Thematische Bibliographien / Sadness – Poetry

Auswahl der wissenschaftlichen Literatur zum Thema „Sadness – Poetry“

Autor: Grafiati
Veröffentlicht am 25. Juli 2024

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an

Wählen Sie eine Art der Quelle aus:

Inhaltsverzeichnis

Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Sadness – Poetry" bekannt.

Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.

Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.

Zeitschriftenartikel zum Thema "Sadness – Poetry"

1

김정수. „The Aesthetics of Sadness in Sowol’s Poetry“. Korean Language and Literature ll, Nr. 163 (April 2013): 347–74. http://dx.doi.org/10.17291/kolali.2013..163.012.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

AL-OTEIBI, DEIFALLA. „Aspects of Sadness in the Poetry ofal-Shabi“. Journal of King Abdulaziz University-Arts and Humanities 5, Nr. 1 (1992): 153–200. http://dx.doi.org/10.4197/art.5-1.7.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Khraban, Tatyana. „EMOTIONAL AND SEMANTIC DOMINANT IN THE POETRY OF THE PARTICIPANTS IN JOINT FORCES OPERATION“. Fìlologìčnì traktati 13, Nr. 1 (2021): 132–39. http://dx.doi.org/10.21272/ftrk.2021.13(1)-13.

Der volle Inhalt der Quelle
Annotation:
The aim of this article is to identify the emotional and semantic dominant in the poetry of the participants in the Joint Forces Operation. Materials & Methods. The study is carried out from the standpoint of a comprehensive psycholinguistic approach based on the integration of discourse analysis and psychoanalytic interpretation. To recognize the emotional and semantic dominant in the poetry of the participants in the Joint Forces Operation, the basic emotion theory is important. Decomposing complex emotions into simpler pieces of basic emotions makes it possible to determine the emotional and semantic dominant of a text. Materials to conduct this research are poetry of the participants in the Joint Forces Operation that is posted on Facebook social media accounts “Poems of ATO. Soldier”, “Songs created in the zone of Anti-Terrorist Operation”. Results & discussions. The poetry is characterized by paired combinations of the emotion of anger with emotions of fear, disgust, sadness, grief and joy. Anger also becomes the main element of complex emotions consisting of several components. The semantic dominant in the poetry from the perspective of the emotion of anger can be expressed as “I hate war”. Expression of intensity of combatants’ suffering is achieved in poetry by conveying sthenic emotion resulting in increased activity, which we denote as grief, and asthenic emotion which doesn’t encourage further action, which we denote as sadness. The semantic dominant in the poetry from the perspective of grief and sadness can be considered as a cry for help. Emotion of fear in the poetry can be associated with the emergence of “existential anxiety”, a core of which lies in a person’s perception of the threat of non-being (mortality). In the poetry the emotion of fear often adjoins the emotion of guilt. The semantic dominant in the poetry from the perspective of the emotions of fear and guilt is understanding of death and immortality in the philosophical and religious context. In contrast to negative emotions associated with the past or present, the emotion of joy refers to the future tense. The semantic dominant in the poetry from the perspective of the emotion of joy is the idea of peace. Conclusions. Basic emotions of anger, grief, sadness prevail in the poetry of the participants in the Joint Forces Operation. However, any emotion is not in its own right, it exists in manifold combinations with other basic emotions creating different conglomerates. The general semantic dominant in the poetry of the participants in the Joint Forces Operation is “No to war”.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Latif, Abdul. „Analisis puisi “lau annana lam naftariq” karya farouk juwaidah“. Al-Fathin: Jurnal Bahasa dan Sastra Arab 2, Nr. 1 (31.07.2019): 121. http://dx.doi.org/10.32332/al-fathin.v2i2.1426.

