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Vishwakarma, Alka. „Translating Ramayana“. Exchanges: The Interdisciplinary Research Journal 11, Nr. 2 (26.04.2024): 133–60. http://dx.doi.org/10.31273/eirj.v11i2.1144.
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Embedded contexts and improvisations in bhasha Ramayanas with its nuances of plurality attribute to its influences of respective linguistic and culture of multinational and multicultural countries: Ram-story of Ramayana, considered primarily a work of smriti , has travelled a long journey in the land of multilingual and heterogeneous cultural spheres. Indian bhashas – Assamese, Thamizh, Malayalam, Oriya, Bengali, and so on – have rendered Rama-katha within the very Indian society under different paradigms which have overshadowed the original, i.e. Valmiki’s Ramayana in Sanskrit. In lieu of assimilation of original text in another language that relevant translation promotes, bhasha Ramayanas presents different renderings or retellings , instead of variants or versions of Valmiki, colored with heterogeneous cultural ethos. Discussing three bhasha Ramayana(s) – 12th century Kampar’s Ramavataram in Thamizh , 15th century Krttivasi Ramayana or Sriram Pacali in Bengali, and 16th century Tulsidas’s Ramcharitmanas in Awadhi – this essay explores social and literary function of translation strategies in its poly-lingual and multinational world. Questioning the idea of original and relevant Ramayana, it also reflects on how bhasha Ramayanas co-exist in multilingual and multicultural society with its distinguished autonomy and differences. The tripartite comparative project of this article critically investigates their structures, sequential arrangements, bhasha cultural color, and story overlaps. It also calls attention to coalescence of Rama-story through plurilingual renderings with respect to its pluricultural valences in South Asia. Focusing on the polyvalences, it also argues that such retellings problematize the relevance of a genuine translation by questioning translational canonical principles for bhasha texts.
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R, Rathi. „Tamil Classical Foundations in Ezhuthachan Ramayana“. International Research Journal of Tamil 4, SPL 1 (24.01.2022): 28–35. http://dx.doi.org/10.34256/irjt22s14.
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Morality has been talked about at various levels as a part of culture, a weapon of the dominant society and a life guide to the way of life that guides human society. The adhyatma ramayanam-kilippattu, written in Malayalam, is taken as the site of the book, which is written in Malayalam, in view of the impact of the ethics spoken on the Tamil cultural plane. The source of the Ramayana is the adhyatma Ramayana in Sanskrit. Similarly, Sanskrit is the source of the Ramayanas that arose in Tamil. Therefore, considering that the influence of the original language is inevitable that it is inevitable that it will be included in the copies that follow it, it is here that the book of Etiquette is primarily meant to carry out the search for Sanskrit ethics. Similarly, thirukkural is primarily concerned with the search for Dravidian morality. This article is designed to show that whatever is beneficial to many is done as a modern moral, although various ethical ideas are spoken of at various levels.
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K.S, Sini. „Guiding the Possibility of Conduct: A Reading of ‘Rama-Katha’“. SMART MOVES JOURNAL IJELLH 7, Nr. 11 (28.11.2019): 11. http://dx.doi.org/10.24113/ijellh.v7i11.10117.
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Ramayana is not a solo entity. The number of Ramayanas and the range of their influence in South and Southeast Asia over the past twenty-five hundred years or more are astonishing. Different versions of Rama story are available. We can trace the story line in Burma, Thailand, Japan, Oman etc. But from 20th century, from the time modern thought of learning came into practice, Valmiki Ramayana and Ramcharitmanas started gaining unprecedented importance.
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S, Jeyashree. „Rama Ravana Battle Scenes in Tamil Temple Sculptures“. International Research Journal of Tamil 4, SPL 2 (28.02.2022): 349–56. http://dx.doi.org/10.34256/irjt22s253.
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The Ramayana and the Mahabharata are immortal epics that are the treasury of Indian culture. Both epics convey the values and ideals that people need. The Ramayana written in the Northern language by Valmiki is in some way the source for other Indian language Ramayanas. Kambana in Tamil and Konaputharetti in Telugu have composed Kambaramayana and Iranganatha Ramayana respectively. Sculptures can be found in the temples of Tamil Nadu including these three language Ramayanas. Thus, it is possible to realize that literature and art are interrelated. Many of the Alvars in the Vaishnava literary four-thousandth Prabhupada exemplify the message of Ramavatara. Among the Alvars, Kulasekara gives the Ramavatara reference. References to the Ramayana are also baked into vegetarian literature. The Ashoka Pillar of the Mauryan period is the beginning of the stone sculpture. Horoscope Ramayana messages in India are inscribed on Buddhist monuments. Although Rama, Krishna and Narasimhan are notable among the three incarnations of the Vaishnava deity Thirumal in Tamil Nadu, the influence on the Ramayana is due to the large number of sculptures about Rama. The Vedic Cholas in Tamil Nadu have created Vaishnava Ramayana sculptures in their temples. The influence of Vaishnavism was greatest during the Vijayanagara Nayak period following the Chola period. The Vijayanagara Nayaks built roundabouts, planes, towers, etc., along with the foundations of the temple. Of these, sculptures were placed on stones and sutas. Ravanavatha is featured in the war to fulfill the purpose of Ramavatar. The battle of Rama Ravana and Ravanavatha can be seen in the temples of Tamil Nadu as sculptures of this event.
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Vanina, E. Yu. „Modernization of the sacred: two Ramayana novels (a historian’s view)“. Orientalistica 5, Nr. 2 (29.06.2022): 243–64. http://dx.doi.org/10.31696/2618-7043-2022-5-2-243-264.
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Ramayana, the ancient Indian epic, has been for many centuries a source of religious, social, ethical and aesthetical values for many Indians, primarily Hindus. Apart from the classical Sanskrit version attributed to Valmiki, there have been hundreds of literary, folkloric, visual, dramatic (later on film, animation and TV) variants. Their creators reworked and reconstructed the story, sometimes changing it beyond recognition, up to the emergence of ‘anti-Ramayanas’, thus answering the questions from and catering for the needs of various regional, religious, socio-cultural and political groups. Thus, they adjusted the sacred story to the perceptions of the changing times, trying to make the storyline and personages deeds more adequate to the values of a given epoch. This process has been continuing up to nowadays; the article discussing it, using as a case study two modern Ramayana novels, one in Hindi and one in English.
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Kirom, Dina Ashlikhatul, Mujimin Mujimin und Widodo Widodo. „Pengembangan Buku Cerita Ramayana Berbahasa Jawa sebagai Penunjang Pembelajaran Sastra Wayang Bagi Siswa Tunagrahita SMPLB di Semarang“. Piwulang : Jurnal Pendidikan Bahasa Jawa 8, Nr. 1 (01.07.2020): 1–12. http://dx.doi.org/10.15294/piwulang.v8i1.19702.
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Ramayana is a story about the Javanese puppet there in Kurikulum 2013 for Junior High School. Extraordinary Junior High School (SMPLB), specifically mental retardation, used that curriculum. The teacher of SMPLB is a classroom teacher there was find it difficult using Ramayana’s story for the lesson. Lack of teaching materials and student interest to learn Ramayana’s story make Javanese Ramayana storybook worthy to be developed. Based on the questionnaire, this Javanese Ramayana storybook is needed by teachers and students. Then generated the storybook "Crita Ramayanaku" was accorded the title and purpose of the manufactured, that used Javanese language and translated into Indonesian. From the story content, design, and image structure are feasible to use based on the assessment of media experts and materials. Then the Javanese Ramayana storybook for mental retardation students of SMPLB in Semarang proved to be effectively used in learning the story of Ramayana
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A, Gurumoorthy. „Women in Pulavar Kulanthai’s Ravana Kaviyam“. International Research Journal of Tamil 3, Nr. 1 (28.01.2021): 181–88. http://dx.doi.org/10.34256/irjt21120.
