Auswahl der wissenschaftlichen Literatur zum Thema „Puzzles – Fiction“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Puzzles – Fiction" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Puzzles – Fiction"
Engisch, Patrik. „Patchwork Puzzles and the Nature of Fiction“. Estetika: The European Journal of Aesthetics 56, Nr. 1 (01.03.2019): 28. http://dx.doi.org/10.33134/eeja.182.
Der volle Inhalt der QuelleBissell, Blake, Mo Morris, Emily Shaffer, Michael Tetzlaff und Seth Berrier. „Vessel: A Cultural Heritage Game for Entertainment“. Archiving Conference 2021, Nr. 1 (18.06.2021): 1–6. http://dx.doi.org/10.2352/issn.2168-3204.2021.1.0.2.
Der volle Inhalt der QuelleStowe, Simon. „Who Betrays Elizabeth Bennet?: Further Puzzles in Classic Fiction (review)“. Philosophy and Literature 24, Nr. 2 (2000): 480–82. http://dx.doi.org/10.1353/phl.2000.0047.
Der volle Inhalt der QuelleLeitch, Thomas. „The Many Pasts of Detective Fiction“. Crime Fiction Studies 1, Nr. 2 (September 2020): 157–72. http://dx.doi.org/10.3366/cfs.2020.0018.
Der volle Inhalt der QuelleSolanich Sanglas, Irene. „Interactive and transmedia narratives in crime fiction for teaching literature“. Obra digital, Nr. 25 (28.06.2024): 41–53. http://dx.doi.org/10.25029/od.2024.406.25.
Der volle Inhalt der QuelleFoakes, R. A. „Can Jane Eyre Be Happy? More Puzzles in Classic Fiction John Sutherland“. Nineteenth-Century Literature 53, Nr. 2 (September 1998): 245–48. http://dx.doi.org/10.2307/2902985.
Der volle Inhalt der QuelleFoakes, R. A. „: Can Jane Eyre Be Happy? More Puzzles in Classic Fiction . John Sutherland.“ Nineteenth-Century Literature 53, Nr. 2 (September 1998): 245–48. http://dx.doi.org/10.1525/ncl.1998.53.2.01p0020e.
Der volle Inhalt der QuelleKim, Hee-sun. „Reinterpretations of James Hogg: His Bloody Project and The Testament of Gideon Mack“. Convergence English Language & Literature Association 7, Nr. 3 (31.12.2022): 119–39. http://dx.doi.org/10.55986/cell.2022.7.3.119.
Der volle Inhalt der QuelleKonstantakos, Ioannis M. „Board Games in Ancient Fiction: Egypt, Iran, Greece“. Board Game Studies Journal 16, Nr. 1 (01.04.2022): 449–90. http://dx.doi.org/10.2478/bgs-2022-0016.
Der volle Inhalt der QuelleKonstantakos, Ioannis M. „Board Games in Ancient Fiction: Egypt, Iran, Greece“. Board Game Studies Journal 16, Nr. 1 (01.04.2022): 449–90. http://dx.doi.org/10.2478/bgs-2022-0016.
Der volle Inhalt der QuelleDissertationen zum Thema "Puzzles – Fiction"
Malatji, Permission Agosi. „Examining a comparative depiction of crime in Smith and Nesbo's selected novels : an afro-western perspective“. Thesis, University of Limpopo, 2019. http://hdl.handle.net/10386/3192.
Der volle Inhalt der QuelleThis study explores a literary comparative examination of crime between Africa and Scandinavia, with special attention to Botswana and Norway. Smith’s and Nesbo’s selected novels are used as primary texts for analysis. The novels are, therefore, set in two different areas. These writers depict crime from the African and European perspectives. Chapter One deals with a brief introduction, and the aim and objectives of the study. It also expands on the theoretical background and provides definitions of terms that are used in this paper. Chapter Two presents views from various scholars on crime. This study is based on an Afro-Western approach of literary analysis. In other words, there are thoughts by both African and Western writers which assist in determining possible and noticeable similarities and differences, on the issue of crime. Chapter Three analyses crime from an African perspective while Chapter Four discusses crime from a Western point of view. Each of these chapters reflects on crime through character portrayal and depiction within its context. Chapter Five is a comparative analysis of both novels. The chapter identifies possible similarities and differences, mainly of the depiction of crime in different settings – Africa and Scandinavia, committed by blacks and whites. However, the structural and linguistic approaches of both the novels are also reviewed, assisting in discovering the life, in comparison, of the authors. The last chapter (Chapter Six), is a conclusion of the study and future suggestions. Basically, the study argues that blacks only should not be portrayed as perpetrators, but that whites too can be culprits. Again, there should be an equal of measurement on the weight and honour of the two races. Lastly, the moral is that without considering skin colour, financial and social backgrounds, justice must be served equally. Hence, whoever is caught in any form of wrongdoing, they must be given the appropriate punishment – regardless of race, colour, religious creed, gender, financial and social background. Key Words: Crime, Afro-Western, Marxism, suspense, detective, identity, puzzle, fix, accumulation, class, characterisation and setting
Murillo, Chávez Javier André. „The incomplete puzzle. The missing rule and ruling about the protection by copyright of characters and objects of the work“. Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/115696.
