Auswahl der wissenschaftlichen Literatur zum Thema „Roman de science-fiction français“
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Zeitschriftenartikel zum Thema "Roman de science-fiction français"
Dembowski, Peter F. „Meliador de Jean Froissart, son importance littéraire : le vrai dans la fiction“. Études françaises 32, Nr. 1 (15.03.2006): 7–19. http://dx.doi.org/10.7202/036007ar.
Der volle Inhalt der QuelleGouanvic, Jean-Marc. „Traductologie et double réflexivité : genèse de TTR et sociologie de la traduction de la littérature anglo-américaine en français“. TTR 30, Nr. 1-2 (31.05.2019): 13–38. http://dx.doi.org/10.7202/1060016ar.
Der volle Inhalt der QuelleNoël-Gaudreault, Monique. „Regards sur la construction du fictif au primaire“. Articles 16, Nr. 3 (19.11.2009): 367–78. http://dx.doi.org/10.7202/900673ar.
Der volle Inhalt der QuelleSag, Mélanie. „1599-1629 : le roman français du premier xviie siècle et la mémoire des guerres de Religion“. Tangence, Nr. 111 (23.12.2016): 71–90. http://dx.doi.org/10.7202/1038507ar.
Der volle Inhalt der QuelleWang, Yiran. „identité ambiguë de Dai Sijie et la réception de Balzac et la petite tailleuse chinoise en France et en Chine“. Voix Plurielles 19, Nr. 2.2 (26.11.2022): 548–59. http://dx.doi.org/10.26522/vp.v19i2.4142.
Der volle Inhalt der QuelleReyns-Chikuma, C(h)ris. „Molia Xabi. Les Premiers : Une histoire des super-héros français, roman, collection « Fiction & Cie ». Paris : Seuil, 2017“. ALTERNATIVE FRANCOPHONE 2, Nr. 1 (06.11.2017): 145–49. http://dx.doi.org/10.29173/af29344.
Der volle Inhalt der QuelleKühn, Marion. „Des voix du silence. Variations de la narration indécidable dans le roman de mémoire contemporain1“. Tangence, Nr. 105 (14.05.2015): 31–54. http://dx.doi.org/10.7202/1030445ar.
Der volle Inhalt der QuelleNardout-Lafarge, Élisabeth. „Le rendez-vous des fictions“. Dossier 37, Nr. 2 (02.04.2012): 53–66. http://dx.doi.org/10.7202/1008575ar.
Der volle Inhalt der QuelleBlanquet, Estelle. „"Le Vagabond de l’espace" de Robert Heinlein : un roman pour interroger le rapport des élèves à l’autorité ?“ RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 17, Nr. 1 (15.09.2023): 37–49. http://dx.doi.org/10.51777/relief17558.
Der volle Inhalt der QuelleBéhotéguy, Gilles. „Le livre et la scène de lecture dans le roman français contemporain pour la jeunesse“. Mémoires du livre 2, Nr. 2 (05.04.2011): 0. http://dx.doi.org/10.7202/1001765ar.
Der volle Inhalt der QuelleDissertationen zum Thema "Roman de science-fiction français"
Grau, Donatien. „Le roman romain : généalogie d'un genre français“. Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040069.
Der volle Inhalt der QuelleThis thesis aims to address the emergence and the development in French literature of a whole new genre, from the beginning of the 19th until the end of the 20th century: the contemporaneous Roman-themed novel. Dealing not with the stability of the Ancient City, its ruins and its monuments, but with the shifting urban and human landscape of the time, it disrupts the tradition of the Grand Tour, which was implicitly based on the notion that no fiction could be invented in the eternal present of Rome, since the perception one could have there was so deeply rooted in the past. By using the novel, writers were simultaneously confronted to the modernity of the medium and to the urban and political modernisation of the city, while the sign of Rome – the myth of the Eternal City – was always present in their mind. Novels set in contemporaneous Rome provided their authors with the possibility to engage with the most crucial issues inherent to the aesthetics and ethics of fiction: the role of belief in modern cultures – in terms of religion and its counterpart, literary fiction; the role of the past in the construction of modernity; the importance of the present in the experience of the past; the meaning of the Ancients at the time of the Moderns. Analysing the forms of the French contemporaneous Roman-themed novel signifies even more than engaging with the portrait of a city: it is a study in the relevance of Western paradigms
Álvarez, Izquierdo Marta. „Juan Carlos Onetti, Roman Nouveau latino-américain et le Nouveau Roman français“. Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030027.
