soviet critics; it is more of a creation of Stus’s own reality, search of new ways for Ukrainian literature to move forward. Finding a solution to the existential problem of meaning in the person’s existence, inner world, spiritual experience in relations with the world is the object of Vasyl Stus’s creative concept. Guided by philosophical tenets of existentialism, the poet’s persona is in search of his identity within it. This search causes horror, despair, and a sense of existential tragedy. Thus, the poet’s existentialistic nature has determined the figurative method of expressing his philosophy. V. Stus’s existentialism, the depth of his philosophical thinking are brilliantly expressed in conceptual polysemantic images that fill his poetry. The main ones among them are oxymorons. The existentialistic spirit in his poetry is manifested in the form of oxymorons, which we associate with the peculiarities of the poet’s tragic worldview and great capabilities of oxymorons for its expression, as well as with the features of his poetic style that are unusual for Ukrainian literature: reach after condensed and concentrated imagery; poetical reproduction of the emotional charge of facts; search for new overtones in the words to convey new emotional and psychological connotations. Poet’s use of oxymorons represents the hard way he went from contradictory worldview, internal disharmony, complex and unconventional worldview to all these internal conflicts being reflected in his extraordinary imagery. This present article deals with the subject group of oxymoronic imagery with the joy/sadness semantic opposition in the poetry of the Ukrainian poet Vasyl Stus; analyzes the semantic connection of oxymoron with the peculiarities of the artist’s worldview. New figurative meanings acquired by the lexemes in oxymoronic expressions are the means used by the author to manifest his attitude towards reality.
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Kraxenberger, Maria, und Winfried Menninghaus. „Emotional effects of poetic phonology, word positioning and dominant stress peaks in poetry reading“. Scientific Study of Literature 6, Nr. 2 (31.12.2016): 298–313. http://dx.doi.org/10.1075/ssol.6.2.06kra.
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Abstract This study tested the hypothesis that features of linguistically non-mandatory phonological recurrence (rhyme, alliteration, assonance, and consonance), parameters of word positioning (position within a line and line position) and dominant stress peaks are related to readers’ identification of distinctively joyful and sad words in poetry. To this end, forty-eight participants read eight German poems, completed an underlining task, and filled out a brief questionnaire. Results show that these target features are clearly of importance for readers’ perception of pronounced levels of joy and sadness. Words featuring alliteration, assonance or consonance were significantly more often underlined as distinctively joyful than were words that lack these features. Our study shows also that words that feature a dominant stress peak and are placed in more advanced positions within the poems were more likely to be identified as emotional (distinctively joyful and sad) when compared to words in earlier and unstressed positions.
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Доманский, В. А. „SEMANTICS OF JOY IN SERGEY ESENIN POETRY“. Слово. Текст. Контекст, Nr. 1(17) (21.05.2024): 70–86. http://dx.doi.org/10.69571/pbsspu.2024.17.1.019.
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В статье рассматривается роль и функции концепта «ра-дость» в поэтическом творчестве Сергея Есенина. Автор исходит из того, что проникновение поэта в глубинные слои национального сознания и подсознания, памяти и прапамяти определяется сквозной многоуровневой архетипичностью его художественного мышления. Есенинское поэтическое творчество заражает читателя как эстетическими эмоциями, так и длительным эмоциональным со-стоянием и настроением, что позволяет прочувствовать эмоциональный фон ли-рики поэта в целом, приблизиться к ее ценностным установкам и ориентациям. В образной структуре текстов Есенина концепт «радость» коррелирует с концеп-том «грусть», и они оба представляют собой два полюса национального сознания как проявления коллективного бессознательного национального духа, так и его эмоциональных, рациональных и поведенческих стереотипов лирического ге-роя. Есенин понимал задачи поэзии как миротворчество, как разрешение по-средством искусства слова главных противоречий бытия. Семантика концепта «радость» у поэта имеет сложную иерархию и рассматривается в статье в раз-личных контекстах: мифологическом, фольклорно-поэтическом, библейском, социальном, личностно-психологическом, метафорическом. Своеобразным оли-цетворением радости является райская птица Алконост (Алконос), птица-дева бога солнца Хорса, приносящая счастье. Концепт «радость» в есенинской поэзии имеет множество оттенков и эмоциональных состояний, посредством которых создается полисемия смыслов и многоцветная палитра есенинских стихотворе-ний: «тихая радость», «радость кроткая», «радость убогая», «грустная радость», «светлая радость», «тихая радость», «лучистая радость». При этом субъектом радости может быть не только автор или его лирическое «я», но и Русь, Россия, русская земля. В послереволюционном творчестве Есенина настроение радости все чаще окрашивается или коррелируется с грустью. Условием радостного бы-тия в социуме и личной жизни человека являются как социальные преобразова-ния, так и установление гармонии в жизни, победе радости над грустью. The article examines the role and functions of the concept “joy” in the poetic work of Sergei Yesenin. The author proceeds from the fact that the poet’s pene-tration into the deep layers of national consciousness and subconscious, memory and primordial memory is determined by the end-to-end multi-level archetypicality of his – 71 – artistic thinking. Yesenin’s poetic creativity infects the reader with both aesthetic emo-tions and a long-term emotional state and mood, which allows one to feel the emotion-al background of the poet’s lyrics as a whole, to get closer to its values and orienta-tions. In the figurative structure of Yesenin’s texts, the concept of “joy” is correlated with the concept of “sadness”, and they both represent two poles of national con-sciousness, both manifestations of the collective unconscious of the national spirit and its emotional, rational and behavioral stereotypes of the lyrical hero. Yesenin under-stood the tasks of poetry as peacemaking, resolving the main contradictions of exist-ence through the art of words. The poet’s semantics of the concept “joy” has a complex hierarchy and is considered in the article in various contexts: mythological, folklore-poetic, biblical, social, personal-psychological, metaphorical. A unique personification of joy is the bird of paradise Alkonst or Alkonos, the maiden bird of the sun god Khors, who brings happiness. The concept of joy in Yesenin’s poetry has many shades and emotional states, through which a polysemy of meanings and a multi-colored palette of Yesenin’s poems are created: “quiet joy”, “meek joy”, “poor joy”, “sad joy”, “bright joy”, “quiet” joy", "radiant joy". At the same time, the subject of joy can be not only the author or his lyrical “I”, but also Rus', Russia, the Russian land. In Yesenin’s post-revolutionary work, the mood of joy is increasingly colored or correlated with sadness. The condition for a joyful existence in society and a person’s personal life is both social transformation and the establishment of harmony in life, the victory of joy over sadness.