Der volle Inhalt der Quelle
Annotation:
Literary was born to reveal the writer’s appreciation for the problems inside, and also as an expression of the writer’s heart situation. Talk about literary certainly have many types, one of them is poetry. Farouk Juwaidah which has been known as king of love nickname because being able to make poetry with beautiful words. One of the poetry is LAU ANNANA LAM NAFTARIQ collect in one of the anthology. The purpose of this reserch to analyze poetry from heuristic and hermeneutic substance in semiotick Riffaterre. Use of this semiotick Riffaterre substance to reveal konotatif meaning in the poetry. The result of this research show that this poetry is an expression of deep sadness because of the separation with the lover, which is caused by the fate of death. So from the separation made him experience fragility of his life so lost of strength in his self to continue a new life. Wishful thinking with the lover disappered like a suddenly dim light. But, behind deep sadness there is positive belief later a new star will appear that illuminate the days.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Koichumanova, G. „Philosophical Poetry Nature and Genesis“. Bulletin of Science and Practice 8, Nr. 1 (15.01.2022): 299–303. http://dx.doi.org/10.33619/2414-2948/74/44.

Der volle Inhalt der Quelle
Annotation:
Research relevance: philosophical poetry expands the level of not only the poet, but also the reader, enriches his inner world, and teaches him to short, clear, figurative speech, showing the power of verbal art. Research purpose: is to consider the features of philosophical poetry, the relationship between philosophy and philosophical poetry. Philosophical poetry focuses on the philosophical meaning of being, man and the philosophical views of the lyrical character. Research methods and materials: attempts are being made to study worldview orientations and philosophical problems on the basis of their artistic heritage. The article also characterizes the nature and basis of philosophical poetry. Philosophical anthropological concepts, views and ideas of poets are studied. The article deals with the difference from philosophy, philosophical lyricism expresses the poet's artistic perception of the poetic world. Research results: direct contact between the author and the reader, as an old friend who shares good and evil, joy and sadness with him, creates a close and trusting atmosphere between them. Conclusions: Despite this universality, philosophical lyricism reflects the fundamental features and national worldview.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

Hayat, Ghamkhawar, Muhammad Yousaf Mengal und Muhammad Akram Rakhshani. „براہو ئی راجی ،مزاحمتی وآشوبی ادب“. Al-Burz 6, Nr. 1 (20.12.2014): 48–85. http://dx.doi.org/10.54781/abz.v6i1.160.

Der volle Inhalt der Quelle
Annotation:
This research article shows the way of expression and style, where socio cultural, economical changes accrued. The rhyme, saying verses, and poetry describe, the social norms of a society in this regard Brahui poetry has strong feathers. Brahui poetry represents the thoughts, feelings and psychology of people, especially epics reflects the norms, un-restless and sadness of society. Mulla Mazar Baduzai, Babu Abdul Rehman Kurd, and Nadir Kambarani has played vital role while in shape of epics and revolutionary poetry.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Hussein Hasan, Hazim Mohammed. „The Concept of Sadness and distress in the poetry of Ahmet Hamdi Tanpınar“. Al-Adab Journal 2, Nr. 138 (15.09.2021): 53–66. http://dx.doi.org/10.31973/aj.v2i138.1374.

Der volle Inhalt der Quelle
Annotation:
Ahmet Hamdi Tanpınar is considered one of the successful Turkish authors in the twentieth century. Undoubtfully, he left his own print during the age he lived in. He wrote several books in several literary fields like poetry, novel, short story, essay writing and analysis. Although he wrote so many literary works in several fields, we often know him as a poet. I decide to make my research paper deal with the concept of sadness and distress which is the main subject for our paper. It reflects the nature of Turkish society. The reason behind that is the condition of sadness and pains in the Turkish history. Turkish people suffered from persecution and pain from the beginning of their settlement in central Asia. This resulted in deep wounds. Accordingly, the poet made use of sadness and agonies in his literary texts. We can also notice that Ahmet Hamdi Tanpınar is a poet and scholar in the history of literature. Hence, the poet who knows his history well, he will witness more sadness and distress. This will include, without any doubts, those two concepts intensively in his works. It is noteworthy that the poet introduced a few works in this field because of his accuracy in poetry. Ahmet Hamdi Tanpınar is considered one of the pioneer figures in psychology. This is why we see that the poet deals with the concept of sadness and distress in a very wonderful way in his poems. This is clear in his writings about human psychology.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Nida, Nushrotun. „حقائق الحياة الفلسطينية في الشعر "يوميات جرح فلسطين" لمحمود درويش“. Journal of Arabic Literature (Jali) 2, Nr. 2 (30.06.2021): 135–50. http://dx.doi.org/10.18860/jali.v2i2.12065.