Der volle Inhalt der QuelleThe work of Juan Carlos Onetti, prolific, diverse and singular, represents the renovation of the Uruguayan and Latin-American literature. When he was assistant editor for the magazine Marcha between 1939 and 1941, he exposed in a series of articles his viewpoint about literature, which needed, as he stated, a renovation urgently. His own work illustrates those theories; and with the mythic city Santa Maria he created, he developed a new kind of urban literature more in accordance with his contemporaries and the world he lived in. In France, the Nouveau Roman, which emerged in about 1940, constitutes a rupture in French literature. This innovative movement, often called "literature of look", went beyond traditional narrative forms. The purpose of this study is to compare Juan Carlos Onetti’s work with certain books written by two representatives of the Nouveau Roman: Robbe-Grillet and Claude Simon. From three axes the study of a character in crisis, the study of different narrative voices and the study of the relationship between man, his writings and fiction, this research work questions and analyses new narrative forms which definitively changed the rules of the Past
Santurenne, Thierry. „L'opéra dans la fiction narrative française de 1850 à 1914“. Paris 4, 2003. http://www.theses.fr/2003PA040094.
Der volle Inhalt der QuelleAs other nineteenth-century cultural works did, opera contributed to enriching writers'imaginative world, concerned about both its artistic and institutional dimension. In the second part of the period, narrative fiction references to the lyrical phenomenon make it the basis of a metaliterary thought in which the prima donna's personality, the way the performance is looked at, the voice rendering are so many themes used by novelists and short story writers to stage their relationship with writing. This support of opera to the self-reflexive meaning of the works adds to their anthropological purpose. Thus, the hints to the lyrical performance provide the writers with an essential tool for exploring the limits of the reality painted in fiction. Narrative fiction resorts to the sung drama as well, symbolizing the unstable equilibrium between the Apollinian and the Dionysiac, to emphasize the threat exerted by the latter on society, incessantly endangered by a devastating cruelty which persuades the myths enriching opera. Finally, its connivance with the socio-political field supplies the novelists with a significant material to the social criticism in which they represent moreover the emergence of a rebellious subjectivity through the consciousness of a spectator from now on more responsive to his own mental representations than to the splendours of the prevailing ideologies
Quaquarelli, Lucia. „Objets de fiction, quelques fonctions narratives de l'objet romanesque (France-Italie 1980-1990)“. Paris 3, 2003. http://www.theses.fr/2003PA030088.
Der volle Inhalt der QuelleThis work deals with the study of objects in novels. It lays out a " functional " analytical path of these magical objects, based on the reading of a number of Italian and French novels from the Eighties. Although these fictive objects generally manifest an important utility profile - in a similar way to their cousins in the real world (by the necessity of resemblance and internal motivation) - they equally always possess a fictional and functional role which goes beyond such a profile. It is a role which appears around the relation the objects establish with the characters and the events of the story or, on another level, with the narration. A role which registers constants within the history of the novel, from which it is interesting to measure the distance, rather than the points in common, which mark the most recent production. This is the reason why this study proposes two distinct paths between the objets which punctuate the novels of the Eighties. The first follows the traces of the relation which ties the fictive objects to the characters and the second questions the functions of the fictive objects with regard to the narration. Only two paths are proposed in the vast and complex network of invisible relations at the heart of which the object can be found; two paths which pan out far from the will to taxonomize or be exhaustive. Two analytic itineraries which respond to the necessity to account for the specificity of the corpus of fiction chosen, with for a backdrop a diachronic-dialectic literary dimension from which this specificity can be grasped
Najjara, Nabil. „Le retour critique de l’intrigue dans le Nouveau Roman français : entre tension et passion“. Thesis, Toulouse 2, 2012. http://www.theses.fr/2012TOU20028/document.
