Dissertationen zum Thema „Quest for freedom“
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Kiviorg, Merilin. „Freedom of religion or belief : the quest for religious autonomy“. Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:6c5916d8-d69d-4f2d-91e5-a5586f8abd4b.
Der volle Inhalt der QuelleMitchell, Vernon Calvin. „Forgotten struggle : the quest for freedom in East St. Louis /“. free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422944.
Der volle Inhalt der QuelleVesamäki, Eeva. „Surviving Over-practice Injury : The quest to find freedom in violin technique“. Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2027.
Der volle Inhalt der QuelleLAMARTINE, DANIELA. „FLOATHUB- mobile living in the 21th century : Re-imagining housing in the quest for freedom“. Thesis, Umeå universitet, Arkitekthögskolan vid Umeå universitet, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-148249.
Der volle Inhalt der QuelleTomkins, Hayley. „Alternative Generators of the Zémor-Tillich Hash Function: A Quest for Freedom in Projective Linear Groups“. Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37972.
Der volle Inhalt der QuelleDang, Trung Ha. „Adopting Freedom of Information Law and the Quest for the Right of Access to Information in Vietnam“. Thesis, Griffith University, 2018. http://hdl.handle.net/10072/380294.
Der volle Inhalt der QuelleThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith Law School
Arts, Education and Law
Full Text
Morish, Amanda Christine. „A quest for freedom : finding my actor process“. 2013. http://hdl.handle.net/2152/21221.
Der volle Inhalt der Quelletext
Yu, Hsin-Chang, und 游信章. „The Ontological Hierarchy, Virtual/Real Duality and Quest for Freedom in The Matrix“. Thesis, 2010. http://ndltd.ncl.edu.tw/handle/32022624416428591589.
Der volle Inhalt der Quelle中國文化大學
英國語文學系
98
This thesis presents an interpretation of the ground-breaking 2000 film The Matrix in terms of religious themes (Gnosticism and Buddhism), Plato’s ontological hierarchy in The Republic, and Baudrillard’s theory of simulacra and hyperreality. In Chapter 1 the reading via religion, with the main emphasis on Buddhism, emphasizes Neo’s role as the One, a sort of savior (Christ or Bodhisattva) figure who ultimately will sacrifice himself to save the freed citizens of Zion, and also his “transcendence” to a higher level of reality, now seen in terms of Buddhist meditation, non-duality and enlightenment. In Chapter 2 the reading via Plato focuses on the role of logic, with absolute Goodness and Truth being correlated with the Oneness of an encompassing logical unity. This reading is parallel to but more “rational” than the Buddhist interpretation of the film. In Chapter 3, the Baudrillardian approach sees the virtual world of the Matrix as signifying our contemporary postmodern culture with its many simulacra (false or empty images) and the all-pervasive power of illusion, or what Baudrillard calls hyperreality. All three readings, but most obviously the third, point to the fact that this film should serve as a wake-up call for us.
Brownlee, Sibyl Ventress. „Out of the abundance of the heart: Sarah Ann Parker Remond's quest for freedom“. 1997. https://scholarworks.umass.edu/dissertations/AAI9737509.
Der volle Inhalt der QuelleCheng-Fen, Chen. „Quest for the Freedom of Love: Female Sexuality as Subversive Agency in Lord Byron's Don Juan“. 2006. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0016-0109200613404663.
Der volle Inhalt der QuelleChen, Cheng-Fen, und 陳正芬. „Quest for the Freedom of Love: Female Sexuality as Subversive Agency in Lord Byron's Don Juan“. Thesis, 2006. http://ndltd.ncl.edu.tw/handle/93367109214290142278.
