Thematische Bibliographien / Richard

Auswahl der wissenschaftlichen Literatur zum Thema „Richard“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 5. März 2023

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Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte
  6. Berichte der Organisationen

Zeitschriftenartikel zum Thema "Richard":

1

Mearns, Richard, Christophe Gouraud und Laurent Chevrier. „The identity of Richard of Richard's pipit (Anthus richardi Vieillot, 1818)“. Archives of Natural History 42, Nr. 1 (April 2015): 85–90. http://dx.doi.org/10.3366/anh.2015.0281.

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Richard's pipit (Anthus richardi) is an annual vagrant to Europe from its eastern Palaearctic breeding grounds. It was first described in 1818 by Louis Vieillot from specimens obtained in eastern France and named for Richard de Lunéville. Although Richard was then a fairly well known natural history collector his identity became lost to succeeding generations of naturalists. He is identified here as Charles Richard (1745–1835), the director of the postal service at Lunéville. Some of his bird specimens still survive amongst the Baillon Collection at La Châtre but other birds, including the three syntypes of Richard's pipit, have not been traced.
2

Coote, Lesley, und Tim Thornton. „Richard, Son of Richard: Richard III and Political Prophecy“. Historical Research 73, Nr. 182 (01.10.2000): 321–30. http://dx.doi.org/10.1111/1468-2281.00111.

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Abstract This article provides a new context for the politics surrounding the death of Edward IV, the accession of Edward V and his replacement in turn by Richard III. By examining prophecy texts, both those recorded at the time and those preserved in local tradition, the article shows how Richard's role as protector and then as king was validated in prophecy. The article sheds new light on Richard of Gloucester's possible motivations and self-interpretation, and further suggests the ways in which the prophecy tradition helped give Richard's regime its particular form.
3

Krämer, Günter. „Richard Kohn Richards (ursprünglich Richard Kohn; 1904–1983)“. Zeitschrift für Epileptologie 33, Nr. 1 (08.08.2019): 82–83. http://dx.doi.org/10.1007/s10309-019-0281-7.

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4

Gari, Nelia, Zulkifli Zulkifli, Wella Cisilya Putri und Lana Hasanah. „Ogden and Richards Proposed Theories: A Brief Overlook as a Prominent Reference for the Current Studies“. REiLA: Journal of Research and Innovation in Language 1, Nr. 3 (29.12.2019): 90–94. http://dx.doi.org/10.31849/reila.v1i3.3599.

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The purpose of this article is to find out whether the Ogden and Richard theories are still worthy of being a reference for the current situation. This study intended to review the theories that are highly popular in the semantic environment. Ogden and Richard's theory is one of the most popular semantic theories in linguistics. This theory is a very simple theory related to thought/reference, symbol and referent. Besides, this theory is often referred to as a triangle of meaning and a semiotic triangle. Many researchers try to review the Ogden and Richard theory (Theory Triangle) based on the understanding and perspective of the researchers. This study described and compared the similarity and difference between five (5) studies on the triangle of meaning proposed by Ogden and Richard (1923) this study the analysis and employed a comparative study as a qualitative study in nature. This study explored five (5) articles e.g...“Ogden and Richards’ The Meaning of Meaning and early analytic philosophy, Semantic Triangle and Linguistic Sign, Controversies and Misunderstandings about Meaning: On the reception of Ogden and Richards book, (The Meaning of Meaning), Theories of Semantics; Merits and Limitations, Research on Translation Based on Semantic Triangle Theory”. This study sees that the theory of from Ogden and Richards is still worthy of being a reference until now. The studies being used as lens seems giving their positive credits to their study. This means that Ogden and Richards somehow acknowledged being as a prominent study in their field until now.
5

Gari, Nelia, Zulkifli Zulkifli, Wella Cisilya Putri und Lana Hasanah. „Ogden and Richards Proposed Theories: A Brief Overlook as a Prominent Reference for the Current Studies“. REiLA : Journal of Research and Innovation in Language 1, Nr. 3 (27.03.2020): 100–104. http://dx.doi.org/10.31849/reila.v1i3.3827.

