Auswahl der wissenschaftlichen Literatur zum Thema „Roman arabe contemporain“
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Zeitschriftenartikel zum Thema "Roman arabe contemporain"
Hallaq, Boutros. „Le non-héros dans le roman arabe contemporain. Le cas du tunisien abīb al-Sālmī“. Middle Eastern Literatures 9, Nr. 2 (August 2006): 189–98. http://dx.doi.org/10.1080/14752620600814533.
Der volle Inhalt der QuelleAnwar Mohammed, Dr Sidad. „L’œuvre de Marguerite Duras vue en Irak“. Alustath Journal for Human and Social Sciences 214, Nr. 2 (15.12.2020): 161–90. http://dx.doi.org/10.36473/ujhss.v214i2.1471.
Der volle Inhalt der QuelleBernard, Isabelle. „Le Roman graphique face aux tragédies contemporaines: le cas de Lamia Ziadé et de Zeina Abirached“. Nottingham French Studies 62, Nr. 1 (März 2023): 21–37. http://dx.doi.org/10.3366/nfs.2023.0366.
Der volle Inhalt der QuelleSedgwick, Mark. „Eclectic Sufism in the Contemporary Arab World“. Tidsskrift for Islamforskning 11, Nr. 1 (19.12.2017): 65. http://dx.doi.org/10.7146/tifo.v11i1.102873.
Der volle Inhalt der QuelleSture, Maria. „Plantemateriale frå jordprøver: uviss alder og ubrukt potensial?“ AmS-Varia, Nr. 58 (15.12.2016): 5–20. http://dx.doi.org/10.31265/ams-varia.v0i58.189.
Der volle Inhalt der QuelleOktapoda, Efstratia. „Entretien avec Ezza Agha Malak“. ALTERNATIVE FRANCOPHONE 2, Nr. 2 (24.04.2018): 93–105. http://dx.doi.org/10.29173/af29346.
Der volle Inhalt der QuelleAli, Mohd Akhtar, Mohd Khalid, Hamiduddin, Zaigham und Mohammad Aslam. „History of Ilmul Saidala (Unani Pharmacy) Through Ages: A Critical Appraisal and Current Scenario“. Bangladesh Journal of Medical Science 21, Nr. 1 (01.01.2022): 24–36. http://dx.doi.org/10.3329/bjms.v21i1.56324.
Der volle Inhalt der QuelleAl Harthy, Noura Ahmed Hamed Al. „The Meccan Era in the Light of the Turkish Writings from the Prophet’s Birth Till the Rise of the Mission - I“. Mediterranean Journal of Social Sciences 9, Nr. 6 (01.11.2018): 75–85. http://dx.doi.org/10.2478/mjss-2018-0163.
Der volle Inhalt der QuelleAl Harthy, Noura Ahmed Hamed. „The Meccan Era in the Light of the Turkish Writings from the Prophet’s Birth till the Prophetic Immigration to Medina - II“. Mediterranean Journal of Social Sciences 9, Nr. 6 (01.11.2018): 87–99. http://dx.doi.org/10.2478/mjss-2018-0164.
Der volle Inhalt der QuelleWeingrod, Alex, und ʿAdel Mannaʿ. „Living Along the Seam: Israeli Palestinians in Jerusalem“. International Journal of Middle East Studies 30, Nr. 3 (August 1998): 369–86. http://dx.doi.org/10.1017/s0020743800066228.
Der volle Inhalt der QuelleDissertationen zum Thema "Roman arabe contemporain"
Cherifi, Abdelouahed. „Le héros dans le roman arabe contemporain“. Aix-Marseille 1, 1994. http://www.theses.fr/1994AIX10075.
Der volle Inhalt der QuelleZahrani, Mojeb al. „L'Image de l'Occident dans le roman arabe contemporain“. Paris 3, 1990. http://www.theses.fr/1990PA030046.
