Auswahl der wissenschaftlichen Literatur zum Thema „Queen Hortense“

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Zeitschriftenartikel zum Thema "Queen Hortense"

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KAHAN, BENJAMIN, and MADOKA KISHI. "Sex under Necropolitics: Waldo Frank, Jean Toomer, and Black Enfleshment." Journal of American Studies 54, no. 5 (2019): 926–50. http://dx.doi.org/10.1017/s0021875819000847.

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Though Jean Toomer's Cane (1923) is one of the best-known texts of the Harlem Renaissance, it has rarely been discussed with the text alongside which it was initially imagined: Waldo Frank's Holiday (1923). These works were inspired by a joint trip to Spartanburg, South Carolina and were conceptualized as a shared project, what the authors termed “Holiday + Cane.” This essay tracks their coproduction with particular attention to their parallax vision of lynching to theorize what we call, building on Achille Mbembe's work, “sex under necropolitics.” This dispensation does not take shape within
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Parrini, Rodrigo, and Hortensia Moreno. "Introducción Dossier “Performatividad, imagen y etnografía”." Investigación Teatral. Revista de artes escénicas y performatividad 9, no. 13 (2018): 8–13. http://dx.doi.org/10.25009/it.v9i13.2552.

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El dossier que presentamos en este número tuvo su origen en dos coloquios dedicados a las indagaciones multidisciplinarias en las prácticas de investigación en artes y ciencias sociales. En uno nos centramos en el teatro, la performatividad y el abandono; el otro, lo dedicamos a las heterotopías. Más allá de los temas específicos, nos interesaba interrogar las prácticas de investigación en campos diversos y los diálogos que se podían establecer entre ellas. Buscábamos propiciar un ejercicio colectivo de reflexión a partir de múltiples experiencias y atisbar los lenguajes en uso, las técnicas d
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Silva, Daniel da. "Black Mothers and Black Boats: Queer, Indigenous, and Afro-Brazilian Intersections in Ney Matogrosso's "Mãe preta (Barco negro)"." Journal of Lusophone Studies 4, no. 1 (2019). http://dx.doi.org/10.21471/jls.v4i1.305.

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As part of his 1975 solo debut album, Água do céu-pássaro, Ney Matogrosso recorded a cover of "Barco negro," a Portuguese fado made famous by Amália Rodrigues and based on an earlier Brazilian song, "Mãe-preta," written by Caco Velho and Piratini and recorded by Os Tocantins in 1943. Matogrosso conflates the two versions, titling the track, "Mãe preta (Barco negro)." This article marks Matogrosso’s recording as an iteration of transgender voice and locates—in his performance and album artwork—queer, indigenous, and Afro-Brazilian intersections that rework the mãe preta figure central to Brazil
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Russell, David. "The Tumescent Citizen." M/C Journal 7, no. 4 (2004). http://dx.doi.org/10.5204/mcj.2376.

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Are male porn stars full-fledged citizens? Recent political developments make this question more than rhetorical. The Bush Justice Department, led by Attorney General John Ashcroft, has targeted the porn industry, beginning with its prosecution of Extreme Associates. More recently, the President requested an increase in the FBI’s 2005 budget for prosecuting obscenity, one of the few budget increases for the Bureau outside of its anti-terrorism program (Schmitt A1). To be sure, the concept of “citizen” is itself vexed. Citizenship, when obtained or granted, ostensibly legitimates a subject and
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Dissertationen zum Thema "Queen Hortense"

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af, Klinteberg Kristina. "Diadem och identitet : En studie kring identiteter i kejsarinnan Josephines pärl- och kamédiadem." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-438810.

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This paper, on the identities shown in one of the cameos in Empress Josephine’s pearl and cameo diadem, has first of all focused on the mythological characters, and thereafter raised the question if these are to be seen as an allegory for people from the time. The process of identi-fication has followed the three levels in Panofsky’s method for analysing art, where the first and second levels consist of already known material from the Bernadotte Library, Royal Palace in Stockholm and the jeweller house of Chaumet (former Nitot et Fils) in Paris.                      To decipher both the mythol
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af, Klinteberg Kristina. "Ett diadem och dess ikonografi : En studie av kejsarinnan Josephines pärl- och kamédiadem i porträtt mellan 1812 och 2010." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-438793.

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The main purpose of this study of a pearl and cameo diadem, given by Napoleon to his first wife Josephine in 1809, is to follow its representation in portraiture from Paris in 1812 to Stockholm in 2010, and explore how the iconography develops during these 200 years. From the earlier years, the diadem is found only in miniatures, then after coming to the new royal family in Sweden, the Bernadottes, it is given a role of an heirloom representing history and families in grand paintings, arriving to the present well-known wedding hairpiece, covered by modern media, where the diadem is more of a c
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Bücher zum Thema "Queen Hortense"

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Lofts, Norah. A rose for virtue. ISIS, 2008.

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Coppens, Thera. Hortense: De vergeten koningin van Holland. J.M. Meulenhoff, 2006.

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Mühlbach, L. Queen Hortense. IndyPublish.com, 2004.

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Mühlbach, L. Queen Hortense. IndyPublish.com, 2004.

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(Editor), Jean Hanoteau, and Arthur K. Griggs (Translator), eds. The Memoirs Of Queen Hortense V2. Kessinger Publishing, LLC, 2007.

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(Editor), Jean Hanoteau, and Arthur K. Griggs (Translator), eds. The Memoirs Of Queen Hortense V1. Kessinger Publishing, LLC, 2007.

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Mühlbach, L. Queen Hortense: A Life Picture of the Napoleonic Era. IndyPublish.com, 2006.

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Mühlbach, L. Queen Hortense: A Life Picture of the Napoleonic Era. Kessinger Publishing, 2005.

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Mühlbach, L. Queen Hortense (A Life picture of the Napoleonic Era). IndyPublish, 2007.

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Mühlbach, L. Queen Hortense A Life Picture of the Napoleonic Era. Kessinger Publishing, LLC, 2005.

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