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The purpose of this article is to find out whether the Ogden and Richard theories are still worthy of being a reference for the current situation. This study intended to review the theories that are highly popular in the semantic environment. Ogden and Richard's theory is one of the most popular semantic theories in linguistics. This theory is a very simple theory related to thought/reference, symbol and referent. Besides, this theory is often referred to as a triangle of meaning and a semiotic triangle. Many researchers try to review the Ogden and Richard theory (Theory Triangle) based on the understanding and perspective of the researchers. This study described and compared the similarity and difference between five (5) studies on the triangle of meaning proposed by Ogden and Richard (1923) this study the analysis and employed a comparative study as a qualitative study in nature. This study explored five (5) articles e.g...“Ogden and Richards‟ The Meaning of Meaning and early analytic philosophy, Semantic Triangle and Linguistic Sign, Controversies and Misunderstandings about Meaning: On the reception of Ogden and Richards book, (The Meaning of Meaning), Theories of Semantics; Merits and Limitations, Research on Translation Based on Semantic Triangle Theory”. This study sees that the theory of from Ogden and Richards is still worthy of being a reference until now. The studies being used as lens seems giving their positive credits to their study. This means that Ogden and Richards somehow acknowledged being as a prominent study in their field until now.
6

KOTOV, ALEXEY A., und FRANK D. FERRARI. „The taxonomic research of Jules Richard on Cladocera (Crustacea: Branchiopoda) and his collection at the National Museum of Natural History, USA“. Zootaxa 2551, Nr. 1 (28.07.2010): 37. http://dx.doi.org/10.11646/zootaxa.2551.1.2.

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Jules Richard (1863-1945) contributed significantly to cladoceran taxonomy before he became Director of the Musee Oceanographique de Monaco and assistant to Prince Albert I-er de Monaco. His collection, including slides and samples preserved in ethanol, was purchased by E. A. Birge, subsequently incorporated into the collection of David G. Frey, and later gifted to the National Museum of Natural History, Smithsonian Institution. A list of publications of Richard about cladocerans is presented, as well a list of all new taxa described by him (three genera and 37 taxa of species rank), with information about type localities, synonymies and taxonomic comments. Lectotypes and in some cases paralectotypes are selected for Daphnia (Ctenodaphnia) bolivari Richard, 1888; D. (Daphnia) curvirostris insulana Moniez in Richard, 1896; Bosmina japonica Poppe & Richard, 1890; Grimaldina brazzai Richard, 1892 and Alona sarsi Richard, 1891. Syntypes exist for Alona moniezi Richard, 1888 and Pleuroxus letourneuxi (Richard, 1888). The ethanol samples of Richard that may contain species for which there are no types are discussed. In addition, samples in the collection of David G. Frey from type localities of Richard's species are noted. These samples could be important for future revisions of the Richard's taxa. A redescription of Pleuroxus letourneuxi (Chydoridae, Chydorinae) is given; Bosmina japonica Poppe & Richard, 1890 (Bosminidae), a junior synonym of B. longirostris (O. F. Muller, 1776), also is redescribed.
7

Akhtar, Samina, Muhammad Rauf, Saima Ikram und Seema Rehman. „Richard’s Physical Deformity, the Cause or Excuse behind His Wickedness: A Critical Analysis of Shakespeare’s Richard III“. English Language and Literature Studies 7, Nr. 1 (28.02.2017): 94. http://dx.doi.org/10.5539/ells.v7n1p94.

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This study is an attempt to explore the intrinsic behavior of Richard, the tragic hero of Shakespeare’s renowned historical play Richard III. This paper interprets deformity is a cause or excuse behind Richard’s wickedness that leads him towards his appalling disaster. It further evaluates the internal conflicts of Richard’s mind, his lust for the throne and riches, and his ferocity to attain his lustful desires. The paper investigates whether Richard used his physical malformation as a defending tool or it is mere hindrance in his goodness. It also throws light on how Richard defends his wicked nature by blaming his deformity. The researcher critically studies the psyche of the genius but evil character through social and psychological perspective. The finding of the paper suggests that deformity reflects Richard’s inward naturefull of evil and vices and turns to be the real cause behind his abysmal calamity. Richard’s malicious disability is the clear example of his inward evil.
8

Keenan, Siobhan. „Re-reading Shakespeare’s Richard III: Tragic Hero and Villain?“ Linguaculture 2017, Nr. 1 (01.06.2017): 23–34. http://dx.doi.org/10.1515/lincu-2017-0003.

