Thematische Bibliographien / S.I.T. Manresa

Auswahl der wissenschaftlichen Literatur zum Thema „S.I.T. Manresa“

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Veröffentlicht am 26. Juli 2024

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Zeitschriftenartikel zum Thema "S.I.T. Manresa"

1

Dembele, Bintou. „S/T/R/A/T/E/S“. Africultures 99 - 100, Nr. 3 (23.07.2015): 250–61. http://dx.doi.org/10.3917/afcul.099.0250.

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2

Faulk, Barry, Marc Redfield und David Chinitz. „T. S. Eliot“. PMLA 110, Nr. 5 (Oktober 1995): 1052. http://dx.doi.org/10.2307/463030.

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Charron, William C. „T. S. Eliot“. Modern Schoolman 73, Nr. 1 (1995): 91–114. http://dx.doi.org/10.5840/schoolman19957316.

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Hecht, A. „T. S. Eliot“. Literary Imagination 5, Nr. 1 (01.01.2003): 3–17. http://dx.doi.org/10.1093/litimag/5.1.3.

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Uygun, S. „The (s, t)-Jacobsthal and (s, t)-Jacobsthal Lucas sequences“. Applied Mathematical Sciences 9 (2015): 3467–76. http://dx.doi.org/10.12988/ams.2015.52166.

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6

MAACK, Torben. „If S ⨉ T is semiperfect, is S or T perfect?“ Hokkaido Mathematical Journal 29, Nr. 3 (Februar 2000): 523–29. http://dx.doi.org/10.14492/hokmj/1350912988.

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Niederreiter, Harald. „Constructions of (t,m,s)-nets and (t,s)-sequences“. Finite Fields and Their Applications 11, Nr. 3 (August 2005): 578–600. http://dx.doi.org/10.1016/j.ffa.2005.01.001.

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8

Baškienė, A. L. „Generalized (f, U s ,u t , λ s t )-structures“. Lithuanian Mathematical Journal 33, Nr. 2 (April 1993): 103–7. http://dx.doi.org/10.1007/bf00975112.

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9

Chan, W. K., und M. K. Siu. „Summary of perfect s×t arrays, 1≤s≤t≤100“. Electronics Letters 27, Nr. 9 (1991): 709. http://dx.doi.org/10.1049/el:19910441.

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10

Andreas, Björn. „T-S-T Dual Black Hole“. International Journal of Modern Physics A 12, Nr. 12 (10.05.1997): 2293–99. http://dx.doi.org/10.1142/s0217751x9700133x.

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The sequence of intertwined T-S-T duality transformations acting on the 4D static uncharged black hole leads to a black hole background with horizon and singularity exchanged. It is shown that this space–time is extendible too. In particular we will see that a string moving into a black hole is dual to a string leaving a white hole. That offers the possibility that a test-string does not see the singularity.
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Dissertationen zum Thema "S.I.T. Manresa"

1

Rosillo, Luque Araceli. „El monasterio de Santa Clara de Manresa : siglos XIV-XVII : Las clarisas en la Cataluña Central“. Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/461178.

