Thematische Bibliographien / Roszak

Auswahl der wissenschaftlichen Literatur zum Thema „Roszak“

Autor: Grafiati
Veröffentlicht am 25. Mai 2024

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Zeitschriftenartikel zum Thema "Roszak"

1

Kanner, Allen D. „Theodore Roszak (1933–2011)“. Ecopsychology 3, Nr. 3 (September 2011): 213–14. http://dx.doi.org/10.1089/eco.2011.0037.

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2

Crow, Thomas. „On Theodore Roszak and the Counterculture to Come“. Critique d’art, Nr. 58 (01.06.2022): 87–101. http://dx.doi.org/10.4000/critiquedart.91765.

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3

Aanstoos, Christopher M. „Culture, psychology and ecology: An interview with Theodore Roszak.“ Humanistic Psychologist 24, Nr. 2 (1996): 155–74. http://dx.doi.org/10.1080/08873267.1996.9986848.

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4

Brzeziński, Daniel. „Piotr Roszak, Mozarabowie i ich liturgia. Chrystologia rytu hiszpańsko-mozarabskiego“. Roczniki Teologiczne 63, Nr. 8 (2016): 187–91. http://dx.doi.org/10.18290/rt.2016.63.8-14.

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5

Snell, Tristan L., Janette G. Simmonds und R. Scott Webster. „Spirituality in the Work of Theodore Roszak: Implications for Contemporary Ecopsychology“. Ecopsychology 3, Nr. 2 (Juni 2011): 105–13. http://dx.doi.org/10.1089/eco.2010.0073.

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6

Małczyński, Bartosz. „Das endgültige Öffnen einer schweren Türe“. Transfer. Reception Studies 8 (29.12.2023): 269–85. http://dx.doi.org/10.16926/trs.2023.08.06.

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This review is dedicated to the ten-volume edition of the Dzieła zebrane [Collected Works] of Tymoteusz Karpowicz, a significant Polish poet, playwright, literary and cultural scholar. It emphasises the scope and high quality of the editorial work carried out by Jan Stolarczyk in collaboration with Joanna Roszak. The text also synthetically discusses the content of the subsequent volumes published between 2011 and 2023, with a particular focus on the tenth volume Eseje, poezja, publicystyka, wywiady [Essays, Poetry, Journalism, Interviews], which concludes the complete edition.
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Crow, Thomas. „A propos de Theodore Roszak et de la contre-culture à venir“. Critique d’art, Nr. 58 (01.06.2022): 86–100. http://dx.doi.org/10.4000/critiquedart.91774.

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8

Castleman, Michele Daniele. „Uncanny Youth: Childhood, the Gothic, and the Literary Americas by Suzanne Manizza Roszak“. Children's Literature Association Quarterly 47, Nr. 4 (Dezember 2022): 422–24. http://dx.doi.org/10.1353/chq.2022.0052.

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9

Versluis, Arthur. „What Is Gnosis? An Exploration“. Gnosis: Journal of Gnostic Studies 4, Nr. 1 (25.06.2019): 81–98. http://dx.doi.org/10.1163/2451859x-12340069.

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Abstract The word “gnosis” is widely used in contemporary scholarship in a range of fields including not only the study of the historical phenomenon of Gnosticism, but also in more unexpected areas like translations of Buddhist texts, where the term has taken on a fairly specific collectively understood meaning. Broadly speaking, in the developing consensus visible both in scholarship and in popular culture, gnosis refers to knowledge that transcends ratiocinative, discursive, or dualistic forms of knowledge. Gnosis, broadly understood both in scholarship and to some extent in popular culture, refers to knowledge understood as the transcendence of self/other dualism. Authors discussed include Edward Conze, Theodore Roszak, Carl Jung, Andrew Newberg, April DeConick, Peter Carroll, Andrieh Vitimus, Ken Wilber, and Christopher Bache.
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Sels, Maury van Loben. „Briefly Noted Theodore Roszak .The Voice of the Earth. New York, Simon and Schuster, 1992.“ San Francisco Jung Institute Library Journal 11, Nr. 4 (Januar 1993): 75–77. http://dx.doi.org/10.1525/jung.1.1993.11.4.75.

