Dissertationen zum Thema „Russian fiction – 20th century“
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Elbaum, Henry. „Rhetoric and fiction : interaction of verbal genres in the Soviet literature of the twenties and thirties“. Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75698.
Der volle Inhalt der QuelleThe theme of industrialization is examined in the last two chapters of the thesis in its dialectic interaction with various Neo-Rousseauist conceptions, which either reflect the authors' own ambivalence about socialist construction, or constitute a rhetorical device used in order to reinforce dialogically industrialist ideology.
Dreyer, Nicolas D. „'Post-Soviet neo-modernism' : an approach to 'postmodernism' and humour in the post-Soviet Russian fiction of Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin“. Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1917.
Der volle Inhalt der QuelleGoggin, Joyce. „The big deal, card games in 20th-century fiction“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0006/NQ35594.pdf.
Der volle Inhalt der QuelleAllen, Claire. „Beyond postmodernism : London fiction at the millenium“. Thesis, University of Northampton, 2010. http://nectar.northampton.ac.uk/8845/.
Der volle Inhalt der QuelleMilstead, Mary. „Quiet Little Animals“. PDXScholar, 2014. https://pdxscholar.library.pdx.edu/open_access_etds/1620.
Der volle Inhalt der QuelleRampton, Vanessa. „Conceptions of freedom in Russian liberal theory, 1900 to 1914“. Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607937.
Der volle Inhalt der QuelleHarris, Katharine. „The neo-historical aesthetic : mediations of historical narrative in post-postmodern fiction“. Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/76623/.
Der volle Inhalt der QuelleSabatini, Sandra. „Making babies, representations of the infant in 20th century Canadian fiction“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ60564.pdf.
Der volle Inhalt der QuelleGreenidge, Ruqqiya Lydia. „After the end : post-apocalyptic fiction in the long 20th century“. Thesis, Aberystwyth University, 2018. http://hdl.handle.net/2160/b6574289-a5f3-41c3-b666-04e8e51f5250.
Der volle Inhalt der QuelleGardam, Sarah Christine. „THE PATHOS OF TEMPORALITY IN MID-20TH CENTURY ASIAN AMERICAN FICTION“. Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/487648.
Der volle Inhalt der QuellePh.D.
Lack of understanding regarding the role that temporality-pathos plays in Asian American literature leads scholars to misread many textual passages as deviations from the implied authors’ political critiques. This dissertation invites scholars to recognize temporality-focused passages in Younghill Kang’s East Goes West, Carlos Bulosan’s America is in the Heart, and John Okada’s No-No Boy, as part of a pathos formula developed by avant-garde Asian American writers to resist systemic alienations experienced by Asian Americans by diagnosing and treating America’s empathy gap. I find that each of pathae examined – the pathos of finitude, the pathos of idealism, and the pathos of confusion – appears in each of the major primary texts discussed, and that these pathae not only invite similitude-based empathy from a wide readership, but also prompt, via multiple methods, the expansion of empathy. First, the authors use these pathae diagnostically: the pathos of finitude makes visible American imperialism’s destruction of prior ways of life; the pathos of idealism exposes the falsity of the futures promised by liberalism; and the pathos of confusion counters the destructive nationalisms that fractured the era. Second, the authors use these temporality pathae to identify the instrumentalist reasoning underlying these capitalist ideologies and to show how they stunt American empathy. Third, the authors deploy formal and thematic complexities that cultivate empathy-generating faculties of mind and cultivate alternative forms of reasoning.
Temple University--Theses
Kay, Barbara J. Goodsell. „Conflictual representations : North American representations of war in the 20th century /“. Thesis, [Hong Kong] : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13762096.
Der volle Inhalt der QuelleWang, Labao. „Australian short fiction in the 1980s : continuity and change“. Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27583.
Der volle Inhalt der QuelleDini, R. J. A. „The redemption of rubbish : representations of waste in selected 20th-century fiction“. Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1471337/.