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El objetivo de esta tesis doctoral es analizar la historia de la comunidad de monjas del monasterio de Santa Clara de Manresa desde su fundación como clarisas en el año 1322 hasta la ocupación del espacio monástico por una nueva comunidad, esta vez de dominicas, proveniente del monasterio de Ntra. Sra. dels Àngels i Peu de la Creu de Barcelona, en el año 1602, para visibilizar la recepción que el carisma clariano tuvo en la Cataluña Central. La investigación está dividida en dos bloques diferenciados. El primero es una reflexión teórica sobre los conceptos y discursos que han sustentado el análisis de la espiritualidad femenina medieval. Además, esta primera parte muestra el marco historiográfico desarrollado sobre santa Clara y las clarisas, haciendo especial hincapié en el territorio peninsular y catalán. El segundo bloque del trabajo ofrece el análisis de la comunidad de Santa Clara de Manresa tomando como fuente principal los libros notariales conservados sobre la comunidad. Este análisis se desarrolla a través de cinco apartados interrelacionados: el proceso de fundación del monasterio, la experiencia de la vida comunitaria conforme a la regla urbanista, la creación y mantenimiento de una red de vínculos económicos y sociales, la desaparición de la comunidad en el marco de las negociaciones para la reocupación del recinto monástico y, finalmente, a modo de epílogo, la percepción que sobre su pasado clariano tuvieron las dominicas que ocuparon el monasterio, manteniendo viva la memoria de la presencia de las clarisas en Manresa hasta nuestros días.
The goal of this doctoral thesis is to analyze the history of the community of nuns of the monastery of Santa Clara of Manresa since its foundation as Poor Clares in 1322 until the occupation of the monastic space for a new community of Dominican nuns from the monastery of Ntra. Sra. dels Àngels i Peu de la Creu of Barcelona, in 1602, to make visible the reception that the clarissan charism had in Central Catalonia. The research is divided into two distinct sections. The first is a theoretical reflection on the concepts and narratives that have supported the analysis of medieval feminine spirituality. In addition, this first part shows the historiographical framework developed on St. Clare and the Poor Clares, with particular emphasis on the Iberian and Catalan territories. The second section provides the analysis of the community of Santa Clara of Manresa taking as the main source for the research the notarial books on the community that had been preserved. This analysis is developed through five interrelated parts: the monastery’s foundation process, the experience of community life according to the urbanist rule, the creation and maintenance of a network of economic and social links, the disappearance of the community in the context of the negotiations for the re-occupation of the monastic space and, finally, as an epilogue, the perception the Dominicans who occupied the monastery had of their clarissan past, keeping alive the memory of the Poor Clares in Manresa until today.
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Mandal, Umesh Chandra. „Religious thoughts in T S Eliot`s poetry“. Thesis, University of North Bengal, 1992. http://hdl.handle.net/123456789/1150.

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Pujol, Filho Reginaldo da Luz. „S? faltou o t?tulo“. Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2015. http://tede2.pucrs.br/tede2/handle/tede/6138.

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Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2015-06-15T20:19:41Z No. of bitstreams: 1 470511 - Texto Parcial.pdf: 1041654 bytes, checksum: d0c73d813df5aa8f74c465dc3bb1ca6c (MD5)
Made available in DSpace on 2015-06-15T20:19:41Z (GMT). No. of bitstreams: 1 470511 - Texto Parcial.pdf: 1041654 bytes, checksum: d0c73d813df5aa8f74c465dc3bb1ca6c (MD5) Previous issue date: 2015-01-08
This is a Creative Writing project, therefore it starts with a fictional narrative: Just the Title?s Missing (yes, this is the title), about which I will not offer any information because there are some readers who don?t like to know anything before reading; and because this is an abstract and not a book flap; and because some currently believe that it doesn?t matter what the author has to say about their book. But, even so, I would like to say that I not only see this project as a narrative but also as research into themes that are dear to me in the production of fiction and in the observation of the world. Just the Title?s Missing is followed by the essay The Boxed Writer ? Or Who Wants to Be A Writer in Brazil and Other Questions for Characters Who Don?t Exist. This essay starts with my observation of some of the peculiarities of the character Edmundo Dornelles, the protagonist of Just the Title?s Missing. Such peculiarities reflect upon being a writer in Brazil, about this Boxed Writer image that I suggest and about other themes within the Brazilian literary field of the twenty-first century.
Este ? um trabalho de Escrita Criativa. Portanto, come?a com uma narrativa ficcional, S? faltou o t?tulo (sim, este ? o t?tulo), sobre o qual n?o oferecerei informa??es aqui, pois h? leitores que n?o gostam de saber nada antes de ler; pois isto ? um resumo, n?o uma orelha de livro; pois h? correntes que dizem que pouco importa o que o autor tem a dizer sobre o livro. Mas ainda assim gostaria de dizer que vejo esta obra como uma narrativa e tamb?m como uma pesquisa sobre temas que me s?o caros na produ??o de fic??o e na observa??o das coisas do mundo. Segue-se a S? faltou o t?tulo, o ensaio O escritor encaixotado ? Ou quem quer ser escritor no Brasil e outras perguntas para personagens que n?o existem. Este ensaio parte da observa??o de algumas peculiaridades do personagem Edmundo Dornelles, de S? faltou o t?tulo, para refletir sobre a figura do escritor no pa?s, sobre a figura que proponho do Escritor Encaixotado e outros temas do campo liter?rio brasileiro no s?culo vinte e um.
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Ballús, Casóliva Glòria. „La Música a la col·legiata basílica de Santa Maria de la Seu de Manresa: 1714-1808. Dades documentals per a la seva reconstrucció amb una aproximació al repertori litúrgic conservat“. Doctoral thesis, Universitat Autònoma de Barcelona, 2004. http://hdl.handle.net/10803/5193.