Der volle Inhalt der Quelle
Annotation:
Talking about Mahmud Darwis works is as if we were invited to see the real world reality. In this study, the researcher used the object of Mahmud Darwis' poetry entitled "yaumiyyatu Jurhi Falistin" because the poem depicts the real life of the Palestinian people, which is full of sadness and suffering. Therefore, this study aims to determine the real life of the Palestinian people which is described in the poem “yaumiyyatu jurhi falistiin” with the sociology of literature theory by Alan Swingewood and descriptive qualitative methods. The results of the reality of the life of the Palestinian people are described in Mahmud Dawis poetry, namely war, sadness, death and also the patriotism of the Palestinian people in defending their country.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Zaenuri, Riza Rahman. „Tiga Model Ratapan Dalam Syair Arab Analisis Semiotik Puisi Burikta Ya Qabra Ar-Rasuli Karya Hassan Bin Tsabit“. Middle Eastern Culture & Religion Issues 1, Nr. 1 (24.07.2022): 57–79. http://dx.doi.org/10.22146/mecri.v1(1).57-79.

Der volle Inhalt der Quelle
Annotation:
This study discusses the poetry of Hassan bin Thabit's best friend, a figure known by his nickname as a “Prophet’s Poet” when mourning the death of the Prophet through his poem entitled “Burikta ya qabra ar-rasuli” using Riffaterre's semiotic theory approach. The purpose of this study is to describe the features and characteristics of the three models of lamenting poetry in the Arabic tradition, as well as to strengthen the opinion which states that lamentation poetry is a the most honest poetry from the poet's point of view or his feel. as this is what distinguishes it from all other types of Arabic poetry such as madh and hija’. The results show that the three models of lamentation in Hasan's ratsa` poetry have the following features and characteristics: 1) An-nadbu: is an expression form of sadness through the atlal method, namely mentioning objects and places that are related to the dead.. 2) At-ta`bin: is a flattery expression to the dead by mentioning some commendable traits and behavior during his factual life 3) Al-‘aza`: which is a way and comforting expression for relatives and people who have a direct relationship with the dead.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

V, Renuka. „Techniques in Tamil Haiku Poetry“. Indian Journal of Tamil 4, Nr. 4 (07.02.2024): 14–20. http://dx.doi.org/10.54392/ijot2343.

Der volle Inhalt der Quelle
Annotation:
Tamil haiku poems are characterized by the unique characteristics of expressing the feelings, such as mild sadness, mild humor, it have only three lines, it is very simple, it has emphasis on all life, it resembles the nature of lightning in a vortex system and it also express innermost feelings. Symposium itself has given the boom to Tamil poetry which everyone desires. However, the metaphor technique, irony technique, symbolic technique, question answer technique, narrative technique, title technique, component technique, myth technique, criticism technique, pun technique, figurative variety technique, dark technique, are studied well in this type of poetry. These kind of techniques popularised the Tamil Haiku poems. Tamil haiku poems are written in a question-and-answer format, with present-day justice, matching the justices found in old mythological and epic stories, and criticizing contemporary political and social justice. With such types of Tamil poems, the poet's opinion is revealed in a subtle way, and the value and beauty of the Tamil language is enhanced.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Mehr Quellen

Dissertationen zum Thema "Sadness – Poetry"

1

Wallerich, Nazanin Leila. „Melancholy and the Infinite Sadness: A Mental Therapy Retreat“. Thesis, Virginia Tech, 2013. http://hdl.handle.net/10919/51162.