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Saniro, Roma Kyo Kae. „A Phenomenological and Stylistic Review of the Anthology of Penunggu Makam Poetry“. Andalas International Journal of Socio-Humanities 5, Nr. 2 (29.12.2023): 53–65. http://dx.doi.org/10.25077/aijosh.v5i2.51.
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The purpose of this study is to reveal the phenomenological and stylistic aspects of the Penunggu Makam (Grave Keeper) poetry anthology. The study in this study is based on the theory of phenomenology or stratum norms and stylistic theory. This study uses a qualitative approach. The method used is descriptive qualitative method, namely by describing and analyzing poetry from phenomenological aspects or normative and stylistic strata. The phenomenological aspect of the poems in the anthology of Penunggu Makam is thematically colored by the issue of death which is colored by sadness, sadness and loneliness. The problem of death is also a general concept of human life that all of them will surely die. In the stylistic aspect, there are several language explorations. Exploration of natural images appears in most of the poems. Figure of speech also appears in this poem with dominant personification figure of speech wrapped in natural images. At the level of diction, there is also an exploration of concrete dictions with their inherent characteristics. The words used in this poem are widely known by the public. Nevertheless, the diction used by the poet makes this poem have such a deep meaning and makes the reader immersed in the atmosphere and feelings felt by the poet in line after line of his poem or poem.
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Shibanov, Victor Leonidovich. „Haiku Form in Udmurt Poetry“. Ethnic Culture 4, Nr. 3 (27.09.2022): 45–50. http://dx.doi.org/10.31483/r-103316.
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Japanese forms of verse are beginning to occupy an important place in the Udmurt poetry of recent times. In the 1990s, the dialogue of cultures was directed mainly to the West. In the new millennium, the internal mechanisms of culture begin to actualize the classical East. There comes a time of worldview and understanding of what is happening, haiku is becoming one of the popular genres. The purpose of the study is to identify national features of the haiku genre in the Udmurt lyrics. The object of analysis is the poems of A. Leontiev, S. Matveev and Alexei Arzamazov, written in the form of a Japanese three-line poem. The method of analysis is comparative studies. The results of the study are as follows. Udmurt poets, writing in the form of haiku, strive to see the big world in a small detail, to show the eternal in a moment. The autumn landscape becomes attractive in that it conveys “light sadness” (sabi). Thus, the poets do not copy the Japanese canons, but bring a national flavor. The unexpectedness of the finale (koan) in Udmurt haiku is usually achieved by the fact that the poet passes from one spatial dimension to another.
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Dian, Dian, Asnan Hefni und Meita Setyawati. „Analisis Strata Norma Strata Norma Roman Ingarden Pada Puisi Ibu Pertiwi dan Royan Reformasi Karya Hasan Aspahani“. Adjektiva: Educational Languages and Literature Studies 3, Nr. 1 (22.02.2022): 13–22. http://dx.doi.org/10.30872/adjektiva.v3i1.966.
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The purpose of this study is to describe the sound layer, the meaning layer, the object world layer, the world layer, and the metaphysical layer in the poem “Mother Pertiwi and Royan Reformasi” by Hasan Aspahani. The data collection technique used in this research is library technique. The result of the research from poetry data using Roman Ingarden strata norm analysis obtained layer of sound, namely mixed rhymes with continuous and broken rhymes and the sound of kakofoni. The layer of meaning obtained are the layer of the world of objects are obtained, namely the main character “nature” and the background of the feeling of sadness, chaos and sadness. The layer of the world, namely the author describe the sadness and state of nature due to the actions of irresponsible humans, so that humans can realize that they can use and protect nature simultaneously. It is found that metaphysical layer of the poet wants to convey how suffering nature is due to irresponsible human hands, arid forests land that is no longer fertile, barren mountains, and damaged oceans, this can result in nature disasters.
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Girsang, Martina, Andrini Aurellia Anggi Damanik, Putri Yustika Tambunan, Ruth Friska Silitonga und Septriyuni Rumondang Tamba. „BERTOLT BRECHT'S DEUTSCHLAND POEM WHICH DESCRIBES THE INHUMANITIES OF THE HITTLER ERA'S LEADERSHIP“. JURNAL BASIS 10, Nr. 1 (19.04.2023): 35–44. http://dx.doi.org/10.33884/basisupb.v10i1.7154.