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Manresa, ciutat mitjana de Catalunya, important pels seus esdeveniments històrics; l'església de Santa Maria de la Seu, nucli central on si celebraven les festivitats i commemoracions rellevants, a més de la seva litúrgia diària; i dues dades estratègicament escollides 1714-1808 (final de la guerra de Successió i principi de la guerra del francés) són els tres punts sobre els quals es basa la tesi, amb l'interès de mostrar la quotidianitat musical, d'aquests quasi cent anys, per arribar a unes conclusions extrapolables a altres ciutats semblants de Catalunya.
Consta de dues parts:
1a.- Documentació històrica, a partir dels documents conservats, que compren dos apartats:
a.- La transcripció de tres manuscrits inèdits de Joaquim Sarret i Arbós (*1853; 1935) que donen informació de la música a Manresa, de la capella de música i dels organistes de la Seu de Manresa.
b.- La transcripció d'informació a l'entorn de la música a la Seu de Manresa a través de diferents llibres conservats a l'Arxiu Històric de la Seu: A través d'acords: (Concòrdia del Tauler, Consueta del paborde Jacint Romanyà, Noticies de la Comunitat, Deliberacions del Capitols de Canonges, Resolucions de la Comunitat de Beneficiats); i a través dels pagaments i despeses (pòlisses de salaris, comptes de quotidianes distribucions, de terces dels residents; i d'anotacions en altres llibres (eixides de carnisseria, confraria de la Minerva, confraria de les Santes Ànimes, visites dels bisbes).
Incloc, també, una relació dels manuscrits musicals conservats a l'Arxiu de de la Seu, que pertanyen a aquest periode, que fan un total de 191 obres.
2ª.- Documentació musical a través de deu partitures, per donar a conèixer la música que s'interpretava a Manresa, oferir un "nou" material musica inèdit i mostrar models de treball amb exemples concrets.
Les deu partitures, seleccionades segons diferents criteris, mostren a sis compositors: Jaume Balius, Salvador Dachs, Josep Masvasí, Caietà Mensa, Pere Antoni Monlleó i Joan Petzí, dels quals hi incloc una extensa biografia.
Són composicions, totes en llatí, per ser utilitzades en un context litúrgic; amb forma polifònica, a excepció d'una que alterna la polifonia amb el cant pla.
Cada un d'aquests manuscrits musicals, està transcrit amb la partitura i les particel·les corresponents, amb una anàlisi de les tècniques compositives i la comparació o relació
-no exhaustiva- amb altres de semblants d'altres compositors internacionals de la mateixa època, com Domenico Scarlatti (*1685; 1757), Giovanni Pergolesi (*1710; 1736), Joseph Haydn (*1732; 1809), Luigi Boccherini (*1743; 1805), Johann Sebastian Bach (*1685; 1750), Wolfgang Amadeus Mozart (*1756; 1791), Charles Theodore Pachelbel (*1690; 1750), Antonio Vivaldi (*1678; 1741) i Antonio Salieri (*1750; 1825).
Aquestes partitures, enteses com a una selecció significativa, mostren la forma de compondre dels músics d'aquesta época, on predomina la seva "funcionalitat" i demostren eficàcia i utilitat per a l'ocasió per a la qual varen ser realitzades.
La finalitat d'aquesta tesi ha estat principalment donar a conèixer unes partitures perquè puguin ser interpretades. A més, la voluminosa documentació a l'entorn del fet musical ofereix un ampli fons inèdit que pot servir de consulta o com a base a altres investigacions i així ampliar els estudis i treballs d'investigació ja realitzats; i tot això encaminat a conèixer la música del segle XVIII a Catalunya.
