Auswahl der wissenschaftlichen Literatur zum Thema „Roman biographique – 19e siècle“
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Zeitschriftenartikel zum Thema "Roman biographique – 19e siècle"
Prochasson, Christophe. „Sur le cas Maurras : biographie et histoire des idées politiques (note critique)“. Annales. Histoire, Sciences Sociales 50, Nr. 3 (Juni 1995): 579–87. http://dx.doi.org/10.3406/ahess.1995.279386.
Der volle Inhalt der QuelleAndré, Sylvie. „Porosités du moi dans deux romans du Pacifique francophone: Le Roi absent et Quintet“. Nouvelles Études Francophones 38, Nr. 1 (2023): 22–35. http://dx.doi.org/10.1353/nef.2023.a905919.
Der volle Inhalt der QuellePereira, Edgard. „Viagens na minha terra: ciladas da representação“. Revista do Centro de Estudos Portugueses 23, Nr. 32 (31.12.2003): 61. http://dx.doi.org/10.17851/2359-0076.23.32.61-68.
Der volle Inhalt der QuelleBéres, Norbert. „„Román, ’s mi jobb a’ Románnál” – a román népszerűsítésének stratégiáiról“. Magyar Könyvszemle 134, Nr. 3 (2018): 283–99. http://dx.doi.org/10.17167/mksz.2018.3.283-299.
Der volle Inhalt der QuelleDimitroulia, Titika. „Les multiples réécritures de la littérature policière française en Grèce“. Historical Review/La Revue Historique 14 (27.04.2018): 71. http://dx.doi.org/10.12681/hr.16275.
Der volle Inhalt der QuelleGefen, Alexandre. „Vie imaginaire et poétique du roman au XIXe siècle : la Notice biographique de Louis Lambert“. Littérature 128, Nr. 4 (2002): 3–25. http://dx.doi.org/10.3406/litt.2002.1771.
Der volle Inhalt der QuelleIlves, Kerli. „L’androgyne décadent à la fin du 19e siècle. Léonora d’Este – androgyne, femme fatale, vampire…“. Interlitteraria 16, Nr. 1 (31.12.2011): 325–34. http://dx.doi.org/10.12697/il.2011.16.1.19.
Der volle Inhalt der QuelleReyns-Chikuma, C(h)ris, und Catel Muller. „Entretien avec Catel Muller“. ALTERNATIVE FRANCOPHONE 1, Nr. 7 (13.09.2014): 71–85. http://dx.doi.org/10.29173/af23057.
Der volle Inhalt der QuelleNovakova, Iva, und Julie Sorba. „Deux motifs stylistiques dans Les Mystères de Marseille (1884) d’Émile Zola“. SHS Web of Conferences 191 (2024): 06002. http://dx.doi.org/10.1051/shsconf/202419106002.
Der volle Inhalt der QuelleBateman, Fiona. „Defining the Heathen in Ireland and Africa: Two Similar Discourses a Century Apart“. Social Sciences and Missions 21, Nr. 1 (2008): 73–96. http://dx.doi.org/10.1163/187489408x308046.
Der volle Inhalt der QuelleDissertationen zum Thema "Roman biographique – 19e siècle"
Ouriachi, Katia. „Si la philosophie m’était contée : figures de philosophes dans les fictions narratives contemporaines“. Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL168.
Der volle Inhalt der QuelleThis thesis analyzes the renegotiation of the relationship between literature and philosophy in narrative fiction at the turn of the 20th and 19th centuries, through the representation of philosophical figures. These figures, which the author sees as objects of value, reveal a claim to the cognitive scope of fiction and the proximity of novelistic thought to philosophical discourse. In the 20th century, the philosopher was the foil of the artist, the thought of the novel took shape against him, manifesting itself in fictional essays. Today, while philosophy is increasingly staged and valorized within fiction, theoretical developments in fiction are rarer. Fiction thus asserts that its own regime of veracity lies in its capacity to imagine. Staging philosophers allows to articulate living and thinking. By emphasizing the story of the philosopher's life and actions, fictional narrative brings philosophical thought down into the realm of sensible experience, and puts it to the test. Literature is often presented as the place where discourses of knowledge come undone. But contemporary texts are part of a form of thought that is enriched by its proximity to philosophy. A dynamic relationship between philosophical discourse and the thinking of the novel is emerging. Where the novel of the previous century thought against philosophy, today's novel thinks with philosophy. Renewing the dialogue with philosophy, the narrative renews its own aesthetic. Contemporary authors are forging original narrative forms to tell the story of philosophy, rather than to expound it
Besle, Edwige. „Madame de Laisse, une femme de lettres au XVIIIème siècle, éléments pour une enquête biographique et littéraire“. Orléans, 2007. http://www.theses.fr/2007ORLE1082.
