Thematische Bibliographien / Replica journal / Bücher

Bücher zum Thema „Replica journal“

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Autor: Grafiati
Veröffentlicht am 25. Juli 2024

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1

McKenna, Catherine. Jeanie Johnston journal: An Irish famine ship revisits Canada and Grosse Île in the 21st century. Westmount, Québec: Price-Patterson, 2005.

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2

Sazaklis, John. Marvel Spider-Man: Spider-Man Unmasked! (Replica Journal). SFI Readerlink Dist, 2017.

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3

Fry, Jason. Tales from Vandor (Replica Journal): Star Wars: Solo. SFI Readerlink Dist, 2018.

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4

Jeanie Johnston Journal: An Irish Famine Ship Revisits Canada and Grosse Ile in the 21st Century. Not Avail, 2005.

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5

Wheeler, Jay. Predator Blood Red Camo Luxury Lined Journal - Diary Notebook Notepad Movie Prop Replica Predators. Independently Published, 2021.

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6

Wheeler, Jay. You Wanna Play Rough? Hardback Book - Luxury Lined Journal Tony Montana Movie Prop Replica. Independently Published, 2021.

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7

Wheeler, Jay. STAB (Scream: the Woodsboro Murders by Gale Weathers) Hardback Book - Horror Movie Prop Replica Journal Writing Diary. Independently Published, 2021.

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8

publishing, Nour Eddine. Death Note Lined Notebook: Journal Diary Writing Paper Notepad Cosplay Movie Prop Replica Naming Pad Can Serve As a Planner, Journal Notes. Independently Published, 2021.

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9

Wheeler, Jay. Woodsboro Murders [Signed by Cotton Weary] (SCREAM) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Movie Prop Replica. Independently Published, 2020.

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10

Wheeler, Jay. Nakatomi Plaza (Die Hard) Luxury Lined Journal - Diary Notebook Notepad Writing Pad Movie Prop Replica Action Nokatomi Nakatomi Towers Mcclane. Independently Published, 2021.

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11

Wheeler, Jay. KEEP CALM and SWEEP the LEG (Cobra Kai Karate Kid) Luxury Lined Journal - Notebook Diary Writing Pad Movie Prop Replica. Independently Published, 2021.

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12

Wheeler, Jay. YOU'RE FIRED (Back to the Future) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Movie Prop Replica BTTF Flier Flyer. Independently Published, 2020.

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13

movie, Handbook. Handbook for the Recently Deceased : Lined Blank Journal Notebook for Halloween and Gift : Lined Blank Journal Notebook: Movie Prop Replica Book, Perfect for Halloween Costumes and Gifts. Independently Published, 2021.

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14

Wheeler, Jay. Julie James (I KNOW WHAT YOU DID LAST SUMMER) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Horror Movie Prop Replica. Independently Published, 2020.

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15

Ruben, Ernie. Honda RA272 Replica: 120 Pages with 20 Lines You Can Use As a Journal or a Notebook . 8. 25 by 6 Inches. Independently Published, 2019.

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16

Wheeler, Jay. YOU JUST a STUPID FOOL [Rocky / Clubber Lang] Luxury Lined Journal - Diary Notebook Notepad Boxing Rocky Balboa Movie Prop Replica Sports Book. Independently Published, 2021.

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17

Wheeler, Jay. YOU JUST a STUPID FOOL [Rocky / Clubber Lang] Luxury Lined Journal - Diary Notebook Notepad Boxing Rocky Balboa Movie Prop Replica Sports Book. Independently Published, 2021.

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18

Wheeler, Jay. Scissor Glove Snow (EDWARD SCISSORHANDS) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Movie Prop Replica Christmas Johnny Depp Vincent Price. Independently Published, 2020.

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19

Wheeler, Jay. WHO YOU GONNA CALL? (Ghostbusters) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Book Movie Prop Replica Ghost Ghosts Horror Ectoplasm. Independently Published, 2020.

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20

Wheeler, Jay. Twitty Twister (from DUSK till DAWN) Luxury Lined Notebook - Journal Diary Writing Paper Pad Note Book Vampire Horror Movie Prop Replica Quentin Tarantino. Independently Published, 2020.