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‘Porul Thodarnilai Ceyyul’ was the name given to epic before the word kāppiyam came into existence. Tamil lexicon refers ‘kāppiyam’ as Sanskrit term. Kāvyam is the word used by Sanskrit scholars for ‘kāviyam’. Ravana Kāviyam written by Pulavar Kulanthai consists of 56 padalams (Chapters) of 2828 Viruttangal i.e., poems. He adopts the story of Ramayana as it is. He is a person who follows Periyar’s ideology of self-respect, feminism etc. His passion for Tamil makes him write many of his creative writings. Periyar advised women to learn all arts, particularly the art of self-defence. Kambar had depicted Sita as Rama’s wife in his epic. The relationship of Rama and Sita varies in various Ramayanas available in India. Ravana kāviyam doesn’t deviate from the parameters of epic. It stands within its grammar. Pulavar Kulanthai portraits women characters with dignity modesty of women.
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Niklas, U. „Review: Questioning Ramayanas: A South Asian Tradition“. Journal of the American Academy of Religion 71, Nr. 1 (01.03.2003): 244–48. http://dx.doi.org/10.1093/jaar/71.1.244.
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S, Anjana, und Savitha A R. „Subverting Patriarchal Narratives: Exploring Bhyrappa's Depiction of Sita Through Historiographic Metafiction“. Grove - Working Papers on English Studies 30 (30.12.2023): 17–36. http://dx.doi.org/10.17561/grove.v30.8022.
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The Ramayana, the ancient Hindu epic, has been retold and rewritten in various narrative forms by numerous writers from different countries. It has a global appeal that has inspired authors worldwide to create unique Ramayanas. Among these recreations, Bhyrappa's Uttarakaanda stands out with its multiple story views. This research paper, titled “Subverting Patriarchal Narratives: Exploring Bhyrappa’s Depiction of Sita Through Historiographic Metafiction,” delves into the author's methods of retelling the age-old narrative. The present study utilizes the conceptual frameworks of postmodernism, with a particular emphasis on historiographic metafiction. By delving into the deconstruction of grand narratives and questioning traditional elements that impede women's rights, the article aims to shed light on important thematic concerns. Specifically, the primary focus of this research lies in the analysis of the author's work titled 'Sitayana,' where the narrative spotlight is shifted from Rama to Sita. Through a meticulous examination of the author's adept incorporation of alternative perspectives, the paper explores how this approach resonates with both Indian literature and its readership. Moreover, the article critically engages with the power dynamics that influenced Rama's actions and shaped his understanding of dharma.
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Hakim, Rafadi. „Countless Ramayanas: Language and Cosmopolitan Belonging in a South Asian Epic“. ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts 21, Nr. 2 (30.06.2014): 4. http://dx.doi.org/10.16995/ane.117.
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Blank, Jonah. „Questioning Ramayanas: A South Asian Tradition/Seeking Mahadevi: Constructing the Identities of the Hindu Great Goddess.:Questioning Ramayanas: A South Asian Tradition.;Seeking Mahadevi: Constructing the Identities of the Hindu Great Goddess.“ American Anthropologist 104, Nr. 4 (Dezember 2002): 1228–30. http://dx.doi.org/10.1525/aa.2002.104.4.1228.
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Leonard, Yoseph Mario. „ANALISIS PERUMUSAN STRATEGI BAGI PT RAMAYANA LESTARI SENTOSA, TBK“. Jurnal Bisnis Terapan 7, Nr. 2 (23.12.2023): 201–20. http://dx.doi.org/10.24123/jbt.v7i2.5869.
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The retail industry sector is one of the industries affected by the Covid-19 pandemic in Indonesia, including Ramayana. This was marked by a significant decrease in Ramayana's revenue during the Covid-19 pandemic and until now Ramayana's condition has not been able to return to the company's best performance before the Covid-19 pandemic in Indonesia. In addition, Ramayana does not only focus on serving customers in the class C and class D economy segments, but wants to serve a new segment, namely the class B economy segment. Therefore, the purpose of this study is to formulate the right strategy for PT Ramayana Lestari Sentosa, Tbk based on this phenomenon. The research was conducted using a qualitative approach. Data collection techniques were carried out by observing and using the literature review method. The theory that has been described in the theoretical basis section is then applied to PT Ramayana Lestari Sentosa, Tbk. to support research on appropriate strategies. The data used in this study is secondary data sourced from company annual reports. The results of the research show that the strategy proposed in Ramayana is product development.
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Chatterji, Roma. „Myths, Similes and Memory Traces: Images of Abduction in the Ramayana Universe“. Society and Culture in South Asia 7, Nr. 2 (23.06.2021): 232–69. http://dx.doi.org/10.1177/23938617211014664.
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In this essay, the Ramayana is conceptualised not merely as a text but as a narrative universe constituted by the multiplicity of its telling. Each telling is unique and involves combining fragments or narrative elements in particular ways. This universe occupies not merely a geographical but also a kind of virtual topological space made up of the relation between narrative elements. The argument is exemplified at two levels, first through an abstraction of one theme—abduction—from the text of the Valmiki Ramayana, which is then mined for significant poetic elements. Second, the article takes up the Ramayani gathas (ballads) of the Pardhan Gonds of Madhya Pradesh and describes some stories also based on the theme of abduction. A comparison of the fragments from the two types of texts reveals comparable elements such that poetic elements, like similes and metaphors, used to describe Sita’s abduction and Rama’s grief undergo structural transformation and are expanded into metonymic configurations, that is, plot elements in the Pardhan Gond gathas. Thus, the Valmiki Ramayana and the Gondi Ramayani seem to have a metonymic connection with each other. The second part of the article then shows how transformations occur within the narrative universe of the Gondi Ramayani itself as the storyable themes move from the aural medium to that of painting, as contemporary Pardhan Gond artists use themes and poetic imagery inspired by the gathas for their compositions.
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Premarathna, U. A. D., und R. S. S. W. Arachchi. „ISSUES AND CHALLENGES ON DEVELOPING AND PROMOTING RAMAYANA TRAIL TOURISM IN SRI LANKA“. International Journal of Advanced Research 9, Nr. 07 (31.07.2021): 1030–38. http://dx.doi.org/10.21474/ijar01/13208.
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This study has been conducted related to the Ramayana tourism concept in Sri Lanka. Sri Lanka Tourism Promotion Bureau has launched the Ramayanaya Trail with the private sector to target the top-ranked Indian market over to Sri Lanka for religious reasons and other travel purposes. With the literature shreds of evidence by Ramayana epic Sri Lanka has significant cultural value on Ramayana trail with more than 50 relevant sites. With the findings of previous studies related to the Ramayana trail in the Sri Lankan context and surveys by local travel agents, there is no considerable popularity for the Ramayana trails sites among Indian tourists who visited Sri Lanka. Thus, the study has focused on developing and promoting issues of Ramayana tourism in the Sri Lankan context. The study was conducted under the qualitative approach to achieve the research objective to identify the issues and challenges of developing and promoting Ramayana trail as a cultural tourism product in Sri Lanka under the case study research design by considering Ramayana tourism in Sri Lanka as a case. The qualitative interview method was conducted by the snowball sampling method among Sri Lanka Tourism Promotion Bureau and 20 local tour operators and filed observations in 11 Ramayana sites in Sri Lanka were done as the primary data collection. Core issues and challenges have been identified under two categories as site-based and organizational-based.