Der volle Inhalt der QuelleThe cultural communication between the arab area and the west is very deep in history and has never been interrupted. The french expedition in egypt and syria 1798-1801 announced the beginning of the modern phase of this communication. Since the "western" as other of arabs, will become in the same time the historical rival and the bearer of a necessary modernity for arab renaissance. We discussed this general problematic through the analyse of the western images that some arab novelists have created since the thirties till now. As conclusion we can say that the concerned writers, either the liberals before the fifties, the nationalists and socialists between 50-70, or the islamists at present, they were not able to create a coherent vision of the other. The reason was that the writers were dominated by ideological and literary myth very often borrowed from occidental culture
Alzahrani, Moajeb. „L'image de l'occident dans le roman Arabe contemporain“. Lille : A.N.R.T, Université de Lille III, 1990. http://bibpurl.oclc.org/web/34408.
Der volle Inhalt der QuelleGuessoum, Zeineb. „L'intertextualité comme source de création littéraire : essai sur le roman arabe contemporain“. Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30023.
Der volle Inhalt der QuelleIn the field of contemporary Arabic literature, the theme of intertextuality as the source of novelistic literary creation possesses a double origin. On the one hand, the study of major contemporary Arabic novelists shows that they make use of prior narratives of essentially epic, historical and religious character, reproducing them in a romantic style and context that is entirely their own, but without departing from the original theme. On the other, intertextuality as the source of literary creation takes for its foundation the role played by memory and knowledge. In order to grasp the way in which these two sources are used and why, we are going to approach the question by analyzing university studies and current literary criticism on the subject, thereby constructing an objective argument. Then we will structure our work in three parts. The first will be entitled: “Quotations and References”, a juxtaposition posing the question of the relationship between the intertextual quotation and the reader. The second part will be entitled: “Allusions and Evocations”. This pair of terms will be concerned with the relationship between intertextuality and memory (both historical and cultural), which is contained in the literature. Finally, the third part will be called: “Resumptions and Reorganisations” – these two terms raising the question of textual resumption and the divergent relationship existing between texts
Ali, Nancy. „Violence et fiction dans le roman contemporain de langue française, arabe, et anglaise (1960-2000)“. Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040035.
Der volle Inhalt der QuelleSummaryAs a result of the changes that have occurred in the latter half of the twentieth century, the world has witnessed a noticeable acceleration of history. This acceleration has manifested itself on many fronts – the historic, the scientific, the technological – but also on the literary front changing forever the way we represent our world and our place in it. This paper deals with the new modes of representation or mimesis in the work of art. How have the events happening outside the novel affected the very form, technique and the language of the contemporary novel? How has the violence that has been inflicted on the outside world being replicated and perhaps resolved in the literary narrative? Because narrative form is in itself a way of ordering and “bringing together” the fragmented events and incoherencies of reality, the very traditional form often violently manipulates this reality with the aim of giving meaning to an often inexplicable reality. By bringing into question the natural and given conventions of narrative, the experimental novels of the twentieth century have tried to realize original and unique forms that are able to represent different experiences. Our paper deals with primarily with these new conventions of representing reality and how, despite their fragmentation, experimentation, and violent rupture with the traditions of the past, they have nonetheless successfully produced “representations” of reality that faithfully capture our contemporary history characterized by acceleration as well as fragmentation. In order to justify this argument, we have compared narratives of fiction with the other two domains from which we derive the knowledge of our past, namely history and memory. Where is the place of fiction alongside these two often totalizing and totalitarian pillars of knowledge? Finally, what can literature do to those subjects of history who have systematically excluded from the writing of their dominant History? By taking the pen to write their side of the story, these “others” of the dominant historical document have both inscribed their particular stories on the existing palimpsest of dominant history, but have also forced the literary canons in which they belong to expand both their aesthetic and ethical boundaries
Bianco, Annamaria. „"Adab al-malǧa'" : représenter le refuge dans le roman arabe du XXIe siècle“. Electronic Thesis or Diss., Aix-Marseille, 2022. http://theses.univ-amu.fr.lama.univ-amu.fr/221209_BIANCO_998yey470wdp180hg620kll_TH.pdf.