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21

Wheeler, Jay. Ghostface Killer (SCREAM) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Book Horror Movie Prop Replica Ghost Face Wes Craven Scary Movie. Independently Published, 2020.

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22

Wheeler, Jay. I Still Know! (I KNOW WHAT YOU DID LAST SUMMER) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Horror Movie Prop Replica Book. Independently Published, 2020.

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23

Wheeler, Jay. Living and the Dead [from the Author of Handbook for the Recently Deceased] (BEETLEJUICE) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Movie Prop Replica Tim Burton. Independently Published, 2020.

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24

Heaslip, Amy Nathansan, Hrsg. Star Wars: Rey's Survival Guide. Studio Fun International, 2015.

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25

Wheeler, Jay. Great Scott! 1. 21 JINGLE WATTS! (Back to the Future) Luxury Lined Notebook - Journal Diary Writing Paper Note Pad Book Movie Prop Replica 1. 21 Gigawatts BTTF Flux Capacitor Christmas. Independently Published, 2020.

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26

Press, Will. Knowledge Cannot Replace Friendship: Notebook Journal for Friends - Wide Lined College Notebook Journal - College Friend Gift. Independently Published, 2021.

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27

Farber, Angelika. Composition Notebook: Rachel Replicant Journal Notebook Blank Lined Ruled 6x9 100 Pages. Independently Published, 2020.

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28

Alvesson, Mats, Yiannis Gabriel und Roland Paulsen. From Science as a Vocation to Science as a Game: and the Resulting Loss of Meaning. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198787099.003.0002.

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Against a generalized loss of meaning in society, social scientists find it hard to undertake relevant research that addresses problems facing our world. Science has turned from a vocation aimed at improving the lot of humanity to a careerist game dominated by publishing hits in starred journals. Instrumental rewards replace the passion for discovery and the intrinsic quest for knowledge. Competition among academics and academic institutions, such as journals, universities, and professional bodies, is not intrinsically harmful. Competition in the social sciences, however, is currently resulting in large quantities of formulaic publications, increasing specialization, faddishness, opportunism, and a general ironing out of originality and relevance. Academic authorship and the voice of individual scholars is wiped out as most papers are co-authored by several researchers, each a specialist in his or her area. The result is a devaluation of scholarship and a privileging of technical expertise in narrow disciplinary areas.
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29

Strobel, Heidi A. The Art of Mary Linwood. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350428119.

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The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today’s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery’s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood’s gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood’s extant and destroyed works. By examining Linwood’s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.
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30

Putzel, Charles, und H. A. Bähr. Commercial Precedents Selected From the Column of Replies and Decisions of the New York Journal of Commerce. Arkose Press, 2015.

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31

Designs, Vepa. Positivity Journal: Dot Grid Journal - Replace Every Negative Thought with a Positive on- Pink Dotted Diary, Planner, Gratitude, Writing, Travel, Goal, Bullet Notebook - 6x9 120 Page. Independently Published, 2019.

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32

Li, Quan. Using R for Data Analysis in Social Sciences. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190656218.001.0001.

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This book seeks to teach undergraduate and graduate students in social sciences how to use R to manage, visualize, and analyze data in order to answer substantive questions and replicate published findings. This book distinguishes itself from other introductory R or statistics books in three ways. First, targeting an audience rarely exposed to statistical programming, it adopts a minimalist approach and covers only the most important functions and skills in R that one will need for conducting reproducible research projects. Second, it emphasizes meeting the practical needs of students using R in research projects. Specifically, it teaches students how to import, inspect, and manage data; understand the logic of statistical inference; visualize data and findings via histograms, boxplots, scatterplots, and diagnostic plots; and analyze data using one-sample t-test, difference-of-means test, covariance, correlation, ordinary least squares (OLS) regression, and model assumption diagnostics. Third, it teaches students how to replicate the findings in published journal articles and diagnose model assumption violations. The principle behind this book is to teach students to learn as little R as possible but to do as much reproducible, substance-driven data analysis at the beginner or intermediate level as possible. The minimalist approach dramatically reduces the learning cost but still proves adequate information for meeting the practical research needs of senior undergraduate and beginning graduate students. Having completed this book, students can use R and statistical analysis to answer questions regarding some substantively interesting continuous outcome variable in a cross-sectional design.
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33

McCleary, Richard, David McDowall und Bradley J. Bartos. External Validity. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190661557.003.0009.