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Poetry (Gedich) is a literary work that belongs to the category of lyrics. Compared to other types of literary works such as epics and dramas, poetry has a more dense and beautiful language and the meaning in poetry is multi-interpreted. Each individual can have their own interpretation. The language used in poetry is also not everyday language. Tells about the struggle of the German people during the Nazi occupation, and the sadness of the German people who live with great difficulties. So this poem explains the condition of Hitler’s leadership which did not put humanity first, so that many died in the end and it was the nation’s best sons who were sacrificed for war with the condition that all access was limited. The creation of meaning in Deutschland poetry is caused by rhyme and enjambement. The rhyme in the poem is irregular, this illustrates that what is characteristic of beauty is not prioritized, but emphasizes the integrity of meaning. Apart from rhyme, Enjambement is also found in poetry.Germany is also hated by other countries due to Hitler’s actions. Initially Hitler’s decision to annex Austria (15 March 1938) and Czechoslovakia was still tolerated by other nations, but then the dispossession of Poland had precipitated the outbreak of World War II.
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Dr. Mirza Sibtain Beg. „Maintaining Mental Health through Poetry“. Creative Saplings 1, Nr. 8 (25.11.2022): 44–55. http://dx.doi.org/10.56062/gtrs.2022.1.8.172.
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Poetry is the passion that a poet possesses in genes, and through poetry, mental health and peace of mind can be maintained at a pace immeasurable. The waves of passion that run through the poet’s sensibility soothe the readers' senses. Poetry reading, writing, and listening cast good therapeutic effects. Poetry provides peace, calmness, and comfort to the minds by elevating moods in distress and duress. Studies show that poetry therapy has proven a boon to patients suffering from serious ailments, augments their emotional resilience, and brings joy. Our brains are electrified with the rhyme and rhythm of the poetry to give emotional reactions to joy and sadness. Like the sweet melody of music, poetry heals our emotional hurts. The metaphors embellish the poetic lines with magical brilliance and glitter with astute meaning and message. Diction plays a very decisive role in discerning the poet’s leanings. Reflection, perception, and attachment are interwoven in diction so inextricably that they turn the poet’s mouthpiece and roar and rave with perfect resonance to poetic experiences. Through the intoxicated taken-for- grantedness of the laidback reading public will take a turn at the melody of the tone and exquisiteness of diction.
The paper, however, explores how poetry can be a natural tool to heal mental stress, trauma, and agony and maintain mental health. We will examine some poetic utterances of great poets like Sylvia Plath, Anne Sexton, Emily Dickinson, Kamala Das, etc. Moreover, we will also examine how nature can extend peace, purpose, and poise to the mind.
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Harun, Mohd, Wiwit Artika und Wildan Wildan. „Dysphemism in the form of hatred and profanity towards forest destroyers in Indonesian poetry“. Studies in English Language and Education 10, Nr. 3 (16.09.2023): 1627–46. http://dx.doi.org/10.24815/siele.v10i3.30663.
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Environmental challenges have inspired poets to use poetry as media to convey protest, sadness, or anger toward environmental damage. As a form of artistic expression, poetry is a powerful medium to convey concerns about ecology. This study aims to describe expressions of dysphemism in the form of hatred and profanity towards forest destroyers in Indonesian poetry. This qualitative study collected data from the three anthologies, namely (1) Riwayat Asap Membungkam Jerebu Lewat Sastra (The History of Smoke Silencing Haze through Literature), (2) Puisi Hijau Resonansi Serindit (Green Poetry: The Resonance of the Magpie Robin), and (3) Metamorfosis Rimba Sehimpun Puisi Hijau Warga SMA Cendana dan Penyair Tamu (Metamorphosis of the Jungle: A Collection of Green Poetry by Cendana High School Students and Guest Poets). The data were analyzed based on the theory of ecocriticism. The study shows that Indonesian poets (1) expressed hatred using the diction of greed combined with avarice expressions, and (2) expressed profanity using curse expressions. These dictions or expressions show that Indonesian poets are concerned about nature’s existence. If the situation is reversed, i.e., the forest and the earth are damaged, poets can act harshly according to the context and situation; they hate and condemn through their poetry. Through the use of dysphemism, environmental poetry encourages reflection and awareness of environmental damage caused by irresponsible human actions. The poem invites readers to consider the consequences of these actions and encourages changes in behavior to protect nature.
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Piscayanti, Kadek Sonia, Januarius Mujiyanto, Issy Yuliasri und Puji Astuti. „The Voice of Identity: The Power of Mindfulness-Based Approach in EFL Poetry Classroom“. Theory and Practice in Language Studies 14, Nr. 2 (01.02.2024): 376–84. http://dx.doi.org/10.17507/tpls.1402.08.
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Mindfulness-based approach has been widely used in English language learning. It is highly promoted to stimulate and build peace of mind, well-being, and creativity. In EFL poetry writing, a mindfulness-based approach stimulates novelty, new perspective, context awareness, and productivity. The process of how the mindfulness-based approach is implemented is gained through the narrative inquiry of the learning. This study aims to identify the voice of identity revealed through mindfulness-based poetry writing. The researchers focused on the voice of identity because it is a crucial aspect of poetry that can help the reader to understand and feel the message of the poetry. Study data were collected from three respondents that were selected using purposive sampling. Those respondents were the 6th-semester students who were taking Poetry Course. The researchers used mindful journals and interviews to collect the study data and analyzed them using cross-case analysis. The results showed that through narrative inquiry, language learning through poetry writing could be understood as a series of experiences, the journeys of feelings and emotions. From the narratives' data, the poets' voice is revealed. The poetry reveals some voices, such as trauma, sadness, loneliness, and self-validation. Besides, this study also found that mindfulness has a significant role in helping students to frame their voices. Thus, considering the study's results, it is recommended that students find a way to improve their mindfulness, and teachers should find a teaching strategy to support it.
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Jang, Jinyoup. „On Son’gok Yi Tal’s Farewell Poetry“. Daedong Hanmun Association 71 (30.06.2022): 85–124. http://dx.doi.org/10.21794/ddhm.2022.71.85.