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Abstract The discovery of the body of the historical Richard III under a Leicester car park in 2012 sparked fresh interest in one of England’s most controversial kings. Accused of murdering his nephews—the Princes in the Tower—Richard’s reign was cut short when he was defeated by Henry Tudor, Earl of Richmond (later Henry VII), at the Battle of Bosworth (1485). Richard was subsequently demonised in Tudor historiography, perhaps most famously by Sir Thomas More in his “History of King Richard the thirde” (printed 1557). It is to More that we owe the popular image of Richard III as a “croke backed” and “malicious” villain (More 37), an image which Shakespeare has been accused of further codifying and popularising in his Richard III. Today, the historical Richard III’s defenders argue for the king’s good qualities and achievements and blame early writers such as More and Shakespeare for demonising Richard; but, in Shakespeare’s case at least, this essay argues that the possibility of a sympathetic—and even a heroic—reading of the king is built in to his characterisation of Richard III.
9

Avery, Joshua. „From “Obloquy” to “So Great Trust”: Broken Judgment in More’s and Shakespeare’s Richard III“. Moreana 48 (Number 183-, Nr. 1-2 (Juni 2011): 129–44. http://dx.doi.org/10.3366/more.2011.48.1-2.7.

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This paper argues that the famous wooing scene of Anne by Richard in Shakespeare’s King Richard III offers an imaginative reply to a question posed, but not explicitly answered, by Thomas More’s History. How does a figure held in general “obloquy” suddenly fall into “so great trust”? I contend that Anne’s vulnerability to Richard’s tactics is largely a function of particular theological assumptions that Richard perceives and skillfully plays upon, assumptions that relate to debates raised by Reformed Christianity.
10

Bothwell, J. S. „The Three Richards: Richard I, Richard II and Richard III, by Nigel SaulThe Three Richards: Richard I, Richard II and Richard III, by Nigel Saul. London, Hambledon and London, 2005. xii, 287 pp. $29.95 US (cloth), $19.95 US (paper).“ Canadian Journal of History 41, Nr. 1 (April 2006): 109–10. http://dx.doi.org/10.3138/cjh.41.1.109.

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Zeitschriftenartikel Dissertationen Bücher

Dissertationen zum Thema "Richard":

1

Johansson, Richard. „Natural language processing methods for automatic illustration of text /“. Lund : Department of Computer Science, Lund Institute of Technology, Lund University, 2006. http://www.df.lth.se/~richardj/pdf/richard-lic.pdf.

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Água-Mel, Diana Pedra. „Richard Serra“. Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2013. http://hdl.handle.net/10400.5/12018.

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Dissertação de Mestrado para obtenção do grau de Mestre em Design de Moda, apresentada na Universidade de Lisboa - Faculdade de Arquitectura.
O presente projecto de investigação tem como principal objectivo o desenvolvimento de uma colecção de design de moda com base no pensamento projectual de Richard Serra (1939), assente na Process Art.Trata-se de um projecto de cariz prático, no qual as principais metodologias utilizadas foram a pesquisa bibliográfica dos dois temas, seguida da análise de obras específicas de Serra na área do desenho e na área da escultura. Deste processo resultou o desenvolvimento do projecto, um conjunto de seis coordenados de vestuário feminino, apresentados ao público sob forma de dois desfiles e um editorial fotográfico. O documento divide-se em duas fases. Na primeira, teórica, é investigado o movimento Process Art no contexto do pensamento projectual de Richard Serra. A segunda, prática, trata a análise de obras e consequente projecto. No trabalho foram consideradas as seguintes obras de Serra: na área do desenho Verb List (1967-68), Pittsburgh (1985), No Mandatory Patriotism (1989), The American Flag is Not an Object of Worship (1989), Blank (1978), Union (2011) e Two Corner Cut: High Low (2012); na área da escultura, The Matter of Time (2005) e Equal-Parallel: Guernica- Bengasi (1986). Em relação à Process Art, esta foi usada como parte inerente (metodologia) do pensamento projectual do design de moda até ao termo da investigação. Para além da concepção da colecção, é perceptível ao longo do documento o processo intrínseco que a constrói desde as primeiras experiências até aos desenhos finais.
ABSTRACT: This research project has as main purpose the development of a fashion design collection based on the project-thinking of Richard Serra (1939), which relies on Process Art. It is a project-oriented work in which the main methodologies used were a literature review of the two themes and the analysis of specific works of Serra in drawing and sculpture areas. This has led to the development of the collection, a set of six outfits of female clothing, presented to the public in the form of two catwalk shows and a photography editorial. The document is divided into two phases. The first, theoretical, investigates the Process Art movement in the context of Richard Serra’s project-thinking. The second part, practical, analyzes certain works of art and the consequent project. For the project the following works of Serra were considered: in the drawing area Verb List (1967-68), Pittsburgh (1985), No Mandatory Patriotism (1989), The American Flag is Not an Object of Worship (1989), Blank (1978 ), Union (2011) and Two Corner Cut: Low High (2012). In the sculpture area The Matter of Time (2005) and Equal- Parallel: Guernica-Bengasi (1986). Regarding Process Art, this was used as an inherent part (methodology) of the project-thinking until completion of the investigation. In addition to the design of the collection, is noticeable throughout the document the intrinsic process that builds from the earliest experiments to the final designs.
3