Der volle Inhalt der QuellePyanzina, Elizaveta Anatolyevna 1981. „Representation of the Peoples of the Caucasus in 20th Century Russian Literature and Cinematography“. Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11489.
Der volle Inhalt der QuelleFor centuries, Russian writers have stressed the important role the Caucasus played in the Russian Empire. In the last few decades, much attention has been directed at the Caucasians in literary works and movies as a result of the two Chechen wars. This thesis addresses the evolution of the Caucasian theme in Russian literature beginning from the 18th century with a focus on the contemporary representation of the peoples of Caucasus, mainly Chechens, in three works: a Soviet-era movie by Leonid Gaidai,
Committee in charge: Dr. Susanna Soojung Lim, Chairperson; Dr. Katya Hokanson, Member
Hardiman, Louise Ann. „The firebird's flight : Russian arts and crafts in Britain, 1870-1917“. Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709085.
Der volle Inhalt der QuelleThompson, Rowan Douglas. „Art and authority : aspects of Russian art since 1917“. Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1007298.
Der volle Inhalt der QuelleSmith, Olga. „Between reality and fiction : the art of French photography since the 1970s“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.
Der volle Inhalt der QuelleVIRBAN, Floarea. „The new discursive formation of literature under communist rule : from the silver age to socialist realism“. Doctoral thesis, European University Institute, 2007. http://hdl.handle.net/1814/6998.
Der volle Inhalt der QuelleExamining Board: Prof. Dr. Edward Arfon Rees (EUI) ; Prof. Dr. Martin Van Gelderen (EUI) ; Prof. Dr. Gian Piero Piretto (Milan University) ; Prof. Dr. Vera Tolz (Manchester University)
PDF of thesis uploaded from the Library digital archive of EUI PhD theses
The primary aim of this thesis is to question how, and the extent to which, the implementation of Communist rule in Russia influenced the new discursive formation of literature. The latter refers to the complex process of continuous transformation of the literary discourse due to the interaction of a heterogeneous set of factors (such as theories, works, institutions, practices, policies, agents, instruments and many others). This transformation concerns not only those trends, theories, policies, or practices, which emerged from within the Marxist-Bolshevik framework and culminated with the appearance of Socialist Realism, but also those which developed outside of this framework and, thus, ‘ignored’, challenged or opposed it. Moreover, it considers those shifts which occurred because of the tension created between these two challenging paradigms, as well as due to a continuous striving for mutual accommodation. In chronological terms, the analysis broadly deals with the years between the 1890s and the 1930s, while focusing more specifically on the 1920s- 1930s. This study attempts to go beyond the ‘orthodox’ analysis of the literary discourse, by transcending literary studies. Such a strategy has a dual purpose. On the one hand it intends to present a deeper understanding of the literary phenomenon, by seeing it in connection with a cultural and intellectual tradition, as well as part of a defined historical reality. On the other hand, it aims to contribute to the study of this tradition and of the historical context of the literary discourse being analysed. Broadly, this analysis aims to show the way in which the political power of the Communist ideology was challenged by the strength of the literary world.
Kempf, Anette Ingeborg. „The written representation of dialect, with case studies from 20th century Glasgow fiction“. Thesis, University of Edinburgh, 1998. http://hdl.handle.net/1842/28345.
Der volle Inhalt der QuelleHans, Birgit. „Surrounded: The fiction of D'Arcy McNickle“. Diss., The University of Arizona, 1988. http://hdl.handle.net/10150/184452.
Der volle Inhalt der Quelle阮佩儀 und Pui-yee Yuen. „A study of the Art of Mu Shiying's fiction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31222134.
Der volle Inhalt der QuelleMurphy, Carl. „One in heart : the marriage metaphor in nineteenth-century English-Canadian fiction“. Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39340.
Der volle Inhalt der QuelleThe marriage metaphor can be understood within the conservative, idealistic context of nineteenth-century Anglo-Canadian intellectual history.
