Thematische Bibliographien / Queer theory in motion pictures

Auswahl der wissenschaftlichen Literatur zum Thema „Queer theory in motion pictures“

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Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Queer theory in motion pictures"

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Skowera, Maciej. „Lewis Barnavelt and the Rainbow over New Zebedee: Queering The House with a Clock in Its Walls“. Dzieciństwo. Literatura i Kultura 1, Nr. 1 (24.07.2019): 85–108. http://dx.doi.org/10.32798/dlk.29.

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The paper discusses The House with a Clock in Its Walls (1973) by John Bellairs and its film adaptation, directed by Eli Roth (2018), from queer theory and gender studies perspectives. The author of the article aims to overview and develop existing queer in‑terpretations of the first novel in the Lewis Barnavelt series, with contextual references to the cycle’s subsequent volumes, and to conduct a queer theory ‑inspired analysis of Roth’s motion picture. The genre represented by the novel and the film is also consid‑ered by taking the scholarly reflections on the queer aspects of the Gothic and the hor‑ror into account. The author concludes that although both versions of the story fail at portraying femininity in an unconventional way, they succeed in showing that queer‑ness and, more generally, the Otherness should be highly appreciated and valued.
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Edenheim, Sara. „Jakten på det "queera ögonblicket". Om det subversivas (o)möjligheter“. Tidskrift för genusvetenskap 24, Nr. 1 (15.06.2022): 29–46. http://dx.doi.org/10.55870/tgv.v24i1.4180.

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The main question in this article is how and where subversion is possible. As a point of departure the author uses the work of Tiina Rosenberg, a researcher of theatre and gender at Stockholm university, who presents a theory on subversion, or "queer moment", produced by women in male clothing on stage. The article argues against the idea that this genre disturbs the heterosexual normativity and order of gender; instead it seems to reproduce that same order, partially through the relations between the characters and partially through the reason for female cross-dressing presented both within and outside these particular dramaturgies. Three examples are analysed: the stage play Twelfth Night (Shakespeare) and the motion pictures Yentl (Singer/Streisand) and Victor,Victoria! (Edwards, Hoemburg/Edwards). By focusing on both the male character who finds himself attached to the disguised woman, and on the female character who is attracted to the same, the author concludes that while the male character does not question his sexuality but rather the gender of his 'male' friend, the female character is easily led astray by superficial words and clothing and hence reproducing the stereotypical female behaviour. The male character, on the other hand, reproduces male (hetero)- sexuality as potent and capable of 'seeing' through any disguise. Hence, heteronormativity is found to play an important part in the entire dramaturgy-not only in the ending scene where everything is set right through falling disguises and weddings. However, the subversive part of the cross-dressing woman on stage or in film is not completely disregarded and the author presents, by using the theories of Teresa de Lauretis and Judith Butler, a possible identification with a woman in male clothing as a way of expressing a (lesbian) desire based on a fetishist use of male clothing as a symbol of disavowing both female and male fallocentric desire.
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Çakirlar, Cüneyt. „Masculinity, Scatology, Mooning and the Queer/able Art of Gilbert & George: On the Visual Discourse of Male Ejaculation and Anal Penetration“. Paragraph 34, Nr. 1 (März 2011): 86–104. http://dx.doi.org/10.3366/para.2011.0007.

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The aim of this essay is to investigate the intersections between masculinity, shame, art, anality, the abject and embodiment by focusing on a particular period of the British art duo Gilbert & George's work in the 1990s. In their series The Naked Shit Pictures (1994), The Fundamental Pictures (1996) and The Rudimentary Pictures (1999), the duo's artistic self-performance opens a scatological narrative territory where the male body encounters its own abject fluids strategically magnified. Situating itself within the boundary between queer theory and Lacanian psychoanalysis with a particular focus on the phallus and the abject, this essay argues that Gilbert & George's art-works mentioned above could be regarded as visual commentaries on and queer interventions into bodily anxieties of normative masculinities. It thus reads the artists’ visual discourse of performative hypervisibility as a queer/ing one where the conventional male masculinity confronts simultaneously its ejaculatory bliss and its fear of anal penetration.
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Porée, Marc. „Poets' lives in motion (pictures)“. Études anglaises 66, Nr. 4 (2013): 511. http://dx.doi.org/10.3917/etan.664.0511.