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This research aims to probe the meanings of farewells and the characteristics of Son’gok Yi Tal’s farewell poetry, as well as the modes of expressions employed in verbalizing the subject matter.
Good byes appear often in Yi Tal‘s poetry because his poetic self within the work is a ’wanderer’ and a ‘vagabond’. Being unable to settle down and having to leave produces repeated farewells. His poetic self wanders due to warfare and poverty - which compounds the sadness of the good byes. Although this poetic self reflects the actual personal history of Yi Tal, neither the Japanese Invasion of Korea in 1592, nor the historical and social contexts of the poet - for instance, of him being a sŏ-ŏl, which impoverished him - are made apparent in the poetry. Rather, farewell is depicted as a yoke of destiny in which no human can free themselves from. His farewell poetry focuses on illustrating the human ‘sorrow’ itself which is sealed inside fate. The decision to select farewell as the subject matter in his works, including yuefu poetry(樂府詩), also comes from the idea that farewell is the most apt subject for a genuine depiction of human sentiment.
Next, modes of expressions in Yi Tal’s farewell poetry have been inspected in two aspects. The first aspect concerns the characteristics apparent in the use of imagery; in describing the scene - which gives rise to the sentiment of farewell - Yi Tal often employs images of descent and darkness, as well as images of aimless drifting. Another in this aspect is the effective use of acoustic imagery; the sounds that are largely associated with seasons - such as cry of a cuckoo, nightingale, fall cicada, cricket, or a frosty wind - ring through the poems, working to deepen the sentiments of farewell. Following this, characteristics pertaining to composition techniques are discussed. First, Yi Tal juxtaposes farewells with encounters to highlight its sorrowful nature. The joy of the meeting intensifies the sorrow of the parting - and a brief encounter during the war brings sadness rather than delight. The farewells of the past are reminded in a poem about an encounter, and short meetings are followed by long separations. This mode of expression effectively communicates the sorrow of a good bye as a yoke of destiny. Another is to articulate the farewell of tomorrow in the last two lines of the poem; this mode serves to show the restrained sorrow through visualization.
Yi Tal is an important poet who epitomizes a certain turn that took place in mid Chosŏn era - the turn towards admiration of the Tang poetry style. His works call for a more thorough inspection, especially since the number of the remaining works is scarce. And in doing so, ‘farewell’ is a topic that requires much deliberation because of the weight it carries in his works. Further discussion is warranted on whether Yi Tal’s farewell poetry shows any difference when compared to the farewell poetry of his peers, or the poets of later generations.
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McCarthy, John M. „“The Consolation of Christ”: Thomas More's christening of pagan Consolatio in his Sadness of Christ“. Moreana 56 (Number 211), Nr. 1 (Juni 2019): 81–96. http://dx.doi.org/10.3366/more.2019.0052.
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This essay places More's Sadness of Christ in the ancient genre of consolatio. Arising out of Socrates’ use of philosophy as a means of consolation in the Phaedo, the genre was epitomized in Boethius’ Consolation of Philosophy. In the genre, philosophy, with the help of poetry and rhetoric, provides moral remedies to suffering man with the hope of reordering his passions, intellect, and will to their true good. In other words, the genre of consolatio is philosophy's attempt to provide a solution to the moral problem of evil. Thomas More's Sadness of Christ is a Christian version of this ancient genre. While appropriating philosophical principles and images, More recasts those principles and images in the light of faith, and gives the Christian martyr's proper preparation for death and suffering by reordering his passions and intellect to their proper good through consolation in prayer and meditation on the sufferings of Christ.
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Prof. Mirza Sibtain Beg. „Healing Power of Wordsworth’s Romantic Poetry“. Creative Saplings 1, Nr. 12 (26.03.2023): 36–45. http://dx.doi.org/10.56062/gtrs.2023.1.12.230.
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Poetry has immense potential to soothe the senses and heat the wounds. Through poetry, mental health and peace of mind can be maintained with pace immeasurable. The waves of passion that runs through poet’s sensibility, soothes the senses of the readers. Poetry reading, writing and listening casts good therapeutic effects. Poetry provides peace, calmness, and comfort to the minds by elevating mood in distress and duress. Studies show that poetry therapy proves a boon to patients suffering from serious ailments and augment their emotional resilience and brings joy in their life. Our brains are electrified with rhyme and rhythm of the poetry to give emotional reaction to joy and sadness both. Like sweet melody of music, poetry heals our emotional hurts. The metaphors embellish the poetic lines with magical brilliance, and they glitter with astute meaning and message. Diction plays a very emphatic role in discerning poet’s leanings. Reflection, perception and attachment are interwoven in diction so inextricably that they turn poet’s mouthpiece, and roar and rave with perfect resonance to poetic experiences. Through the intoxicated taken-for- grantedness of the laidback reading public will take somersault by the melody of the tone and exquisiteness of diction. The paper, however, explores how poetry can be a natural tool to heal mental stress, trauma, and agony and maintain mental health well. We will examine some poetic utterances of great romantic poet William Wordsworth and see how they can be a tool to heal the emotional hurts and wounds. Moreover, we will too examine that how the nature can extend peace, purpose, poise to mind.
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Shahriar, Sakib, Noora Al Roken und Imran Zualkernan. „Classification of Arabic Poetry Emotions Using Deep Learning“. Computers 12, Nr. 5 (22.04.2023): 89. http://dx.doi.org/10.3390/computers12050089.