Der volle Inhalt der QuelleThe object of this research is to revisit the notion of “intrigue” in the new novel after a campaign of theoretical belittlement led by certain new novelists. A reconsideration which is essentially inspired by Paul Ricoeur’s works on “ the stake in intrigue” and which is based mainly on the recent studies of Raphaël Baroni on the narrative tension.In the first part it is question of handling in literary and critical perspective this notion by confronting it with the so-called “traditional” novel and by examining the numerous works of the writers, the critics and the theorists who approached this question.The second part is concretely and deeply analysed where the ideas of fiction, passion, suspense and tension are studied. Finally the last part is a kind of resumption of precise model of “intrigue” which is the one of the detective novel in the perspective to bring to light its fascinating and passionate aspect
CHEBIL, BEN SALEM AMEL. „Typologie et poetique de l'incipit dans la fiction narrative du xixe et du xxe siecles“. Université Marc Bloch (Strasbourg) (1971-2008), 1999. http://www.theses.fr/1999STR20012.
Der volle Inhalt der QuelleThis thesis is situated in the field of the theory of the text, more precisely in this critical mouvement, specialised in the analysis of the elements of the beginning and the end of the narrative. It is particularly dedicatec to the matter of the beginning of the narrative in the novel of the 2nd half of the 20th century and of the first half of the 20th century. We will first try define the beginning of the novel. It is a field, which vary from a novel to another. It raises the problem of the demarcation of the beginning of the text. In the second part of the thesis, we will try to draw a poetic of the beginning, analysing the different fonctions and strategies : the fonction of the "codification", the fonctions of information and orientation, the fonction of seduction, the fonction of the "dramatisation", finally the fonction of deconstruction and of parody of the traditionnal beginning of the novel. This latter fonction is generally found in the novels written by authors of the rebellious movement of the "nouveau roman". The third part of the thesis is dedicated, on the one hand, to analyse the connection between the different parts of the text, especially the ones that the beginning of a text has with other structures of the novel (elements around the text and the closure) it is dedicated, on the other hand, to situate the beginning of a text in its connections between the different novels of various novelists, to define a poetic of the beginning, which passes through all the novels of the same author (actually emile zola et louis aragon). The conclusion is thematic : it deals with the typology of the beginnings of the tyextx, which still raises a problem and i open on other inaugural schemes, which are not categoried. Beyond the efforts of the theorisation, which ains at reduce the beginning of the text to a normative rhetoric of the inauguration. Each beginning of a text has to be studied in relation to the aesthetic and the stake of its novel. With the evolution and involution of the novel, we are faced to the beginning of the text which passes out to all the attemps of theorisation and typology (confer to novels by claude simon)
Touboul, Anaëlle. „"Histoires de fous". Approche de la folie dans le roman français du XXe siècle“. Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA123/document.
Der volle Inhalt der QuelleHaunting our collective imagination, the madman has always been laden with symbolic significance. The myth of madness is abundantly present in literature, however those characters with an actual mental illness are ultimately overshadowed. While mental patients are pushed to the margins of literature, just as they are pushed to the outskirts of society, this particular cultural legend of madness develops during the nineteenth century in Romantic and fantastic literature and stays in the spotlight at the beginning of the following century through the avant-garde artists. In contrast to the aforementioned representation of madness, a number of novelists of the twentieth century, including Georges Duhamel, André Baillon, Julien Green, Henry de Montherlant or Alexandre Vialatte, brought on a literary shift away from “madness” towards “the madman” – from the myth to the individual. The focus of this piece of work is on the modality and logic leading to the emancipation of the figure of the madman and its affirmation as an autonomous subject – in every sense of the world – in the literary field. These fictional stories, where the alienated consciousness is both the focus and the main subject of the narrative, present the reader with an almost familiar madness. They don’t idealize insanity but provide representations of almost ordinary disorders, which affect a banal character living a modest life. Through their semantic, syntactic and pragmatic preferences, these stories form a fictional “sub-genre”, called “histoires de fous”. This research aims at determining the generic features of these novels and at considering the way madness questions the means and powers of fiction. Another purpose is to shed light on how literature helps us understand this inconceivable experience, which represents the other side of the commonly shared human experience of reason and logic, and to study how novelists help to reveal as well as reshape the characterization of this social and cultural topic
Hummel, Clément. „Modernités du roman scientifique chez J.-H. Rosny aîné“. Electronic Thesis or Diss., Normandie, 2023. http://www.theses.fr/2023NORMC033.