Müller-Kelwing, Karin. „Richard Schmidt“. Böhlau Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A75067.

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4

Törnell, Mattias. „Richard Pages Sound“. Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27178.

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Fem låtar från Richard Pages skiva Peculiar Life har analyserats med syfte att ta reda på vad det är som ger dem dess sound. Analyserna har gjorts genom läsning av bookleten till skivan, informationssökning på internet, genom att titta på videodagbok från inspelning av skivan och genom att lyssna på låtarna. Analyserna har delats upp i kategorierna skriven information, video, utrustning och låtanalyser. Analyserna har visat att alla led i produktionen har stor betydelse för slutresultatet. Informationen som samlats in har använts till att återskapa soundet genom att komponera, arrangera, producera, spela in och mixa fem egna låtar baserat på analyserna. En undersökning gjordes med en grupp bestående av 66 gymnasieelever på estetiskt program med syfte att ta reda på om de egenkomponerade låtarna har samma sound som referensmaterialet. Ljudklipp från referenslåtarna och de egenkomponerade låtarna spelades upp tätt efter varandra varpå eleverna fick besvara en lyssnarenkät som tagits fram. De kategorier som betygsattes i enkäten var harmonier, arrangering och produktion. På enkäten fanns en förklaring av kategorierna. Resultatet från enkäten har sammanställts och analyserats och visar på ett delvis lyckat genomförande inom samtliga bedömningskategorier. Det första låtparet fick högt betyg, det andra låtparet fick medelbetyg och det tredje låtparet högt betyg.
5

BRITTO, ANA BEATRIZ RODRIGUES DE. „RICHARD SERRA: SCULPTURE“. PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35327@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTITUIÇÕES COMUNITÁRIAS DE ENSINO PARTICULARES
Cet article a l intention d analyser l ouevre du sculpteur nord-américain Richard Serra à partir de sa formation aux États-Unis et du contexte culturel de la deuxième moitié du XXème siècle, lorsqu il il a commencé sa carrière à New York. Cette étude propose également de mettre en valeur l importance de la materialité dans les ouevres de Richard Serra, la présence affirmative de ses sculptures, ainsi que la notion spatiale en tant que extension sociale et les liens avec son environment. Cela montre un regard contemporain en reaffirmant les aspects de l espace réel de son ouevre. Cette étude etablit des rélations entre ses sculptures et des métiers divers, ainsi, l art devient porte-parole critique de son propre temps et lieu d experimentations de nouvelles propositions artistiques. La recherce chemine à cotè de la thématique à propos du sujet de l espace qui traverse toute l ouvre de l artiste. Pour autant, la pensée de Richard Serra sur la sculpture est celle autour de l espace comme place de l experience perceptive et politique du monde. Voici le propos principale de mes arguments et ce qui conduit cette recherche.
Esta dissertação pretende analisar a obra do escultor norte-americano Richard Serra tomando como ponto de partida sua formação na América e o contexto cultural da segunda metade do século XX quando iniciou sua trajetória em Nova York. O estudo também propõe evidenciar a importância da materialidade das suas esculturas, da noção de espaço como extensão social e as articulações decorrentes da obra com o seu entorno. Isto denota uma posição contemporânea redefinindo aspectos do espaço real. O estudo estabelece relações entre suas esculturas e várias áreas do conhecimento, o que se insere no contexto histórico de arte como experiência crítica de seu tempo e experimentação de novas propostas artísticas. A pesquisa multidisciplinar acompanha, em seus desdobramentos, a questão do espaço que, de um modo ou de outro, atravessa toda a dinâmica da obra do artista. O pensamento de Richard Serra sobre escultura é um pensamento sobre espaço enquanto lugar da experiência perceptiva e política do mundo. É esta a linha de argumentação apresentada.
6