Manresa, medium-size Catalan town, important due to its historical events; Santa Maria de la Seu church, central nucleus where outstanding festivities and commemorations were celebrated, as well as its own everyday liturgy; and two strategically chosen dates 1714-1808 (end of the Succession war and beginning of the French war, "guerra del francès") are the three subjects on which the thesis is based, together with the concern for showing the musical daily nature, of those almost a hundred years, in order to draw some comparable conclusions to other similar Catalan towns.
It consists of two parts:
1a.- Historical research, from preserved documents, which comprises two sections:
a.- The transcription of three unpublished manuscripts by Joaquim Sarret i Arbós that give information about music in Manresa, the music choir and organists in "La Seu de Manresa".
b.- The transcription of information about music in "La Seu de Manresa" by means of preserved books from "La Seu" historical archive: through agreements ("Concordia del Tauler", "Consueta del paborde Jacint Romanyà", "Notícies de la Comunitat", "Deliberacions del Capítols de Canonges", "Resolucions de la Comunitat de Beneficiats"); and through payments and expenses (salary certificates, accounts of quotidian distributions, resident taxes); and notes taken from other books (meat market records, Minerva brotherhood, Santes Ànimes brotherhood, bishop visits). I also include a list of the musical manuscripts preserved in "La Seu" archive, which belong to that period, which make up a total number of 191 works.
2a.- Musical research by means of ten scores, to make the music that was interpreted in Manresa known, to offer a "new" unpublished musical material and show models of work together with particular examples. Those scores, chosen according to different criteria, show six composers: Jaume Balius, Salvador Dachs, Josep Masvasí, Caietà Mensa, Pere Antoni Monlleó i Joan Petzí, of whom I include full biographies. They are compositions, all of them in Latin, that were conceived to be used in a liturgical context; in polyphonic form, except for one that uses both polyphony and plainsong alternately.
Each of those musical manuscripts, has been transcribed with its score and respective parts, with an analysis of the composing techniques and comparison or relationship -not exhaustive- to other similar international composers of the same time, such as Domenico Scarlatti (*1685; 1757), Giovanni Pergolesi (*1710; 1736), Joseph Haydn (*1732; 1809), Luigi Boccherini (*1743; 1805), Johann Sebastian Bach (*1685; 1750), Wolfgang Amadeus Mozart (*1756; 1791), Charles Theodore Pachelbel (*1690; 1750), Antonio Vivaldi (*1678; 1741) and Antonio Salieri (*1750; 1825).
These scores, regarded as a remarkable selection, show how musicians used to compose during that time, where their "functional nature" prevails showing great efficacy and usefulness in the occasions for which they were made.
The aim of this thesis has mainly been to have a number of scores come to light so that they can be interpreted. Apart from that, the great volume of documents about the musical fact offers a wide unpublished fund that can be used as a work of reference or as a basis for other studies and thus, do further research from that already done and as a result, get to know the music of the 18th C in Catalonia in greater depth.
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Maire, Christian. „Extensions T-ramifiées modérées, S-décomposées“. Besançon, 1995. http://www.theses.fr/1995BESAA002.