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Dissertationen zum Thema "Roszak"

1

Moutel, Noémie. „Cartographier des trajectoires d’émancipation écoféministe à partir de l’œuvre de Theodore Roszak“. Electronic Thesis or Diss., Angers, 2023. http://www.theses.fr/2023ANGE0069.

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De la contre-culture états-unienne aux perspectives écoféministes contemporaines, cette thèse présente l’œuvre et la carrière de Theodore Roszak tout en montrant de quelles manières la proposition écopsychologique de l’auteur s’appuie sur les postulats féministes, écologiques et anticapitalistes forgés durant les années 1960 aux Etats-Unis. Ce travail présente également à la communauté scientifique un apport conceptuel innovant qui consiste à repérer des trajectoires d’émancipation écoféministe dans la littérature de fiction à l’aune des quatre topoï définis : le foyer, la lisière, la forêt et la clairière. Cette spatialisation des lieux concrets et métaphoriques qui ordonnent des processus écoféministes de désaliénation des paradigmes patriarcaux et néo-libéraux est présentée au travers d’un corpus de sept autrices tatsuniennes. Cette thèse défend enfin l’idée que les notions de « trajectoire d’émancipation écoféministe » et de « viol de la terre » sont constitutives d’une approche écoféministe de la littérature et des études culturelles anglophones
From the American counter culture to contemporary ecofeminist perspectives, this thesis exposes Theodore Roszak’s works and career while showing the ways in which his ecopsychological proposition is founded in the feminist, ecological, and anticapitalist premises forged during the 1960s in the United States. This dissertation also brings to the attention of the scientific community an innovating and conceptual input which consists in mapping ecofeminist emancipatory trajectories in fiction via the four topoi here defined: the hearth, the edges, the forest and the glade.This spatialization of the concrete and metaphorical places that organize ecofeminist processes of desalienation from patriarcal and neoliberal paradigms is presented via a corpus of sevent female authors from the United States. This thesis eventually defends the idea that the notions of « ecofeminist emancipatory trajectory » and of « the rape of the earth » are constitutive of an ecofeminist approach to literature and cultural studies
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2

Coope, Jonathan. „Pathologizing modernity : critical implications of the conceptions of 'pathology' and 'higher sanity' in the works of Theodore Roszak and Ken Wilber“. Thesis, University of Chichester, 2008. http://eprints.chi.ac.uk/826/.

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In this thesis I argue that 'critical theorists', and the left in general, have paid insufficient attention to the psychological and pathological dimensions of the problems of modernity, including its environmental predicaments. To address this theoretical lacuna, I critically examine the conceptions of 'collective pathology' and 'higher sanity' as articulated in the relatively neglected work of Theodore Roszak and Ken Wilber, my position being that these two thinkers offer the most sophisticated readings of modernity and its 'ecological crises' in terms of pathology currently available. I also demonstrate a number of crucially significant implications of their work for contemporary critical theory. Consequently, the thesis is organized in two parts: in Part One I examine the work of Roszak and Wilber; in Part Two I explore major, critical implications of their work. The thesis begins with a critical examination of the concepts of 'pathology' and 'higher sanity' in Roszak and Wilber. I subsequently show how a critique in terms of these concepts alerts us to specific legimating tropes in ecocritical theory which have deligitimized competing discursive practices, and how such conceptions address and illuminate an ecological 'blind spot' in contemporary historical theorizing: no such study has been previously attempted. I then argue that conceptions of 'pathology' and 'higher sanity' indicate that debates between eco-centric notions of nature as 'real' and postmodernist notions of nature as a 'social construction' represent a double-bind; a false problem caused by specific unconscious and/or unacknowledged presuppositions. I go on to demonstrate how this double-bind can be overcome by, for example, exploring the psychology of Derridean deconstruction. In its examination of the critical implications of 'pathology' and 'higher sanity', this thesis can be read overall as a way of regrounding a radical ecological critique that is fully 'postmodem' - in the sense of aporetic - yet 'transcendent' at the same time. Consequently, this study is offered as an original resource for radical environmental activists who consider that the 'grounding' of their critique is undermined by postmodern and/or deconstructionist anti-foundationalism; I argue that such fears are 'groundless'.
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3