Burnes, John. „Playing Richard Burton“. Digital Commons at Loyola Marymount University and Loyola Law School, 1995. https://digitalcommons.lmu.edu/etd/604.

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McShaffrey, Brandon. „DIRECTING RICHARD III“. Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/188107.

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Theater
M.F.A.
Richard III is regarded as one of Shakespeare's longest and most complex plays, with a complicated plot, and a character that is a Machiavellian villain. After a workshop of Act I as an MFA Directing Project, I was granted by Temple University to stage a full production of Richard III as my thesis. Approaching the play proved difficult for me due to my lack of experience with Shakespearean text. However, by analyzing Shakespeare's text, and approaching the adaptation with the goal to make the story as clear as possible, I desired to create a production that embodied the idea of "now." The designed team and I created a world that was a-historic pulling from classic and modern forms that provided the necessary landscape for the play to occur. Through a series of seven chapters I explain my process from conception to production. I also evaluate my growth as a director during this artistic achievement. A Director's Script, Actor's Lexicon, Program Note, Design Renderings and Production Photos support my journey to opening night of Richard III.
Temple University--Theses
8

Palmer, Erik Arthur. „Seeing Richard Avedon /“. Connect to title online (ProQuest), 2008. http://proquest.umi.com/pqdweb?did=1537006421&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2008.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 307-321). Also available online in ProQuest, free to University of Oregon users.
9

Lundius, Janna. „Richard Wagner, Parsifal“. Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-172846.

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The purpose of this thesis is to present a context and background to thepractical design aspect of my work. I considered this project to be anexperiential journey in search of a way to make Wagner's Parsifal relevantand interesting in relation to my own life and personal sensibilities. My aimwas to use the music as my guide and my hope was to reach a scenographicsolution by following my intuition. This project has been an important step inmy development as an artist and designer and I feel it has strengthened thebond between my conscious and subconscious mind, giving me theconfidence to trust my feelings and harness them to come up with innovativeinterpretations translated into inventive designs
10

Minden, Frank [Verfasser], und Richard [Verfasser] Götze. „Richard Götze (1890-1955) Leben und Werk / Frank Minden, Richard Götze“. Hannover : Stiftung Tierärztliche Hochschule Hannover, 2013. http://d-nb.info/1179206525/34.

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Bücher zum Thema "Richard":

1

Saul, Nigel. The three Richards: Richard I, Richard II and Richard III. London: Hambledon Continuum, 2005.

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Saul, Nigel. The three Richards: Richard I, Richard II and Richard III. London: Hambledon Continuum, 2006.

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Richard, Meier. Richard Meier: Collages = Richard Meĭer : kollazhi. Herausgegeben von Petrova E. N. editor, Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia) und Galerie Gmurzynska. St. Petersburg: Palace Editions, 2014.

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Satragni, Giangiorgio. Richard Strauss e l'Italia: Richard Strauss und Italien = Richard Strauss and Italy. Torino: Allemandi, 2018.

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Frankland, Mark. Richard Robertovich. London: J. Murray, 1987.

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Tartaglia, James. Richard Rorty. London: Routledge, 2010.

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Clark, Garth. Richard Slee. Stoke-on-Trent: Potteries Museum & Art Gallery, 2003.

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O'Brian, Patrick. Richard Temple. New York: W.W. Norton & Co., 2006.

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Saul, Nigel. Three Richards: Richard I, Richard II And Richard III. Hambledon & London, 2006.