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Neha Singh , Dr. Priya Raghav, Dr Hanan Khalid Khan. „Narrative Techniques and Symbolism in the Ramayana: A Literary Analysis“. Tuijin Jishu/Journal of Propulsion Technology 44, Nr. 4 (28.10.2023): 2604–9. http://dx.doi.org/10.52783/tjjpt.v44.i4.1325.
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For ages, academics have been fascinated by the epic poem known as the Ramayana, which is considered to be one of the most respected works of Indian literature. This study will conduct an extensive literary examination of the Ramayana, with a special emphasis on the Ramayana's storytelling strategies and symbolism. This research aims to discover the deeper levels of significance that are buried in the epic's verses by conducting an investigation of the complex narrative techniques that are used throughout the text. It explores the use of allegory, metaphor, and allegorical storytelling that the sage Valmiki, the epic's original author, and successive retellers utilised in their narratives. The look at the ubiquitous symbolism in the Ramayana and analyses how it functions as a potent vehicle for transmitting important philosophical, ethical, and cultural ideas. This research aims to shed light on the enduring literary significance of the Ramayana and its capacity to resonate with readers across a wide variety of cultural and temporal contexts by dissecting the text on both a structural and thematic level. The research was carried out in order to achieve this goal. As a result of this, it provides new insights into the ageless allure and everlasting significance of this ancient epic.
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Singh, Siddhartha. „Critically Reading C.N. Ramachandran's Narration and Discourse: Critical essays on Literature and Culture“. Dialogue: A Journal Devoted to Literary Appreciation 15, Nr. 1-2 (06.12.2019): 66–72. http://dx.doi.org/10.30949/dajdtla.v14i1-2.9.
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The wide ranging topics attempted by Dr C. N. Ramachandran in this collection are a proof of his in depth learning of Sanskrit, English and Kannada literary and critical traditions. Divided into two sections, the first section of this collection of essays written during a long span of time shows remarkable application of contemporary discourses and Western theories on some of the seminal texts like Bhagwatgita, Ramayanas, and Abhijnana Sakuntalam at one hand and a comparative study of Kannad novels and their film versions. The second section draws some new critical parameters to reevaluate Tagore, Gokak, Bendre, Narsimhaswami and other Kannada writers. Wading easily through two different currents of Eastern and Western traditions, he leaves some big lacunae while writing on some of the most fundamental texts and concepts of Indian literature and philosophy, which required deeper studies. The present article, which initially intended to be just a review of the book mentioned above, seeks to incorporate more accurate information on such issues, which the author, relying more on the false data supplied by secondary sources, dealt half-heartedly. As a corrective step to the missing 'interior signature' (as C. D. Narsimhaiya would say) of the author, the article should be read as a supplement to the book.
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Maqdissa Ratna, Alisa, und Sylvie Nurfebiaraning. „PENGARUH EFEKTIVITAS IKLAN DENGAN DAYA TARIK HUMOR TERHADAP CITRA MEREK“. Jurnal Ranah Komunikasi (JRK) 2, Nr. 1 (30.06.2018): 1. http://dx.doi.org/10.25077/rk.2.1.1-11.2018.
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ABSTRACT
Advertising is one of marketing communication tool that many company used. Advertising is a tool for a company to provide information, to persuade and remind consumers to product which company’s owned. Advertising placed in many media that easy to see for consumers. Advertising media that usually used are printed advertising and digital advertising. In this new media, a lot of company rely on digital advertising. Utilized the rank of internet user (especially in West Java), there are so many that used digital advertising for promote their product, one pf them is Ramayana. This is the most watched advertising than other Ramayana’s advertising with humor appeal. This advertising has 16 M viewers in Youtube per August 2018. So, researcher wants to know how much the influence of effectiveness of advertising with humor appeal towards the brand image with study in Ramayana Advertise #KerenLahirBatin Menyambut Lebaran version on Youtube. In this research h0 is rejected and h1 is accepted, because tcount > ttable (15.486 > 1.660) that means the effectiveness of the advertising with humor appeal influence the brand image.
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Murali, Malini. „Intimations of the Loka in Adhyatmaramayanam Kilipattu“. Ecumenica 14, Nr. 2 (01.11.2021): 193–220. http://dx.doi.org/10.5325/ecumenica.14.2.0193.
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[ABSTRACT] This article is a creative-reflective account of the centrality of the loka, or location, in the recitational tradition of the Ramayanam in Kerala. Through Tunchath Ezhutachan's Adhyatmaramayanam Kilipattu, a sixteenth-century rendering of the Ramayana in Malayalam, the author attempts to bring to fore the varying nuances of the loka presented in the text and the manner in which it informs the context of its performance. The article claims that neither the composition nor its performance seeks a religious ideal of the transcendental, instead by placing its emphasis on location, the Kilipattu demands to be understood as a poetical-philosophical account of being in the world.
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A, Palaniammal. „Hanuman’s Characteristics among the characters of Kambar“. International Research Journal of Tamil 4, Nr. 1 (29.11.2021): 17–24. http://dx.doi.org/10.34256/irjt2213.
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Kambar was a star of Tamil Literature Ramayanam Written by Valmiki was translated from Sanskrit Languages to Tamil by the great Poet Kambar. Eventhough is was a translated one, it seems to be a new epic written on his own with some added flavours that is why Ramayana was called to the Kambaramayanam along with the name of the poet which has been a fame till to day. Hanuman the son of Vayu is one of the unparalled fables created by kamber in the Kambaramayanam. In the Myth stories characters plays a vital role the characters are being seen as the one who give life to the story. According to S. Balachandran, “Each and every word spoken by the character has to show the special characteristics of the character”. This article Hanuman is shown as a connectivity bridge between the character, the one who has good characteristics, the one who with good speaking skills and the one who gave life and emotions to the story.
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Rittibul, Pravit. „Ramayana's royal thesis to form of Khon performance: A case study of Khon Scene Ramayana story: Ronnapak Asurin Indrajit“. Asian Journal of Arts and Culture 22, Nr. 2 (17.08.2022): 256708. http://dx.doi.org/10.48048/ajac.2022.256708.
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Articles of royal drama Ramayana to form Khon performance: a case study of Khon Scene Ramayana story: Ronnapak Asurin Indrajit, it is a qualitative research in the form of conservation research with an objective to study the history development of the show forms and elements of the Khon Scene performance Ramayana story: Ronnapak Asurin Indrajit from Ronnapak Chubson to Ravana gave his name. The study tools were structured interview forms and participatory observation content analysis and summarize the discussion descriptive presented in an academic format and in show form. The results of the research showed that the performance of the Khon Scene Ramayana story: Ronnapak Asurain Indrajit is an improvement from the Ramayana drama. His Majesty King Buddha Yodfa Chulalok (King Rama 1) Volume 1 is a Khon script used for performances by Ajarn Panya Nittayasuwan, edited by Ajarn Seree Wangnaitham. Next Ajarn Charan Poonlarp has adapted the Khon script of Ajarn Panya Nittayasuwan to make the chapter more concise with the time limitation of the show which is exhibited at the publicity event for the public to see Artist - Silpakorn (Mr. Somrak Nakpluem) at the National Theater (Small Theater) on September 21, 2007, presenting the performance in the form of Khon Scene which is divided into performances that use the scene to indicate the location, use dialogue, dance according to the lyrics and the song Na-phat in the story uses a chimney orchestra to play along with the performance which standing costume of performers. The research team has been transferred the dance movements and performance styles from experts and applied to the theory of the process of transferring dance moves to students in the field of Thai Dramatic Arts Studies, department of Dramatic Music, faculty of Fine and Applied Arts Rajamangala University of Technology Thanyaburi and then presented in the form of academic papers and performances.
