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Dissertationen zum Thema "Rois et souverains – Égypte – Antiquité"
Revez, Jean. „Frère du roi. L'évolution du rôle des frères du roi dans les modalités successorales en Égypte ancienne“. Paris 4, 1999. http://www.theses.fr/1999PA040088.
Der volle Inhalt der QuelleDanilova, Margaritta. „Les « enfants du sérail » et l’institution du Kap aux Moyen et Nouvel Empires“. Thesis, Montpellier 3, 2020. http://www.theses.fr/2020MON30046.
Der volle Inhalt der QuelleThe main goal of this PhD is the definition of what is the institution of 'Kap' and who were the 'children of the seraglio' .The time frame of the project is limited by XII-XIII and XVII- XVIII dynasties. This study will be in connection with linguistic, lexical, historical and archaeological areas of ancient Egypt. Many texts will be translated and analyzed which will give us a possibility to date numerous objects. This work will participate in the indexing of many titles and new words, offering new translations. An archaeological field research in Egypt including Theban and Memphite tombs is planned. With all this, it will be possible to establish a list of the full and associate members of their family. This first catalog will be the one of the first significant step in the development of an index of titulatures the New Kingdom
Cohen, Delphine. „Les attributs divins dans l'iconographie des Lagides“. Paris, EPHE, 2005. http://www.theses.fr/2005EPHE4060.
Der volle Inhalt der QuelleThe figurative representations of the Ptolemaic sovereigns have a specific place in Hellenistic art because the ptolemies ruled in a land endowed with a strong political and cultural tradition. As a consequence, the Ptolemies were represented as an Egyptian pharaoh and as a Basileus king. More over, the phenomenon of divinisation which spread in the Hellenistic world after the death of Alexander the Great had an important effect on these royal representations. Thus, the royal iconography recovers God's attributes to divinise their kings, in this particular context of the Ptolemies' Egypt, our catalogue analyses the divine attributes in the Ptolemies' iconography and Greek, syncretic and Egyptian deities. The study of these divine attributes represented in numismatic, sculptures, gems, jewellery, reliefs and architecture has allowed us to shed light on the stylistic, religious and political interactions between the Egyptian world and the Greek world during the reign of the Ptolemies. The Greek art borrows Egyptian political attributes and the Egyptian art shows Greek influences by adjusting its artistic conventions to the Greek mentality. The Greek religion knows deep transformation due to the phenomenon of the divinisation and the apparition at the same time of Egyptian and Greek royal cults. In confrontation to the historical context our catalogue testifies the strong political will of the Ptolemies to set up a royal propaganda to affirm their Macedonian power in Egypt
Villaeys, Julie. „La genèse de l’identité royale égyptienne de Nagada I à Nagada III (3900-2700 avant notre ère)“. Electronic Thesis or Diss., Sorbonne université, 2023. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2023SORUL164.pdf.
Der volle Inhalt der QuellePre- and protodynastic Egypt (3900 - 2700 BCE) is a formative period, during which the state and kingship are gradually being established. It is also a world teeming with images: in a context where hieroglyphic writing had not yet made its appearance or is just beginning to emerge, iconography and the material support with which it is associated occupy a central place. Artistic productions convey concepts directly related to ideology. They are therefore the medium of choice for expressing royal identity. However, particular attention needs to be paid to terms and concepts. When can we start talking about "kings"? Is it appropriate to draw a line between 'chief' and 'king'? We will see that kingship remains a vague and etic semantic concept, which is also poorly integrated into the socio-political classifications of societies. In the end, it seems wiser to move beyond the quest for the 'first kings' and focus instead on the iconographic mechanisms that structure a more general identity of power throughout the Pre- and Protodynastic periods. We will thus see the emergence of several visual markers linked to power, as well as several iconographic dynamics that intersect in the iconographic theatre. While it is not easy to associate the concrete reality of the exercise of power with a mode of iconographic representation, it is nonetheless possible to perceive the existence of ruptures and continuities. These are mainly linked to the representation of power as a concept, not linked to an earthly individual, or to its personalisation. During the Nagada II and III periods in particular, certain iconographic markers were re-exploited and diverted to suit new needs and serve the expression of a "royal" identity
Vigouroux-Sachs, Christine. „L'évolution et le symbolisme de l'image royale dans l'Inde ancienne et l'Asie centrale du IVe siècle av. J. -C. Au Ve siècle ap. J. - C. D'après les données numismatiques mises en parallèle avec les arts plastiques et la glyptique“. Paris 4, 2002. http://www.theses.fr/2002PA040166.
Der volle Inhalt der QuelleOur study of a large number of collections of coins stemming from Central Asia and North-Western India and bearing the image of a king convinced us that these coins should not only be analyzed from a historical point of view, but also be considered as pieces of evidence revealing the aims and aspirations of the issuing authority. The period from the 4th century B. C. To the 5th century A. C. Forms an utmost interesting field of investigation, because it is marked by a succession of invasions from very different origins. The present study takes into consideration coinage in an iconographical point of view. In the first place it considers the evolution of the royal image, the mechanisms leading to its depiction, the systems of meetings, imitations and influences. In India or in Central Asia, this appears on coins together with Achemenids and above all Greek invaders, before it was adopted by the nomad chiefs and finally the kings of certain part of India. In the second part, this study tries to decode the royal message diffused by those coins. The thematic division of the types allows to distinguish three principal axes from the propaganda legitimating a king's sway or emphasize his ability to be a victorious warrior, a warden of wealth and a proxy of the gods
Dobrev, Vassil. „Recherches sur les rois de la IVème dynastie égyptienne“. Paris 4, 1992. http://www.theses.fr/1992PA040142.