Rose, Andrew. „Numerical simulations of the stochastic KDV equation /“. Electronic version (PDF), 2006. http://dl.uncw.edu/etd/2006/rosea/andrewrose.pdf.

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4

Al-Murahhem, Faredah Mohsen. „Behind the Roshan : Visualising the Roshan as an Architectural Experience in Traditional Domestic Interiors“. Thesis, University of Brighton, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486674.

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This research is important within the context of a distinct lack of detailed studies in the field, blended with the continuing disappearance of the roshan through relentless modern development. Yet the contribution of this study is timely. 'Behind the Roshan', unlike many other studies, focuses on the roshan's habitation and the experience of being within it. It also tells the story of its terminology and its historical background, both within its original milieu and beyond. Moreover, the study emphasises the senses and the fluid meaning of the space at different times during the day and on special occasions. This work is particularly apposite, . at a time when experience and understanding of the roshan is fast vanishing. Visualising the roshan is a critical analysis that examines the roshan from different perspectives: firstly, from the Orientalists as nonnative inhabitants, in their visualising of the roshan from outside, as well as their experience of being within it. Secondly, that of the indigenous inhabitants who experience their own senses; capturing various scenes within traditional interiors. 'Behind the Roshan' offers an understanding of the roshan in a holistic cultural context of nineteenth-century domestic interiors in the Islamic world. It also looks beyond the notion of the roshan, locating it alongside current essential aspects, such as the bijab (veil), in relationship to architecture. The sensory experience within the roshan complements this cultural perception and offers an insight into the normal daily inhabitation of this element within the interior. The final format of this project is significant in its documentation of visual evidence, a counterpart to the cultural, social and historical discussions that precede it. The written component is accompanied by a CD-ROM, with an interactive presentation of the heritage of the roshan. The complete study makes a comprehensive document of the roshan accessible to a wider audience, recording the visual language of its experience, in time and culture, in a digital format. There is currently no reference that offers an interactive document ' including text, still and moving images with aural elements to enhance the visualisation and the experience of the roshan. This endeavour therefore makes a major contribution to .. the originality of this research. Most importantly, it will reclaim the roshan for Islamic architecture in terms of definition and knowledge.
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deLise, Louis Anthony. „Marimba Rossa [dissertation]“. Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19912.

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Music Composition
Ph.D.
ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese
Temple University--Theses
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6

Ferrero, Frédéric. „Approche physio-pathologique et exploitation génétique de l'expression de la résistance à l'oïdium (sphaerotheca pannosa lev. , var. Rosae) dans le genre Rosa“. Avignon, 2005. http://www.theses.fr/2005AVIG0314.