This study examines marriage imagery in a number of novels--most of them historical romances--published between 1824 and 1899.
Strecker, Geralyn. „Reading prostitution in American fiction, 1893-1917“. Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1213148.
Der volle Inhalt der QuelleDepartment of English
Mbatsha, Thembisa. „A critical analysis of the screen adaptation of Saule’s Unyana womntu“. Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/d1018674.
Der volle Inhalt der QuelleChan, Wing-chun Julia, und 陳永晉. „Towards an aesthetics of cliché: cultural recycling and contemporary fiction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42182311.
Der volle Inhalt der QuelleLin, Yuexin Rachel. „Among ghosts and tigers : the Chinese in the Russian Far East, 1917-1920“. Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:6b8153ea-0f39-43cd-9c76-416f86c85d02.
Der volle Inhalt der QuelleShao, Dong, und 邵棟. „A study of yingxi fiction in the early republican China = Min chu ying xi xiao shuo yan jiu“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/206447.
Der volle Inhalt der Quellepublished_or_final_version
Chinese
Master
Master of Philosophy
Humphreys, Charlotte M. „Cubo-Futurism in Russia, 1912-1922 : the transformation of a painterly style“. Thesis, University of St Andrews, 1989. http://hdl.handle.net/10023/2946.
Der volle Inhalt der QuelleBell, Pamela. „Art that never was : representations of the artist in twentieth-century Australian fiction“. Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.
Der volle Inhalt der QuelleAbu-Manneh, Bashir. „Fiction of the New statesman, 1913-1939“. Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:a2444f4a-ee6b-4063-afbf-26348bd22356.
Der volle Inhalt der Quelle阮慧娟 und Wai-kuen Jeannie Yuen. „Crisis and negotiation: a study of modern chinese fiction in the eighties“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212050.
Der volle Inhalt der QuelleArmanno, Venero. „The volcano“. Thesis, Queensland University of Technology, 1998.
Den vollen Inhalt der Quelle findenKneen, Kris. „Head on“. Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/35902/1/35902_Kneen_1998.pdf.
Der volle Inhalt der QuelleTrapnell, Rose Maria. „Ali Seashells“. Thesis, Queensland University of Technology, 1998.
Den vollen Inhalt der Quelle findenPinson, Guillaume 1973. „Fiction du monde : analyse littéraire et médiatique de la mondanité, 1885-1914“. Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102151.
Der volle Inhalt der QuelleA first part explores the organisation of the topics and the main genre of the mundane society in the press, applying the social discourse theory. The analysis is based on the perusal of a set of representative daily newspapers (Le Gaulois, Le Figaro) and of weekly and monthly publications (Le Grand monde, La Vie parisienne, Femina notably, as well as around thirty other titles). It shows that the mundane society in the newspaper is constrained by a poetics stemming from the characteristics of press writing: collective writing, periodicity of the publication, text length limitation and reference to reality. Some texts are tempted by fiction, even though they keep a reality-based referential, whereas other texts that are openly fictitious, fit the mundane fiction into the newspaper.
The second part is based on the general conclusion of the first part: the mundane society in the newspaper is a represented society, made of for a distant and anonymous public. With the advent of the medias in the 19th century, the mundane society has entered into the era of mediations and "industrial writing". Some writers, from Bourget to Proust, take these upheavals into account and present the mundane society as a metaphor of the mass media society. This is done following three main axes: the temptation of withdrawal of the fiction into a closed world (psychological and mundane movement impulsed by Goncourt with Cherie, prolonged by Bourget and Hervieux notably); the games of exchange between the novel and the newspaper (Maupassant, Toulet, Legrand, amongst others); and finally, the isolation of the mundane world and the aesthetic work on mediations (Rolland, Colette, Mirbeau, Lorrain et Gide notably). All these writings address the question of sociability at the era of the triumph of mediations: what room is left for the mundane society, for direct encounter, for exchange, in a world of mediation and mass media coverage? for immediate connections in a society of mediated ties? The epilogue proposes a journalistic reading of A la recherche du temps perdu, synthesis-work which inaugurates a modern and sociological perception: it is in the world of the imagined mundane society, distant and represented in the mass media, that the narrator draws the resources for his observation of the world.