Der volle Inhalt der QuelleEl presente artículo analiza la omisión normativa y jurisprudencial sobre la protección de los personajes y objetos de ficción que son parte de las obras protegidas por el régimen de derecho de autor. El autor sistematiza los criterios utilizados en los casos de jurisprudencia administrativa en conflictos existentes entre la propiedad intelectual y la propiedad industrial para extraer las reglas específicas existentes en casos que involucran objetos de ficción y personajes, estableciendo y proponiendo criterios para encontrar la originalidad de estos elementos.
Merino, Serrat Imma. „Subjectivitat i autorepresentació en el cinema d'Agnès Varda“. Doctoral thesis, Universitat Pompeu Fabra, 2013. http://hdl.handle.net/10803/109378.
Der volle Inhalt der QuelleAgnès Varda has left visible imprints of her subjectivity in her filmography developed over the last six decades. The objective of this doctoral thesis is to consider her entire cinematograghic work scrutinizing these subjective imprints and, through the filmmaker’s voice on off commentaries, linking them to a manifestation of authorship and the desire to exemplify that the world is represented through a singular point of view. Attention is called to the diverse forms of self-representation in the projection of the filmmaker through diverse characters as well as her physical presence in images. Analizing these elements, this text considers Varda’s contribution to modern cinematography to the extent that, through great creative freedom, she has invented new forms which question generic conventions, amongst them the distinction between documentary and fiction.
Ribeiro, Cristina Paião. „Sobre metáfora: da relação entre figura de linguagem e imagem de arquitectura: um estudo das cidades imaginárias Hav e Beszel - Ul Qoma“. Master's thesis, 2021. http://hdl.handle.net/1822/76594.
Der volle Inhalt der QuelleOs mundos ficcionais são, simultaneamente, complexos, contraditórios, agradáveis e enganosos. Por um lado, assemelham-se com a nossa realidade; por outro, confrontam-na com as nossas fantasias. De facto, o prazer da leitura está relacionado com a possibilidade infinita de explorar espaços. As cidades imaginárias tornam-se então figuras sugestivas, ilusórias e intangíveis, devindo sequências de imagens. Este trabalho analisa o papel da literatura sempre que esta permite analogias entre a realidade e a ficção. Reconhecendo no texto literário a importância da interpretação, pela sua capacidade em transformar palavras em espaços, este estudo procura compreender e interpretar cidades imaginárias a partir de ferramentas próprias da análise da linguagem – as figuras de estilo. Para tal, decidimos fazê-lo através dos livros Hav (1985, 2006) de Jan Morris e The City & The City (2009) de China Miéville, cujas narrativas se localizam em Hav e Beszel/Ul Qoma, respectivamente. Assim, assumindo a relação entre figura de linguagem e imagem de arquitectura, recorremos à metáfora pois o seu carácter de pluralidade semântica atribui um efeito transfigurador ao significado original da palavra. Após um pequeno desvio (apóstrofe), a palavra carece do seu equivalente em imagens. A partir daqui, a interpretação passa a sugerir redundâncias, repetindo imagens já existentes na memória do leitor (pleonasmo). Por conseguinte, aceitamos que os lugares apresentados sejam reais atribuindo-lhes estatuto de entidades viventes ou não, animadas ou inanimadas, mas com significado (animismo). Antes do fim, recuperamos/elencamos ainda as figuras complementares (enumeração). No fim, tudo estará interligado, tempo e espaço, desejo e medo, fantasia e memória, palavras e espaços – numa transcendência temporal e espacial. Aceitamos lugares mesmo sabendo, à partida, que as palavras são providas de significado e causam representações impermanentes. O leitor escolhe. Na verdade, todos nós vivemos em cidades imaginárias.
Fictional worlds can be seen simultaneously intricate, contradictory, pleasant and deceptive. On one hand, they might resemble our own reality, but on the other hand they bring about our own fantasy. In fact, the delights of reading are related to explore infinite possibilities of spaces. Imaginary cities are evocative, delusional and untouchable; they barely are a sequence of images. This essay reflects on the role of literary genres, whenever it promotes analogies between reality and fiction. By recognising the importance of the interpretation of a narrative, we believe in places which transform words into spaces. Hence, our study aims at understanding imaginary cities using literary terms – figurative language. For that, we select two fictional novels: Hav (1985, 2006) by Jan Morris and The City & The City (2009) by China Miéville, whose narratives take place in Hav and Beszel/Ul Qoma, respectively. In order to find the spaces of the narratives, we analyse the relation between figure of speech and image of architecture. First and foremost, we use metaphors to imagine architectural allusions considering its condition to transfer the original meaning of a word into another context. After an interruption (apostrophe), words are converted into images. In correlation, an interpretation of a narrative conveys subjectivity and repetition or (re)placement of memories (pleonasm). It’s liable to experience the illusion and the magic of words if we immerse ourselves, mind and body, incorporating the truth and the fantasy, the quick and the dead (animism). As a peroration, we conclude by repeating and adding the figures of speech (enumeration). In conclusion, everything is mixed up, time and space, dreams and memories, words and spaces – a paradox of being. We sense places where you either pass through or else disappear. You choose. In reality, we all live in imaginary cities.