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L'oïdium du rosier est une maladie fongique foliaire, à lourdes conséquences économiques, provoquée par Sphaerotheca pannosa var. Rosae qui se développe sur l'hôte sans entraîner sa mort. Ce travail de thèse rapporte une étude en 4 étapes des relations hôte-parasite : 1- L'évaluation de l'expression des symptômes d'oïdium, dans une collection d'espèces botaniques et une de rosiers modernes. Elle a permis d'identifier des génotypes résistants. 2- Un programme de croisements pour évaluer la transmission de la résistance et les aptitudes à la combinaison. L'observation des ségrégations, sur les descendances d'un plan de croisement diallèle entre espèces 2x, a confirmé que le caractère de résistance était gouverné par plusieurs gènes. La démarche d'introgression de résistance, via un dihaploïde 2x de rosier moderne 4x, croisé avec R. Wichuraïana 2x, suivie de croisements frères–sœurs, s'est imposée pour fixer le caractère. 3- La recherche d'outils de criblage. Celle-ci a conduit à un test biologique d'évaluation de la résistance à l'oïdium et à des méthodes d'isolation et de maintien d'inoculum monoconidial. 4- L'étude de l'installation de la cuticule foliaire et de son efficience suivant : génotype, âge de l'organe et conditions d'environnement. Une méthodologie a été établie pour moduler l'installation de la cuticule sur des plantules issues d'in vitro. L'évapotranspiration cuticulaire de génotypes résistants a été mesurée inférieure à celle de sensibles. Enfin, une nutrition élevée en calcium activerait l'installation de la cuticule. En conclusion, l'ensemble de ces résultats contribue à la connaissance de la maladie et à la définition d'une stratégie pour la sélection du caractère de Résistance à l'oïdium
Powdery mildew of the rose tree induces heavy economic consequences. This disease is due to an external fungus Sphaerotheca pannosa var. Rosae that develops on the host without resulting in his death. This work of thesis points out a study in four steps of the relations host-parasite : 1- the evaluation of the expression of the symptoms of powdery mildew, in two collections, one of botanical species and another of modern rose trees. This approach allowed to identify resistant genotypes. 2- a program of crossings to evaluate the transmission of resistance and abilities for combination. The observation of the segregations, on the progenies from a diallele crossing plan between diploid species, confirmed that the character of resistance was controlled by several genes. The process for introgression of resistance, via a dihaploïd (2x) of modern rose tree (4x) cross with R. Wichuraïana (2x) followed with serial brother-sister crossings revealed as essential to fix the character. 3- the search for tools of sifting. This one led to a biological test of evaluation of resistance to powdery mildew and to methods for the isolation of the inoculum and following for the obtainment of mono-conidial isolates. 4- the study of the installation of the foliar cuticle and its efficiency according to : genotype, age of the organ and environmental conditions. A process was established to modulate the installation of the cuticle on plantlets resulting from in vitro. The cuticular evapotranspiration of resistant genotypes was measured lower than that of sensitive. At last, high calcium level in the nutrition of rose tree would activate the biosynthesis of the cuticle. In conclusion, the whole of these results contributes to the knowledge of the disease and to the definition of a strategy for the selection of the character of Resistance to powdery mildew
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Paparella, Elisa <1990&gt. „Segretezza e neutralità del Movimento di Croce Rossa e Mezzaluna Rossa internazionale“. Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7985.

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La tesi si propone di indagare come il principio di neutralità e la tendenza alla segretezza che caratterizzano il lavoro del Movimento di Croce Rossa e Mezzaluna Rossa internazionale abbiano influito sulla capacità stessa del Movimento di prestare soccorso alle vittime dei conflitti, obiettivo principale dell'Organizzazione. L'indagine si svolge attraverso l'analisi di due case-studies: il caso dell'Olocausto e quello del Tribunale Penale per i crimini commessi nei territori della ex Jugoslavia. Se nel primo caso il Movimento è stato accusato addirittura di connivenza con il nazismo, il secondo caso mostra come il principio di confidenzialità sia invece in taluni casi strettamente necessario al fine di proteggere il servizio offerto dalla Croce Rossa.
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Alkader, Fouad. „Culture in vitro du rosier : contribution à l'étude des relations hôte-parasite dans le cas du couple sphaerotheca pannosa var. rosae-rosa spp“. Angers, 1993. http://www.theses.fr/1993ANGE0004.