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A threat to external validity is any factor that limits the generalizability of an observed result. Unlike all threats to statistical conclusion and internal validities and some threats to construct validity, threats to external validity cannot ordinarily be controlled by design. Nor is there any disagreement on how threats to external validity should be controlled. In most instances, it can only be controlled by replication?—across subjects, situations and time frames. This seldom happens, unfortunately, because the academic incentive structure discourages replication. The contemporary “reproducibility crisis” was spurred by a collaborative group of social scientists attempting to replicate one hundred experimental and correlational studies published in three mainstream psychology journals. Sixty percent of replications failed to reproduce the published effect. Failures to control for threats to external validity that stem from uncontrolled variations in persons, situations, and time frames, parsimosniously explain the failure rate in this replication study.
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34

Leveen, Adriane. Becoming Israel in the Wilderness of Numbers. Herausgegeben von Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.11.

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Numbers describes the building of an Israelite collective in the wilderness. A fledgling people struggle mightily to form themselves into a unity but are overcome by their own complaints, desires for a past they leave behind in Egypt and doubts of their ability to conquer the promised land. Several stories highlight the dramatic pressures both internal (how they saw themselves) and external (how they imagined others saw them) that influence the successes and failures of a unified Israel. Yet the self-critique embedded in the tale of the journey leads a new generation to replace dissatisfaction and dissent with a shared determination. A tale of struggles overcome gives the children of Israel a chance to reach for a different future, imagined but not yet fulfilled.
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35

Burstein, L. Poundie. Journeys Through Galant Expositions. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190083991.001.0001.

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Through much of the eighteenth century, commentators often described musical form in relation to a type of journey leading toward a set of specific tonal/harmonic/melodic/rhythmic goals, punctuated along the path by a standard series of resting points. Partly in reaction to developments witnessed in music composed during the high Classical era onward, since around the nineteenth century descriptions of musical form have tended to combine or even replace these “journey” metaphors with those that rely more heavily on architectonic analogies. When dealing with works composed around the middle of the 1700s, however, there are advantages for viewing musical form as it unfolds, much in the manner described by those who composed, improvised, listened to, and performed at the time. Taking as its focus the part of the movement now known as the exposition, this study analyzes the form of sonata-form works from Galant era by applying concepts and methodologies that stem from the eighteenth century, particularly those proposed by Heinrich Christoph Koch. It argues that analyzing this music through such a vantage point provides a valuable opportunity for understanding its form in a down-to-earth manner that can directly inform practical aspects of listening and performance.
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36

Weinel, Jonathan. Abstractions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0009.

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The concluding chapter of Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media consolidates the main arguments of the book. The journey taken is recapitulated, from shamanic rituals to psychedelic rock shows and raves; and from outdoor electroacoustic concerts to synaesthetic films and hallucinatory video games. Across these examples, similar underlying principles can be identified, revealing a continuity from ancient shamanism to modern ‘technoshamanism’. Yet while some imperatives have remained consistent, the technologies have evolved, yielding ever-more accurate and sophisticated representations of altered states in electronic music and audio-visual media. This finds us on the brink of ‘Altered States of Consciousness Simulations’, which replicate the sensory experience of altered states using immersive technologies such as fulldomes and virtual reality headsets. Looking forwards, the possible uses and ethical implications of these simulations are explored, at the frontiers of electronic music and art.
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37

Lindsay, David. Scientific Writing = Thinking in Words. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643101579.

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Telling people about research is just as important as doing it. But many researchers, who, in all other respects, are competent scientists, are afraid of writing. They are wary of the unwritten rules, the unspoken dogma and the inexplicably complex style, all of which seem to pervade conventional thinking about scientific writing. This book has been written to expose these phantoms as largely smoke and mirrors, and replace them with principles that make communicating research easier and encourage researchers to write confidently. It presents a way of thinking about writing that emulates the way good scientists think about research. It concentrates on the structure of articles, rather than simply on grammar and syntax. So, it is an ideal reference for researchers preparing articles for scientific journals, posters, conference presentations, reviews and popular articles; for students preparing theses; and for researchers whose first language is not English. Scientific Writing = Thinking in Words expounds principles that produce scientific articles in a wide range of disciplines that are focussed, concise and, best of all, easy to write and read. As one senior scientist observed, ‘This book not only made me a better writer; it made me a better scientist’.
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38

Land, quote. Once You Replace Negative Thoughts with Positive Ones You'll Start Having Positive Results: Lined Notebook / Journal Gift, 120 Pages, 6x9, Soft Cover, Matte Finish. Independently Published, 2021.

