Auswahl der wissenschaftlichen Literatur zum Thema „Rap musicians – united states“
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Zeitschriftenartikel zum Thema "Rap musicians – united states"
Shirts, Peter. „The African American Collections Relating to Music at Emory University’s Rose Library“. Notes 80, Nr. 4 (Juni 2024): 605–31. http://dx.doi.org/10.1353/not.2024.a928765.
Der volle Inhalt der QuelleHAINES, JOHN. „Living troubadours and other recent uses for medieval music“. Popular Music 23, Nr. 2 (Mai 2004): 133–53. http://dx.doi.org/10.1017/s0261143004000133.
Der volle Inhalt der QuelleJaffré, Maxime. „Decontextualizing Arabic Music in France and in the United States“. Middle East Journal of Culture and Communication 12, Nr. 1 (29.03.2019): 35–67. http://dx.doi.org/10.1163/18739865-01201006.
Der volle Inhalt der QuelleRevelli, Venkatsushanth, und Ayman Ali. „Understanding the State Agency Policies toward RAP Usage in the United States: State of Practice“. Recycling 8, Nr. 6 (18.12.2023): 100. http://dx.doi.org/10.3390/recycling8060100.
Der volle Inhalt der QuelleTomlinson, Brendan H. „The Censorship of Misogynistic Rap Music - A Consideration of Gender-Based Harms and Free Speech“. Victoria University of Wellington Law Review 26, Nr. 3 (02.09.1996): 531. http://dx.doi.org/10.26686/vuwlr.v26i3.6152.
Der volle Inhalt der QuelleBoyer, Holly. „The Alert Collector: Hip Hop in the United States“. Reference & User Services Quarterly 55, Nr. 3 (24.03.2016): 215. http://dx.doi.org/10.5860/rusq.55n3.215.
Der volle Inhalt der QuellePatalano, Frank. „Psychosocial Stressors and the Short Life Spans of Legendary Jazz Musicians“. Perceptual and Motor Skills 90, Nr. 2 (April 2000): 435–36. http://dx.doi.org/10.2466/pms.2000.90.2.435.
Der volle Inhalt der QuelleSullyCole, Althea. „Listening to Kora in New York City: Constructing Africa and Blackness in the United States“. Ethnomusicology 66, Nr. 2 (01.07.2022): 319–40. http://dx.doi.org/10.5406/21567417.66.2.07.
Der volle Inhalt der QuelleWELLS, PAUL F., und SALLY K. SOMMERS SMITH. „Irish Music and Musicians in the United States: An Introduction“. Journal of the Society for American Music 4, Nr. 4 (19.10.2010): 395–99. http://dx.doi.org/10.1017/s1752196310000349.
Der volle Inhalt der QuelleKoegel, John. „Mexican Musicians in California and the United States, 1910-50“. California History 84, Nr. 1 (2006): 6–29. http://dx.doi.org/10.2307/25161856.
Der volle Inhalt der QuelleDissertationen zum Thema "Rap musicians – united states"
Franklin, Serena. „Ill beats : black women rap artists and the representations of women in hip hop culture“. Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/336.
Der volle Inhalt der QuelleBachelors
Arts and Sciences
Anthropology
Patel, Parag. „We live this shit rap as a reflection of reality for inner city youth“. Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4818.
Der volle Inhalt der QuelleID: 030646183; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 59-66).
M.A.
Masters
Sociology
Sciences
Applied Sociology
Hubbs, Holly J. „American women saxophonists from 1870-1930 : their careers and repertoire“. Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1259304.
Der volle Inhalt der QuelleSchool of Music
Gaines, Adam W. „Work of Art : the life and music of Art Farmer“. Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1317924.
Der volle Inhalt der QuelleKenny, Sara York. „Predicting Failure in the Savings and Loan Industry: a Comparison of RAP and GAAP Accounting“. Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330922/.
Der volle Inhalt der QuelleMcCall, Sarah B. „The Musical Fallout of Political Activism: Government Investigations of Musicians in the United States, 1930-1960“. Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc277608/.
Der volle Inhalt der QuelleJohnson, Alfred B. „Fascination machine : a study of pop music, mass mediation, and cultural iconography“. Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1185429.
Der volle Inhalt der QuelleForman, Murray W. „"The ‘hood comes first" : race, space and place in Rap music and Hip Hop, 1978-1996“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ50163.pdf.
Der volle Inhalt der QuelleHall, Toby. „Tony Williams: rhythmic syntax in jazz drumming“. Thesis, The University of Sydney, 2004. http://hdl.handle.net/2123/19736.
Der volle Inhalt der QuelleSugg, Andrew Norman. „Tracking the trane: comparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebman : a thesis presented to the Elder Conservatorium, Adelaide University, in fulfillment of the requirements of the degree of Doctor of Philosophy“. Title page, abstract and contents only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phs947.pdf.