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Un milieu de culture in vitro est mis au point pour la multiplication du rosier, valable pour 7 clones. Quatre sont utilisés pour l'étude des relations hôte-parasite dans le cas de sphaerotheca pannosa var. Rosae. Une différence de sensibilité est constatée chez ces clones à la suite de l'infection par l'agent pathogène. Deux sont sensibles sur lesquels le parasite sporule abondamment, un est résistant ou la sporulation du champignon est faible et un est très résistant sur lequel la sporulation est absente. Des points nécrotiques apparaissent sur tous les clones étudiés ils jouent un rôle très important dans la régression de la croissance et la disparition de l'agent pathogène chez les clones résistant et très résistant. Les observations histologiques et ultrastructurales ont montré que la formation d'appressoriums n'est pas obligatoire à la pénétration de s. Pannosa dans les cellules épidermiques. Le champignon, après sa pénétration forme un haustorium enveloppe par une membrane extrahaustoriale qui a pour origine le plasmalemme de l'hôte. Au sein de l'haustorium, on observe de nombreux lobes formes à partir du corps haustorial central par bourgeonnement. Les hôtes résistants sont riches en composes phénoliques qui encapsulent l'haustorium et provoquent sa nécrose. Au contraire, chez l'hôte sensible, et en l'absence de composes phénoliques, l'haustorium envahit une grande partie de la cellule épidermique, en particulier in vitro. Chez tous les hôtes, l'infection des cellules épidermiques provoque un ensemble de modifications au sein des cellules attaquées et des cellules adjacentes et sous-jacentes.
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deLise, Louis Anthony. „Marimba Rossa [score I]“. Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19940.

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Music Composition
Ph.D.
ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese marimba tradition is included to provide a context and rationale for the composing of Marimba Rossa. The contributions of John Calhoun Deagan, Ulysses G. Leedy, George Hamilton Green, Harry Breuer, Clair Omar Musser, and others are chronicled. Other topics include: the use of the xylophone in the symphony orchestra; polytonality; modal writing; and the folk music of Calabria, Italy. The monograph also describes the juxtaposition of the marimba and various instrumental consorts and the metaphoric class struggle these pairings represent in Marimba Rossa.
Temple University--Theses
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deLise, Louis Anthony. „Marimba Rossa [score II]“. Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/19952.

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Annotation:
Music Composition
Ph.D.
ABSTRACT Marimba Rossa is a three-movement concert piece for marimba and symphony orchestra. The 14-minute piece is written in the spirit of the Italian Baroque concertos of Antonio Vivaldi (the "Red Priest" for whom the piece is named), using a harmonic and rhythm language that is heavily influenced by the concert and pop music of the late twentieth-century. Marimba Rossa was composed with the concept of Ars Combinatoria in mind. First espoused by George Rochberg in 1973, Ars Combinatoria is concert music that uses musical gestures drawn from any musical tradition. The accompanying monograph provides a detailed history of the modern concert marimba and an account of the evolution of its concert and popular music repertoire. Specific information about the marimba's origins in Asia, its place in the Bible, the development of the European strohfiedel xylophone, the refinement of the instrument in America, and a discussion of the Guatemalan, Mexican, and Japanese marimba tradition is included to provide a context and rationale for the composing of Marimba Rossa. The contributions of John Calhoun Deagan, Ulysses G. Leedy, George Hamilton Green, Harry Breuer, Clair Omar Musser, and others are chronicled. Other topics include: the use of the xylophone in the symphony orchestra; polytonality; modal writing; and the folk music of Calabria, Italy. The monograph also describes the juxtaposition of the marimba and various instrumental consorts and the metaphoric class struggle these pairings represent in Marimba Rossa.
Temple University--Theses
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Bücher zum Thema "Roszak"

1

Art, Elvehjem Museum of, und Drawing Society, Hrsg. Theodore Roszak: The drawings. New York: Drawing Society, Inc. in association with University of Washington Press, Seattle, 1992.

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1907-, Roszak Theodore, Hrsg. Theodore Roszak: Paintings and drawings from the thirties. New York, N.Y: Hirschl & Adler Galleries, 1989.

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Dreishpoon, Douglas. Theodore Roszak: Paintings and drawings from the thirties. New York, N.Y: Hirschl & Adler Galleries, 1989.

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Roszak, Theodore. Theodore Roszak: Sculpture and drawings, 1942-1963 : September 24 to October 26, 1994. New York, N.Y: Hirschl & Adler Galleries, 1994.