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Rueda, Javier Eduardo. „The Ph(t)/Ph(t)/s/c Queueing Model and Approximation“. Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/9637.

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Time-dependent queueing models are important since most of real-life problems are time-dependent. We develop a numerical approximation algorithm for the mean, variance and higher-order moments of the number of entities in the system at time t for the Ph(t)/Ph(t)/s/c queueing model. This model can be thought as a reparameterization to the G(t)/GI(t)/s. Our approach is to partition the state space into known and identifiable structures, such as the M(t)/M(t)/s/c or M(t)/M(t)/1 queueing models. We then use the Polya-Eggenberger distribution to approximate certain unknown probabilities via a two-moment matching algorithm. We describe the necessary steps to validate the approximation and measure the accuracy of the model.
Master of Science
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O'Keefe, Christine M. „Concerning t-spreads of PG ((s + 1) (t + 1)- 1, q)“. Title page, contents and summary only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09pho41.pdf.

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Tang, Sheung-wo. „The poet as cultural critic : an investigation of aspects of T.S. Eliot's critique of modern culture in his poetry and prose /“. Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19537384.

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Kulkarni, Aditya Umesh. „Approximating Deterministic Changes to Ph(t)/Ph(t)/1/c and Ph(t)/M(t)/s/c Queueing Models“. Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/33460.

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A deterministic change to a time-varying queueing model is described as either changing the number of entities, the queue capacity, or the number of servers in the system at selected times. We use a surrogate distribution for N(t), the number of entities in the system at time t, to approximate deterministic changes to the Ph(t)/Ph(t)/1/c and the Ph(t)/M(t)/s/c queueing models. We develop a solution technique to minimize the number of state probabilities to be approximated.
Master of Science
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Farahbakhsh, Alireza. „Postmodernism in T. S. Eliot's major poems“. Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402676.

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Bücher zum Thema "S.I.T. Manresa"

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Breuer, Marco. S M T W T F S. New York, N.Y: Roth Horowitz, 2002.

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Vivanco, Elsie. S/T. Córdoba, República Argentina: Alción Editora, 2005.

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Davidson, Harriet. T. S. Eliot. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315845777.

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Sharpe, Tony. T. S. Eliot. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21667-3.

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Eliot, T. S. T. S. Eliot. New York: New York Center for Visual History [producer], 1988.

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Bataller, S. Gen(t)s diferents. Alzira: Edicions Bromera, 1989.

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Mullen, Harryette Romell. S*PeRM**K*T. Philadelphia: Singing Horse Press, 1992.

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Guilpain, Laureline. S(t)imulation pavillonnaire. Paris: Archibooks, 2014.

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S/T. Córdoba, República Argentina: Alción Editora, 2005.

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Marques, Sara Vieira. S/t. Independently Published, 2018.

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Buchteile zum Thema "S.I.T. Manresa"

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Leobacher, Gunther, und Friedrich Pillichshammer. „(t, m, s)-Nets and (t, s)-Sequences“. In Introduction to Quasi-Monte Carlo Integration and Applications, 107–42. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-03425-6_5.

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Wicht, Wolfgang. „T. S. Eliot“. In Kindler Kompakt: Lyrik des 20. Jahrhunderts, 104–7. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04504-1_18.

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Wicht, Wolfgang. „T. S. Eliot“. In Kindler Kompakt: Drama des 20. Jahrhunderts, 124–25. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04526-3_25.

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Gordon, Lyndall. „T. S. Eliot“. In The Craft of Literary Biography, 173–85. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07452-5_11.

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Wicht, Wolfgang. „Eliot, T. S.“ In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8458-1.

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Cuda, Anthony. „T. S. Eliot“. In A Companion to Modernist Poetry, 450–63. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118604427.ch37.

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Wicht, Wolfgang. „T. S. Eliot“. In Kindler Kompakt Englische Literatur 20. Jahrhundert, 41–44. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05526-2_4.

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Wicht, Wolfgang. „T. S. Eliot“. In Kindler Kompakt Amerikanische Literatur 20. Jahrhundert, 56–59. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05528-6_9.

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Handley, Graham, und Anne Dangerfield. „T. S. Eliot“. In English coursework, 29–37. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-13024-5_5.

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Davidson, Graham. „S. T. Coleridge“. In The Blackwell Companion to the Bible in English Literature, 413–24. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444324174.ch29.

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Konferenzberichte zum Thema "S.I.T. Manresa"

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Jabar, Faizan Abd. „Malaysian Homestay Opera t o r s A n d V i s i t o r s S a t i s f a“. In IEBMC 2017 – 8th International Economics and Business Management Conference. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.07.02.81.

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„S&T reviewers“. In 2011 IEEE International Symposium on Mixed and Augmented Reality. IEEE, 2011. http://dx.doi.org/10.1109/ismar.2011.6092351.

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„S&T reviewers“. In 2011 IEEE International Symposium on Mixed and Augmented Reality. IEEE, 2011. http://dx.doi.org/10.1109/ismar.2011.6162854.

