Auswahl der wissenschaftlichen Literatur zum Thema „Récit ordinaire“
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Zeitschriftenartikel zum Thema "Récit ordinaire"
O'Connor, Ellen S. „La construction du récit ordinaire d'une organisation caritative“. Revue française de gestion 31, Nr. 159 (01.11.2005): 329–42. http://dx.doi.org/10.3166/rfg.159.329-342.
Der volle Inhalt der QuelleArdelt, Monika. „William L. Randall and Gary M. Kenyon. Ordinary Wisdom: Biographical Aging and the Journey of Life. Westport, CT: Praeger, 2001.“ Canadian Journal on Aging / La Revue canadienne du vieillissement 22, Nr. 2 (2003): 238–41. http://dx.doi.org/10.1017/s0714980800004578.
Der volle Inhalt der QuelleBourgeois, Judith. „Quelques nouvelles du dehors… Récit d’une expérience d’accompagnement et de direction extra-ordinaire“. Vie sociale 37, Nr. 1 (18.02.2022): 105–19. http://dx.doi.org/10.3917/vsoc.221.0105.
Der volle Inhalt der QuelleChemkhi, Mansour. „L’exploitation du récit en FLE : approche linguistique et didactique“. Traduction et Langues 19, Nr. 1 (31.08.2020): 102–15. http://dx.doi.org/10.52919/translang.v19i1.386.
Der volle Inhalt der QuelleLAHOUSTE, Corentin. „Du matériel à l’immatériel. Le Boulevard périphérique d’Henry Bauchau, un récit du passage“. Revue internationale Henry Bauchau. L’écriture à l’écoute, Nr. 6 (30.12.2014): 207–27. http://dx.doi.org/10.14428/rihb.v0i6.17463.
Der volle Inhalt der QuelleFabre, Daniel. „Le récit de vie et son modèle. Mémoires d’un Languedocien ordinaire, Pierre Prion (1687-1759)“. Annales du Midi : revue archéologique, historique et philologique de la France méridionale 122, Nr. 270 (2010): 197–214. http://dx.doi.org/10.3406/anami.2010.7318.
Der volle Inhalt der QuelleCelis, Leila. „Relire la violence dans la société colombienne à la lumière des relations sociales et internationales“. Cahiers de recherche sociologique, Nr. 52 (17.07.2013): 243–69. http://dx.doi.org/10.7202/1017284ar.
Der volle Inhalt der QuelleCavallero, Claude. „Les florilèges du quotidien de Philippe Delerm“. Analyse 37, Nr. 1 (07.06.2007): 145–56. http://dx.doi.org/10.7202/012831ar.
Der volle Inhalt der QuelleVitez, Primož. „Les oniriques Fleurs bleues de Raymond Queneau“. Acta Neophilologica 45, Nr. 1-2 (31.12.2012): 195–201. http://dx.doi.org/10.4312/an.45.1-2.195-201.
Der volle Inhalt der QuelleHiers, Svetlana. „L’homme de Yama. Traitement de la « fracturation » de soi“. Le Divan familial N° 49, Nr. 2 (04.10.2023): 101–15. http://dx.doi.org/10.3917/difa.049.0101.
Der volle Inhalt der QuelleDissertationen zum Thema "Récit ordinaire"
Dieuleveult, Colombe de. „Lettres et récits d'Alexandre Marius Jacob : les contraintes de l'écriture ordinaire“. Rouen, 2015. http://www.theses.fr/2015ROUEL026.