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5

Jerczyński, Michał. Szlakiem łódzkiej kolei. Historia łódzkiego węzła kolejowego / Michał Jerczyński. Dzieje łódzkich lokomotywowni / Tomasz Roszak. Łódź: Piątek Trzynastego Wydawn., 2003.

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Douglas, Dreishpoon, und Hirschl & Adler Galleries., Hrsg. Theodore Roszak: Constructivist works, 1931-1947 : paintings, constructions, drawings, photograms : [exhibition] February 29 to April 11, 1992. New York, N.Y. (21 E. 70th St., New York 10021): Hirschl & Adler Galleries, 1992.

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Wooden, Howard E. Theodore Roszak, the early works, 1929-1943: An exhibition of sculptures, paintings and drawings, Wichita Art Museum, Wichita, Kansas, October 5 through November 30, 1986. Wichita, Kan: Wichita Art Museum, 1986.

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Art, Tampa Museum of, Arkansas Arts Center und Parrish Art Museum, Hrsg. Between transcendence and brutality: American sculptural drawings from the 1940s and 1950s : Louise Bourgeois, Dorothy Dehner, Herbert Ferber, Seymour Lipton, Isamu Noguchi, Theodore Roszak, David Smith. Tampa, Fla: Tampa Museum of Art, 1994.

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Rehman, A. R. Roshan roshan Pakistan. Lahore: International Education Centre, 2001.

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Ibar, Hawa Mohamed. Rosmah. Singapura: Pustaka Nasional, 2002.

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Buchteile zum Thema "Roszak"

1

Otto, Peter. „‘Rouze up O Young Men of the New Age!’: William Blake, Theodore Roszak, and the Counter Culture of the 1960s–1970s“. In Blake 2.0, 27–40. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230366688_3.

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2

Callens, Johan. „Rosas“. In The Routledge Companion To Adaptation, 117–27. New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315690254-14.

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Gloster, Hugh Morris, Lauren E. Gebauer und Rachel L. Mistur. „Pityriasis Rosea“. In Absolute Dermatology Review, 31–32. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-03218-4_8.

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Nikolic, Milos. „Pityriasis Rosea“. In European Handbook of Dermatological Treatments, 749–52. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-45139-7_76.

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Abeck, Dietrich. „Pityriasis rosea“. In Häufige Hautkrankheiten in der Allgemeinmedizin, 71–73. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-21140-9_21.

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Jackson-Richards, Diane. „Pityriasis Rosea“. In Dermatology Atlas for Skin of Color, 123–25. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-54446-0_23.

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Treadwell, Patricia. „Pityriasis Rosea“. In Atlas of Adolescent Dermatology, 61–62. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58634-8_14.

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Möhrenschlager, M. „Pityriasis rosea“. In Häufige Hautkrankheiten im Kindesalter, 111–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-44980-2_20.

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Errichetti, Enzo, und Giuseppe Stinco. „Pityriasis Rosea“. In Atlas of Pediatric Dermatoscopy, 121–26. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71168-3_17.

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Fry, L., und M. N. P. Cornell. „Pityriasis Rosea“. In Dermatology, 73–74. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-010-9228-9_9.

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Konferenzberichte zum Thema "Roszak"

1

Hart, Kyle, Corey Montella, Georges Petitpas, Dylan Schweisinger, Armon Shariati, Ben Sourbeer, Tyler Trephan und John Spletzer. „RoSCAR“. In the 2014 workshop. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2609829.2609837.

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Andrier, B. L., Y. Delepine und J. Gauvrit. „ROSEAU: A Deepwater Compliant Platform“. In Offshore Technology Conference. Offshore Technology Conference, 1986. http://dx.doi.org/10.4043/5256-ms.

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Timuş, Asea, und Elena Baban. „Entomofauna speciei Rosa canina l. din zona de centru a Republicii Moldova“. In International symposium ”Actual problems of zoology and parasitology: achievements and prospects” dedicated to the 100th anniversary from the birth of academician Alexei Spassky. Institute of Zoology, Republic of Moldova, 2018. http://dx.doi.org/10.53937/9789975665902.79.