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The automatic classification of poems into various categories, such as by author or era, is an interesting problem. However, most current work categorizing Arabic poems into eras or emotions has utilized traditional feature engineering and machine learning approaches. This paper explores deep learning methods to classify Arabic poems into emotional categories. A new labeled poem emotion dataset was developed, containing 9452 poems with emotional labels of joy, sadness, and love. Various deep learning models were trained on this dataset. The results show that traditional deep learning models, such as one-dimensional Convolutional Neural Networks (1DCNN), Gated Recurrent Unit (GRU), and Long Short-Term Memory (LSTM) networks, performed with F1-scores of 0.62, 0.62, and 0.53, respectively. However, the AraBERT model, an Arabic version of the Bidirectional Encoder Representations from Transformers (BERT), performed best, obtaining an accuracy of 76.5% and an F1-score of 0.77. This model outperformed the previous state-of-the-art in this domain.
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Azhari, Yeni Artanti, Muhammad Zikrullah und Dinda Destari. „POEM "RUANG HIJAU" BY NATASHA RIZKY AND EMOTIONAL EXPRESSION: THE PSYCHOLOGY OF LITERATURE STUDY“. Literature and Literacy 2, Nr. 1 (30.04.2024): 13–23. http://dx.doi.org/10.21831/litlit.v2i1.308.
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Poetry is one of the literary works whose emotional expression is sometimes difficult to understand. The purpose of this study is to investigate the expression of emotion and its meaning in the poem "Ruang Hijau" by Natasha Rizky. This research implements a descriptive-qualitative paradigm type. Data was obtained from a book entitled "Kamu Tidak Istimewa." This book was written by Natasha Rizky herself. Published by Elex Media Komputindo. The data was obtained by copying and documenting it in a research draft. The process of data analysis in this study involves analysis involving data texts and in-depth analysis of each data text, followed by status analysis. The data text of the book was carefully read line by line to find the essence of each narrative by numbering each line. The results show that this poem contains only two emotional expressions, namely the emotional expressions of sadness and fear. While the expressions of joy, courage, and anger are not found in the poem, Expressions of sadness mean that sadness, pain, and fatigue are experienced. Expressions of fear mean weakness in the face of pressure, while the narrative of struggle symbolizes her hope for help. It also has the meaning of loneliness and longing for help from others.
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Fitria Dwi Widiastuti. „ANALISIS SEMIOTIK PADA PUISI “KARANGAN BUNGA” KARYA TAUFIK ISMAIL“. Dewantara : Jurnal Pendidikan Sosial Humaniora 1, Nr. 3 (05.12.2022): 68–73. http://dx.doi.org/10.30640/dewantara.v1i3.401.
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Poetry is a literature that contains many building elements, one of which is the meaning of poetry, to analyze the meaning of a poem, a semiotic approach to poetry can be used. Semiotics has a meaning as a sign. The sign here can be a theme, value or meaning of a word or sentence in poetry. In this study, the researcher will analyze the poem entitled “Wreath of Flowers” by Taufik Islamil using a semiotic approach, which is to tell the results of poetry analysis based on the data obtained. The research is based on the curiosity to know the meaning or value of the poem "Wreath of Flowers". The formulation of the malasah that will be studied is, how are the results of the semiotic analysis in Taufik Ismail's poem entitled "Wreath of Flowers"?. The goal is to find the meaning, theme or value contained in the poem "Wreath of Flowers". The results obtained in this semiotic analysis are, the poem "Wreath of Flowers" has the theme of struggle, passion or heroism, the moral values are seen from the three small children who appreciate and respect the services of someone who sacrificed to fight for the welfare of the Indonesian people by giving a bouquet of flowers. the meaning of the poem contains feelings of sadness and grieving
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قاسم, مؤيد يحيى. „Structural Stylistics and its Connotations: Khalil Matran's Collected Poems as an Example“. JOURNAL OF LANGUAGE STUDIES 4, Nr. 4 (12.10.2023): 65–95. http://dx.doi.org/10.25130/jls.4.4.4.
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This research is based on the study of structural stylistics, as one of the levels of the descriptive stylistic approaches, which is an analytical approach that aims to highlight the compositional aesthetics in the entirety of the literary text, and the expressive and semantic energies that these various combinations carry that have a great impact on the recipient. The study focused on selected examples of Khalil Mutran's poetry, uncovering the system of poetic sentences, and the method through which he expressed his psychological and moral needs. In the poetry of Hebron, there are transitions that deserve to be examined, to complete their study and to find aesthetic and semantic explanation for them in a way that transforms the tone of the speech from a news context to an emotional context that has a clear effect on the recipient with joy or sadness.
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Beukes, Marthinus. „Die paringspel van polariteite“. Tydskrif vir Letterkunde 47, Nr. 1 (23.10.2017): 156–60. http://dx.doi.org/10.17159/tl.v47i1.3353.
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In Intieme afwesige (“Intimate absence”, 2009), the Afrikaans poet Cas Vos gives shape to absence in quite an exceptional way. Absence as loss finds its expression through the two icons of love from the Middle Ages, Abelard and Heloise. In this, his fifth collection of poetry, Vos interprets the sadness and pain of these two exiles afresh. The voice given to their son, Astralabe, is a highlight of the volume. Intieme afwesige is an absorbing and well-structured collection in which most of the poems are oriented towards the polarities of loss and intimacy.
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ცხადაია, ზოია. „იროდიონ ევდოშვილი –150“. Literary Researches 43 (14.12.2023): 280–97. http://dx.doi.org/10.62119/lr.43.2023.7768.
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Irodion Evdoshvili’s life and literary works were complex, fascinating and contradictory. His first poem appeared in the newspaper “Kvali” in 1893 and since 1895 he was regularly published in literary magazine “Iberia” edited by Ilia Chavchavadze. The poet was acknowledged as a brave freedom-loving singer, who felt deeply for the suffering of the oppressed and tried to make his poetic word to be a beacon for men, a guide for liberation. Evdoshvili thereby not only echoed Ilia’s concept, but also expanded and strengthened it. This was also dictated by the voice of the time, the epoch.