Der volle Inhalt der QuelleThe writings of Alexandre Marius Jacob (1879-1954) have been compiled in 1995 by L’Insomniaque : its critical journey and entire publications revealed the interest aroused by this anarchist burglar. Historical documents, political testimonies and biographical materials, Alexandre Jacob’s narratives and letters are also texts that led themselves to a literary look, even if they were not literature strictly speaking. Extremely pragmatical, i. E. Rooted in their production context and subordinated to their redaction’s issues, they are nonetheless the multiple expressions of a man, great reader, alternately essayist and autobiographer, narrator and epistolier, orator and writer. Author – maybe despite himself – of a plural autobiography composed by the Écrits volume, Alexandre Jacob had a unique history : fervent anarchist and ingenious thief, propelled on the judicial arena, condemned to hard labor and sent for life to French Guiana, he finally got released, twenty years after, thanks to the perseverance of his mother Marie. In this trajectory, deportation constituted a crucial event : at that time as much as afterwards, it involved grabbing the pen to communicate with the absentee mother first, then to denounce “the French elimination” in Guiana. Far from being a simple decor, the circumstances truly shaped the process of a speech it ordered, even more in this extreme situation of hard labor. The correspondence between Alexandre and Marie Jacob got exposed to many difficulties, which compromised the writing, travelling and reading of the few two hundreds exchanged letters. It seems that this correspondence is the centrepiece of a composite corpus, in which there is not a writing more strongly impeded by the conditions of its emergence, neither more revealing of Jacob’s skill to defeat the constraint, to face it and to take advantage of it. The long text of this epistolary time highlights the insubordination of a thought, the paradoxical creativity of a trapped writing, the irreducible expressivity of an “I” who manage to say itself after all, head off the beaten path
Stellittano, Sabine. „Alchimie picturale des vies ordinaires, du récit de vie à l'hystérie du tableau“. Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H309/document.
Der volle Inhalt der QuelleThe present research work focuses on the painted portrait and the opportunity it offers to meet people and exchange moments of friendship. It aims at analyzing what is at stakes in this process by means of theoretical tools such as psychology and psychoanalysis. It is also concerned with the understanding of how this «hand to hand» and «presence to presence» practice gets its anchorage in time and how it unfolds it and refers to it. The get together process, as well as my own practice, are the expression of desire – desire of the Other. Each of my paintings is an attempt to answer this single question: «How would the person posing for me like to be painted?». Then, as if guided by his or her wish, my brushes enter into action in order to fulfill it to the best of my abilities – the task is of course impossible, because language implies a loss and gets us apart from one another. Each of us sees oneself as unique, for we are separated from each other: we are indeed surrounded by emptiness. The Other and emptiness don’t belong to the outside, they are part of ourselves. In the field of psychoanalysis, we manage to find our unity through imagination. Psychoanalysis, meditation, alchemy and painting have all in common to be based on practice. Each of these disciplines deals with insight in its own way: in the end they all benefit from each other
Sussfeld, Frédérique. „Entre expériences, récits et actions la communication du mouvement de la transition écologique traduit-elle un changement d’heuristique?“ Electronic Thesis or Diss., Aix-Marseille, 2021. http://www.theses.fr/2021AIXM0069.
Der volle Inhalt der QuelleThe ecological transition is investing the field of environmental communication by mobilising two distinct communicational phenomena, documentary film and transitional civic initiatives revealing attitudes that renew the interconnection between our tradition and the living world. By letting our comprehension of the way species function broaden, the permaculture-inspired ecological transition would allow for another relation to others. In communication sciences, players of the transition movement would be focusing on the present in numerous countries, thus encouraging the creativity of its protagonists based on their abilities and ensuring that daily actions would build the world of tomorrow. Developed by individuals with increased capabilities on environmental issues, inclusive, this cultural movement would rely on different narrative structures composing a communication gathering facts and sensitive experiences. From a corpus of movies that marked a turning point in the field of ecological documentary films, and the observation of a new permaculture-based transition project, the research conducted in information and communication sciences using an inductive and anthropological method prioritises the study of processes set up by the protagonists as well as the narrative processes employed, allowing to access interpersonal and inter-groups communications showing how people integrate notions of culture, performativity and acculturation in their daily lives. In a context where environmental communication calls up notions of fear, catastrophe and anxiety is the communication around the transition movement showing a change in heuristics?