Der volle Inhalt der Quelle國立清華大學
外國語文學系
94
Byron has said that “Man’s love is of man’s life a thing apart, ‘Tis woman’s whole existence.” It is clear that Byron’s love affairs preoccupied most of his daily life; moreover, such a personal history of love inspires him to create a variety of works in which women play a crucial role. Don Juan not only includes colorful romances but also reveals women’s desires and sexuality in a positive way. This thesis is a representation of how women become more individualized and sophisticated through their active pursuit of love in Don Juan. Meanwhile, the inherent tensions of the satiric tones are the narrator’s rhetorical means of compelling the reader to see reality from different perspectives. Within a larger framework of satire, the issue of female sexuality and the concept of love are easily assumed a darker color. In fact, Byron’s usage of a comic tone does not satirize women; instead, he describes how wonderful love is in the world through images of women in love and the emotions that are the original libido desires of human beings. Love is the spiritual enrichment of one’s daily lives and a kind of symbol of energy and happiness. In addition, the author presents women’s gradual getting rid of social constraints and developing their confidence. Their experience of love offers unlimited possibilities for shaping their own identities and results in a kind of spiritual transcendence from which the new thinking and meanings of life are generated. What Byron would like to show in Don Juan is the exploration of human feelings, especially human passion, and the nature of love. In the context of Byron’s arguments against despotism, he thinks that one’s sexuality and desire about love must be free. Traditionally, women’s connection with love is conservative and supposed to be passive. Women become a target for men to choose as part of their lives. However, Byron transforms such a fixed stereotype and depicts female’s active performance in the quest for love. Through the use of satire, Byron presents more accurate concepts of love, human beings, and true freedom. Implicit in the poem is that the nature of love is a kind of desire which exists in everyone’s hearts. Based on Byron’s devotion to liberty, female sexuality is worth admiring and should not be regulated by external limits from society, politics, and morality. Under such a revolutionary intention, the spirit of “carpe diem” is also revised and given a new meaning: it not only includes the hedonic aspect of life but also the extreme effort to change one’s condition. There is no hierarchy in the world of love; women also can dominate men for the sake of true love and happiness they want. Time and physical beauty are fleeting, so making the most present pleasure and fulfillment is very important. Thus, Byron’s revolutionary and rebellious spirit is quite obvious here: he adopts ironic tone to criticize orthodox ideas. He portrays an ideal equality between men and women. This thesis is divided into four chapters. In Chapter One, I outline the background of the study by clarifying the main argument and terminologies, surveying the previous scholarships, justifying my area of study, and laying the foundation for the whole thesis. Chapter Two scrutinizes Byron’s intention by focusing on female characters in his Don Juan. My concern here is to illustrate the positive aspect of female’s active pursuit of love and show their desire, thoughts, personal will and action. Besides, Byron arranges two reversals of gender roles: Juan as a woman in the Turkish episode, and Fitz-Fulke dressed as a ghost to pretend being a friar. The cross-dressing and reversals of both sexes symbolizes a departure from the traditional binary opposition of male/ female. Thus, women are not always seen as subordinate in the gender relation. Chapter Three examines the relation between sexuality and traveling in terms of Julia Kristeva’s discussion of strangers and love in Strangers to Ourselves. For these female figures depicted in the poem, Juan becomes a foreigner for them with whom they can recognize themselves. The women-Juan affairs actually can be seen as a mother-son relationship which Kristeva defines as “chora” whereby women gradually reveal their subversive power to counter patriarchal regulation. In this point of view, the female figures’ aspiration of love in Don Juan can be considered rational and admired in a positive way. Even though women encounter obstacles in the pursuit of love, they still develop their own individualities more and more. In Chapter Four, through Byron’s depiction of amorous atmosphere in this poem, we can understand a kind of life permeated with love is not a waste for a healthy human being. Byron tries to tell the readers that seizing the time to love is very important. Especially as a woman, she should bravely chase her happiness regardless of gender, class, race, and other oppressive elements because love is a kind of strong feeling which happens in a sudden moment without reasons or explanations. At last, Byron’s attitude toward love echoes the typical thinking of Romanticism—“Sentimental emotion is over everything”—an extreme value of love whose strength can save both men and women. Therefore, true freedom and fulfillment for women do contribute to equality between both men and women.
Behling, Julie Grant Jonathan A. „David's quest to outmaneuever Goliath clandestine Christians in the USSR, 1953-1985 /“. 2004. http://etd.lib.fsu.edu/theses/available/etd-06172004-120944.
Der volle Inhalt der QuelleAdvisor: Dr. Jonathan Grant, Florida State University, College of Social Sciences, Interdisciplinary Program of Russian & East European Studies. Title and description from dissertation home page (viewed Sept. 23, 2004). Includes bibliographical references.