Der volle Inhalt der QuelleJ.-H. Rosny aîné (1856-1940) is the author of a large literary work, including novels, short stories, articles published in the press and in scientific journals. Literary history remembers his involvement in the dispute against Émile Zola's naturalism, his role in the Goncourt Academy, of which he was a founding member and President, the maturity he brought to prehistoric narratives through his seminal novel La Guerre du feu and numerous texts that now position him as one of the pioneers of science fiction in France. The interest of that author lies not so much in what he foreshadowed but rather in the literary modernity he both theorized and practiced at a time when the art of the novel was in crisis in France, and scientific storytelling struggled to move beyond the model set by Jules Verne's Voyages Extraordinaires. This work particularly analyzes the multifaceted connections that this versatile author maintained with the sciences, which held a “poetic passion” for him and to which he declared himself a reformer. While he produced various essays on scientific philosophy and presented some of his reflections to the Academy of Sciences, it’s through the medium of the novel that he invents both modern science and literature
Sag, Mélanie. „Les guerres civiles dans les romans anglais et français de l'époque baroque (1580-1668) : poétique du roman, anatomie du conflit et usages de la fiction“. Paris 7, 2014. http://www.theses.fr/2014PA070032.
Der volle Inhalt der QuelleThis work examines the use of civil wars in English and French novels between 1580 and 1668 that is to say during the Baroque period. At this time, France and England were going through a revolutionary political, religious but also social crisis. Our framework is based on genre studies, contemporary theories of fiction and historicity. We aimed at shedding a new light on novel's poetics and analysing the articulation of fact and fiction through the study of a corpus of thirty little-known novels. The comparison between the French novels and the English ones implies to identify what defines the genre of early modern novel and its boundaries for both countries, and determine the genealogy of the narrative models used by the authors. We then establish the poetics of war through the analyses of the narrative functions of war sequences, the way characters are build up and the stylistics of violence (staged or faded). Finally, we suggest an interpretation of the novels. From the remembrance of wars of religion to the record of the English Revolution, Baroque novels constitute a specific form of historical fiction, characterized by the displacement of collective stakes and the metaphorisation of the religious division to the level of the couple or the family but also the recycling of the allegorical writing style. The Baroque novel is dedicated to love as opposed to the epic genre, it offers various and complex representations of civil war, this internai conflict questioning one's identity, faith and sense of belonging, three key concepts of the early modern novel
Bernard, Marie-Monique. „Le voyage : réalité et fiction dans la première moitié du VXIIIème siècle“. Paris 4, 1999. http://www.theses.fr/1998PA040281.
Der volle Inhalt der QuelleBücher zum Thema "Roman de science-fiction français"
Beigbeder, Frédéric. Un roman français: Roman. Paris: Grasset, 2009.
Den vollen Inhalt der Quelle findenBeigbeder, Frédéric. Un roman français: Roman. Paris: Grasset, 2009.
Den vollen Inhalt der Quelle findenRoger-Petit, Bruno. Authentiquement français: Roman. [Paris]: H. d'Ormesson, 2011.
Den vollen Inhalt der Quelle findenThierry, Guichard, Mongo-Mboussa Boniface und Jérusalem Christine, Hrsg. Le roman français contemporain. Paris: Cultures France, 2007.
Den vollen Inhalt der Quelle findenDemers, Julie. Barbe: Roman. Montréal, Québec: Héliotrope, 2015.
Den vollen Inhalt der Quelle findenDelvaux, Martine. Blanc dehors: Roman. Montréal, Québec: Héliotrope, 2015.
Den vollen Inhalt der Quelle findenNadeau, Maurice. Le roman français depuis la guerre. Nantes: Le Passeur, 1992.
Den vollen Inhalt der Quelle findenFortassier, Rose. Le roman français au XIXe siècle. 2. Aufl. Paris: Presses universitaires de France, 1988.
Den vollen Inhalt der Quelle findenArbour, Marie-Christine. Trans: Roman. Montréal, Québec, Canada: Triptyque, 2016.
Den vollen Inhalt der Quelle findenRochette, Joanne. Quartz: Roman. Montréal, Québec: Mémoire d'encrier, 2014.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Roman de science-fiction français"
Taylor-Pirie, Emilie. „The Knights of Science: Medicine and Mythology“. In Empire Under the Microscope, 37–80. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_2.