Irodion Evdoshvili began his literary activity in the early years of the twenties century, at a time when class tensions were at their peak, and the Social Democratic Party, a generation known as Mesame Dasi (third group) entered the arena of political struggle. His poems full of passionate pathos were sung and recited everywhere during the fiery days of the 1905 revolution: on the tribunes, on the barricades... Evdoshvili’s poem “To the Friends” (1895) especially stood out for its appeal to self-sacrifice in the name of freedom. It seemed well suited for the 1990s, capturing the revolutionary spirit of the time. This pathos distinguishes his poems “Song”, “To My Friends”, “Amirani”, “Fight Song” and others.
Irodion Evdoshvili was arrested in 1909 and exiled to Vologda prison for three years, where he fell ill with tuberculosis. The poet expresses the sadness of separation from his homeland in the poem “Farewell to the Exile”, which is classified as a piece of poetrybelonging to the “Valletta” genre in Europe.
Poems written on a marine theme are fascinating in Irodion Evdoshvili’s poetry. Georgian poetry of the early years of the twentieth century was not as rich in this sense. Evdoshvili’s poem “Georgian Mother” which addresses the theme of the First World War is also noteworthy. It is hard to find thematically similar poems in Georgian poetry.
Many were frustrated by the 1905 revolution’s failure, the carnage, the tactics of battle, and the questionable direction of the revolutionary doctrine, particularly Irodion Evdoshvili.Things got worse with IIia Chavchavadze’s assassination, which was clearly inspired by the Social Democrats. For Evdoshvili, the murder of Ilia became a source of sadness and disappointment. This is the beginning of the most challenging creative period for Evdoshvili – awareness and revaluation of reality, which is vividly expressed in his poem “Diary” (1909). However, in this regard, especially important is the postcard secretly sent to Sandro Shanshiashvili from exile, in which he expresses the bitter mental pain of about the murder of Ilia and blames the Social Democrats for this. “This bullet hit me like a mournful sadness,” he wrote to his friend.
Evdoshvili did not swing off the road which he had chosen, but in relation to the Social-Democrats, he clearly revised his ideology, and the “enthusiastic tribune” toward the end of his life suffered “mourning sadness.”
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Sehnal, Tyler Martin. „“In Nature There is Nothing Melancholy”: Romantic Poetry and Selfish Constructions of Nature and Sadness“. New Literaria 2, Nr. 1 (14.02.2021): 210–16. http://dx.doi.org/10.48189/nl.2021.v02i1.023.
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Sylam, Дина. „STUDY ON THE EVOLUTION OF CHINESE REMINISCENCE POETRY IN ANCIENT AND MODERN TIMES“. KAZAKHSTAN ORIENTAL STUDIES 10, Nr. 2 (18.07.2024): 68–75. http://dx.doi.org/10.63051/kos.2024.2.68.
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As a literary creation method, reminiscence is often encountered in Chinese and foreign literary works. In the West, there is the theory of "poetic reminiscence", however, the theoretical construction of Chinese reminiscence poetics has not been formed yet. The reason is that the current academic world does not treat reminiscence poetry as a type of poetry. As a matter of fact, Chinese recall poetry has always existed, and it has been spbud since the time of “The Book of Songs”. However, it was not until the Two Jin Dynasties that really formed the poems with the theme of reminiscence. In the Tang and Song dynasties, it was further expanded, which was reflected in the breakthrough of the reminiscence mode of the past and present, and appearance of the emergence of poems with whole reminiscence, at the same time, the suppoter of it expand itself from the poet to the “Ci.”In the modern period of Ming and Qing Dynasties, the emotional expression of reminiscence poetry has changed from sadness to broadness, which has continued to the present and contemporary times, only the traditional contrast mode of past and present has been replaced by narrative reminiscence. Based on the evolution of Chinese reminiscence poetry and the theory of western reminiscence poetics, it can be seen that the reminiscence poetry starts from a real thing we have seen, which gives rise to the reminiscence, then the poet expresses emotions in the traditional mode of past and present, joy and sorrow. Besides, there are also reminiscences of the whole content, mainly with image and narrative recall.
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TORHOVETS, Yuliia. „PERCEPTION OF DEATH IN CONTEMPORARY ENGLISH POETRY“. Ezikov Svyat volume 22 issue 1, ezs.swu.v22i1 (23.02.2024): 121–29. http://dx.doi.org/10.37708/ezs.swu.bg.v22i1.12.
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This research is a determined attempt to reveal the perception of DEATH in contemporary English poetry. It has been a focal point of lengthy discussions and numerous reflections, as DEATH is a universal experience that everybody regardless of nationality, gender and marital status, religious and political views will go through one day. All people are mortal by nature, but the idea of what happens after death to some extent depends on the culture or religion they belong to. Thus, the religious perception of DEATH as a stage of transformation that puts an end to earthly suffering and paves the way for an everlasting, abundant life in Heaven can be traced in modern English poetry. It helps people embrace their own mortality, make peace with the fluidity of time and inevitability of DEATH. Another finding shows that DEATH is often depicted as the end of the journey, the awareness of which, on the one hand, fills life with meaning and motivates people to act on their dreams, but on the other, causes deep regrets about missed opportunities and wasted time. There is no distinct fear of DEATH in the studied poetry, but rather the feeling of immense sadness over something the person hasn’t done or can’t change.
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García, Miguel Ángel. „La copla andaluza y los poetas“. Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, Nr. 2 (05.12.2013): 328–53. http://dx.doi.org/10.1075/rro.48.2.07ang.