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In the work are exposed investigations in 2007-2017 of entomofauna with development on the species Rosa canina L. from various urban and rural biotopes in the center of the Republic of Moldova. In total, were recorded 52 species of insects in 9 orders (Orthoptera, Homoptera, Hemiptera, Thysanoptera, Coleoptera, Neuroptera, Lepidoptera, Hymenoptera, Diptera) and 1 mite (Trombidiformes). Of these, 17 species of insects have developed large populations and impact on the rose, 12 insect species developed annual faunistic populations, 12 solitary and rare individuals, 2 species one individual. At the same time, 4 species have been recorded recently: Harmonia axiridis (predators afidophagus), Polygonia c-album (nectar consumer and pollinator), Blenocampa phyllocopa (phytophagus in the larval stage) and Dasineura rosae (gallicol in the larval stage). The species Epicometis hirta was affected by the calamity of 21-23 April 2017, after which it was not recorded in the center of the republic, including the usual host plants, thus being considered an ecological indicator.
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GUCKENBIEHL, F. „Rosat Mission Operations System“. In 30th Aerospace Sciences Meeting and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1992. http://dx.doi.org/10.2514/6.1992-597.

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Lange, Gunter, Bernhard MoBbacher und David Purll. „The ROSAT Star Tracker“. In 1986 Astronomy Conferences, herausgegeben von David L. Crawford. SPIE, 1986. http://dx.doi.org/10.1117/12.968097.

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Fremont, Matthew, J. H. Beall, B. N. Dorland und W. A. Snyder. „ROSAT observations of 3C390.3“. In The soft x-ray cosmos: ROSAT science symposium and data analysis workshop. AIP, 1994. http://dx.doi.org/10.1063/1.46663.

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Reichert, Gail A., Richard F. Mushotzky und Alexei V. Filippenko. „ROSAT observations of LINERs“. In The soft x-ray cosmos: ROSAT science symposium and data analysis workshop. AIP, 1994. http://dx.doi.org/10.1063/1.46669.

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Schlegel, Eric M. „ROSAT Observations of supernovae“. In The soft x-ray cosmos: ROSAT science symposium and data analysis workshop. AIP, 1994. http://dx.doi.org/10.1063/1.46710.

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Barstow, Martin A., und Anne E. Sansom. „ROSAT WFC imaging detectors“. In San Dieg - DL Tentative, herausgegeben von Oswald H. W. Siegmund und Hugh S. Hudson. SPIE, 1990. http://dx.doi.org/10.1117/12.23253.

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Batool, Zahra, Sion Israel Sion, Rodrigue Tonga Naha und Kaiwen Zhang. „B-ROSCA: A Smart Contract-Based Selection of ROSCA Communities Using Collateral“. In 2023 IEEE International Conference on Decentralized Applications and Infrastructures (DAPPS). IEEE, 2023. http://dx.doi.org/10.1109/dapps57946.2023.00011.

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Berichte der Organisationen zum Thema "Roszak"

1

Percival, J. A. Roseau, Canada - Unites States. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/130234.

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Domingues, Ricardo José, und Jesus Guerino Töfoli. Doenças fúngicas da roseira: sintomatologia, etiologia e controle. Instituto Biológico, August 2023. http://dx.doi.org/10.31368/1983-134xdt0342023.