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4

Brink, James, und Gregory Peisert. „S&T affordability toolkit“. In Space Technology Conference and Exposition. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1999. http://dx.doi.org/10.2514/6.1999-4496.

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„S&T program committee“. In 2011 IEEE International Symposium on Mixed and Augmented Reality. IEEE, 2011. http://dx.doi.org/10.1109/ismar.2011.6162852.

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Zeifman, Alexander, Yakov Satin, Sergey Shorgin und Vladimir Bening. „On Mn(t)/Mn(t)/S queues with catastrophes“. In 4th International ICST Conference on Performance Evaluation Methodologies and Tools. ICST, 2009. http://dx.doi.org/10.4108/icst.valuetools2009.7442.

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Šimbelis, Vygandas "Vegas", und Anders Lundström. „Synesthetic Experience in S T R A T I C“. In TEI '18: Twelfth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3173225.3173310.

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„Author list: T“. In 2011 IEEE/MTT-S International Microwave Symposium - MTT 2011. IEEE, 2011. http://dx.doi.org/10.1109/mwsym.2011.5973087.

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„Author details: T“. In 2011 IEEE/MTT-S International Microwave Symposium - MTT 2011. IEEE, 2011. http://dx.doi.org/10.1109/mwsym.2011.5973101.

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„Authors list-T“. In 2010 IEEE/MTT-S International Microwave Symposium - MTT 2010. IEEE, 2010. http://dx.doi.org/10.1109/mwsym.2010.5515316.

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Berichte der Organisationen zum Thema "S.I.T. Manresa"

1

Dresner, L. The superfluid diffusion equation S(T)(@T/@t) = nabla ter dot (K(T)( nabla T) sup 1/3 ). Office of Scientific and Technical Information (OSTI), Juni 1990. http://dx.doi.org/10.2172/6702252.

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2

OFFICE OF NAVAL RESEARCH ARLINGTON VA. Naval S&T Strategic Plan. Fort Belvoir, VA: Defense Technical Information Center, Januar 2011. http://dx.doi.org/10.21236/ada552459.

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Barry, Charles L. Army S&T Investment in Interoperability. Fort Belvoir, VA: Defense Technical Information Center, Januar 2009. http://dx.doi.org/10.21236/ada494634.

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Betterton, T., C. J. Brinkman, P. A. Drew, P. Fratarangelo, M. J. Gianelli, E. Horvitz, J. A. Johnson, J. B. Mooney, N. Polmar und J. Y. Rodriguez. Navy S&T in FORCENet Assessment. Fort Belvoir, VA: Defense Technical Information Center, Juli 2004. http://dx.doi.org/10.21236/ada444723.

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Egan, Christopher, Eric Dow, Maria G. Medeiros, Russell Bessette und James Cichon. Semi-Fuel Cell Power System S&T. Fort Belvoir, VA: Defense Technical Information Center, Juli 1998. http://dx.doi.org/10.21236/ada348704.

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6

Pierce, Byron J., und George A. Geri. Visual Simulation S&T: Summary of Accomplishments. Fort Belvoir, VA: Defense Technical Information Center, Dezember 2006. http://dx.doi.org/10.21236/ada466844.

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7

Lyons, John W., und Richard Chait. Enhancing Army S&T Vol. 2: The Future. Fort Belvoir, VA: Defense Technical Information Center, März 2012. http://dx.doi.org/10.21236/ada586170.

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8

Khanov, Alexander. Measurement of the t anti-t production cross-section at √s = 1.96-TeV using lifetime tagging. Office of Scientific and Technical Information (OSTI), Januar 2004. http://dx.doi.org/10.2172/15017360.

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9

Choi, Suyong. Spin correlation in t$\bar{t}$ production from p$\bar{p}$ collisions at √s = 1.8 TeV. Office of Scientific and Technical Information (OSTI), August 1999. http://dx.doi.org/10.2172/756641.

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ARMY RESEARCH LAB ADELPHI MD. Army Research Laboratory S&T Campaign Plans 2015-2035. Fort Belvoir, VA: Defense Technical Information Center, September 2014. http://dx.doi.org/10.21236/ada610955.

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