Der volle Inhalt der Quelle
Annotation:
In America alone, 19 million people live with depression. Untreated depression is the leading cause of suicide in the United States and the third leading cause of death between 18-25 year olds. The aim of the project was guided based on the idea that we could take sadness as a manifestation in order to allow the possibility of controlling and manipulating it.  The idea was based on a well documented understanding that melancholia creates a permeable boundary between consciousness and unconsciousness.  In melancholia there is an internalization of behaviors that insulate and isolate the individual. With this level of introspection also comes an underlying gift of deep passion, curiosity and cognition.  This gift brings a deep understanding to the workings of the world.  It is in this dual reality that lies a realm of complexity and possibility.  This understanding of depression led me to believe in how powerful and how necessary the simple yet essential feeling of hope was. The concept of hope seems like an illusion but sometimes it\'s the only thing you have.  The hope is what keeps you going and allows a tangible identity to sanity.  How can architecture reflect hope and how can a space help the weary hearted? These questions pleaded for answers and this thesis is a result of the search.  The search for a better place in our minds. The desire for a hope that we are not prisoners to our sadness The quest for answers laid its journey on a cliff edge on the Olmsted Island of Great Falls, MD ; a site amplified with majestic soaring views and soundscapes of water and nature that accentuate the program of an alternative mental therapy retreat.
Master of Architecture
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Koch, Elke. „Trauer und Identität : Inszenierungen von Emotionen in der deutschen Literatur des Mittelalters /“. Berlin [u.a.] : de Gruyter, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2704284&prov=M&dokv̲ar=1&doke̲xt=htm.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Edwins, Jo Angela Kenyon Jane Hall Donald Carver Raymond Gallagher Tess. „Working against the sadness personal loss and poetic healing in the poetry of Jane Kenyon, Donald Hall, Raymond Carver and Tess Gallagher /“. Full text available online (restricted access), 2001. http://images.lib.monash.edu.au/ts/theses/edwins.pdf.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Neuhold, Birgit. „Measuring the sadness Conrad, Joyce, Woolf and European epiphany“. Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/995943214/04.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Fenner, Anna Magdalena. „Trauer in der deutschen Nachkriegslyrik. Zur Emotionsgestaltung bei Günter Eich, Marie Luise Kaschnitz und Nelly Sachs“. Doctoral thesis, 2015. http://hdl.handle.net/11858/00-1735-0000-0022-5F8C-D.

Der volle Inhalt der Quelle
Annotation:
Die Arbeit untersucht die Gestaltung von Trauer in den zwischen 1945 und etwa 1960 veröffentlichten Gedichten von Günter Eich, Marie Luise Kaschnitz und Nelly Sachs. Dazu wird ein differenziertes, systematisch erarbeitetes Analyseinstrumentarium vorgestellt und angewandt, das den vielfältigen Möglichkeiten der Emotionsgestaltung in lyrischen Texten Rechnung trägt. Das methodische Vorgehen der Untersuchung ist insofern exemplarisch, als es hier zwar auf die Analyse von Trauerdarstellungen beschränkt wird, sich aber prinzipiell auch für die Untersuchung der literarischen Gestaltung anderer Emotionen anbietet. Gleichzeitig verspricht die eingehende Perspektive auf das Werk einzelner Autoren die Identifizierung auch solcher Mittel der Emotionsgestaltung, die eine weniger differenzierte, in die Breite gehende Analyse nicht hinreichend erfassen kann. Die Texte von Eich, Kaschnitz und Sachs werden zunächst in Einzelkapiteln detailliert untersucht. Den bereits bestehenden Forschungsarbeiten wird damit eine differenzierte und umfassende emotionsbezogene Perspektive auf formale und inhaltliche Aspekte des jeweiligen Werkes hinzugefügt. Am Schluss wird der Blick auf die deutsche Nachkriegslyrik insgesamt gerichtet und danach gefragt, inwiefern aus der Untersuchung des lyrischen Werkes der drei hier untersuchten Dichter weiterreichende allgemeine Einsichten im Hinblick auf die Gestaltung von Trauer in der deutschsprachigen Nachkriegslyrik gewonnen werden können.
APA, Harvard, Vancouver, ISO und andere Zitierweisen