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Yeazell, Ruth Bernard. „Sex, Lies, and Motion Pictures“. Henry James Review 25, Nr. 1 (2004): 87–96. http://dx.doi.org/10.1353/hjr.2004.0012.

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Baecker, Dirk. „The Reality of Motion Pictures“. MLN 111, Nr. 3 (1996): 560–77. http://dx.doi.org/10.1353/mln.1996.0032.

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Anglin, Sallie. „Generative Motion: Queer Ecology and Avatar“. Journal of Popular Culture 48, Nr. 2 (April 2015): 341–54. http://dx.doi.org/10.1111/jpcu.12261.

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Swartz, Mark E. „Motion Pictures on the Move“. Journal of American Culture 9, Nr. 4 (Dezember 1986): 1–7. http://dx.doi.org/10.1111/j.1542-734x.1986.0904_1.x.

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Wilder, Thornton. „Joan of Arc: Treatment for Motion Pictures“. Yale Review 91, Nr. 4 (Oktober 2003): 1–34. http://dx.doi.org/10.1111/0044-0124.00749.

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Hennig-Thurau, Thorsten, Victor Henning und Henrik Sattler. „Consumer File Sharing of Motion Pictures“. Journal of Marketing 71, Nr. 4 (Oktober 2007): 1–18. http://dx.doi.org/10.1509/jmkg.71.4.001.

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Illegal consumer file sharing of motion pictures is considered a major threat to the movie industry. Whereas industry advocates and some scholars postulate a cannibalistic effect on commercial forms of movie consumption, other researchers deny this effect, though sound evidence is lacking on both sides. Drawing on extant research and utility theory, the authors present hypotheses on the consequences and determinants of consumer file sharing and test them with data from a controlled longitudinal panel study of German consumers. The data contain information on the consumers' intentions toward and actual behavior in relation to the consumption of 25 new motion pictures, allowing the authors to study more than 10,000 individual file-sharing opportunities. The authors test the effect of file sharing on commercial movie consumption using a series of ReLogit regression analyses and apply partial least squares structural equation modeling to identify the determinants of consumer file sharing. They find evidence of substantial cannibalization of theater visits, DVD rentals, and DVD purchases responsible for annual revenue losses of $300 million in Germany. Five categories of file-sharing behavior drive file sharing and have a significant impact on how consumers obtain and watch illegal movie copies.
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Dissertationen zum Thema "Queer theory in motion pictures"

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Lee, Chi-kwan Anita, und 李至君. „Analysing female desire: queer theory in contemporary cinema“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B42574705.

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Lee, Chi-kwan Anita. „Analysing female desire : queer theory in contemporary cinema /“. Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B42574705.

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Sinwell, Sarah E. S. „Fear of a queer cinema danger, sex, and identification in contemporary American independent film /“. [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3264324.

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Thesis (Ph. D.)--Indiana University, Dept. of Communication and Culture, 2007.
Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 1705. Adviser: Joan Hawkins. "Title from dissertation homepage (viewed Jan. 14, 2008)."
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Soles, Carter Michael. „Falling Out of the Closet: Kevin Smith, Queerness, and Independent Film“. Thesis, Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2008. http://hdl.handle.net/1794/9021.

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Thesis (Ph. D.)--University of Oregon, 2008.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 415-429). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.
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McDougald, Melanie. „Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films“. unrestricted, 2009. http://etd.gsu.edu/theses/available/etd-07162009-154006/.

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Thesis (M.A.)--Georgia State University, 2009.
Title from file title page. Margaret Mills Harper, committee chair; Calvin Thomas, Mary Hocks, committee members. Description based on contents viewed Oct. 14, 2009. Includes bibliographical references (p. 47-48); filmography (p. 49-51).
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Ryan, Joelle Ruby. „Reel Gender: Examining the Politics of Trans Images in Film and Media“. Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1245709749.