許子東 und Zidong Xu. „Narratives of the "Cultural Revolution" in contemporary Chinese fiction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31237915.
Der volle Inhalt der QuelleWhitehead, Claire Eugenie. „Theory and practice of the fantastic in French and Russian prose fiction of the Nineteenth Century“. Thesis, University of Bristol, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.393098.
Der volle Inhalt der Quelle程雲峰 und Wan-fung Ching. „The images of peasants in modern Chinese fiction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31209166.
Der volle Inhalt der QuelleRoy, Nina Tamara. „Harvest of memories : national identity and primitivism in French and Russian art, 1888-1909“. Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37827.
Der volle Inhalt der QuelleThe myth of the peasantry as developed in nineteenth century European thought centres around the premise that rural populations were an unchanging element of society whose traditional customs, religious beliefs, and modes of production contrasted sharply with the accelerated changes in urban culture. A critical examination of selected paintings by the French artist Paul Gauguin (1848--1903), the Russian Neoprimitivist Natalia Goncharova (1881--1962), and the French Fauve painter Othon Friesz (1879--1949) within their specific, social contexts reveals the ways in which the modern, artistic maintenance of the rural myth elucidates current political and social issues of nationalism. This underscores the peasantry's symbolism within the nation as representative of a national, collective consciousness and ancestry. The peasantry's incorporation into the primitivist discourse and the cultural articulation of the rural myth are revealed in the paintings The Vision After the Sermon (1888), Yellow Christ (1889), Fruit Harvest (1909), and Autumn Work (1908). The paintings and their respective social contexts situate the peasantry both as constructions within the primitivist discourse and symbols of national identity, thereby disrupting the structure of alterity upon which primitivism is predicated.
Slaughter, Carolyn Overton. „Language as disclosure in five modernist American works“. Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184311.
Der volle Inhalt der Quelle李仕芬 und Shi-fan Lee. „The male characters in the fiction of contemporary Taiwanese women writers“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.
Der volle Inhalt der Quelle胡從經 und Cong-jing Hu. „A criticism of the studies of Chinese fiction during the period 1900 to 1950“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31234173.
Der volle Inhalt der QuelleWagenaar, Peter Simon. „The shadowed corners of sunlit ruins: Gothic elements in twentieth century children's adventure fiction“. Thesis, Rhodes University, 1991. http://hdl.handle.net/10962/d1002293.
Der volle Inhalt der QuelleIngham, Michael Anthony. „Theatre of storytelling : the prose fiction stage adaptation as social allegory in contemporary British drama /“. Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20275961.
Der volle Inhalt der QuellePasholok, Maria. „Imaginary interiors : representing domestic spaces in 1910s and 1920s Russian film and literature“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c9d47ca1-6164-48fb-99f1-67ef37c77c4a.
Der volle Inhalt der QuelleHo, Julie Elaine. „"Half of life": male voices in the novels of Carol Shields“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31222596.
Der volle Inhalt der QuelleFong, Sing-ha, und 方星霞. „Continuity and transcendence of Jing School“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39558228.
Der volle Inhalt der QuelleGeorge, Delyth Ann. „Rhai agweddau ar serch a chariad yn y nofel Gymraeg - 1917-85“. Thesis, Aberystwyth University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295763.
Der volle Inhalt der QuelleStewart, Robert Earl. „The catastrophe of entertainment : televisuality and post-postmodern American fiction“. Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30220.
Der volle Inhalt der QuelleHuebner, Andrew Brooks. „Famine Fighters: American Veterans, the American Relief Administration, and the 1921 Russian Famine“. Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609075/.
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