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From the so-called «fin de siglo» to the thirties some of the Spanish poets relied on the folk song –and more specifically on the «cante jondo» or flamenco– to define an alleged Andalusian soul. In opposition to the cheerful, colourful and folkloric Andalusia described by poets like Reina and Rueda, there are other Modernist authors like Villaespesa, Sánchez Rodríguez, Juan Ramón Jiménez or Darío who refined the literary image of Andalusia from the distinctive notes of sadness or grief, thus initiating a thematic chain which from the twenties extended Lorca’s image of «Andalucía del llanto» under Neopopularism and the Vanguard movement. This trend continued in the next decade, when Cansinos Assens and the Caba brothers placed similar emphasis on tragic Andalusia, based on an analysis of the «cante jondo» in which metaphysical, social and historical aspects were mixed. This paper aims to examine some of the key aspects of the relation between the sadness of the Andalusian song and Spanish poetry in the first third of the 20th century.
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Nurjaman, Sandi. „ANALISIS STRUKTUR BATIN PUISI SURAT DARI IBU KARYA ASRUL SANI“. Parole : Jurnal Pendidikan Bahasa dan Sastra Indonesia 5, Nr. 1 (06.01.2022): 38–50. http://dx.doi.org/10.22460/parole.v5i1.10280.
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Literary work is a form of artistic expression from the author which is poured through the medium of language. The form of expressive expression in literary works is a depiction of life that contains aesthetics and the value of life. Poetry which is part of a literary work is composed of a series of words and content of a literary work, the arch was motivated by the researcher's curiosity about the poetry of Asrul Sani. Through the poem “Surat from Motherâ€, Asrul Sani crystallizes a message of life that is deposited in lines and stanzas. The analysis carried out in this study is to determine the inner structure of the poem. The purpose of this research is to describe the inner structure of poetry such as theme, tone and feeling, atmosphere, and message. The method prepared by the researcher is descriptive qualitative. The results of the analysis can be concluded that this poem has the theme of love, struggle, and longing. The feelings and atmosphere described are emotion, sadness, and pride. The message is that we should be devoted to parents, especially mothers who have sacrificed a lot for the success and happiness of their children.
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Fakot, Mumin, und Rochmat Tri Sudrajat. „AN ANALYSIS OF ANTHOLOGY POETRY STRUCTURE OF NETRA CINTA BY SELAWITRI“. JLER (Journal of Language Education Research) 4, Nr. 3 (06.10.2021): 128. http://dx.doi.org/10.22460/jler.v4i3.6581.
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This study aims to determine the physical structure and inner structure in the anthology of Netra Cintapoetries. Based on the research problems, this research aims to describe the morals contained in the Netra Cintapoetrycollections. The method applied in this study was qualitative research methods as descriptive analysis design. The writer used this method because the writer tried to know and describe the physical structure, inner structure and description of morality in the anthology of Netra Cinta poetrywhich is the object of this research. The research instrument was the documentation technique. The using of this documentation technique is done by reading poetry data sources which aimsto identify data in accordance with the theory used. After obtaining this research data, further analysis of the research data is carried out with content analysis techniques. The process of data analysis could be done by mastering the physical and inner elements as well as the moral description contained in the poetry anthology of Netra Cinta. The results showed that the physical structure in the anthology of Netra Cinta poetry used diction and concrete words that are disappointed. Anthology of Netra Cinta poetry typifies in straight stanzas. The dominant inner structure is the expression of feelings in the soul. The feeling depicted is a feeling of disappointment, sadness, pride and anger towards the state of the animal who is not good at taking advantage of opportunities.
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Arianti, Rita, Zuriani Putri, Hermawan Hermawan, Asih Ria Ningsih und Misra Nofrita. „Citraan dalam Antologi Puisi Langit Air Langit Basah karya Akhmad T Bacco“. Jurnal Bahasa dan Sastra 10, Nr. 3 (24.12.2022): 328. http://dx.doi.org/10.24036/jbs.v10i3.120845.
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The background of this research is the presence of motion imagery and auditory imagery in the poetry anthology of Langit Air Langit Basah by Akhmad T Bacco which raises the value of beauty and poetic poetry. The purpose of this study was to describe motion and auditory imagery in the anthology of the poem Langit Air Langit Basah by Akhmad T Bacco. This type of research is a qualitative research using descriptive method. This research was found 25 auditory imagery data and 36 motion data. The most dominant imagery is found in the poetry anthology Langit Air Langit Basah Akhmad T Bacco's literature is a motion image with 36 data because the themes raised in the poem are more about expressing sadness, criticism of injustice, arbitrariness, disappointment, and regret for life. Poets express all ideas, thoughts, and feelings in looking at something through words that are not clearly expressed or words that have connotations. While the imagery that was found the least was the gustatory image, which was 4 data. It can be concluded that the poet of the anthology of poetry Langit Air Langit Basah impressionism line. Impressionism is a literary genre that tries to describe a momentary impression of something the poem observes. Impressionism depicts something like a sketch, everything is not clearly depicted.
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Sarma, Aveen, und Richard Mourphy. „The Experience of Being Alive Through Poetry“. Academic Journal of Nawroz University 12, Nr. 4 (28.09.2023): 250–58. http://dx.doi.org/10.25007/ajnu.v12n4a1815.