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Manush, Leksa. „Romany Ramayana“. Index on Censorship 27, Nr. 4 (Juli 1998): 70–71. http://dx.doi.org/10.1080/03064229808536389.
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Nishanth, Anisha. „THOLPAVAKOOTHU:A STUDY ON THE PERFORMING ART OF SHADOW PUPPETRY IN KERALA“. International Journal of Research -GRANTHAALAYAH 9, Nr. 12 (30.12.2021): 17–24. http://dx.doi.org/10.29121/granthaalayah.v9.i12.2021.4406.
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Tholpavakoothu is a form of shadow puppetry which is the ancient art form found only in Kerala and it is a ritualistic worship for Goddess Devi. The main theme of tholpavakoothu is based on Kamba Ramayan and puppets which are chiseled out beautifully on the animal skin are used for the puppetry. Unlike other puppetry, it is the black shadow of puppets that forms on the white screen in the presence of oil lamps that portrays the tale of Ramayana. The study is for the deeper understanding of the origin, style, forms, and themes of tholpavakoothu and also to find out the different influences of applied puppetry in tholpvakoothu. This study uses a qualitative approach using interviews with the artists and performances. It has given a deeper understanding of the uniqueness of tholpavakoothu compared to other puppetry forms. This form basically emphasizes the concepts of mythology and how the form has taken a transition to contemporary issues to cater to all types of audiences.
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Hiltebeitel, A. „Paula Richman (ed.). Questioning Ramayanas: A South Asian Tradition. Berkeley, University of California Press, 2001, xx+432 pp., $50.00/£35.00 (hardback) ISBN 0 520 22073 0, $19.95/£13.95 (paperback) ISBN 0 520 22074 9.“ Religion 34, Nr. 1 (Januar 2004): 88–92. http://dx.doi.org/10.1016/s0048-721x(03)00051-4.
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Muttaqin, Muchammad Zaenal, Irfan Ramanda, Abdul Kudus Zaini und Cyintia Kumalasari. „The Performance Analysis of Trans Metro Pekanbaru During the COVID-19 Pandemic“. Jurnal Teknik Sipil dan Perencanaan 26, Nr. 1 (30.04.2024): 72–78. http://dx.doi.org/10.15294/jtsp.v26i1.47132.
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During the COVID-19 pandemic, the Trans Metro Pekanbaru bus manager limited the number of passengers, operating hours, and rit. This policy follows the implementation of the transition period towards a new normal in Pekanbaru City. This government policy’s enactment has influenced the performance of Trans Metro Pekanbaru public transportation during the COVID-19 pandemic. This study analyzes the performance of Trans Metro Pekanbaru public transportation during the COVID-19 pandemic based on passenger operations and perceptions. The research methods used in this study are quantitative and qualitative. The data analysis used is an analysis of operational performance data during the COVID-19 period and an analysis of passenger perceptions of service performance during the COVID-19 period. The results of this study show that the operational performance of Trans Metro Pekanbaru public transportation during the COVID-19 pandemic based on load factor, headway, and frequency indicators is considered insufficient. The average load factor value on all routes is below 70%, with the highest and lowest average values being 42% on the Ramayan – Pandau route and 2% on the Unilak – route Palas Kingdom. The average headway value on all routes is more than 10 minutes, with the highest average being 63 minutes on the BRPS – UIN and Ramayana – Unilak routes. The average frequency value on all routes only reaches 1-3 vehicles/hour, with the highest average being 5 vehicles/hour on the Ramayana route - Pandau. Based on passenger perception, it shows that passenger perception of the quality of Trans Metro Pekanbaru public transportation services during the COVID-19 pandemic is considered good. This can be seen from the average score of respondents’ assessment of 74.86%.
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Pallathadka, Harikumar, Laxmi Kirana Pallathadka, Pushparaj und Telem Kamlabati Devi. „Role of Ramayana in Transformation of the Personal and Professional Life of Indians: An Empirical Investigation Based on Age and Regions“. Integrated Journal for Research in Arts and Humanities 2, Nr. 6 (24.11.2022): 116–22. http://dx.doi.org/10.55544/ijrah.2.6.15.
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Ramayana is one of the greatest and holiest Sanskrit epics and one of the first written pieces of literature in the context of India. In the past few centuries, several authors have been exploring different dimensions of the epic Ramayana, which range from spirituality, philosophy, economics, politics, language, culture, poetry, literature, and technology. However, management does not seem to be popular in terms of subject analysis from Ramayana, even though Valmik Ramayana offers examples of several managers. Thus, several studies have been done to fill the gap in the literature by simply exploring the relevance of Ramayana for the growth and development of contemporary managers. These papers explore dharmic management, work motivation, vigilance, principles for control from Ramayana that offers lessons for improving managerial efficiency. The prospects to explore Ramayana in the other management domains like people management, and strategy management, may also be considered in the future.
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Sari, Cahyani Tunggal, und Hadi Subagyo. „SWOT Analysis of Art Performance As City Promotional Strategy In Yogyakarta“. Journal of Education Culture and Society 11, Nr. 1 (27.06.2020): 370–78. http://dx.doi.org/10.15503/jecs2020.1.370.378.
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Aim. Yogyakarta, a famous city in Indonesia, is well known for the Prambanan temple and its Ramayana Ballet performance. As the cultural and culinary city, Yogyakarta has been indirectly promoted by its cultural performances, such as Ramayana Ballet. The aims of the study were to identify the strengths, weaknesses, opportunities, and threats related to Ramayana Ballet Prambanan as a promotion strategy medium in Yogyakarta.
Methods. This study used a historical approach in understanding the art performance in Ramayana Ballet Prambanan. Besides, this study used the data of tourists’ visits to Ramayana Ballet Prambanan, Yogyakarta.
Results. This research shows that even though there are not many strengths of the Ramayana Ballet art performance, the opportunities related to this kind of promotional strategy compensate for the weaknesses and the threats.
Conclusion. We can conclude that Ramayana Prambanan as an example of performance art in Yogyakarta has a positive value and provides a significant contribution to Yogyakarta tourism. These can be seen from the increase of tourist visitors to Ramayana art performance from 2008 to 2016. The art performance has become one of many promotional strategy choices in Yogyakarta.
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MORI, Mariko. „Ramayana and "snana"“. Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 63, Nr. 2 (2015): 856–51. http://dx.doi.org/10.4259/ibk.63.2_856.
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Bensimon, Corinne. „Rêves de « Ramayana »“. Books N° 116, Nr. 4 (12.10.2021): 30. http://dx.doi.org/10.3917/books.116.0030.
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Diamond, Catherine. „The Ramayana (review)“. Theatre Journal 55, Nr. 3 (2003): 526–27. http://dx.doi.org/10.1353/tj.2003.0102.
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Narayanee, S., und Dr Anbalagan. „Stress and Ramayana“. Journal of Tamil Peraivu 4, Nr. 1 (25.12.2016): 97–100. http://dx.doi.org/10.22452/jtp.vol4no1.9.
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Andani, Sahrul. „Filosofi Gunungan dalam Pagelaran Wayang Kulit Ditinjau dari Perspektif Islam“. ANWARUL 3, Nr. 4 (25.07.2023): 863–74. http://dx.doi.org/10.58578/anwarul.v3i4.1519.