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Pillion, Owen L. „On Objects and Affections: Contemporary Representations of the Gay Man/Straight Woman Dyad in Popular Film and Television“. Thesis, Connect to this title online, 2000. http://www.library.unt.edu/theses/open/20003/pillion%5Fowen%5Fl/index.htm.

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Tam, Siu-yan Xavier. „Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /“. Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.

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Ryan, Christopher James. „Hunks of Meat: Homicidal Homosociality and Hyperheteronormativity in Cannibal Horror“. Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1343086134.

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Tam, Siu-yan Xavier, und 譚兆仁. „Between penumbrae and shadow: contextualizingtransnational queer Chinese cinemas“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44142663.

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Bücher zum Thema "Queer theory in motion pictures"

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Radkiewicz, Małgorzata. Oblicza kina queer. Kraków: Korporacja Ha!art, 2014.

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McCallum, E. L., und Mikko Tuhkanen. Queer times, queer becomings. Albany: State University of New York Press, 2011.

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1965-, Hanson Ellis, Hrsg. Out takes: Essays on queer theory and film. Durham, NC: Duke University Press, 1999.

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Jeffrey, Ringer R., Hrsg. Queer words, queer images: Communication and the construction of homosexuality. New York: New York University Press, 1994.

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Thomas, Calvin. Masculinity, psychoanalysis, straight queer theory: Essays on abjection in literature, culture, and film. New York, NY: Palgrave Macmillan, 2008.

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Ducharme, Olivier. Todd Haynes: Cinéaste queer : liberté, identité, résistance. Montréal (Québec): Varia, 2016.

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1947-, Hawley John C., Hrsg. Postcolonial and queer theories: Intersections and essays. Westport, CT: Greenwood Press, 2001.

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Halberstam, Judith. In a queer time and place: Transgender bodies, subcultural lives. New York, NY: New York University Press, 2004.

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Steinhoff, Heike. Queer buccaneers: (de)constructing boundaries in the Pirates of the Caribbean film series. Berlin: Lit, 2011.

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Paek, Sŭng-jin. K'wiŏ ka 'mal' hae chunŭn kŏttŭl: Uri nŭn chŏngmallo chinsil han sŏng i p'iryo han'ga? = What queer says. 8. Aufl. Sŏul-si: Sech'ang Ch'ulp'ansa, 2021.

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Buchteile zum Thema "Queer theory in motion pictures"

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Hao, Xiaofei. „Theory, literature and methodology“. In Motion Pictures and the Image of the City, 31–76. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-14340-4_2.

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Gerstner, David A. „How Do We Look So Far? Notes Toward a Queer-Film Philosophy“. In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 699–720. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_30.

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Plantinga, Carl. „Cognitive Theory of the Moving Image“. In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 381–408. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_17.

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Hammer, Espen. „Ideology and Experience: The Legacy of Critical Theory“. In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 315–33. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_14.

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Eldridge, Richard. „Analytic Philosophy of Film: (Contrasted with Continental Film Theory)“. In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 237–58. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_11.

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Lackey, Douglas. „The Auteur Theory in the Age of the Mini-Series“. In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 543–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_23.

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Allen, Richard. „Looking at Motion Pictures“. In Film Theory and Philosophy, 76–92. Oxford University Press, 1997. http://dx.doi.org/10.1093/acprof:oso/9780198159216.003.0004.

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„Bodies in motion: Preliminary notes on queer theory and rabbinic literature“. In Mapping Gender in Ancient Religious Discourses, 389–430. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004154476.i-582.69.

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Bjarnadóttir, Kristín. „Royaumont’s aftermath in Iceland – Motion geometry, transformations and groups“. In “DIG WHERE YOU STAND” 6. Proceedings of the Sixth International Conference on the History of Mathematics Education, 73–86. WTM-Verlag Münster, 2020. http://dx.doi.org/10.37626/ga9783959871686.0.06.