Der volle Inhalt der QuelleAuthor of five works between 1773 and 1778, Madam de Laisse since fell into the lapse of memory. Its life remained unknown, this work is thus presented in the form of an outline of its biography. However, a large side of its life remains still quite mysterious. If it is possible to follow it and to find which could be its youth, its life of woman, married with Mister de Laisse, then with the count de Garrault. Its existence for the revolutionary period remains opaque. Nevertheless, this study made it possible to better understand which was this woman writer and which was its circle of close friends. Some of her friends are transposed in a way more or less disguised in its books, in particular Mister Leroy de Fontigny. The major work Madam de Laisse forever studied. However, "Ouvrage sans titre, Minerve le donnera" is an interesting epistolary novel putting in scene two girls : Julie and Sophie. Novel of separation, since one is in France and the other in Italy, the two writers share thanks to the letters their emotions in front of the events which they face. The epistie dedicated to the queen Marie-Antoinette expresses the will of the author clearly to show that there is no happiness without virtue. She indicates, thanks to her novel, the dangers which the women must avoid and qualities that they must develop in order to be able to claim with a happy life
Fabre, Bruno. „Récriture et création, dans "Vies imaginaires" de Marcel Schwob“. Paris 4, 2007. http://www.theses.fr/2007PA040290.
Der volle Inhalt der QuelleMarcel Schwob’s Vies imaginaires suffered for a long time from the image of a learned storywriter tied to Schwob’s name and from a lack of originality he has been criticized for. Our study attempts to show how important this work is in the history of biography, by comparing it to its patterns and with the writer’s precursors’ works. Being at odds with the referential and scientific biography, Vies imaginaires is in line with a relation of English works which led the author to renounce the exemplary nature and the requirement for truth peculiar to the classic paradigm of the genre. Most of the texts used by the writer to reinvent his protagonists’ life are literary works, biographies or translations into English language. The listing of the intertextual material used by the author and the study of its rewriting reveal how Schwob is appropriating these works and bring the writer’s creativity out. The reprocessing of former biographies and the reinventing of characters borrowed from History are coming to the elaboration of a completely new work, the genesis, the writing principles, the composition and the imaginary form of which are pointing out an original creation of his own which is taking the lead to the biographical fictions of the 20th century
Córdoba, Marie. „L'écriture biographique dans l'oeuvre d'Elena Poniatowska“. Caen, 1997. http://www.theses.fr/1997CAEN1216.
Der volle Inhalt der QuelleQuerido diego te abraza quiela, hasta no verte jesus mio and tinisima are three texts by elena poniatowska which can be considered as biographies since they talk about three women who have really existed : angelina beloff, called quiela, russian painter exiled in paris, josefina borquez, called jesusa palancares, poor peasant woman from tehuantepec and tina modotti, expatriate italian in the usa, then in mexico, photographer and international communist militant. Those three lives are apparently very different and elena poniatowska chose three distinct literary genders : epistolary novel for the first, testimonial novel for the second and fiction for the last. But beyond those differences, a same practice of writing appears, and a same destiny for these three women. Elena poniatowska alwaysinfringes the literary gender she has chosen. So she takes away all the peculiarities of referential texts (no prologue, no photos, imaginary names. . . ) and she multiplies them in the only book which proclaims it belongs to fiction; so in tinisima, photos are omnipresent. The three women suffered deaths which build again their identity : son's death for quiela, mother's death for jesusa, lover's death for tina. Those three persons are very important in the feminine identity elaboration. After those deaths each one has to construct herself out of the areas which patriarcal tradition assigns to women : love and maternity. Each one talks about this second birth as if she would generate herself. Simbolically that amounts to refusing genealogy as origine of identity. The deconstruction of gender that poniatowska practices is an echo of this new feminine identity elaboration
Thérenty, Marie-Ève. „Mosaiques etre ecrivain entre presse et roman 1829-1836“. Paris 7, 2000. http://www.theses.fr/2000PA070012.