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It is viewed that poets and poetry readers mostly come to a disappointing idea from the community’s belief proclaiming poetry’s death and that poetry is in vain and it is a waste of time. Readers and poets keep wondering intensely that, if so, then how do their souls still recall the inspirational world of imagination? How do their souls travel into an imaginative world of thoughts creating a piece of art through some words that are of daily life experiences? William Wordsworth's poem "I Wandered Lonely as a Cloud”, for instance, connects humanity and nature to make life more meaningful. The natural world provides human beings bliss, enabling them to overcome life challenges such as loneliness. The poet obtains happiness from the dancing daffodils and overcomes his loneliness. This togetherness between humanity and the natural world aids the poet in overcoming the challenges. The poem uses poetic devices, especially figurative language, that demands the readers to recall their experiences to understand them better. Like Campbell, Wordsworth has a positive view of the natural world because it enables the speaker to deal with sadness. Therefore, artists should acknowledge the significance of discourses while writing poems. The community, in addition to that,is called to reconsider their beliefs and observe that it is through poetry that our souls get nourished and call our daily life experiences. This study examines former beliefs to prove that poetry is the experience that keeps our souls alive.
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Al-Shudifat, Safaa, und Ahmad Al-Harahsheh. „The Sign of Silence in the Prison Poetry in the Abbasid Era until the End of the Fourth Century AH. "A Semiotic Stylistic Study in Selected Cases"“. Arts and Social Sciences Series 3, Nr. 1 (12.06.2024): 79–108. http://dx.doi.org/10.59759/art.v3i1.552.
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This study aimed to explore the efficacy of silence speech in poetic texts, specifically in the discourse of prison poetry during the Abbasid era, and its role in effectively conveying the poets' messages. We can say that this research tries to present a semiotic stylistic analysis of silence speech and its morphological indicators, utilizing selected case studies from prison poetry in the Abbasid era until the end of the fourth century AH, which represents a period rich in manifestations of silence stemming from emotions such as sadness, frustration, and despair, as well as the magnitude of suffering and persecution. The findings demonstrated that silence is an influential means for conveying the message wanted by prison poets in the 4th century, as well as its efficiency for conveying unwritten, facilitated through implicit linguistic signs and their associated meanings and semantics. The results also highlighted the significant role of silence speech in both affective and semantic dimensions, contributing prominently to the construction and coherence of the poetic text.
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Dr. Mirza Sibtain Beg. „Passion with Profession: Exploring John Keats as a Poet-Physician“. Creative Launcher 7, Nr. 6 (30.12.2022): 100–109. http://dx.doi.org/10.53032/tcl.2022.7.6.11.
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Poetry has played pivot in healthcare system of the world as an alternative to medicine to heal the mental anguish of the readers.as well as the writers. It has immense impact on healing of the hurts of the readers. The power and potential of the poetry in palliative and hospice care is well proven. It has proven a panacea to both the patient and physicians in an ebullient way. The poetic therapy has been used by the experts in psychiatry to heal the angst, anguish, hurts of the minds of the people. Through poetry, mental health and peace of mind can be maintained with pace immeasurable. The waves of passion that runs through poet’s sensibility, soothes the senses of the readers. Poetry reading, writing and listening casts good therapeutic effects. Poetry provides peace, calmness, and tranquilly to the minds of the readers by elevating mood in distress and duress. Studies show that poetry therapy has proven a boon to patients suffering from serious ailments and to augment their emotional resilience and brings joy in their life. Our brains are electrified with rhyme and rhythm of the poetry to give emotional reaction to joy and sadness both. Like sweet melody of music, poetry heals our emotional hurts. The metaphors embellish the poetic lines with magical brilliance, and they glitter with astute meaning and message. Diction plays a very emphatic role in discerning poet’s leanings. Reflection, perception and attachment are interwoven in diction so inextricably that they turn poet’s mouthpiece, and roar and rave with perfect resonance to poetic experiences. The paper, however, pinpoints poetry’s indefinable role to heal mental stress, trauma, and agony and to maintain good mental health well. We will examine some poetic utterances of great romantic poet and physician John Keats and its therapeutic effects. We will also observe how the John Keats’ poetry radiates beams of healing and can play multifaceted role in healthcare.
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Inguscio, Bianca Maria Serena, Giulia Cartocci, Simone Palmieri, Stefano Menicocci, Alessia Vozzi, Andrea Giorgi, Silvia Ferrara, Paolo Canettieri und Fabio Babiloni. „Poetry in Pandemic: A Multimodal Neuroaesthetic Study on the Emotional Reaction to the Divina Commedia Poem“. Applied Sciences 13, Nr. 6 (14.03.2023): 3720. http://dx.doi.org/10.3390/app13063720.
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Poetry elicits emotions, and emotion is a fundamental component of human ontogeny. Although neuroaesthetics is a rapidly developing field of research, few studies focus on poetry, and none address its different modalities of fruition (MOF) of universal cultural heritage works, such as the Divina Commedia (DC) poem. Moreover, alexithymia (AX) resulted in being a psychological risk factor during the Covid-19 pandemic. The present study aims to investigate the emotional response to poetry excerpts from different cantica (Inferno, Purgatorio, Paradiso) of DC with the dual objective of assessing the impact of both the structure of the poem and MOF and that of the characteristics of the acting voice in experts and non-experts, also considering AX. Online emotion facial coding biosignal (BS) techniques, self-reported and psychometric measures were applied to 131 literary (LS) and scientific (SS) university students. BS results show that LS globally manifest more JOY than SS in both reading and listening MOF and more FEAR towards Inferno. Furthermore, LS and SS present different results regarding NEUTRAL emotion about acting voice. AX influences listening in NEUTRAL and SURPRISE expressions. DC’s structure affects DISGUST and SADNESS during listening, regardless of participant characteristics. PLEASANTNESS varies according to DC’s structure and the acting voice, as well as AROUSAL, which is also correlated with AX. Results are discussed in light of recent findings in affective neuroscience and neuroaesthetics, suggesting the critical role of poetry and listening in supporting human emotional processing.