Der volle Inhalt der QuelleBücher zum Thema "Rap musicians – united states"
Schaller, Bob. Kanye West: A biography. Santa Barbara, Calif: Greenwood Press, 2009.
Den vollen Inhalt der Quelle findenDenton, Sandra. Let's talk about Pep. New York: Gallery Books, 2010.
Den vollen Inhalt der Quelle findenHilton, Als, und Turner Darryl A, Hrsg. White noise: The Eminem collection. New York: Thunder's Mouth Press, 2003.
Den vollen Inhalt der Quelle findenAfeni, Shakur, Hoye Jacob, Ali Karolyn und Einenkel Walter, Hrsg. Tupac: Resurrection, 1971-1996. New York: Atria Books, 2006.
Den vollen Inhalt der Quelle findenShakur, Tupac. Tupac: Resurrection, 1971-1996. Herausgegeben von Shakur Afeni, Hoye Jacob, Ali Karolyn und Einenkel Walter. New York: Atria Books, 2003.
Den vollen Inhalt der Quelle findenIce, Vanilla. Ice. New York: Avon Books, 1991.
Den vollen Inhalt der Quelle findenLazerine, Cameron. Rap-Up. New York: Grand Central Publishing, 2008.
Den vollen Inhalt der Quelle findenCommon. One day it'll all make sense: A memoir. New York: Atria Books, 2011.
Den vollen Inhalt der Quelle findenDyson, Michael Eric. Holler if you hear me: Searching for Tupac Shakur. New York: Basic Civitas Books, 2003.
Den vollen Inhalt der Quelle findenDee, Kool Moe. There's a god on the mic: The true 50 greatest MCs. New York: Thunder's Mouth Press, 2003.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Rap musicians – united states"
Angelucci, Margherita, und Wissal Houbabi. „Chapter 4: From Pimpology to Pimpologia: A Comparative Analysis of Pimp Rap in the United States and Italy“. In Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music, 73–93. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65189-3_5.
Der volle Inhalt der QuelleBendrups, Dan. „Commercial Connections“. In Singing and Survival, 133–64. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190297039.003.0006.
Der volle Inhalt der QuelleStorhoff, Timothy P. „The Politics of Cuban Music in the United States“. In Harmony and Normalization, 55–80. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496830876.003.0003.
Der volle Inhalt der QuelleLapidus, Benjamin. „The Musical Impact of the Mariel Boatlift on the Latin Music Scene of New York City and Interethnic Collaboration among Puerto Ricans and Cubans“. In Cuba and Puerto Rico, 256–66. University Press of Florida, 2023. http://dx.doi.org/10.5744/florida/9781683403302.003.0014.
Der volle Inhalt der QuelleClark, Maribeth. „Agnes Woodward’s Whistling School and White Women’s Musical Labor in the United States“. In Hidden Harmonies, 24–52. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496845375.003.0003.
Der volle Inhalt der Quelle„Crossing Borders Mexicana, Tejana, and Chicana Musicians in the United States and Mexico“. In From Tejano to Tango, 103–31. Routledge, 2013. http://dx.doi.org/10.4324/9780203055670-12.
Der volle Inhalt der QuelleGoldschmitt, K. E. „From Fusion to Funk“. In Bossa Mundo, 76–105. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190923525.003.0004.
Der volle Inhalt der QuelleGoldschmitt, K. E. „Copying the Bossa Nova“. In Bossa Mundo, 24–51. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190923525.003.0002.
Der volle Inhalt der QuelleGlocer, Silvia. „Jewish Émigré Musicians in Buenos Aires“. In The Oxford Handbook of Jewish Music Studies, 144–64. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197528624.013.26.
Der volle Inhalt der Quelle„Appendix B. Musicians and Teachers of Music in the United States and Los Angeles“. In Making Music in Los Angeles, 245–50. University of California Press, 2019. http://dx.doi.org/10.1525/9780520933835-019.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Rap musicians – united states"
Zhen, Ying. „Career Challenges Musicians Face in the United States“. In MEIEA Summit 2020. Music and Entertainment Industry Educators Association, 2020. http://dx.doi.org/10.25101/20.37.
Der volle Inhalt der QuelleRugg, Allyson, Julie Haggerty, Daniel Adriaansen, David Serke und Scott Ellis. „Significant Updates for the Current Icing Product (CIP) and Forecast Icing Product (FIP) Following the 2019 In-Cloud ICing and Large-drop Experiment (ICICLE)“. In International Conference on Icing of Aircraft, Engines, and Structures. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2023. http://dx.doi.org/10.4271/2023-01-1487.
Der volle Inhalt der QuelleShea, Brendan Sullivan, und Neal Lucas Hitch. „School’s Out: Exploring Learning By Doing Methods In On-Site Design Build Architecture Workshops“. In 2022 AIA/ACSA Intersections Research Conference. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.aia.inter.22.18.
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