Auswahl der wissenschaftlichen Literatur zum Thema „Roman biographique – 20e siècle“
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Zeitschriftenartikel zum Thema "Roman biographique – 20e siècle"
Dimitroulia, Titika. „Les multiples réécritures de la littérature policière française en Grèce“. Historical Review/La Revue Historique 14 (27.04.2018): 71. http://dx.doi.org/10.12681/hr.16275.
Der volle Inhalt der QuelleGefen, Alexandre. „Vie imaginaire et poétique du roman au XIXe siècle : la Notice biographique de Louis Lambert“. Littérature 128, Nr. 4 (2002): 3–25. http://dx.doi.org/10.3406/litt.2002.1771.
Der volle Inhalt der QuelleLawson-Hellu, Laté. „La Parole “autochtone” de Déwé Görödé“. Nouvelles Études Francophones 38, Nr. 1 (2023): 78–90. http://dx.doi.org/10.1353/nef.2023.a905923.
Der volle Inhalt der QuelleRichard, Chantal, und Sylvia Kasparian. „Formes et fonctions des alternances de langues dans les romans contemporains hétérolingues au Canada : analyse assistée par Sphinx“. Articles 45, Nr. 1-2 (08.02.2017): 137–58. http://dx.doi.org/10.7202/1038905ar.
Der volle Inhalt der QuelleLabrousse, Mallorie. „Parallélismes et dissymétries dans l’évolution de l’alternance <article + possessif + nom / possessif + nom> avec les termes de parenté en catalan et en portugais européen“. Moderna Språk 114, Nr. 3 (01.06.2020): 45–77. http://dx.doi.org/10.58221/mosp.v114i3.7363.
Der volle Inhalt der QuelleBéland, Martine. „Aux sources nietzschéennes de La nausée“. PhaenEx 1, Nr. 1 (05.11.2006): 36. http://dx.doi.org/10.22329/p.v1i1.39.
Der volle Inhalt der QuellePoitras, Dave. „Une mise en scène du rapport à la nation en Cacanie“. Eurostudia 9, Nr. 1 (29.09.2014): 22–39. http://dx.doi.org/10.7202/1026718ar.
Der volle Inhalt der QuelleMaréchal, Sadi. „Understanding a Changing Approach to Gender in Studies on Roman Baths“. C@hiers du CRHIDI, 2023. http://dx.doi.org/10.25518/1370-2262.1797.
Der volle Inhalt der QuelleWallace, David. „À propos du Chili et de l'évolution du roman. Entretien avec Roberto Gac“. Sens public, 04.06.2015. http://dx.doi.org/10.7202/1052139ar.
Der volle Inhalt der QuelleGall, Fabian. „Bemerkungen zur römisch-kaiserzeitlichen Rädchenverzierung in der Altmark“. Praehistorische Zeitschrift 89, Nr. 1 (01.01.2014). http://dx.doi.org/10.1515/pz-2014-0012.
Der volle Inhalt der QuelleDissertationen zum Thema "Roman biographique – 20e siècle"
Córdoba, Marie. „L'écriture biographique dans l'oeuvre d'Elena Poniatowska“. Caen, 1997. http://www.theses.fr/1997CAEN1216.
Der volle Inhalt der QuelleQuerido diego te abraza quiela, hasta no verte jesus mio and tinisima are three texts by elena poniatowska which can be considered as biographies since they talk about three women who have really existed : angelina beloff, called quiela, russian painter exiled in paris, josefina borquez, called jesusa palancares, poor peasant woman from tehuantepec and tina modotti, expatriate italian in the usa, then in mexico, photographer and international communist militant. Those three lives are apparently very different and elena poniatowska chose three distinct literary genders : epistolary novel for the first, testimonial novel for the second and fiction for the last. But beyond those differences, a same practice of writing appears, and a same destiny for these three women. Elena poniatowska alwaysinfringes the literary gender she has chosen. So she takes away all the peculiarities of referential texts (no prologue, no photos, imaginary names. . . ) and she multiplies them in the only book which proclaims it belongs to fiction; so in tinisima, photos are omnipresent. The three women suffered deaths which build again their identity : son's death for quiela, mother's death for jesusa, lover's death for tina. Those three persons are very important in the feminine identity elaboration. After those deaths each one has to construct herself out of the areas which patriarcal tradition assigns to women : love and maternity. Each one talks about this second birth as if she would generate herself. Simbolically that amounts to refusing genealogy as origine of identity. The deconstruction of gender that poniatowska practices is an echo of this new feminine identity elaboration
Ouriachi, Katia. „Si la philosophie m’était contée : figures de philosophes dans les fictions narratives contemporaines“. Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL168.
