Auswahl der wissenschaftlichen Literatur zum Thema „Quatuors sacrés acc. d'ensemble instrumental“
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Dissertationen zum Thema "Quatuors sacrés acc. d'ensemble instrumental"
Dumont, Mathieu. „L'influence du black metal sur la composition de quatre œuvres musicales originales“. Master's thesis, Université Laval, 2011. http://hdl.handle.net/20.500.11794/22485.
Der volle Inhalt der QuelleKorth, Arnaud. „Les timbres percussifs comme source d'inspiration à la composition de trois oeuvres“. Master's thesis, Université Laval, 2017. http://hdl.handle.net/20.500.11794/27570.
Der volle Inhalt der QuelleThis master’s thesis examines three of my recent instrumental compositions that use percussive timbres as inspiration. These three pieces are: 1. Et pourtant elle tourne ! for string quartet; 2. Obsession for mezzo-soprano, flute, clarinet, vibraphone, piano, violin and violoncello; 3. Au bord de l’eau for orchestra. This thesis presents my reflections on the parameter of timbre as a mean of strengthening the cohesion of the musical discourse. More specifically, this thesis explores how to generate percussive timbres by non-percussion instruments, as well as non-percussive timbres by percussion instruments, in the context of a coherent and interesting musical discourse. Following an introduction where the origins, objectives and theoretical framework of this creative project are presented, the first chapter lays out my preparatory research, outlining the history of the evolution of timbre and the role of percussion instruments in Western music, as well as building a system to identify and qualify sounds for their percussive qualities. In the second chapter, the pieces are examined and examples are provided. These examinations illustrate how percussive and non-percussive timbres were used. The conclusion discusses the impacts of this creative project on my musical language and future works.
Bücher zum Thema "Quatuors sacrés acc. d'ensemble instrumental"
Kurtzman, Jeffrey. Vesper and Compline Music for Four Principal Voices: Agostino Agazzari, Giovanni Francesco Anerio, Giovanni Battista Biondi Da Cesena, Maurizio Cazzati, Antonio Cifra, Chiara Margarita Cozzolani, Bonifazio Graziani, Giovanni Legrenzi, Isabella Leonarda, Tarquinio Merula, Lodovico Viadana. Taylor & Francis Group, 2014.
Den vollen Inhalt der Quelle findenKurtzman, Jeffrey. Vesper and Compline Music for Four Principal Voices: Agostino Agazzari, Giovanni Francesco Anerio, Giovanni Battista Biondi Da Cesena, Maurizio Cazzati, Antonio Cifra, Chiara Margarita Cozzolani, Bonifazio Graziani, Giovanni Legrenzi, Isabella Leonarda, Tarquinio Merula, Lodovico Viadana. Taylor & Francis Group, 2014.
Den vollen Inhalt der Quelle findenKurtzman, Jeffrey. Vesper and Compline Music for Four Principal Voices: Agostino Agazzari, Giovanni Francesco Anerio, Giovanni Battista Biondi Da Cesena, Maurizio Cazzati, Antonio Cifra, Chiara Margarita Cozzolani, Bonifazio Graziani, Giovanni Legrenzi, Isabella Leonarda, Tarquinio Merula, Lodovico Viadana. Taylor & Francis Group, 2014.
Den vollen Inhalt der Quelle findenVesper and Compline Music for One Principal Voice (Seventeenth-Century Italian Sacred Music). Routledge, 1996.
Den vollen Inhalt der Quelle findenVesper and Compline Music for Three Principal Voices (Seventeenth-Century Italian Sacred Music). Routledge, 1998.
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