Der volle Inhalt der QuelleYagli, Ali. „Le roman turc au regard du roman français au XIXe siècle“. Toulouse 2, 2004. http://www.theses.fr/2004TOU20029.
Der volle Inhalt der QuelleIn this work, we examined the literary period called Tanzimat(1850-1910), which was developed under the influence of European Literature. This period is a fundemantal change not only in history, politics, and society but also in art and literature. Thanks to these changes (Reforms in 1839) Ottoman Empire was introduced to the European ideas in literay and social areas. As a consequence of cultural or social relations with the western world, novel form entered the Turkish literature in second half of the 19 th century. During this period, many Turkish writers knowing western civilisation produced literary works especially novels to prepare the society for social and political reforms as well as to introduce western ideas. Among these writers, Ahmet Mithat Efendi was the most prolific pioneer in creating a new novel-reading society which was formerly a reader of national literature such as epic, folk tale, Mesnevi, and others, mostly in verse originating from Divan Litearture and Folk literature. Ahmet Mithat Efendi wrote Denizci Hasan in 1872, the first Turkish novel, borrowing its elements from Alexandre Duma's Monte-Cristo. Under the light of this influence, we did a comparative study between the two novels: Denizci Hasan and Monte-Cristo. Especially we focused on how seccessfuly Ahmet Mithat Efendi did this when he combined the western narrative elements making use of Dumas Père's Monte-Cristo as his original simple with those of Turkish folk tales into new novel form. This dissertation having 5 parts gives detail about the rise of Turkish novel under the influence of western literature especialy 19th century French novel in the main parts, and the beginning of the first historial and poltical relations with the western world, especialy France in the introductory parts
Andréassian, Anne Elisabeth. „Les représentations de l'entreprise dans le roman français au XIXe siècle, 1829-1891“. Paris 1, 2010. http://www.theses.fr/2010PA010546.
Der volle Inhalt der QuelleLavergne, Elsa de. „La naissance du roman policier français (1865-1915)“. Paris 4, 2007. http://ezproxy.normandie-univ.fr/login?url=http://www.classiques-garnier.com/numerique-bases/garnier?filename=EleMS01.
Der volle Inhalt der QuelleThis study relates the rise of the French detective novel from late Second Empire to the First World War. It springs up in the judicial novels of Emile Gaboriau (1836-1873), the “father of French detective novel” and of his imitators, unrecognized novelists of the Second Empire and the Third Republic. It ends up with the first great cycles of detective adventures in the Belle Epoque, Arsene Lupin’s ones, written by Maurice Leblanc, and Rouletabille’s by Gaston Leroux. First, the research singles out the historical, literary and social factors which favoured the emergence of this genre: the popular press and serial novel development, the public’s rising interest for criminal topics and the evolution of police methods. It shows how appeared and progressively came into practice a new kind of novel, based on the actions of the character of the detective and on the process of piecing together the crime scenario. Second, the study puts the detective novel back in its connections with the contemporary world and emphasizes the wealth of its content. 19th century detective novels possess a realist vocation and tend to be similar to documents about the functioning of institutions and the rules of society. Their themes reveal the fears and the astonishment of the contemporaries who experienced the deep mutations of the industrial and urban civilization as a trauma and wondered about their consequences. Detective novels mirror the fears of a society who faces new dangers, but they either reflect its hopes, based upon the scientific and technical progress
Maupeou, d'Ableiges Evrard de. „Les débuts d'Élémir Bourges (1852-1886)“. Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040107.