Vassilikou, Catherine. „Vulnérabilité et précarité chez les femmes immigrées en Grèce : récits de femmes, droits de l'homme et malheur ordinaire“. Paris 1, 2005. http://www.theses.fr/2005PA010538.
Der volle Inhalt der QuelleBücher zum Thema "Récit ordinaire"
Gillois, Marie. Conte de la barbarie ordinaire: Récit. Paris: B. Grasset, 2013.
Den vollen Inhalt der Quelle findenHoussay, Marie-Laurence. Contes de la vie ordinaire: Récit. Bruyères-le-Châtel: Nouvelle cité, 2011.
Den vollen Inhalt der Quelle findenPineau, Gisèle. Folie, aller simple: Journée ordinaire d'une infirmière : récit. Paris: P. Rey, 2010.
Den vollen Inhalt der Quelle findenHart, Jacqueline L'Heureux. Yvette Debain: Femme imaginaire, femme si peu ordinaire : récit biographique. Ottawa: Vermillon, 2003.
Den vollen Inhalt der Quelle findenCompain, Jean-Pierre. Par-delà l'écorce: Poème-récit ordinaire en hommage à l'enfant exceptionnel. Les Sables-d'Olonne: Cercle d'or, 1986.
Den vollen Inhalt der Quelle findenAdrian, Luc. Foi dite en passant: Carnet de route d'un pèlerin ordinaire. Paris: Presses de la Renaissance, 1997.
Den vollen Inhalt der Quelle findenFuchez, Jean. Les résistants ordinaires du silence de la Conférence Ampére: Récit. [France: s.n.], 1995.
Den vollen Inhalt der Quelle findenDiallo, Rokhaya. Moi, raciste? Jamais!: Scènes de racisme ordinaire. [Paris]: Flammarion, 2015.
Den vollen Inhalt der Quelle findenSimonet-Tenant, Françoise. Le journal intime: Genre littéraire et écriture ordinaire. Paris: Téraèdre, 2004.
Den vollen Inhalt der Quelle findenGoulas, Nicolas. Mémoires et autres inédits de Nicolas Goulas: Gentilhomme ordinaire de la chambre du duc d'Orléans. Paris: H. Champion, 1995.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Récit ordinaire"
Peylet, Gérard. „Du dépouillement à l’émotion, le récit d’une vie ordinaire et singulière : Joseph de Marie-Hélène Lafon“. In Marie-Hélène Lafon ou l'écriture à l'épicentre, 67–77. Presses universitaires Blaise-Pascal, 2024. http://dx.doi.org/10.4000/books.pubp.8074.
Der volle Inhalt der QuelleCheyronnaud, Jacques. „Le genre artistique comme théorisation. Le Grand Récit du music-hall“. In Théories ordinaires, 171–90. Éditions de l’École des hautes études en sciences sociales, 2013. http://dx.doi.org/10.4000/books.editionsehess.20911.
Der volle Inhalt der QuelleBrodziak, Sylvie. „11. 1962 Récits de gens très ordinaires“. In La France et l'Algérie en 1962, 175. Editions Karthala, 2013. http://dx.doi.org/10.3917/kart.fort.2013.01.0175.
Der volle Inhalt der QuelleKerbrat-Orecchioni, Catherine. „Les récits conversationnels, ou la parole « ordinaire », c’est tout un art“. In Littérature orale : paroles vivantes et mouvantes, 99–121. Presses universitaires de Lyon, 2003. http://dx.doi.org/10.4000/books.pul.11648.
Der volle Inhalt der QuelleLOBO, Carlos. „La loi du seuil“. In D'un seuil à l'autre, 45–64. Editions des archives contemporaines, 2017. http://dx.doi.org/10.17184/eac.760.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Récit ordinaire"
Désile, Patrick. „Les mondes de la lune, une rêverie ordinaire“. In Voyages imaginaires et récits des autres mondes (XIXe-XXIe siècles). Fabula, 2017. http://dx.doi.org/10.58282/colloques.4805.
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