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Saul, Nigel. The Three Richards: Richard I, Richard II and Richard III. Hambledon & London, 2005.

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Buchteile zum Thema "Richard":

1

Brown, Thomas E. „Richard“. In ADHD and Asperger Syndrome in Smart Kids and Adults, 105–12. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003141976-11.

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2

Eder, Antonia. „Richard Strauss“. In Hofmannsthal-Handbuch, 59–63. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05407-4_17.

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Reese-Schäfer, Walter. „Rorty, Richard“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_20253-1.

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Zimmer, Frank. „Swartz, Richard“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_20957-1.

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Zajac, Peter. „Weiner, Richard“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21146-1.

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6

Strauhs, Doreen. „Rive, Richard“. In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21661-1.

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Brown, Nicholas E. „Burger, Richard“. In Encyclopedia of Global Archaeology, 1661–65. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_3476.

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Koszarski, Richard. „Richard Hoffman“. In A Companion to Early Cinema, 498–523. Oxford, UK: Blackwell Publishing Ltd., 2012. http://dx.doi.org/10.1002/9781118274453.ch26.

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9

Watson, Donald G. „Richard III“. In Shakespeare’s Early History Plays, 100–122. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-11035-3_5.

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Cesalli, Laurent. „Richard Brinkley“. In Encyclopedia of Medieval Philosophy, 1–5. Dordrecht: Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1151-5_436-2.

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Konferenzberichte zum Thema "Richard":

1

Allen, Roland E. „Relativity, Particle Physics and Cosmology“. In Richard Arnowitt Fest. WORLD SCIENTIFIC, 1999. http://dx.doi.org/10.1142/9789814527620.

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2

Mowforth, P., P. Siebert, Z. P. Jin und C. Urquhart. „A head called Richard“. In British Machine Vision Conference 1990. British Machine Vision Association, 1990. http://dx.doi.org/10.5244/c.4.64.

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3

„Richard Chu ITherm Award“. In 2022 21st IEEE Intersociety Conference on Thermal and Thermomechanical Phenomena in Electronic Systems (iTherm). IEEE, 2022. http://dx.doi.org/10.1109/itherm54085.2022.9899602.

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Карпин, Владимир Александрович, und Ольга Ивановна Шувалова. „RICHARD DAWKINS' REPLICATOR THEORY“. In Сборник избранных статей по материалам научных конференций ГНИИ "Нацразвитие" (Санкт-Петербург, Август 2022). Crossref, 2022. http://dx.doi.org/10.37539/aug304.2022.53.90.009.

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Annotation:
Теория биологической эволюции, пройдя за полтора века непростой путь своего развития, далека до своего завершения. Многочисленные попытки ее дальнейшего развития сводятся к двум основным альтернативным принципам - редукционизму и холизму. В статье предлагается оригинальный редукционистский подход к обсуждаемой проблеме Ричарда Докинза: согласно его теории, родоначальником, центром и сущностью жизнедеятельности и эволюции живых организмов является ген, а важнейшим доказательством - тот факт, что эволюция любого биологического вида в конечном счете сводится к эволюции его генотипа. Будучи ортодоксальным дарвинистом, Докинз развивает свою теорию репликаторов на основе важнейших положений естественного отбора. The theory of biological evolution, having gone through a difficult path of its development for a century and a half, is far from its completion. Numerous attempts at its further development are reduced to two main alternative principles - reductionism and holism. The article offers an original reductionist approach to the problem under discussion by Richard Dawkins: according to his theory, the gene is the ancestor, center and essence of the vital activity and evolution of living organisms, and the most important proof is the fact that the evolution of any biological species ultimately boils down to the evolution of its genotype. Being an orthodox Darwinist, Dawkins develops his theory of replicators on the basis of the most important provisions of natural selection.
5

Signell, E. „Bonhomme Richard "Reconstructed" with CAD“. In OCEANS '87. IEEE, 1987. http://dx.doi.org/10.1109/oceans.1987.1160845.

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Vozvyshayeva, Tatiana. „The Master’s Creed: Richard Rogers“. In The 2nd International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200923.046.

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Modesitt, Adam. „Unscripted: A Cenotaph for Richard Feynman“. In 107th ACSA Annual Meeting. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.am.107.94.