Der volle Inhalt der QuelleThis «research on the kings of the fourth Egyptian dynasty" is composed of two parts: a corpus of documents and a synthesis called the book of the kings. The chronological order adopted is: 1. Sneferu, 2. Khufu, 3. Djedefra, 4. Khafra, 5. Menkaura, 6. Shepseskaf. The documents are classified according to their nature: 1. Statues, 2. Reliefs, 3. Rock reliefs, 4. Cylinders or seal impressions, 5. Vessels, 6. Others. The synthesis is composed of three chapters: chapter I royal Titularies, chapter II Royal representations, chapter III Some remarks about the funerary monuments of the kings of the fourth dynasty. The first chapter allows noticing that this period is a quite innovatory age for the royal titulary. It received some new elements: the name falcon of gold, the cartouche, the title the two mistresses, the title and the name son of Ra, the title master of the double country the title master of the glorious apparition. The second chapter informs us about the numerous aspects of the history of the fourth dynasty and especially about the evolution of royal statuary and reliefs. The third chapter contains some remarks about the royal funerary monuments of the fourth dynasty. During this period appear the trues pyramids whose dimensions were never reached
Ciavatti, Aurore. „La fin de la Ve dynastie au regard des archives d’Abousir : aspects cultuels et économiques“. Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL129.
Der volle Inhalt der QuelleDuring the 20th century, 3 sets of archives were discovered in royal funerary temples at Abousir. These archives, dating from the reign of Djedkare, are a particularly valuable testimony for anyone who wants to analyze the state of power at this time. Also, in order to re-study the reigns of the end of the Vth dynasty, it was necessary to propose in the very first stage a new typological catalog of this important papyrological corpus. We distinguished royal decrees, inventories of religious furniture, service rulings, receipts, distribution accounts and other variae. This review has led to new observations, including a complete reconstitution of the royal decrees found in these archives. A study was then devoted to the reigns of Menkaouhor, Djedkare and Unas: the specificities presented by their respective funeral complexes were examined, as the question of the comput of ruling years, which could correspond to an octaeteric cycle. The examination of the royal genealogy allows us to suppose calm and undisputed successions. The analysis of the archives of Abousir tells us about the functioning of the funerary temples, the religious gesture and the festivities which are realized there, as well as the composition and organization of the personnel. These administrative data reveal a complex economic system put in place to support these royal funerary cults, which highlights a specific politico-religious discourse which determines a new definition of kingship
Wackenier, Stéphanie. „Recherches sur l'administration du nome Héracléopolite au temps des rois Lagides“. Paris 1, 2009. http://www.theses.fr/2009PA010641.
Der volle Inhalt der QuelleWozniak, Magdalena. „Iconographie des souverains et des dignitaires de la Nubie chrétienne : les vêtements d’apparat“. Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040221.
Der volle Inhalt der QuelleThe thesis deals mainly with royal iconography in Christian Nubia. The recent discovery of new mural paintings at Banganarti (Sudan), where portraits of kings appear in the apses of the Upper Church, made appear the need for new investigation on the traditional iconographical criteria used to identify the status of the persons represented in the murals (kings, queen mothers, dignitaries). The work proposes a new typology of the portraits, based on their composition, and studies also their place in the ecclesiastical buildings as well as in the iconographical program which turns to paramount importance for the identification of the status. The examination of the costume proves to be another significant element to understand the various offices. The detailed analysis of the clothes and attributes shows the evolution of the royal costume but demonstrates the permanence of the costume of the queen mother. It also confirms that high dignitaries wear the same type of cloth as the king, which illustrates the delegation of royal authority. The observation of the attributes allows also proposing some new data for the identification of a military office and of the office of Choiak-eikshil. The study of the decorative motifs appearing on the clothes indicates the continuous import of luxurious textiles in Nubia independently of its political and diplomatic relations with Egypt. This decorative repertoire proves also that Christian Nubia belongs to the broad Mediterranean culture
Ezz, Khaled el-Enany. „Les titulatures royales de la XXVe à la XXXe dynastie : Morphologie - choix des noms - tradition et innovation“. Montpellier 3, 2001. http://www.theses.fr/2001MON30021.
Der volle Inhalt der QuelleBücher zum Thema "Rois et souverains – Égypte – Antiquité"
Marshall, Amandine. En Égypte ancienne: Meryrê, Set Maât 1480 av. J.-C. Paris: Gallimard jeunesse, 2004.
Den vollen Inhalt der Quelle findenVandenberg, Philipp. Néfertiti. Paris: Belfond, 1987.
Den vollen Inhalt der Quelle findenE, Freed Rita, D'Auria Sue, Markowitz Yvonne J und Museum of Fine Arts, Boston., Hrsg. Pharaohs of the sun: Akhenaten, Nefertiti, Tutankhamen. Boston: Museum of Fine Arts in association with Bulfinch Press/Little, Brown and Co., 1999.
Den vollen Inhalt der Quelle findenGrimal, Nicolas-Christophe. Les termes de la propagande royale égyptienne: De la XIXe dynastie à la conquête d'Alexandre. Paris: Impr. nationale, 1986.
Den vollen Inhalt der Quelle finden(Editor), Rita E. Freed, Yvonne J. Markowitz (Editor) und Sue H. D'Auria (Editor), Hrsg. Pharoahs of the Sun: Akhenaten, Nefertiti, & Tutankhamen. Museum of Fine Arts (Boston), 1999.
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