Der volle Inhalt der QuelleThis thesis analyzes the renegotiation of the relationship between literature and philosophy in narrative fiction at the turn of the 20th and 19th centuries, through the representation of philosophical figures. These figures, which the author sees as objects of value, reveal a claim to the cognitive scope of fiction and the proximity of novelistic thought to philosophical discourse. In the 20th century, the philosopher was the foil of the artist, the thought of the novel took shape against him, manifesting itself in fictional essays. Today, while philosophy is increasingly staged and valorized within fiction, theoretical developments in fiction are rarer. Fiction thus asserts that its own regime of veracity lies in its capacity to imagine. Staging philosophers allows to articulate living and thinking. By emphasizing the story of the philosopher's life and actions, fictional narrative brings philosophical thought down into the realm of sensible experience, and puts it to the test. Literature is often presented as the place where discourses of knowledge come undone. But contemporary texts are part of a form of thought that is enriched by its proximity to philosophy. A dynamic relationship between philosophical discourse and the thinking of the novel is emerging. Where the novel of the previous century thought against philosophy, today's novel thinks with philosophy. Renewing the dialogue with philosophy, the narrative renews its own aesthetic. Contemporary authors are forging original narrative forms to tell the story of philosophy, rather than to expound it
Bouchard, Pierre-Olivier. „Rapport au temps et figures d'écrivains : la fin du XIXe siècle dans les biographies fictives françaises et québécoises parues entre 1980 et 2000“. Doctoral thesis, Université Laval, 2017. http://hdl.handle.net/20.500.11794/28083.
Der volle Inhalt der QuelleMorand-Dupuis, Marie-Hélène. „L'ekphrasis photographique et le rapport au biographique chez Annie Ernaux et Patrick Modiano : le cas d'Une femme et de Chien de printemps“. Master's thesis, Université Laval, 2017. http://hdl.handle.net/20.500.11794/28082.
Der volle Inhalt der QuellePuyaubert, Jacques. „Georges Bonnet, 1889-1973 : étude biographique“. Bordeaux 3, 2001. http://federation.unimes.fr:8080/login?url=http://books.openedition.org/pur/21149.
Der volle Inhalt der QuelleThis biography of Georges Bonnet, a twentieth century French politician, who was a radical minister between the wars, retraces the path of a pacifist. The aim of this study is to show the earlines of his ideological commitment as well as the steadiness of his efforts to find a social concensus and to take the heat out of the handling of international relations. His particulary long political carreer can be accounted for by his deep roots in Périgord. This controversial figure, whose surface opportunism was only a way to make his deep convictions triumph, distorted his own picture by being so conscientious a defender of the Munich conference
Nataf-Fereres, Joyce. „Le roman juif anglais : en quête d'identité (1950-1990)“. Paris 10, 1999. http://www.theses.fr/1999PA100173.
Der volle Inhalt der QuelleHaffen, Aude. „Fiction autobiographique et biographies imaginaires dans l'oeuvre d'Anthony Burgess“. Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00836003.
Der volle Inhalt der QuelleBesle, Edwige. „Madame de Laisse, une femme de lettres au XVIIIème siècle, éléments pour une enquête biographique et littéraire“. Orléans, 2007. http://www.theses.fr/2007ORLE1082.
Der volle Inhalt der QuelleAuthor of five works between 1773 and 1778, Madam de Laisse since fell into the lapse of memory. Its life remained unknown, this work is thus presented in the form of an outline of its biography. However, a large side of its life remains still quite mysterious. If it is possible to follow it and to find which could be its youth, its life of woman, married with Mister de Laisse, then with the count de Garrault. Its existence for the revolutionary period remains opaque. Nevertheless, this study made it possible to better understand which was this woman writer and which was its circle of close friends. Some of her friends are transposed in a way more or less disguised in its books, in particular Mister Leroy de Fontigny. The major work Madam de Laisse forever studied. However, "Ouvrage sans titre, Minerve le donnera" is an interesting epistolary novel putting in scene two girls : Julie and Sophie. Novel of separation, since one is in France and the other in Italy, the two writers share thanks to the letters their emotions in front of the events which they face. The epistie dedicated to the queen Marie-Antoinette expresses the will of the author clearly to show that there is no happiness without virtue. She indicates, thanks to her novel, the dangers which the women must avoid and qualities that they must develop in order to be able to claim with a happy life
Faerber, Johan. „Esthétique baroque du nouveau roman“. Paris 3, 2003. http://www.theses.fr/2003PA030039.