Bücher zum Thema "Sadness – Poetry"

1

Reiter, Jendi. A talent for sadness: Poems. Cincinnati, OH: Turning Point, 2003.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Darakē, Zephē. Sadness burns our shadows. Edinburgh: Dionysia Press, 2009.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

Darakē, Zephē. Sadness burns our shadows. Edinburgh: Dionysia Press, 2008.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Darakē, Zephē. Sadness burns our shadows. Edinburgh: Dionysia Press, 2009.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Preyar, April D. Melancholy blue: Psalms of soulful sadness. [Washington, D.C.?]: A.D. Preyar, 1996.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

de, Andrade Carlos Drummond. Os 25 poemas da triste alegria. São Paulo: Cosac Naify, 2012.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Salinas, Luis Omar. The sadness of days: Selected and new poems. Houston: Arte Publico Press, 1987.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Liz, Rosenberg, und November Deena, Hrsg. I just hope it's lethal: Poems of sadness, madness, and joy. Boston: Graphia/Houghton Mifflin, 2005.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Miyawatl, Ateri. Neijmantototsintle: La tristésa es un ocell = Sadness is a bird. [Barcelona, Spain]: Elies Plana, 2018.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Paul, Williams. Songs of love, poems of sadness: The erotic verse of the Sixth Dalai Lama. London: I.B. Tauris, 2004.

Den vollen Inhalt der Quelle finden
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Mehr Quellen

Buchteile zum Thema "Sadness – Poetry"

1

Harris, Judith. „A Consolation of Beauty, Grief, and Sadness in Jane Kenyon's Poems“. In The Poetry of Loss, 68–79. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003176510-5.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Salmon, Laura. „Melancholic Humor, Skepticism and Reflective Nostalgia. Igor’ Guberman’s Poetics of Paradox“. In Biblioteca di Studi Slavistici, 107–47. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-822-4.06.

Der volle Inhalt der Quelle
Annotation:
The poetry of Israeli émigré Igor' Guberman, comprising thousands of quatrains (‘gariki’), represents a hybrid genre at the junction of Jewish aphoristic tradition, Russian oral folklore, and classical Russian poetry. The theme of toska, which is central to the gariki, may be sharply distinguished from the ‘restorative nostalgia’ theorized by Svetlana Boym (2001): Guberman's toska is a thoughtful, melancholic, and paradoxical feeling. It expresses a particular variety of skepticism that characterizes the paradoxical humor of the Ashkenazi, the purpose of which is not to ridicule others' shortcomings, but to gently make fun of the sadness and painful absurdity that impermeates human existence. Such melancholic and paradoxical humor permits Guberman to look at life, at himself, even at God, with an indulgent ‘smile of reason’ that is absolutely devoid of arrogance. A subtle melancholic and deep skeptic, Guberman "laughs through his tears", for this is what Russian-Jewish tradition teaches, a lesson that has penetrated deeply and more generally into Russian literature: when the soul is beset by excessive sadness, its has recourse only to laughter.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

„poetry“. In Because Sadness is Beautiful?, 120. Mwanaka Media and Publishing, 2020. http://dx.doi.org/10.2307/j.ctv1b74264.76.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Hever, Hannan. „“Our Poetry Is Like an Orange Grove” : Anthologies of Hebrew Poetry in Eretz Yisrael“. In The Anthology in Jewish Literature, 281–303. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195137514.003.0015.

