Zeitschriftenartikel zum Thema „Public Theatre (New York, N.Y.)“
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HAENNI, SABINE. „‘A Community of Consumers’: Legitimate Hybridity, German American Theatre, and the American Public“. Theatre Research International 28, Nr. 3 (Oktober 2003): 267–88. http://dx.doi.org/10.1017/s0307883303001135.
Der volle Inhalt der QuelleYi, Su-Jin, und Hye-Won Jang. „Support System For Creators of the Public Theatre in New York City“. Journal of the Korea Entertainment Industry Association 10, Nr. 4 (31.08.2016): 1. http://dx.doi.org/10.21184/jkeia.2016.08.10.4.1.
Der volle Inhalt der QuelleRod, David K. „Trial by Jury: An Alternative Form of Theatrical Censorship in New York, 1921–1925“. Theatre Survey 26, Nr. 1 (Mai 1985): 47–61. http://dx.doi.org/10.1017/s0040557400000326.
Der volle Inhalt der QuelleLoney, Glenn. „A Theatre of Pre-Depression: Economics and Apathy in New York“. New Theatre Quarterly 8, Nr. 32 (November 1992): 313–20. http://dx.doi.org/10.1017/s0266464x00007090.
Der volle Inhalt der QuelleLoney, Glenn. „Talking to Carlos Gimenez, Creator of the Rajatabla in Caracas“. New Theatre Quarterly 2, Nr. 7 (August 1986): 243–49. http://dx.doi.org/10.1017/s0266464x00002219.
Der volle Inhalt der QuelleLevenson, Mia. „Epidemic Dramaturgies: Theatre and Public Memory during New York City's 1832 Cholera Outbreak“. Theatre Journal 74, Nr. 4 (Dezember 2022): 463–84. http://dx.doi.org/10.1353/tj.2022.0093.
Der volle Inhalt der QuelleFearnow, Mark. „Theatre for an Angry God Public Burnings and Hangings in Colonial New York, 1741“. TDR (1988-) 40, Nr. 2 (1996): 15. http://dx.doi.org/10.2307/1146527.
Der volle Inhalt der QuelleCox, Jordana. „The Phantom Public, the Living Newspaper: Reanimating the Public in the Federal Theatre Project's1935(New York, 1936)“. Theatre Survey 58, Nr. 3 (10.08.2017): 300–325. http://dx.doi.org/10.1017/s0040557417000266.
Der volle Inhalt der QuelleCarlson, Marvin. „INHERITING THE WIND: A PERSONAL VIEW OF THE CURRENT CRISIS IN THEATRE HIGHER EDUCATION IN NEW YORK“. Theatre Survey 52, Nr. 1 (Mai 2011): 117–23. http://dx.doi.org/10.1017/s0040557411000093.
Der volle Inhalt der QuelleTurton, Benjamin Mark, Sion Williams, Christopher R. Burton und Lynne Williams. „59 Arts-based palliative care training, education and staff development: a scoping review“. BMJ Supportive & Palliative Care 7, Nr. 3 (September 2017): A369.2—A371. http://dx.doi.org/10.1136/bmjspcare-2017-001407.59.
Der volle Inhalt der QuelleMcPherson, David C. „Alexander Leggatt, Jacobean Public Theatre, Theatre Production Studies, ed. John Russell Brown (London and New York: Routledge, 1992), x + 222 pages“. Ben Jonson Journal 2, Nr. 1 (Januar 1995): 281–83. http://dx.doi.org/10.3366/bjj.1995.2.1.24.
Der volle Inhalt der QuelleEmeljanow, Victor. „Pleasure Gardens. Performing Arts Resources, vol. 21. Edited by Stephen M. Vallillo and Maryann Chach. New York: Theatre Library Association, 1998; pp. 105. $30 cloth; Their Championship Seasons: Acquiring, Processing, and Using Performing Arts Archives. Performing Arts Resources, vol. 22. Edited by Kevin Winkler. New York: Theatre Library Association, 2001; pp. 142. $30 cloth.“ Theatre Survey 45, Nr. 1 (Mai 2004): 133–35. http://dx.doi.org/10.1017/s0040557404290081.
Der volle Inhalt der Quellevan den Berg, Klaus. „The Geometry of Culture: Urban Space and Theatre Buildings in Twentieth-Century Berlin“. Theatre Research International 16, Nr. 1 (1991): 1–17. http://dx.doi.org/10.1017/s0307883300009986.
Der volle Inhalt der QuelleBain, David. „The Greek Theatre - Peter D. Arnott: Public and Performance in the Greek Theatre. Pp. viii + 203. London and New York: Routledge, 1989. £25.“ Classical Review 40, Nr. 2 (Oktober 1990): 298–300. http://dx.doi.org/10.1017/s0009840x0025378x.
Der volle Inhalt der QuelleCowhig, Ruth M. „Ira Aldridge in Manchester“. Theatre Research International 11, Nr. 3 (1986): 239–46. http://dx.doi.org/10.1017/s0307883300012372.