Der volle Inhalt der QuelleFar from limiting itself to the XVIIth century, the Baroque in literature may be regarded as a heterochronic notion leading the New Novel. Contrary to the image of a fuzzy set gathering diverse writers, the esthetics of the new Baroque enables us to define these novelists as being a literary group with a homogeneous textual identity, and can be considered the very possibility for the New Novel to exist. The diachronic eras gather into a synchronic game which first settles a rhetoric of the otherness and claims an ontology of the nothingness as in the literature of the baroque era. The unravelled characters are compelled to wander in a space which represents the moving macrocosm ruled by a world being a stage. Through these mimetic issues, the trompe-l'oeil reign unfolds a misology of the fiction questionning the virtualities of assertion. Therefore, writing shivers in its core, judges itself in a double gesture that squares its power, and shows off, just as the baroque peacock does, a conspicuous overload. Eventually, the era of suspicion would go back to the baroque age
Issa, Daouda Abdoul-Aziz. „La double tentation du roman nigérien“. Montpellier 3, 1993. http://www.theses.fr/1993MON30008.
Der volle Inhalt der QuelleTHE NOVEL DID NOT EXIST IN THE NIGERIEN LITERARY TRADITIONS, IT HAS IN THE CASE IN ALL THE AFRICAN COUNTRIES. AFTER 30 YEARS OF EXISTANCE, THE NIGERIEN ROMANESQUE PRODUCTIONS ARE A REALITY BUT REMAIN, HOWEVER, QUASI-ANONYMOUS UNDER THE PEN OF THE CRITIC WHERE THE GENERAL APPROACH OF STUDYING THE "AFRICAN NOVEL" DOES NOT ALLOW FOR AN ANCIENT KNOWLEDGE OF SPECIFICATIONS. THUS, WHEN ONE CONSIDERS THE NIGERIEN NOVEL FROM A NARRATIVE POINT OF VIEW, ONE FINDS AGAIN A PROMINENCE OF NARRATIVE TECHNIQUES OF FOLKLORES. FROM THIS POINT, WE CAN'T ACCEPT THIS CONCEPTION WHERE MOST PEOPLE CONSIDER THE AFRICAN ROMANESQUE PRODUCTIONS AS A SIMPLLY CONTINUITY OF WESTERN NOVEL. THE NIGERIEN NOVELIST PORTRAY A MULTICULTURE SOCIETY TO WHICH HE BELONGS, THUS EACH TIME IT WRITES AND AT THE SAME TIME COMPELS A DOUBLE TEMPTATION : THE ART OF FOLKLORES TELLERS AND THE ART OF MODERN NARRATION. With 30 YEARS OF EXISTANCE, THE NIGERIEN NOVEL IS ALWAYS AT INITIATIVE STAGE WHICH, SIMULTANOUSLY, BRINGS ABOUT THE TRADITIONAL AND MODERN INTERTEXTS. IT IS THEREFORE NECESSARY TO CONSIDER THE NIGERIEN ROMANESQUE SPEECHES AT THE FIRST STAGE OF CONCEPTI
Bücher zum Thema "Roman biographique – 20e siècle"
Le roman des espionnes. Monaco: Éd. du Rocher, 2014.
Den vollen Inhalt der Quelle findenMarcotte, Gilles. Le roman à l'imparfait : la "révolution tranquille" du roman québécois: Essais. Montréal: Éditions de l'Hexagone, 1989.
Den vollen Inhalt der Quelle findenMartina, Wachendorff, Hrsg. Le roman du piano: Du XIXe au XXe siècle. Arles: Actes Sud, 2003.
Den vollen Inhalt der Quelle findenRaimond, Michel. Le roman depuis la Révolution. 8. Aufl. Paris: A. Colin, 1991.
Den vollen Inhalt der Quelle findenLe roman depuis la révolution. 8. Aufl. Paris: Armand Colin, 1985.
Den vollen Inhalt der Quelle findenLe roman depuis la Révolution. Paris: Colin, 2013.
Den vollen Inhalt der Quelle findenPour une lecture du roman québécois: De Maria Chapdelaine à Volkswagen blues. Québec, P.Q: Nuit Blanche Editeur, 1996.
Den vollen Inhalt der Quelle findenHotte, Lucie. Romans de la lecture, lecture du roman: L'inscription de la lecture. Québec: Nota bene, 2001.
Den vollen Inhalt der Quelle findenLe roman à l'imparfait: La révolution tranquille du roman québécois : essais. Montréal: L'Hexagone, 1989.
Den vollen Inhalt der Quelle findenGay, Gabriel, (1981- ...)., Illustrations / Graphisme, Hrsg. Le prodigieux destin de Peter. Paris: L'École des loisirs, 2014.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Roman biographique – 20e siècle"
Tadié, Benoît. „Métaphysique du roman noi“. In Le Frisson métaphysique du roman policier/The Metaphysical Shudder of the Detective Novel, 93–103. Éditions de l'Université de Lorraine, 2024. http://dx.doi.org/10.62688/edul/b9782384510467/c08.
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