Der volle Inhalt der Quelle
Annotation:
Abstract And it is indeed possible to view [this] book as the orange grove of our poetry, with its great and little trees, a grove whose earth is also covered with shrubs, flowers, and weeds. A spirit of sadness stalks the garden, and the gay sound of birdsong is heard there only seldom. But many are the paths of the orange grove, royal roads and side paths, mountain ranges and valleys, and it is full of breezes and pleasant odors, sights, and colors that take the breath away and that expand the mind. Since the earliest days of the Jewish settlement (yishuv) in pre-State Israel, the literary form of the anthology has served as an instrument for creating as well as documenting Hebrew cultural discourse. Once it was included within anthology and thereby transmitted to the community of writers and readers, even an individual poem or story played a role in the construction of what Benedict Anderson has called the “imagined national community.” Yet in contrast to Anderson’s description of the formation of such a national community-as a linear, homogeneous process-the case of anthology shows that this process is profoundly hybrid, simultaneously encoded as natural and yet always bound up with the operation of mechanisms of production and distribution.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
5

Urbańska, Monika. „„Patrzę na zniszczenie, co święci swe dzieło, lecz przecież nic w mym sercu nie poszło na marne” — poetyckie retrospekcje Jana Lechonia“. In Starość i młodość w literaturze i kulturze. Wydawnictwo Uniwersytetu Łódzkiego, 2016. http://dx.doi.org/10.18778/7969-662-8.18.

Der volle Inhalt der Quelle
Annotation:
First volume of Jan Lechoń poetry appears in print when he was 13. It surprises its maturity and depth. The young poet reached the common motives of decadent sadness and doubt, but spiritual loneliness, interest of existential themes were not typical for teenager. “Karmazynowy poemat” was received as a literary revelation. Lechoń reaches literary perfection as a young man, so all the adult life he efforts to remain poetic laurel. As a mature creator he glanced at his reflection in the mirror, not only to seek the passage of himself, but also to examine his conscience to settle with the past. At the end of his life, Lechoń was convinced “it is all over”. His poems from this period says about longing for the lost homeland. Inner conflict of poet balancing between memories of his youth and terrifying death wish was his characteristics lifelong feature. Premature maturity and tragic death seemed to be his destiny — each lived year of Lechoń’s life can be considered as a temporary postponement of death heppened to him on New York pavement on tragic Friday afternoon in June 1956.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
6

McQuellon, Richard P. „Afterword—Therapist Reflections“. In The Nell Dialogues, 211–18. Oxford University Press, 2021. http://dx.doi.org/10.1093/med/9780190091019.003.0015.

Der volle Inhalt der Quelle
Annotation:
This is the story of Nell embracing her life in the weeks prior to her death and the author’s part in witnessing and assisting her safe passage. She died peacefully as she had wished and prepared for these many months. The idea of mortal time engaged her and opened up a new period of discovery at the end. The constant presence of her spouse Al as well as her beloved cat Amber was a comfort on the journey. Walking with Nell was an invitation for me to cultivate self-knowledge by not only witnessing her narrative but also living in it with her. Suffering, sadness, and grief were all part of the journey as well as the gestures of kindness and appreciation to me, including naming me her bodhisattva, her guide on the road to eternity. Music and poetry helped ease the way. It was fitting to end our work together by giving the eulogy in the church she attended. The work of seeing Nell and being with her is complete. The heart-work continues, fueled by the images of Nell in mortal time.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
7

Kaminski, Johannes D. „Poetry of the Heart as Complicity with the Logos? Female Articulations of Sadness in Goethe’s Lila and Der Triumph der Empfindsamkeit“. In Edinburgh German Yearbook 6, 35–52. Boydell and Brewer, 2012. http://dx.doi.org/10.1515/9781571138422-003.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
8

Horwitz, Allan V., und Jerome C. Wakefield. „The Concept of Depression“. In The Loss of Sadness, 3–26. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195313048.003.0001.