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This study examines the Gunungn philosophy in the implementation of wayang kuliuit in terms of an Islamic perspective. This type of research is qualitative research which describes data using a series of sentences. The method used in this research is descriptive method. The results of this study show that in Islam, the sentence of shahadah is the key to Heaven towards the salvation of the world and the hereafter. A Muslim must adhere to the principles of Islamic teachings to be successful in life. In wayang, new Islamic values are built, not changing standard stories. Walisongo created a new character in the Mahabarata and Ramayana stories with an Islamic social vision through the behavior of the punakawan. Wayang kulit introduces Islam through wayang displays with religious values inserted after adopting the Mahabharata and Ramayan books from India. To follow the story, the audience must recognize the important characters. Wayang kulit is different from other wayang puppets and is popular in Indonesia because it is considered a rich cultural heritage that continues to grow.
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Wakhidah, Nur Tatik Lailatul, und Agus Frianto. „Pengaruh Citra Merek, Kualitas Produk Dan Persepsi Harga Terhadap Minat Beli Keripik Buah Ramayana Fruits Kota Batu“. BIMA : Journal of Business and Innovation Management 5, Nr. 2 (06.02.2023): 160–69. http://dx.doi.org/10.33752/bima.v5i2.5659.
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Penelitian ini terdiri dari variabel citra merek, variabel kualitas produk serta variabel persepsi harga yang diteliti untuk mengetahui pengaruhnya terhadap variabel minat beli keripik buah Ramayana Fruits. Objek penelitian ini adalah konsumen dari Ramayana Fruits Kota Batu. Non Probability sampling dengan memakai sampling jenuh adalah cara dari pengambilan sampel yang terdiri dari 100 orang dari konsumen Ramayana Fruits Kota Batu. Kesimpulan penelitian: (1) Variabel Citra merek secara parsial berpengaruh pada minat beli keripik buah Ramayana Fruits Kota Batu, (2) Kualitas produk secara parsial berpengaruh positif pada minat beli keripik buah pada konsumen Ramayana Fruits Kota Batu, (3) variabel persepsi harga secara parsial berpengaruh positif terhadap variabel minat beli keripik buah Ramayana Fruits Kota Batu, (4) Variabel citra merek, kualitas produk dan persepsi harga secara bersama-sama memberikan pengaruh secara simultan dan signifikan terhadap minat beli keripik buah pada konsumen Ramayana Fruits Kota Batu. Hasil uji dari beberapa metode data menunjukkan hasil yang sudah baik dan mempunyai kategori nilai yang tinggi, akan tetapi berbanding terbalik dengan hasil dari olah data SPSS 22 uji koefisien determinasi (R2) yang bisa dikatakan kurang.
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Suyono, Seno Joko. „PERBANDINGAN SOSOK RAHWANA PRAMBANAN DENGAN KAKAWIN RAMAYANA DAN NOVEL ANAND NEELAKANTAN“. Dharmasmrti: Jurnal Ilmu Agama dan Kebudayaan 21, Nr. 1 (29.05.2021): 1–28. http://dx.doi.org/10.32795/ds.v21i1.1661.
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Dalam penelitian tentang Ramayana di Indonesia, sudah banyak yang menyadari tentang kemungkinan adanya sumber lain selain Walmiki yang digunakan oleh pengarang dan pemahat Indonesia di zaman kuno. Malini Saran dan Vinod C. Khanna misalnya, dalam buku The Ramayana in Indonesia, mereka menganggap beberapa gambar di relief Prambanan menyimpang dari penggambaran Ramayana versi Walmiki. Malini Saran dan Vinod C. Khanna secara menarik menduga bahwa para silpin (pemahat relief) Prambanan selain memang secara umum saat memahat mengacu pada kisah mainstream Ramayana versi Walmiki, juga mereferensikan diri pada beberapa kisah minor Ramayana di India. Dalam studi ini saya bermaksud melakukan pembacaan ulang atas relief Ramayana sebagaimana ditafsir oleh Malini Saran dan Vinod C Khanna, terutama pembacaan atas Rahwana. Sebab bagi saya pembacaan Rahwana di relief Prambanan yang dilakukan kedua arkeolog India ini yang paling dekonstruktif dan berbeda dari kesepakatan umum.
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Muttaqin, Muchammad Zaenal, Irfan Ramanda und Cyintia Kumala Sari. „Study of Passenger Perceptions for Public Transport During Covid 19 in Pekanbaru, Indonesia“. Journal International Multidisciplinary 1, Nr. 1 (29.01.2023): 41–45. http://dx.doi.org/10.58794/jim.v1i1.408.
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During the COVID-19 pandemic, the manager of the Trans Metro Pekanbaru bus limited the number of passengers, operating hours, and rit. This policy follows the implementation of a transition period to the new normal in Pekanbaru City. With the enactment of this government policy, it has made an impact on the performance of Trans Metro Pekanbaru public transportation during the COVID-19 pandemic. This study analyzes the performance of Trans Metro Pekanbaru public transportation during the COVID-19 pandemic based on passenger operations and perceptions. The research methods used in this study are quantitative and qualitative. The data analysis used is the analysis of operational performance data during the COVID-19 period, and the analysis of passenger perceptions of service performance during the COVID-19 period. The results of this study show that the operational performance of Trans Metro Pekanbaru public transportation during the COVID-19 pandemic based on load factor, headway, and frequency indicators is considered poor. The average load factor value on all routes is below 70%, with the highest and lowest average values being 42% on the Ramayan – Pandau route and 2% on the Unilak – Palas Raya route. The average headway value on all routes is more than 10 minutes, with the highest average score being 63 minutes on the BRPS - UIN and Ramayana - Unilak routes. The average frequency value on all routes is only 1-3 vehicles/hour on average, with the highest average value being 5 vehicles/hour on the Ramayana - Pandau route. Based on passenger perceptions, it shows that passengers' perceptions of the quality of Trans Metro Pekanbaru public transportation services during the COVID-19 pandemic are considered good. This can be seen from the average score of respondents' assessment of 74.86%.
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Al Akbar, Nuruddin. „Menjinakkan” Globalisasi: Studi Kritis Globalisasi Budaya Pada Pementasan Sendratari Ramayana Borobudur“. Jurnal Ilmu Sosial Mamangan 5, Nr. 1 (26.06.2016): 1–12. http://dx.doi.org/10.22202/mamangan.v5i1.1925.
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This article seeks to critically examine the performances of Ramayana as one of the cultural attractions is held periodically in the area of Prambanan temple. This study is motivated from concerns about the negative impact of globalization that hit the third world countries, including Indonesia. Among the negative form of globalization is economic and foreign cultural invasion that further marginalize local economic actors and diluting the national culture. Ramayana is an example case interesting because it uses global influences into Indonesia and transforming positively for the benefit of culture-based tourism. This tactic proved to be successful to make Ramayana as a tourist attraction that is quite attractive to foreign tourists or domestic. The article attempts to read the Ramayana as a form of glocalization, which emphasizes creativity in combining global elements with a particular locality. In addition, this article seeks to offer alternative improvements to the Ramayana using Multi-Stakeholder Governance framework and Value Chain approach. Artikel ini berupaya melakukan telaah kritis terhadap pagelaran Sendratari Ramayana sebagai salah satu atraksi budaya yang diselenggarakan secara periodik di kawasan Candi Prambanan. Telaah ini dilatarbelakangi dari kekhawatiran akan dampak negatif globalisasi yang menerpa negara-negara dunia ketiga, termasuk Indonesia. Diantara bentuk negatif globalisasi ialah invasi ekonomi dan budaya asing yang semakin meminggirkan pelaku ekonomi lokal dan melunturkan budaya nasional. Kasus Sendratari Ramayana menjadi contoh menarik karena berhasil mempergunakan pengaruh global yang masuk ke Indonesia dan mentransformasikannya secara positif untuk kepentingan pariwisata berbasis budaya. Siasat ini terbukti berhasil menjadikan Sendratari Ramayana sebagai sebuah daya tarik wisata yang cukup diminati bagi wisatawan asing ataupun domestik. Artikel ini berupaya membaca Sendratari Ramayana sebagai bentuk dari glokalisasi, yang menekankan pada kreatifitas dalam menggabungkan antara unsur global dengan lokalitas tertentu. Selain itu artikel ini juga berupaya menawarkan alternatif pembenahan terhadap Sendratari Ramayana menggunakan kerangka pikir Multistakeholder Governance dan Value Chain.