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„Tribute to Dr. Richard A. Marshall“. In 2012 16th International Symposium on Electromagnetic Launch Technology (EML). IEEE, 2012. http://dx.doi.org/10.1109/eml.2012.6325012.

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„Richard Chu ITherm Award for Excellence“. In 2021 20th IEEE Intersociety Conference on Thermal and Thermomechanical Phenomena in Electronic Systems (iTherm). IEEE, 2021. http://dx.doi.org/10.1109/itherm51669.2021.9503127.

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„2004 Pioneer Award - Richard M. Friedberg“. In Proceedings of the 2004 Congress on Evolutionary Computation. IEEE, 2004. http://dx.doi.org/10.1109/cec.2004.1331033.

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Berichte der Organisationen zum Thema "Richard":

1

Johnston, Mariann R., und Mary Beth Cernicek. Strategic Outlook: Richard P. Feynman Center for Innovation. Office of Scientific and Technical Information (OSTI), Juni 2018. http://dx.doi.org/10.2172/1457322.

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2

Aitchison, Ian J. R., Frank E. Close, Avraham Gal und D. John Millener. The Scientific Publications of Richard H. Dalitz, FRS (1925-2006). Office of Scientific and Technical Information (OSTI), März 2006. http://dx.doi.org/10.2172/878348.

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Glanville, Tom, Mark Hanna und Mark S. Honeyman. Richard VanDePol, A Career Example of High-Quality Field Research. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/farmprogressreports-180814-1753.

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Ashby, Steven L., Robert H. Kennedy, Joe H. Carroll, Robert C. Gunkel und Jr. Water Quality Studies: Richard B. Russell and J. Strom Thurmond Lakes. Fort Belvoir, VA: Defense Technical Information Center, Januar 1990. http://dx.doi.org/10.21236/ada217801.

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5

Johnston, Mariann R., David R. Pesiri, Jacqueline Allison Shen und Ariana Kayla Larkin. IMPACT TO MISSION: Richard P. Feynman Center for Innovation, 2015 Progress Report. Office of Scientific and Technical Information (OSTI), Juni 2016. http://dx.doi.org/10.2172/1260352.

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6

Miller, Andrew C., und C. R. Bingham. Macroinvertebrates in the Savannah River Below Richard B. Russell Lake, Georgia and South Carolina. Fort Belvoir, VA: Defense Technical Information Center, Februar 1991. http://dx.doi.org/10.21236/ada232423.

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Kenes, Bulent. Richard B. Spencer: The founder of alt-right presents racism in a chic new outfit. European Center for Populism Studies (ECPS), Juni 2021. http://dx.doi.org/10.55271/lp0010.

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Annotation:
Richard Bertrand Spencer is a well-groomed, well-educated advocate for the creation of a “white ethno-state” in North America for a “dispossessed white race.” He has also called for “peaceful ethnic cleansing” to halt the “deconstruction” of what he describes as “white culture” and to achieve a “white homeland.” Spencer has become the most recognizable public face of the white supremacist and nationalist movements. As an ardent white supremacist and ethnonationalist, Spencer says America belongs to white people, who he claims have higher average IQs than Hispanics and African Americans, and that the latter are genetically predisposed to crime. In Spencer’s “America,” Asians, Muslims, and Jews don’t qualify as “white” either.
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Siemann, R. Proceedings of the Symposium on Electron Linear Accelerators in Honor of Richard B. Neal's 80th Birthday. Office of Scientific and Technical Information (OSTI), Juni 2018. http://dx.doi.org/10.2172/1454199.

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Stegemeier, Richard J. Salton Sea Geothermal Power Plant Dedication - Remarks by Richard J. Stegemeier, President and Chief Executive Officer, Unocal Corporation. Office of Scientific and Technical Information (OSTI), April 1989. http://dx.doi.org/10.2172/897314.

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Rodríguez Cachón, I., und B. Valverde. Dos travesías, dos formas de relatar la vuelta al mundo: Antonio Pigafetta, Richard Hakluyt y The World Encompassed. Revista Latina de Comunicación Social, Mai 2019. http://dx.doi.org/10.4185/rlcs-2019-1363.

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