Bücher zum Thema "Puzzles – Fiction"
John, Sutherland. The literary detective: 100 puzzles in classic fiction. New York: Oxford University Press, 2000.
Den vollen Inhalt der Quelle findenKim, Blundell, Hrsg. Puzzles to cuddle. London: Hippo, 1993.
Den vollen Inhalt der Quelle finden1968-, Everett Anthony J., und Hofweber Thomas 1969-, Hrsg. Empty names, fiction, and the puzzles of non-existence. Stanford, Calif: CSLI Publications, 2000.
Den vollen Inhalt der Quelle findenJohn, Sutherland. Who betrays Elizabeth Bennet?: Further puzzles in classic fiction. Oxford: Oxford University Press, 1999.
Den vollen Inhalt der Quelle findenHall, Parnell. $10,000 in small, unmarked puzzles: A puzzle lady mystery. Waterville, Me: Thorndike Press, 2012.
Den vollen Inhalt der Quelle findenGardner, Martin. Puzzles from other worlds: Fantastical brainteasers from Isaac Asimov's science fiction magazine. Oxford: Oxford University Press, 1986.
Den vollen Inhalt der Quelle findenTallarico, Tony. Find Freddie & Lisa in the haunted house. Chicago, Ill: Kidsbooks, Inc., 1991.
Den vollen Inhalt der Quelle findenBerlin, Eric. The potato chip puzzles. New York: G.P. Putnam's Sons, 2009.
Den vollen Inhalt der Quelle findenDonaldson, Julia. One piece missing. Crystal Lake, Il.]: [Rigby], 2000.
Den vollen Inhalt der Quelle findenill, Tallarico Tony 1933, Hrsg. The silly schoolhouse. [U.S.A.]: Kidsbooks, 1991.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Puzzles – Fiction"
Nodelman, Perry. „Alternating Narratives as Puzzles“. In Alternating Narratives in Fiction for Young Readers, 21–41. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50817-7_2.
Der volle Inhalt der QuelleMacDonald, Ronald. „Three Exchange Rate Puzzles: Fact or Fiction?“ In Exchange Rates and Macroeconomic Dynamics, 9–60. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582699_2.
Der volle Inhalt der QuelleKnight, Stephen. „Forming the Clue-puzzle“. In Crime Fiction since 1800, 80–108. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-02021-5_4.
Der volle Inhalt der QuelleHaraldsson, Haraldur Thor Hammer. „Fictive Osteobiographical Narrative – The Missing Puzzle Pieces“. In Understanding Disability Throughout History, 163–80. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003180180-10.
Der volle Inhalt der QuellePrideaux, Desirée. „Establishing Means“. In Sleuthing Miss Marple, 33–54. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800854642.003.0003.
Der volle Inhalt der QuelleWalton, Kendall L. „On The (So-Called) Puzzle of Imaginative Resistance“. In Marvelous Images, 47–60. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195177947.003.0004.
Der volle Inhalt der QuelleEarman, John. „Time Travel“. In Bangs, Crunches, Whimpers, And Shrieks, 160–202. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195095913.003.0006.
Der volle Inhalt der QuelleMitchell, Lee Clark. „Less Time in Can’t and Won’t“. In More Time, 153–87. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198839224.003.0004.
Der volle Inhalt der QuelleEmmott, Catherine, und Marc Alexander. „Manipulation in Agatha Christie’s detective stories: Rhetorical control and cognitive misdirection in creating and solving crime puzzles“. In Stylistic Manipulation of the Reader in Contemporary Fiction. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781350062993.0016.
Der volle Inhalt der QuelleHoward, June. „Regionalisms Now“. In The Center of the World, 161–217. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821397.003.0005.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Puzzles – Fiction"
ZHANG, YA-KUN. „AN ANALYSIS OF THE THEME IN THE KILLERS FROM PERSPECTIVE OF ICEBERG THEORY“. In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35682.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Puzzles – Fiction"
Fernández, Iván Escobar. COMTOG Report: ‘My Memory of Us’ — Boosting Historical Memory Through Implicit Visual Metaphors. European Center for Populism Studies (ECPS), April 2023. http://dx.doi.org/10.55271/rp0037.
Der volle Inhalt der Quelle