Der volle Inhalt der QuelleVaugeois, Dominique. „« L’encre retourne à l’encrier. » Le « préhistorique » et l’écriture de la fiction contemporaine“. In Le roman français au tournant du XXIe siècle, 173–83. Presses Sorbonne Nouvelle, 2004. http://dx.doi.org/10.4000/books.psn.1650.
Der volle Inhalt der QuelleHalpern, Anne-Élisabeth. „« Ici commence le roman de Jean-François Chahux » : Henri Michaux, la fiction sans roman“. In Régimes poétique et romanesque de la fiction, 109–23. Éditions et Presses universitaires de Reims, 2022. http://dx.doi.org/10.4000/books.epure.2361.
Der volle Inhalt der Quelle„‚Schwärme‘ als politische Akteure. Wissensreflexion in Stanisław Lems Roman Der Unbesiegbare“. In Science oder Fiction?, 131–43. Wilhelm Fink Verlag, 2013. http://dx.doi.org/10.30965/9783846761748_010.
Der volle Inhalt der QuelleKim, Marie Seong-Hak. „The Idea of “Our French Law”“. In Custom, Law, and Monarchy, 157–85. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192845498.003.0006.
Der volle Inhalt der QuelleOtte, Johannes. „IV Der Sandmann – Ein früher Science-Fiction-Roman?“ In Erschöpftes Bewusstsein, 33–44. Tectum – ein Verlag in der Nomos Verlagsgesellschaft, 2020. http://dx.doi.org/10.5771/9783828875081-33.
Der volle Inhalt der Quelle„VI. Zukunftsroman, utopischer Roman, Science Fiction in der deutschen Literatur – Gesamtdarstellungen“. In Science Fiction in der deutschsprachigen Literatur, 171–89. Max Niemeyer Verlag, 1995. http://dx.doi.org/10.1515/9783110920277.171.
Der volle Inhalt der QuelleMarcinkowski, Alexandre. „Le cyberpunk français à l’épreuve de l’histoire“. In Les Dieux cachés de la science fiction française et francophone (1950- 2010), 35–60. Presses Universitaires de Bordeaux, 2014. http://dx.doi.org/10.4000/books.pub.12266.
Der volle Inhalt der QuelleBogle, Stephen. „Stair’s ‘Plain Method’ and Structure“. In Contract Before the Enlightenment, 108—C5N173. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192884961.003.0006.
Der volle Inhalt der QuelleTatsumi, Takayuki, und Seth Jacobowitz. „On the Monstrous Planet, Or How Godzilla Took a Roman Holiday“. In The Liverpool Companion to World Science Fiction Film, 69–86. Liverpool University Press, 2014. http://dx.doi.org/10.5949/liverpool/9781781380383.003.0005.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Roman de science-fiction français"
Kerlouégan, François. „« Une tempête sous un crâne » : hésiter et choisir dans quelques récits de fiction du XIXe siècle“. In Raisons d'agir : les passions et les intérêts dans le roman français du XIXe siècle. Fabula, 2020. http://dx.doi.org/10.58282/colloques.6723.
Der volle Inhalt der QuelleGuijarro Cebrián, Cristina. „La thématique de l'eau dans l'œuvre de Driss Chraïbi“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2995.
Der volle Inhalt der QuelleIehl, Yves. „Adaptation littéraire et mise en image du monologue intérieur — Mademoiselle Else, roman graphique de Manuele Fior d’après la nouvelle d’Arthur Schnitzler“. In Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5232.
Der volle Inhalt der QuelleKriz, Sarah, Toni D. Ferro, Pallavi Damera und John R. Porter. „Fictional robots as a data source in HRI research: Exploring the link between science fiction and interactional expectations“. In 2010 RO-MAN: The 19th IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2010. http://dx.doi.org/10.1109/roman.2010.5598620.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Roman de science-fiction français"
Poussart, Denis. Le métavers : autopsie d’un fantasme Réflexion sur les limites techniques d’une réalité synthétisée, virtualisée et socialisée. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, Februar 2024. http://dx.doi.org/10.61737/sgkp7833.
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