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Al Akbar, Nuruddin. „Menjinakkan” Globalisasi: Studi Kritis Globalisasi Budaya Pada Pementasan Sendratari Ramayana Borobudur“. Jurnal Ilmu Sosial Mamangan 5, Nr. 1 (26.06.2016): 1. http://dx.doi.org/10.22202/mamangan.1925.
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This article seeks to critically examine the performances of Ramayana as one of the cultural attractions is held periodically in the area of Prambanan temple. This study is motivated from concerns about the negative impact of globalization that hit the third world countries, including Indonesia. Among the negative form of globalization is economic and foreign cultural invasion that further marginalize local economic actors and diluting the national culture. Ramayana is an example case interesting because it uses global influences into Indonesia and transforming positively for the benefit of culture-based tourism. This tactic proved to be successful to make Ramayana as a tourist attraction that is quite attractive to foreign tourists or domestic. The article attempts to read the Ramayana as a form of glocalization, which emphasizes creativity in combining global elements with a particular locality. In addition, this article seeks to offer alternative improvements to the Ramayana using Multi-Stakeholder Governance framework and Value Chain approach. Artikel ini berupaya melakukan telaah kritis terhadap pagelaran Sendratari Ramayana sebagai salah satu atraksi budaya yang diselenggarakan secara periodik di kawasan Candi Prambanan. Telaah ini dilatarbelakangi dari kekhawatiran akan dampak negatif globalisasi yang menerpa negara-negara dunia ketiga, termasuk Indonesia. Diantara bentuk negatif globalisasi ialah invasi ekonomi dan budaya asing yang semakin meminggirkan pelaku ekonomi lokal dan melunturkan budaya nasional. Kasus Sendratari Ramayana menjadi contoh menarik karena berhasil mempergunakan pengaruh global yang masuk ke Indonesia dan mentransformasikannya secara positif untuk kepentingan pariwisata berbasis budaya. Siasat ini terbukti berhasil menjadikan Sendratari Ramayana sebagai sebuah daya tarik wisata yang cukup diminati bagi wisatawan asing ataupun domestik. Artikel ini berupaya membaca Sendratari Ramayana sebagai bentuk dari glokalisasi, yang menekankan pada kreatifitas dalam menggabungkan antara unsur global dengan lokalitas tertentu. Selain itu artikel ini juga berupaya menawarkan alternatif pembenahan terhadap Sendratari Ramayana menggunakan kerangka pikir Multistakeholder Governance dan Value Chain.
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Kamalia, Mirza Fathimajauhar, Wildayati Wildayati, Artha Fernando, Iskamar Iskamar und Ismi Imroatus Saada. „The Social Messages in The Ramayana: Perspektif on Literary Theory“. SULUK: Jurnal Bahasa, Sastra, dan Budaya 1, Nr. 1 (26.02.2020): 11–18. http://dx.doi.org/10.15642/suluk.2019.1.1.11-18.
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The story of Ramayana has been deeply rooted in the community and is a material for literary studies that has never completed for discussion. In Java the epic, Ramayana first fully appeared in the form of a relief at the Lara Jonggrang Temple which was built around the year 782 to 872.The other emergence about the Ramayana story was in the composition which was in the form ofRamayana kakawin in Old Javanese. The Ramayana story begins with a blessing and a preface including a summary of the story which then contains verses of poetry. This study aims to convey the social messages contained in the Ramayana story to the public. This study uses qualitative research method based on the study of literature in the book of P. Lal (1981) which has been translated into Indonesian. The results of this study are (1) Explaining the social messages contained in the Ramayana story, (2) Explaining the exemplary wisdom of the character Rama, (3) Explaining the exemplary loyalty of the character Sita, (4) Explaining the example of Rahwana's character in the form of perseverance and sincerity in loving Sit, (5) Explaining ibrah (lessons) from the Ramayana story so that it can be used as the life learning. Overall, it can be understood that in the Ramayana there are many social messages that can be used as the exemplary life.
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Caturwati, Endang, Een Herdiani und Suzen HR Lumban Tobing. „Ramayana Ballet Performance's Allure at Purawisata Yogyakarta“. Mudra Jurnal Seni Budaya 37, Nr. 4 (17.10.2022): 368–73. http://dx.doi.org/10.31091/mudra.v37i4.2102.
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Indonesia is known for its Wayang Orang performances, especially in the areas of Surakarta, Yogyakarta, Semarang, Jakarta, and Bali. Among the Wayang Orang performances, there was a group that switched to ballet performances, which later became known as the Ramaya Ballet Purawisata Yogyakarta. The purpose of this study is to dissect more deeply the Ramayana Ballet Performance and the extent of its influence on people's lives. Purawisata's Ramayana Ballet, shown in full every night from 20.00–21.30 WIB since 1976 until 2001, won the 'Guinness Book of Records' (MURI) for its consistency in performing cultural performances for 29 years continuously. Consistency in maintaining the noble values of culture continues until August 10, 2021, when Purawisata's Ramayana Ballet is 45 years old. The method used in this research is a qualitative, descriptive analysis method that explores and understands the meaning of a number of individuals or groups of arts being studied. The results of the study show that the innovation strategies offered to the audience are: (1) Special Package Ramayana Performances; (2) Ramayana Edukasi; and (3) Regular Ramayana, so the Ramayana Ballet show still exists today. Even at regular shows, tickets with seating for 600 people are always full.
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Gde Yadnyawati, Ida Ayu, I. Nyoman Winyana, I. Wayan Sukadana, I. Made Sugiarta, I. Wayan Sudiarsa, I. Made Sudarsana, Pande Gde Eka Mardiana et al. „KECAK RAMAYANA DAN BALLET RAMAYANA WAKIL UNHI DI PENTAS INTERNATIONAL “KUMBH MELLA” TRIVANI, ALLAHABAD, ULTRA PARADESH INDIA UTARA“. JURNAL SEWAKA BHAKTI 3, Nr. 1 (14.12.2019): 50–109. http://dx.doi.org/10.32795/jsb.v3i1.520.
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Pengaruh dan penyebaran Ramayana sebagai sebuah konsep cerita yang bersumber dari sastra Ramayana tidak dipungkiri telah menyebar di Indonesia semenjak Hindu dikenalkan. Ada berbagai sumber yang dapat dijadikan bukti hidupnya cerita Ramayana di dalam kehidupan masyarakat Hindu khususnya. Di Bali sendiri cerita ramayana tidak saja menjadi pergulatan pengamat budaya khususnya sastra-sastra yang seringkali secara eksis digemakan lewat bentuk seni budaya.