Der volle Inhalt der QuelleOur thesis recounts the youth of Elémir Bourges (1852-1925), from his birth in Manosque until his departure for Samois in August 1886. We examine the novelist’s childhood in Marseille, his artistic discoveries, his first literary projects (influenced by Parnassianism and Naturalism) and the friendships he formed in Paris from 1874 (with Bourget, Coppée, Bouchor, Richepin, Redon, Zola, Montesquiou, Margueritte, Lorrain, Primoli, Goncourt, Mirbeau, etc.), the genesis of Jacques d'Aubray, La Haine de Joël Servais, Angélique Pitié, Sous la hache, Le Crépuscule des dieux, L'Enfant qui revient, Les oiseaux s’envolent et les fleurs tombent, his dramatic criticism in Le Parlement, chronicles in Le Gaulois, literary critic in La Revue des chefs-d’œuvre, his meeting in 1878 with Anna Braunerova, his future wife, and with the Czech artist Zdenka Braunerova, the reception of Le Crépuscule des dieux (1884) and Sous la hache (1885). Our biography is based on a large number of unpublished documents from the National Library of France, the Buzzini-Bourges fund of the Archives of the State of Valais, the Literary Archives of the Museum of Czech Literature (Prague), the Archives of Museum of Central Bohemia in Roztoky and private collections. It includes an edition of the manuscript of Jacques d'Aubray, Bourges’s first novel
Berthier, Danielle. „Le roman historique pour le jeunesse en France au XIXe siècle“. Artois, 2008. http://www.theses.fr/2008ARTO0001.
Der volle Inhalt der QuelleThis work tries to explain the way how the historical novel for children appeared and evolved during the nineteenth century. Moral novels appeared within the “Œuvres des bons livres” and with the Catholic publishers who created collections specialised in moral education. Historical novels turned “classical” novels were considered at this time as subversive and were published for the youth rarely and with a great number of precautions. To tell history in a novel – as Augustin Thierry did for example - was badly considered among educational circles, even if the romantic movement and the taste for history were finally victorious. The first youth historical novels told about the Middle Ages and the chivalrous ideal: this ideal applied to the Revolutionary period. Successive political régimes played a part in the development of the genre, fostering some ideologies and practices. Many books had a great longevity, as one can see in the general editorial production of the time. The appearance of the idea of Prehistory, coinciding with the establishment of the Republic, was the ground of a new look upon the past. However, one can say that the past was dealt with during the century in a stable way, born with the divergent trends resulting from the French Revolution
Bücher zum Thema "Roman biographique – 19e siècle"
Raimond, Michel. Le roman depuis la Révolution. 8. Aufl. Paris: A. Colin, 1991.
Den vollen Inhalt der Quelle findenLe roman depuis la révolution. 8. Aufl. Paris: Armand Colin, 1985.
Den vollen Inhalt der Quelle findenLe roman depuis la Révolution. Paris: Colin, 2013.
Den vollen Inhalt der Quelle findenMartina, Wachendorff, Hrsg. Le roman du piano: Du XIXe au XXe siècle. Arles: Actes Sud, 2003.
Den vollen Inhalt der Quelle findenFaber, Michel. La rose pourpre et le lys: Roman. [Montréal]: Boréal, 2005.
Den vollen Inhalt der Quelle findenVerne, Jules. L'île mystérieuse. Paris: L'École des loisirs, 2008.
Den vollen Inhalt der Quelle finden1943-, Higgins Brian, und Parker Hershel, Hrsg. Herman Melville: The contemporary reviews. Cambridge: Cambridge University Press, 1995.
Den vollen Inhalt der Quelle findenNeil, Cornwell, Hrsg. The society tale in Russian literature: From Odoevskii to Tolstoi. Amsterdam: Rodopi, 1998.
Den vollen Inhalt der Quelle findenAhearn, Edward J. Marx and modern fiction. New Haven: Yale University Press, 1989.
Den vollen Inhalt der Quelle findenThe politics of story in Victorian social fiction. Ithaca, N.Y: Cornell University Press, 1988.
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