Der volle Inhalt der QuelleThis thesis analyses the Arabic literature of exile and migration produced at the turn of the 2015 "refugee crisis", through a corpus of six novels whose authors differ in gender, age, origin, notoriety and migratory status. The study aims to describe the emergence of a new migrant aesthetic built around the polyvalent and multifaceted experience of "refuge", identifying the different elements of continuity and discontinuity that link contemporary fiction to the canon of the past. Focusing on two novels that draw on the tradition of harraga literature (Abū Bakr Ḥāmid Kahhāl's Taytānīkāt afrīqiyya and al-Arabī Ramaḍānī's Anāshīd al-milḥ), the first part of this work sheds light on the links between texts that recount the experience of clandestine migration and those that focus on the exodus of asylum seekers, bringing out from them the same kind of critical discourse towards Fortress Europe and the hierarchies established by the humanitarian system. Linking the concepts of vulnerability, trauma and resilience, the second part is devoted to the realities of transit and immobility, and analyses the spaces of exception embodied by Palestinian refugee camps (Ḥuzāma Ḥabāyib's Muḫmal) and pre-revolutionary Syria, characterised by a dual reality of regional shelter and repression (Rūzā Yāsīn Ḥasan's Ḥurrās al-hawāʼ). The third part sheds light on the experience of asylum in Europe (Hudā Barakāt's Barīd al-layl and Alī Badr's Āzif al-ġuyūm), allowing the reader to explore the anti-hegemonic representations of notions such as hospitality, identity, belonging and citizenship
TEWFIK, IBRAHIM TEWFIK SOUHEIR. „L'identite de la femme dans le roman et la nouvelle feminins arabes contemporains“. Paris 4, 1993. http://www.theses.fr/1993PA040313.
Der volle Inhalt der Quelle1st part : a brief historical of woman existence in arab societies and her claimings. Some writers point of view regarding the feminine cause. Woman's picture through contemporary novelist (men) works. 2nd part : the identity study with its different sides through the arab contemporary feminine novels and short stories, the subjective identity, the negative or differential identity, the asserted identity, the individual and collective identity; the psychological identity also implies the consciousness of the physical or the bodily identity. The arabe woman denies her body and its demandings it becomes a burden a private belonging to the husband. It is the impure. It is desire and frustration. Motherhood becomes the supreme gift. 3rd part : love or identity confronted ot the other : the man. Love becomes a gift, a passion, a dependance, the need of the other or a simple affinity and independance. The arab woman identity remains an evolution opened to crisis as long as societies are opened to crisis
Benbaraka, Mohamed. „Le dialogue des cultures orientale et occidentale dans quatre romans arabes contemporains“. Montpellier 3, 1988. http://www.theses.fr/1988MON30013.
Der volle Inhalt der QuelleThe authors t. Al-hakim, y. Haqqi, s. Idriss and t. Salih attach a primordial importance to the human relationships experienced by some arabs in the west. It is be noticed that their novels : the bird of the east, the oil lamp of umm hashim, the quartier latin and season of migration to the north are the result of the confrontation between two histories and of the misunderstanding between two cultures which have become acquainted. This literature, which is born of a conflicting relation dictated from outside and characterized by internal confrontations has been confronted with a "problematique" with two essential focuses : a threatened authenticity and a modernity which is to be assimilated. Each one of these writers tries to find an answer to find an answer to that "problematique". The analysis of those stories leads us to observe that not only did the dialogue fail but that the relations between the two worlds can only the conflicting ones. However, we must notice that in spite of the failure symbolized by the breaking and the drama between the characters, the stories imply that the opening of the arab world to the whole world, including the west, is an historical necessity, that the achivements of the rest of the world is impossible and that the synthesis between historical authenticity and modernity remains an emergency imposed by history as well as by geography
Benbaraka, Mohamed. „Le Dialogue des cultures orientales et occidentales dans quatre romans arabes contemporains“. Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37611781k.
Der volle Inhalt der QuelleRubino, Marcella. „Religion et violence dans l'oeuvre de Yūsuf Zaydān : les chemins croisés de la fiction et de l'histoire“. Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF014/document.