Der volle Inhalt der Quelle
Annotation:
Abstract The poet W. H. Auden famously deemed the period after World War II the “age of anxiety.”1 For Auden, the intense anxiety of that era was a normal human response to extraordinary circumstances, such as the devastation of modern warfare, the horrors of the concentration camps, the development of nuclear weapons, and the tensions of the cold war between the United States and the Soviet Union. Were Auden still alive, he might conclude that the era around the turn of the twenty-first century is the “age of depression.”2 There would, however, be a crucial difference between the two characterizations: whereas the age of anxiety was viewed as a natural response to social circumstances that required collective and political solutions, ours is viewed as an age of sadness that is abnormal-an age of depressive psychiatric disorder that requires professional treatment.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
9

Millington, Richard. „“Immer wieder kehrst du, Melancholie”: Plotting Georg Trakl’s Poetic Sadness“. In Edinburgh German Yearbook 6, 95–112. Boydell and Brewer, 2012. http://dx.doi.org/10.1515/9781571138422-006.

Der volle Inhalt der Quelle
APA, Harvard, Vancouver, ISO und andere Zitierweisen
10

Shortslef, Emily. „Lamentable Objects“. In The Drama of Complaint, 135—C4P113. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192868480.003.0005.

Der volle Inhalt der Quelle
Annotation:
Abstract This chapter explores literary moments that take up the question of what it means to be a good audience. It argues that in their representation of sympathetic audience reception, poetic forms of female complaint register a shift in ethical paradigms of virtuous literary reception. Focusing on key texts of female complaint—including Shakespeare’s The Rape of Lucrece—it shows how these poems imagine the ethical duty of the viewer to consist in sympathetically affirming the artfully constructed sadness of aesthetic objects. In Richard II, the famously plaintive king attempts to turn himself into just such a lamentable object, in order to elicit sympathy for his sadness rather than judgment for his failings. The play offers a critique of this new ethical paradigm, neither recuperating art’s ethical utility nor valorizing sympathy, but making sympathetic reception itself the object of ethical judgment for “good” audiences.
APA, Harvard, Vancouver, ISO und andere Zitierweisen

Konferenzberichte zum Thema "Sadness – Poetry"

1

Ahmed SALIH, Sura. „TIME IN THE POETRY OF JAMIL BUTHAINA“. In III. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress3-3.

Der volle Inhalt der Quelle
Annotation:
Then Believing in the need of our Arab heritage for a second reading that shows its creativity and originality, we chose Jamil Buthaina, who is considered one of the most important poets of virgin Spinning in the Umayyad era, where his name was associated with the name of his beloved. The Arab in general and beautiful poetry in particular. We notice the dominance of time over Arab poetry and the poets’ gaze. The research is divided into several axes:. - Time in Arabic poetry: which we talked about about the element of time in poetry as it is one of the elements of forming the dramatic structure of the poetic text, and that time is associated with poets even in the poetry industry itself in time. - Time in the virginal spinning poetry We talked about the poets’ view of time and considering it responsible for everything that befalls the poet and for the separation of the beloved and the sadness. Time in jamil poetry Buthaina: In this axis we studied time in beautiful poetry, which he highlighted through dialogue. Beautiful poetry is based on dialogue that shows the life of poetry with its lover, its previous and current status, and its complaint about time. In conclusion, we hope that we have succeeded in presenting an adequate summary of our subject, and that it will be in the service of our Arabic literature and the service of scholars
APA, Harvard, Vancouver, ISO und andere Zitierweisen
2

Ho, Chi-chu. „THE AWAKENING AND TRANSFORMATION OF SENSATION IN PU SONGLING’S ILLNESS POETRY“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.08.

Der volle Inhalt der Quelle
Annotation:
This article takes Pu Songling’s illness poetry as research subject to dig out his illness feeling about the five perceptions of the eyes, ears, tongue, and body. From deeply reviewing his four sensations in his poems, we have found the transformation of his life from sadness to glee. Due to the disease of his legs around his forty, he had spent much time lying down on the bed but he had strong feelings of the seasonal changes through his vision, hearing and touch to create a cold and lonely world around himself. After his sixty years old, the illness of his teeth had brought more severe transformation of the feeling of taste and touch. Finally, Pu Songling had accepted all of these sensations and lived with the painful feelings. The plentiful experience of feeling of illness and the fading desire for imperial examination had made huge transformation of Pu Songling’s sensations. The author would review these sensations item by item and through the real characteristic of describing the illness feelings in his poems to analyze deeply the emotional connotation of Pu Songling.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
3

إبراهيم أحمد العزّي, يونس. „Halabja in Poetic Memory: The Crime and the Case“. In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/55.