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A produção comercial de plantas ornamentais representa um dos setores mais promissores da agricultura brasileira. Com atuação marcante no mercado interno e externo, a atividade possui importância econômica e social crescente, além de apresentar características empresariais bem definidas, elevado nível tecnológico e gerenciamento avançado de todo processo produtivo. Cultivada nos jardins da Ásia, há mais de 5.000 anos, a roseira (Rosa spp.), pertencente à família das Rosáceas, possui um grande número de espécies, que permitiram obter, pela hibridação, inúmeras variedades e híbridos. Em função disso, elas se apresentam com uma grande diversidade estrutural, podendo ser arbustivas, trepadeiras, com flores isoladas, entre outros aspectos. Existem mais de 30.000 variedades de rosas em todo o mundo. As técnicas de melhoramento originaram diferentes tipos e misturas visando, além da resistência a doenças, à melhoria do aspecto, tamanho e formato das flores, para atender mercados específicos e um consumidor cada vez mais exigente. Na maioria das regiões produtoras de rosas ocorrem diversos problemas fitossanitários, destacandose as doenças de etiologia fúngica. Os sintomas e sinais dessas doenças podem ser observados sobre as hastes, folhas e flores, muitas vezes comprometendo tanto a quantidade, como a qualidade da produção de hastes florais. O presente trabalho aborda 10 doenças fúngicas das roseiras, descrevendo suas sintomatologias, etiologias e técnicas de manejo.
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Fang, Hanming, Rongzhu Ke und Li-An Zhou. Rosca Meets Formal Credit Market. Cambridge, MA: National Bureau of Economic Research, Oktober 2015. http://dx.doi.org/10.3386/w21683.

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Hernandez, C. L., F. M. Hosking, J. Reed, D. M. Tench und J. White. Reduced oxide soldering activation (ROSA) PWB solderability testing. Office of Scientific and Technical Information (OSTI), Februar 1996. http://dx.doi.org/10.2172/206566.

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Sosa, Roberto. Society and Poetry: Those Who Come Wrapped in a Blanket. Inter-American Development Bank, Mai 1997. http://dx.doi.org/10.18235/0007924.

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Brauner, Edwin Jr, und Daniel C. Carlson. Santa Rosa Geysers Recharge Project: GEO-98-001. Final Report. Office of Scientific and Technical Information (OSTI), Oktober 2002. http://dx.doi.org/10.2172/897791.

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Denight, Michael L., Patrick J. Guertin, Dick L. Gebhart und Linda Nelson. Invasive Species Biology, Control, and Research. Part 2. Multiflora Rose (Rosa multiflora). Fort Belvoir, VA: Defense Technical Information Center, November 2008. http://dx.doi.org/10.21236/ada492988.

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Goñi, Félix M. 2016-2020: Números rojos, futuro rosa (y si lo sé no vengo). Sociedad Española de Bioquímica y Biología Molecular, September 2023. http://dx.doi.org/10.18567/sebbmrev_217.202309.dc007.

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Flórez Martínez, Diego Hernando, und Sandra Carolina Vargas Alvarado. Análisis para la cadena productiva de flores y follajes desde las herramientas de gestión tecnológica. Caso de estudio: Rosas (Rosacae). Corporación Colombiana de Investigación Agropecuaria - AGROSAVIA, 2014. http://dx.doi.org/10.21930/agrosavia.vigilanciatecnologica.2014.1.

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El sector agropecuario, se caracteriza por ser aquel que aporta al PIB de Colombia el 9%, con variaciones estimadas en crecimiento para el 2012 de un 4% (Revista Dinero, 2012), donde la distribución por subsectores, ha tenido dinámicas disimiles acorde con los cambios y variabilidad de oferta y demanda tanto del mercado interno como externo (Departamento Administrativo Nacional de Estadística, 2010). En el marco del fortalecimiento a nivel de I+D+i desde la política nacional, se establecen directrices para garantizar que el Sistema Nacional de Ciencia y Tecnología Agropecuaria (SNCTA), impulsado por el Ministerio de Agricultura y Desarrollo Rural– MADR a través del proyecto “Transición de la Agricultura”, el cual inició en el 2006 una serie de estudios con miras a la definición de las Agendas Prospectivas de Investigación de 20 cadenas productivas, donde actualmente se encuentra en desarrollo del SNCTA –SIEMBRA como plataforma de información del sector
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Rhee, G. S., Yutaka Kukita und R. R. Schultz. NRC confirmatory AP600 safety system phase I testing in the ROSA/AP600 test facility. Office of Scientific and Technical Information (OSTI), März 1996. http://dx.doi.org/10.2172/269716.

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