Der volle Inhalt der QuelleThe Egyptian writer Yūsuf Zaydān is part of the tradition – dating from the age of the Nahḍa – of intellectuals as "educators of consciousness". Since then, faced with a national narrative controlled by political or religious power, Arab literature has often revisited history and current affairs with the aim of restoring – through the freedom offered by fictional discourse – the truth overshadowed by official history. Through this rewriting process, Zaydān is particularly interested in discussing the relationship between religion, politics and violence. The objective of this thesis is to explore Zaydān’s literary work in order to identify its originality. This originality is manifested, first, through Zaydān's dual profile as both academic and novelist, engaged in varied production that ranges from novels to essays; second, in the specific strategies he employs in order to address his privileged audience: the Egyptian reader. A controversial author in both his work and his personality, Zaydān is above all a literary phenomenon. An example of the blossoming literary field and the exacerbated cultural democratisation in Egypt, his case allows us to better understand ultra-modern Arab literature and what it expresses about the (politically, economically, culturally) recomposed and changing society that have produced it
Bücher zum Thema "Roman arabe contemporain"
Tomiche, Nada. La littérature arabe contemporaine: Roman, nouvelle, théâtre. Paris: Maisonneuve & Larose, 1993.
Den vollen Inhalt der Quelle findenVauthier, Elisabeth. La création romanesque contemporaine en Syrie de 1967 à nos jours. Damas, Syrie: IFPO, 2007.
Den vollen Inhalt der Quelle findenAbda, Saloua Ben. Figures de l'altérité: Analyse des représentations de l'altérité occidentale dans des romans arabes et francophones contemporains. Paris: Harmattan, 2011.
Den vollen Inhalt der Quelle findenCaiani, Fabio. Contemporary Arab Fiction. Routledge, 2007.
Den vollen Inhalt der Quelle findenCaiani, Fabio. Contemporary Arab Fiction: Innovation from Rama to Yalu. Taylor & Francis Group, 2007.
Den vollen Inhalt der Quelle findenCaiani, Fabio. Contemporary Arab Fiction: Innovation from Rama to Yalu. Taylor & Francis Group, 2007.
Den vollen Inhalt der Quelle findenCaiani, Fabio. Contemporary Arab Fiction: Innovation from Rama to Yalu. Taylor & Francis Group, 2010.
Den vollen Inhalt der Quelle findenCaiani, Fabio. Contemporary Arab Fiction: Innovation from Rama to Yalu. Taylor & Francis Group, 2007.
Den vollen Inhalt der Quelle findenRiggs, Christina. 6. Out of Egypt. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199682782.003.0006.
Der volle Inhalt der QuelleSelden, Daniel L., und Phiroze Vasunia, Hrsg. The Oxford Handbook of the Literatures of the Roman Empire. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199699445.001.0001.
Der volle Inhalt der QuelleBuchteile zum Thema "Roman arabe contemporain"
Lutfi, Ghassan. „Métaphores de la traduction dans le roman arabe contemporain“. In Les Métaphores de la traduction. Artois Presses Université, 2021. http://dx.doi.org/10.4000/books.apu.24490.
Der volle Inhalt der QuelleShiner, Larry. „The Meanings and Morality of Scenting the Body“. In Art Scents, 265–77. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089818.003.0029.
Der volle Inhalt der QuelleGoldberg, Harvey E. „Michael Romann and Alex Weingrod, Living Together Separately: Arabs and Jews in Contemporary Jerusalem. Princeton: Princeton University Press, 1991. xiv + 258 pp.“ In Studies in Contemporary Jewry: XI: Values, Interests, and Identity, 354. Oxford University Press, 1996. http://dx.doi.org/10.1093/acprof:oso/9780195103311.003.0079.
Der volle Inhalt der QuelleBraithwaite, John. „The Fall and Rise of Restorative Justice“. In Restorative Justice & Responsive Regulation, 3–27. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195136395.003.0001.
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