Ropi, Ismatu. „The politics of regulating religion : state, civil society and the quest for religious freedom in modern Indonesia“. Phd thesis, 2013. http://hdl.handle.net/1885/149720.
Der volle Inhalt der QuelleLuvara, Angela. „An Imperfect and Incomplete Quest for Freedom: An Extended Case Study of Black American Counter-Framing and Resistance Strategies“. 2016. http://scholarworks.gsu.edu/sociology_diss/90.
Der volle Inhalt der QuellePillay, Gerald John. „A study of freedom as the ongoing quest for authentic existence and faith as existential encounter, and their implications for theological method“. Thesis, 1985. http://hdl.handle.net/10413/6512.
Der volle Inhalt der QuelleWang, J. „1978 年以来中国媒体追求新闻自由的努力研究 = A study on the quest for freedom of press by Chinese media professionals in China since 1978“. Thesis, 2013. http://hdl.handle.net/10453/23478.
Der volle Inhalt der Quelle本文运用新闻自由相关理论,系统研究1978 年以来中国媒体界对新闻自由的理论探索与具体实践。它以新闻自由与专制的博弈为主要切入角度,通过文献研究和案例解剖,分阶段对中国媒体人争取新闻自由的脉络进行发掘和分析,并对历史传统、正反经验、观念变迁、市场影响、网络发展等因素与新闻自由程度的关系进行梳理,展现中国媒体人争取新闻自由高潮与低谷变换,成功与失败交织的复杂轨迹。文章的结论是:中国媒体虽然处在共产党高度控制下,但中国媒体人中一直存在着一条试图脱离党的控制、对新闻自由进行不懈追求的线。这条线代代相传,从未间断,取得了有限但珍贵的成果,为中国新闻自由的最后实现积累了宝贵的经验。 本文的研究成果同时体现在理论和实践两个层面。新闻自由理论可以理解为现代新闻事业的基本原则,它是指导新闻业务的基本思想,媒体履行正常功能的基本前提,受众享有知情权的基本要求。当代中国新闻自由的实践主要体现在两个方面,一方面是制约新闻事业的政治法律框架的演化,另一方面是媒体人在共产党高度新闻控制的条件下争取新闻自由的努力过程。从理论上说,这项研究丰富了中国新闻自由状况等方面的理论研究成果。特别是,本文对新闻自由与媒体控制这两种理念的历史纠结进行辨析,对近代新闻事业传入中国以后两种理念对中国新闻实践的影响进行了深入探讨。从实证方面说,这项研究挖掘和提供中国媒体界争取新闻自由方面的实证材料。以中国媒体人从1978 年前后到现在的时间段里争取新闻自由的主要事件、主要媒体、部分代表人物为线索,把中国媒体人争取新闻自由的努力的绵延不绝的图像清晰地呈现给世人。此外,这项研究对于中国当代新闻史、中国新闻立法、舆论监督,以及新闻媒体内部改革等方面也有一定的现实意义。 This thesis is a systematic study on the practice and theoretical exploration of the freedom of press in China since 1978. It sets out to uncover the struggles of China’s media professionals at different stages in the reform era of China and evaluate these struggles in the theoretical perspective of the freedom of press. To this end, the thesis provides a critical examination of the theory and practice of the freedom of press in China since 1978, with a focus on the conflicts between the quest for the freedom of press and the reality of China’s totalitarian and post-totalitarian regime. It also carries out analysis of other factors shaping the degree of the freedom of press in China, such as the pre-PRC experiences with the free press, value change in the era of reform and opening to the outside world, the influence of market forces and the spread of the internet. The findings of the thesis demonstrate that, although the Chinese media is still heavily censored by the communist regime, many professionals working in the Chinese media industry have always been determined to break free from the control of the Party and to achieve the freedom of press. This determination and incessant efforts made by generations of journalists have yielded limited but valuable results that have laid down the foundation for the eventual realisation of the freedom of press in China. This study makes an important contribution to the field at both theoretical and empirical levels. At the theoretical level, the thesis enriches the theory of the freedom of press particularly in assessing the impact of the concepts of free press and press control in the development of modern media in China. Empirically, the thesis is an elaborate account of the trajectory of the heroic quest for the freedom of press by Chinese media professionals under the communist rule.