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In the Meran Program in 1905 and at the Royaumont Seminar in 1959, among the main themes were transformation geometry, including motion geometry, and group theory. Those themes entered some Danish mathematics textbooks and the English School Mathematics Project’s textbook series, both used in Iceland around 1970. One of the arguments for including group theory in school mathematics was that its structure corresponded to structures in the minds of children. Eventually, the emphasis on motion in geometry subordinated the structure of the transformation groups. These ideas proved short-lived in Iceland, they coincided with a great expansion of the school system, students were unaccustomed to studying textbooks in English, available teachers were not receptive, and mathematical analysis was considered neglected. In later applications, geometric transformations have become the basis of a large industry: animations in motion pictures and games. Keywords: motion geometry, transformation, group theory, School Mathematics Project
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Aktüre, Zeynep. „Çatalhöyük as an Open Site?“ In Digital Cities, 209–35. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190498900.003.0011.

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In this chapter, a framework for assessing the openness of virtual archaeological reconstructions to a multiplicity of readings is presented by focusing on the case of Çatalhöyük, in Turkey. Since its discovery in the 1950s, there has been a diversity of opinion on Çatalhöyük’s settlement rank along the path from settled village to urban agglomeration. This diversity of opinion has been expressed both verbally and visually, the latter including numerous computer-based visualizations for a variety of purposes and target audiences. Among the internationally approved principles for computer-based visualizations of cultural heritage is the need for intellectual and scientific transparency. Umberto Eco’s theory of the “open work,” as applied in literary and visual works including motion pictures, offers a theoretical framework for discussing the transparency of Çatalhöyük visualizations, as does Siegfried Kracauer’s idea of “cinematic materiality.” Three of the virtual works on Çatalhöyük are briefly presented in this chapter, as a basis for discussing the applicability of Eco’s and Kracauer’s ideas in this type of production as a measure for “open multivocality,” leading to an assessment of whether visualizations reveal any or all alternative interpretations of the site.
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Konferenzberichte zum Thema "Queer theory in motion pictures"

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Cohen-Tannoudji, C. „Theory of atomic motion in laser light“. In International Laser Science Conference. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/ils.1986.wf1.

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DeMarsh, LeRoy. „Color Appearance Problems in Motion Pictures and Television“. In Color Appearance. Washington, D.C.: Optica Publishing Group, 1987. http://dx.doi.org/10.1364/ca.1987.tuc2.

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In the context of motion picture and television applications, the term color appearance refers to how the picture looks, as opposed to it's measured or predicted physical characteristics. Most published studies of color reproduction problems concentrate on these physical factors. Indeed, many engineers seem to feel that color reproduction is a trivial problem-- just read a standard text on colorimetry and one has it all. Television is often cited as an example of one of the more successful applications of colorimetry. The author feels, that while application of colorimetric methods certainly played an important role in the development of television, the system works despite rather than because of "colorimetric theory".
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Kong, Xianwen. „Variable Degree-of-Freedom Spatial Mechanisms Composed of Four Circular Translation Joints“. In ASME 2020 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/detc2020-22332.

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Abstract This paper deals with the construction and reconfiguration analysis of a spatial mechanism composed of four circular translation (G) joints. Two links connected by a G joint, which can be in different forms such as a planar parallelogram, translate along a circular trajectory with respect to each other. A spatial 4G mechanism, which is composed of four G joints, usually has 1-DOF (degree-of-freedom). Firstly, a 2-DOF 4G mechanism is constructed. Then a novel variable-DOF spatial 4G mechanism is constructed starting from the 2-DOF 4G mechanism using the approach based on screw theory. Finally, the reconfiguration analysis is carried out in the configuration space using dual quaternions. The analysis shows that the variable-DOF spatial 4G mechanism has one 2-DOF motion mode and one to two 1-DOF motion modes and reveals how the 4G mechanism can switch among these motion modes. By removing one link from two adjacent G joints each and two links from each of the remaining two G joints, we can obtain a queer-rectangle and a queer-parallelogram, which are the generalization of the queer-square or derivative queer-square in the literature. The approach in this paper can be extended to the analysis of other types of coupled mechanisms using cables and gears and multi-mode spatial mechanisms involving G joints.
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