Kecak merupakan salah satu bentuk karya seni pertunjukan klasik yang mengambil inspirasi dari cerita Ramayana. Sangat beralasan ketertarikan karena menggugah pandangan masyarakat tentang nilai-nilai yang terkandung di dalamnya menjadikan bentuk bentuk garapan semakin menarik. Kecak yang seringkali diasosiasikan dengan kera tampaknya memberikan sentuhan harmoni musikal yang sangat tepat dengan latar budaya Ramayana. Ketokohan yang mengagumkan diperlihatkan oleh Hanoman atau kera berbulu putih yang senantiasa hadir demi menjaga dharma atau kebenaran dianggap menjadi inspirasi di dalam kehidupan masyarakat Hindu di Bali Inspirasi tersebut tampaknya menjadi alasan kuat bagi seorang peneliti India untuk memperlihatkan kepada dunia tentang pengaruh wiracerita yang dianggap berhasil menginspirasi masyarakat dunia.
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Kumar, Dr Yogendra. „Muhurta science in view of Valmiki Ramayana (वाल्मीकि रामायण की दृष्टि में मुहूर्त विज्ञान)“. Yog-garima 1, Nr. 1 (28.03.2023): 27–30. http://dx.doi.org/10.52984/yogarima1105.
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If we look into the Indian tradition, we get the description of many high quality books. In that Valmiki Ramayana composed by Maharishi Valmiki has an important place in human life. Regarding this epic, Dr. Neelam Singh has told in his research paper that Ramayana is a unique Sanskrit epic written by Adi poet Valmiki. This is the part of Hindu memory through which the saga of King Rama of Raghuvansh was told. It is also called the poetry of the beginning. There are seven chapters of Ramayana which are known as Kanda. The story of Lord Shri Ram versed by Maharishi Valmiki is known as Valmiki Ramayana and is called Adikavi of Valmiki and Valmiki Ramayana is also known as Adi Ramayana.1 Throwing light on the importance of the epic, it has been told that the importance of Valmiki Ramayana is there even today and will remain so in the future. True literature has the ability to shape the future, it is in the Ramayana. Ramayana meets this criterion. He has the ability to show the way to the generations to come. In it, generosity, righteous meaning and work surrender and protection of the victim, superiority of human, friendship, obedience, fasting, sweet and plant speech etc. undoubtedly make Ramayana an immortal epic.2 Among the common people, the Ramkatha has come to be revered as the struggle of good against evil and the dignity and deep compassion of various human relationships. It is a kind of cultural document. It is a matter of pleasant surprise that even after so many years its attraction has not decreased at all. How deep is the attraction and impact of the original spirit of this epic, it can also be felt from the place Ramkatha has found in the folk tales, drama, dance, architecture, sculpture, etc. of many countries of Asia. Therefore, showing the description of importance, etc., in this research paper, astrologers will try to tell about the science of Muhurta in this epic.
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Vallabh Dubey, Jayendra, und Dr Yogendra Kumar. „Effect of Saturn in the events of Ramayana“. Yog-Garima 1, Nr. 2 (28.09.2023): 14–18. http://dx.doi.org/10.52984/yogarima1202.
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In this research paper, the effect of the position of Saturn on the events related to Ramayana written in Adikavya Ramayana written by the ancient poet Valmiki, Ramcharit Manas written by Tulsidas, Padma Purana etc., Shani Dev's dialogue with the characters present in the Ramayana period, etc. have been studied. According to traditional belief and Puranas, the Ramayana period is considered to be 8,80,111 years old and from the point of view of modern science, it is considered to be around 7000 years old. In this research paper, the events occurring due to the position of Saturn in the horoscope so many years ago also are discussed. Awareness among the general public about its effects, fear due to Saturn's condition etc. have been studied. Word Hint – Ramayana, Ram, Shani, Astrology, Tretayuga
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Hadi, Safira Rizky Rachmania, und Alvanov Zpalanzani Mansoor. „Comic Studies THE POTENTIAL OF WAYANG RAMAYANA R.A KOSASIH COMICS AS A MEDIA (KOMPLEMENTER) OF JUNIOR HIGH SCHOOL LEARNING IN CENTRAL JAVA“. Desain Komunikasi Visual Manajemen Desain dan Periklanan (Demandia) 6, Nr. 2 (09.09.2021): 317. http://dx.doi.org/10.25124/demandia.v6i2.3623.
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Local content for junior high school content in Javanese language lessons is the story of Ramayana. Junior high school curriculum version 2013, uses Kidang Kencana story segment in Ramayana as Basic Competence 3 in Semester 2 outcome, and students have difficulty understanding it due to various factors. On the other hand, R.A Kosasih made a wayang comic titled Rama and Sinta (Ramayana). Therefore, the aim of this research is to examine whether the comic Rama and Sinta (Ramayana) can be used as a learning medium for junior high school students in Central Java. This is a qualitative research with an empirical approach. The results of the analysis show that there are similarities in the contents of the story, characters, settings and the story line of the Ramayana between the Javanese language textbook and the comic. Therefore, it can be concluded that the comic Rama and Sinta (Ramayana) can be used as a learning medium in Javanese language subjects through language translation, because the content is in accordance with the curriculum.
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Tafonao, Sukadamai, Jhon Rinaldo und Susi Yuliastanty. „Pengaruh Keadilan Distributif dan Keadilan Prosedural Terhadap Keterikatan Karyawan dengan Persepsi Dukungan Organisasi sebagai Variabel Mediasi PT Ramayana Plaza Andalas Kota Padang Tahun 2022“. EKASAKTI MATUA JURNAL MANAJEMEN 1, Nr. 4 (11.10.2023): 339–50. http://dx.doi.org/10.31933/emjm.v1i4.974.
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Work engagement has always been an important issue in the world of work, this is closely related to the quality of Human Resources which will then determine the success and progress of a company. The purpose of the study was to determine the effect of distribution and justice procedures on employee engagement with perceived organizational support as a mediating variable at PT Ramayana Plaza Andalas, Padang City in 2022. The data collection methods were field research and library research. Types and sources of data are primary data and secondary data. The population of this study were all employees of the Ramayana Plaza Andalas Company, Padang City, amounting to 150 people and a sample of 60 people. The analysis method uses path analysis. The results of the study are: (1) distributive justice and procedural justice variables together have a significant effect on employee engagement at PT Ramayana Plaza Andalas, (2) directly distributive justice has a significant effect on perceptions of organizational support for PT Ramayana Plaza Andalas. (3) direct procedural justice has a significant effect on organizational support for PT Ramayana Plaza Andalas, (4) directly distributive justice has a significant effect on employee engagement at PT Ramayana Plaza Andalas. (5) directly procedural justice has a significant effect on employee engagement at PT Ramayana Plaza Andalas, (6) directly perceived organizational support has a significant effect on employee engagement at PT Ramayana Plaza Andalas. (7) there is an effect of distributive justice on employee engagement through perceived organizational support, (8) there is an effect of procedural justice on employee engagement through perceived organizational support.
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Lumbu, Aliyandi A., und Fajar Bayu Nugraha. „Strategi Komunikasi Radio Ramayana 98,8 Fm Dalam Produksi Siaran Keagamaan“. Al-Jamahiria : Jurnal Komunikasi dan Dakwah Islam 1, Nr. 1 (07.10.2023): 58. http://dx.doi.org/10.30983/al-jamahiria.v1i1.6441.