Der volle Inhalt der Quelle
Annotation:
"Abstract The Halabja case, and the genocide to which the people of this city were subjected, represented an international crime with all the dimensions and connotations of the word, and thus left a wound in the memory of the human conscience, the effects of which were reflected in various forms politically, socially, and culturally. The Halabja crime constituted intellectual and literary foundations for many Iraqi and Arab poets and writers, and it became an artistic theme for many poems and literary works in the contemporary creative achievement. Among these writers was the Iraqi poet (Ahmed al-Hamd al-Mandalawi), whose poem (Execution of a City in My Country) is regarded as an artistic painting that recorded the details of this tragedy, and depicted its bloody events, in a high literary style, and a language far from complex, embodied the poetry of sadness and the memory of pain. This is what makes it a rich sample in technical and objective terms, and worthy of research and study. The stylistic approach was adopted as a method of reading and a mechanism for analysis, to reveal the aesthetics of this poem, and the mechanisms of its artistic formation, according to a critical and analytical vision, highlighting the poetics of the text and the poeticity of the creator on the one hand, the depth of tragedy and the connotations of sadness and sorrow On the other hand, the text. The study methodology necessitated dividing the research into an introduction and three sections. The introduction formed a methodological threshold - including (Halabja - the poem - and the poet), which collectively represents the external / theoretical framework of the research. As for the research sections, it was devoted to the study of the three levels of the poem - according to the mechanisms of the stylistic approach - which are respectively: the structural level, the phonemic level, and the semantic level, which the poet was able through his employment of the elements of formation and artistic construction to highlight these stylistic levels and their poetics that tempt the researcher to approach the text and critically debate it what reveals its aesthetic beauty secrets."
APA, Harvard, Vancouver, ISO und andere Zitierweisen
4

Andreeva, Ekaterina. „ANCIENT RUSSIAN MOTIFS AND IMAGES IN THE POEMS OF ARSENY TARKOVSKY 1941-1945“. In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3637.khmelita-19/149-159.

Der volle Inhalt der Quelle
Annotation:
The article examines the functioning of ancient Russian artistic images and motifs in the poetry of Arseny Tarkovsky during the Great Patriotic War. The appeal to this motives and images fits modern events into the historical context, helps to create a general picture linking the past and present of the country. The author is particularly in demand for the images of Igor and Yaroslavna from “The Word about Igor's Regiment”, he reinterprets and re-creates images taking into account the new situation. Yaroslavna turns into a symbol of love, sadness, longing, memory, in her image everything opposes war and cruelty. In the poems of 1941-1946 there are references to the Horde invasion. Images of invaders appear in the lines of the poems associatively, intuitively: these are mongols, “tatarva”, Mamai. Poems about the war are devoid of pictures of battle, descriptions of cruel and destructive consequences, their main theme is the theme of love (not only between a man and a woman, but also love for the motherland) and memory, the connection of the past, present and future. Overestimating the cultural and historical material Arseny Tarkovsky fills the famous images with a new, universal sound.
APA, Harvard, Vancouver, ISO und andere Zitierweisen
Die Auswahlen zum Thema "Sadness – Poetry" für konkrete Quellenarten können Sie auch interessieren:
Zeitschriftenartikel Bücher
Wir bieten Rabatte auf alle Premium-Pläne für Autoren, deren Werke in thematische Literatursammlungen aufgenommen wurden. Kontaktieren Sie uns, um einen einzigartigen Promo-Code zu erhalten!

Zur Bibliographie