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39

Publishing, Simple Notebook. PINK CHERRY Notebook : Positive Vibes Only. Once You Replace Negative Thoughts with Positive Ones You'll Start Having Positive Results. , Creatif Daily Journal: Beautiful Notebook Whit Lined Interior. Independently Published, 2019.

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40

Publishing, Simple Notebook. BLUE REFRACTED LINE Notebook : Positive Vibes Only. Once You Replace Negative Thoughts with Positive Ones You'll Start Having Positive Results. , Creatif Daily Journal: Beautiful Notebook Whit Lined Interior. Independently Published, 2019.

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41

Publishing, Simple Notebook. LIGHT YELLOW DOTTED Notebook : Positive Vibes Only. Once You Replace Negative Thoughts with Positive Ones You'll Start Having Positive Results. , Creatif Daily Journal: Beautiful Notebook Whit Lined Interior. Independently Published, 2019.

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42

Publishing, Simple Notebook. YELLOW LEMON PIECES Notebook : Positive Vibes Only. Once You Replace Negative Thoughts with Positive Ones You'll Start Having Positive Results. , Creatif Daily Journal: Beautiful Notebook Whit Lined Interior. Independently Published, 2019.

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43

Bähr, H. A. Commercial Precedents Selected from the Column of Replies and Decisions of the New York Journal of Commerce [electronic Resource]: An Essential Work of Reference for Every Business Man. Creative Media Partners, LLC, 2023.

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44

Publishing, Simple Notebook. OBLIQUE GREENISH BLUE WALL Notebook : Positive Vibes Only. Once You Replace Negative Thoughts with Positive Ones You'll Start Having Positive Results. , Creatif Daily Journal: Beautiful Notebook Whit Lined Interior. Independently Published, 2019.

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45

Bausell, R. Barker. The Problem with Science. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197536537.001.0001.

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This book tells the story of how a cadre of dedicated, iconoclastic scientists raised the awareness of a long-recognized preference for publishing positive, eye-catching, but irreproducible results to the status of a genuine scientific crisis. Most famously encapsulated in 2005 by John Ioannidis’s iconic title, “Why Most Published Research Findings Are False,” awareness of the seriousness of the crisis itself was in full bloom sometime around 2011–2012, when a veritable flood of supporting empirical and methodological work began appearing in the scientific literature detailing both the extent of the crisis and how it could be ameliorated. Perhaps most importantly were a number of mass replications of large sets of published psychology experiments (100 in all) by the Open Science Collaboration, preclinical cancer experiments (53) that a large pharmaceutical company considered sufficiently promising to pursue if the original results were reproducible, and 67 similarly promising studies upon which an even larger pharmaceutical company decided to replicate prior to initiating the expense and time-consuming developmental process. Shockingly, less than 50% of these 220 study results could be replicated, thereby providing unwelcomed evidence that John Ioannidis’s projections (and others performed both earlier and later) that more than half of published scientific results were false and could not be reproduced by other scientists. Fortunately, a plethora of practical, procedural behaviors accompanied these demonstrations and projects that were quite capable of greatly reducing the prevalence of future irreproducible results. Therefore the primary purpose of this book is use these impressive labors of hundreds of methodologically oriented scientists to provide guidance to practicing and aspiring scientists regarding how (a) to change the way in which science has historically been both conducted and reported in order to avoid producing false-positive, irreproducible results in their own work and, (b) ultimately, to change those institutional practices (primarily but not exclusively involving the traditional journal publishing process and the academic reward system) that have unwittingly contributed to the present crisis. For what is actually needed is nothing less than a change in the scientific culture itself to one that will prioritize conducting research correctly in order to get things right rather than simply to get published. Hopefully this book can make a small contribution to that end.
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