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<p align="justify">Artikel ini bertujuan untuk mengungkap bagaimana bagaimana strategi komunikasi yang digunakan oleh Radio Ramayana 98,8 FM dalam meningkatkan produksi siaran keagamaan di radio Ramayana 98,8 FM di Kota Metro Lampung. Metode penelitian yang dilaksanakan dala penelitian ini bersifat kualitatif deskriptif dengan medeskripsikan fonomena yang berkaitan dengan strategi komunikasi Ramayana FM dalam meningkatkan produksi siaran keagamaan. Data dikumpulkan melalui wawancara mendalam, observasi non partisipatif dan dokumentasi, dan dianalisis dengan mengunakan Teknik analisis data kualitatif. Penelitian ini menemukan bahwa Strategi komunikasi yang digunakan Ramayana 98,8 FM Kota Metro Lampung untuk meningkatkan produksi siaran keagamaan yaitu dengan menciptakan program acara keagamaan. Program acara keagamaan ini dimulai melalui proses perancangan dengan melibatkan penyiar, dan redaksi, pengorganisasian, serta evaluasi yang berkesimbungan untuk menghasilkan program sempurna dan layak untuk didengarkan oleh pendengar. Faktor pendukung kesuksesan siaran program keagamaan ini adalah baiknya performa dan kecakapan penyiar Radio Ramayana 98,8 FM dalam siaran program ini serta sarana dan prasarana yang memadai dalam produksi siaran radio Ramayana 98,8 FM sangat berpengaruh dalam meningkatkan produksi siaran keagamaan ini. Adapun yang menjadi faktor penghambat produksi siaran keagamaan ini adalah ketidakhadiran narasumber sebagai pemateri dan kebanyakan siaran dilaksanakan dengan taping/rekaman.</p><p align="justify"><em>This article aims to reveal how the communication strategy used by Radio Ramayana 98.8 FM in increasing the production of religious broadcasts on radio Ramayana 98.8 FM in Metro Lampung City. The research method implemented in this study is descriptive qualitative by describing the phenomena related to Ramayana FM's communication strategy in increasing the production of religious broadcasts. Data were collected through in-depth interviews, non-participatory observation and documentation, and analyzed using qualitative data analysis techniques. This study found that the communication strategy used by Ramayana 98.8 FM Metro Lampung City to increase the production of religious broadcasts is by creating religious event programs. This religious program begins through a design process involving broadcasters and editors, organizing, and evaluating which is balanced to produce a perfect program and worthy of being listened to by listeners. Supporting factors for the success of this religious program broadcast are the good performance and skills of Radio Ramayana 98.8 FM broadcasters in broadcasting this program and adequate facilities and infrastructure in the production of Ramayana 98.8 FM radio broadcasts are very influential in increasing the production of this religious broadcast. As for the inhibiting factors in the production of religious broadcasts, they are the absence of speakers as presenters and most broadcasts are carried out by taping / recording.</em></p>
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Rahayuningsih, Handayani, und Bramanti Aditya. „Hidangan Buffet di Regular Event “Ramayana Night Market” Hotel Hyatt Regency Yogyakarta“. Jurnal Pariwisata Terapan 1, Nr. 2 (01.03.2017): 28. http://dx.doi.org/10.22146/jpt.24969.
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Hyatt Regency Yogyakarta has strategies to increase the number of visitors to the hotel. One of the strategies made by Hyatt Regency Yogyakarta regular event “Ramayana Night Market" which is held every Saturday night. The purposes of this research are to know the buffet menu and the layout of buffet in regular event “Ramayana Night Market” at Kemangi Bistro Hyatt Regency Yogyakarta. This research used observation, interview, and documentation techniques to collect the data. The results showed that the menu in regular event “Ramayana Night Market” are presented on the long table buffet and ranged from appetizer, main course, and dessert. Regular event “Ramayana Night Market” serve traditional food as concept. The layout of the buffet at regular event “Ramayana Night Market” is made to grouping the menu based on the type (appetizer, main course, and dessert) to make it easy for the customers to take the food from the buffet.
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Ritha, Henny. „PENGARUH PERTUMBUHAN PREMI, HASIL UNDERWRITING DAN RISK BASED CAPITAL TERHADAP PROFITABILITAS PT ASURANSI RAMAYANA Tbk. 2011-2020“. Jurnal Ekonomi Bisnis Manajemen Prima 4, Nr. 2 (04.02.2023): 36–47. http://dx.doi.org/10.34012/jebim.v4i2.3325.
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Penelitian ini bertujuan untuk menganalisis pengaruh pertumbuhan premi, Hasil underwriting dan risk based capital terhadap profitabilitas PT. Asuransi Ramayana Tbk. 2011-2020. Data yang digunakan dalam penelitian ini adalah data sekunder yaitu laporan keuangan PT Asuransi Ramayana Tbk 2011-2020. Teknik analisis yang digunakan adalah regresi linear berganda. Metode pengumpulan data penelitian ini adalah metode dokumentasi yaitu studi kepustakaan. Hasil penelitian menunjukkan bahwa variabel independen pertumbuhan premi, hasil underwriting, dan risk based capital berpengaruh secara simultan terhadap profitabilitas PT Asuransi Ramayana Tbk 2011-2020. Hasil underwriting dan risk based capital berpengaruh signifikan terhadap profitabilitas, sedangkan pertumbuhan premi tidak berpengaruh signifikan terhadap profitabilitas PT Asuransi Ramayana Tbk 2011-2020.
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Shafa, Dhiya Ahadia, Arga Sutrisna und Barin Barlian. „Pengaruh Kecerdasan Emosional dan Kemampuan Adaptasi terhadap Employee Engagement“. Jurnal Akuntansi, Keuangan, dan Manajemen 3, Nr. 4 (07.09.2022): 307–22. http://dx.doi.org/10.35912/jakman.v3i4.1295.
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Abstract: Purpose: This study aims to determine the emotional intelligence, adaptability, and employee engagement of non-manager employees at the Hotel Ramayana Tasikmalaya, to examine the effect of emotional intelligence, and adaptability simultaneously and partially on employee engagement of non-manager employees at the Hotel Ramayana Tasikmalaya. Methodology/approach: The research method used in this research is descriptive quantitative method with a census approach. Data collection techniques based on data sources in this study the author uses a questionnaire method. The analytical technique used in this study are validity test, reliability test, classical assumption test, multiple linear regression analysis, correlation and determination coefficient analysis, F test, and t test. Results/findings: Emotional intelligence and adaptability simultaneously have a significant effect on employee engagement Hotel Ramayana Tasikmalaya; adaptability partially has a significant effect on employee engagement at Hotel Ramayana Tasikmalaya; emotional intelligence partially has a significant effect on employee engagement at Hotel Ramayana Tasikmalaya. Limitations: This study only assessed the variables of emotional intelligence, adaptability and employee involvement, and only non-manager workers who worked at the Ramayana Tasikmalaya Hotel, as well as the clear limited literacy on emotional intelligence and adaptability. Contribution: This study provides suggestions for Hotel Ramayana Tasikmalaya to provide rewards for outstanding employees, strengthen the kinship of fellow employees, provide training, and need to improve things that can affect the level of employee engagement. Keywords: 1. emotional intelligence 2. adaptability 3. employee engagement
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MASATOĞLU, Mehmet. „RAMAYANA DESTANINDAKİ KARAKTERLERİN ANALİZİ“. Toplum Bilimleri Dergisi 24, Nr. 24 (2018): 99–114. http://dx.doi.org/10.29228/tbd.2007.24.658.
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H.L, Rashmi, und Dr Choodamani Nandagopal. „Nāyika-Bheda in Ramayana“. IOSR Journal of Humanities and Social Science 19, Nr. 10 (2014): 19–22. http://dx.doi.org/10.9790/0837-191021922.
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Kalra, Sanjay, ManashP Baruah und Bharti Kalra. „Endocrinology in the Ramayana“. Indian Journal of Endocrinology and Metabolism 20, Nr. 5 (2016): 716. http://dx.doi.org/10.4103/2230-8210.190563.
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