Der volle Inhalt der QuelleCox, Jane. „Encountering Road Show“. Studies in Musical Theatre 17, Nr. 3 (01.12.2023): 229–35. http://dx.doi.org/10.1386/smt_00135_1.
Der volle Inhalt der QuelleBurchill, Antoinette. „Conflictual sociability? A paradoxical approach to politicized street theatre“. Art & the Public Sphere 10, Nr. 2 (01.11.2021): 165–73. http://dx.doi.org/10.1386/aps_00056_1.
Der volle Inhalt der QuelleWarner, M. „A Soliloquy "Lately Spoken at the African Theatre": Race and the Public Sphere in New York City, 1821“. American Literature 73, Nr. 1 (01.03.2001): 1–46. http://dx.doi.org/10.1215/00029831-73-1-1.
Der volle Inhalt der QuelleGranshaw, Michelle. „The Mysterious Victory of the Newsboys: The Grand Duke Theatre's 1874 Challenge to the Theatre Licensing Law“. Theatre Survey 55, Nr. 1 (16.12.2013): 48–80. http://dx.doi.org/10.1017/s0040557413000537.
Der volle Inhalt der QuelleChinery, Mary. „“I believe my play is really ‘going through’”: Edith Wharton’s The Shadow of a Doubt: A Play in Three Acts in Performance“. Edith Wharton Review 39, Nr. 2 (November 2023): 143–65. http://dx.doi.org/10.5325/editwharrevi.39.2.0143.
Der volle Inhalt der QuelleChun, Tarryn Li-Min. „Wang Chong and the Theatre of Immediacy: Technology, Performance, and Intimacy in Crisis“. Theatre Survey 62, Nr. 3 (03.08.2021): 295–321. http://dx.doi.org/10.1017/s0040557421000211.
Der volle Inhalt der QuelleJones, Richard. „Public Performance in the Greek Theatre. By Peter D. Arnott. London & New York: Routledge, 1989; pp. viii + 203. $42.50.“ Theatre Survey 32, Nr. 2 (November 1991): 240–42. http://dx.doi.org/10.1017/s0040557400001137.
Der volle Inhalt der QuelleGudkov, Maxim M. „Leonid Snegoff as Vakhtangov’s follower in the USA and his Broadway production of Dmitry Scheglov’s play “The Blizzard”“. ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, Nr. 2 (2022): 10–33. http://dx.doi.org/10.35852/2588-0144-2022-2-10-33.
Der volle Inhalt der QuelleFullwood, Dottington, Carrie Cameron, Sydney Means, Stephen Anton, Zachary L. Stickley, Randal Hale und Diana J. Wilkie. „Prevalence of violent advertisements in New York City subways“. Health Promotion Perspectives 11, Nr. 2 (19.05.2021): 219–29. http://dx.doi.org/10.34172/hpp.2021.27.
Der volle Inhalt der QuelleNichols, Richard. „Zeami and the N?? Theatre in the World. Edited by Benito Ortolani and Samuel E. Leiter. New York: Center for Advanced Studies in Theatre Arts, 1998; pp. 177. Paperback.“ Theatre Survey 42, Nr. 1 (Mai 2001): 98–100. http://dx.doi.org/10.1017/s0040557401253861.
Der volle Inhalt der QuelleGredley, Bernard. „(P. D.) Arnott Public and performance in the ancient Greek theatre. London and New York: Routledge, 1989. Pp. viii + 203. £25.00.“ Journal of Hellenic Studies 112 (November 1992): 180–81. http://dx.doi.org/10.2307/632172.
Der volle Inhalt der QuelleHenderson, Diana E. „‘Hard hearts’ resounding now: anatomising race, resistance, and community in The Merchant in Venice (2016) and Julius Caesar (2017)“. Cahiers Élisabéthains: A Journal of English Renaissance Studies 99, Nr. 1 (Juli 2019): 173–92. http://dx.doi.org/10.1177/0184767819851076.
Der volle Inhalt der QuelleIves, L. Patricia. „A Few Broad Statements Notes on The First International Women Playwrights Conference“. Canadian Theatre Review 59 (Juni 1989): 15–17. http://dx.doi.org/10.3138/ctr.59.004.
Der volle Inhalt der QuelleWilliams, Olajide, Ellyn Leighton-Herrmann Quinn, Anna Colello, Crismely Perdomo, Ji Chong, Bill Thompsen, Tiana Wyrick, Ian Brissette und Daniel Labovitz. „Community stroke education practices in New York State designated stroke centres“. Health Education Journal 78, Nr. 8 (22.05.2019): 1012–19. http://dx.doi.org/10.1177/0017896919850213.
Der volle Inhalt der QuelleMcDermott, Douglas. „Theatre In America: 200 Years of Plays, Players and Productions. By Mary C. Henderson. New York: Harry N. Abrams, 1986. Pp. 327.“ Theatre Research International 14, Nr. 3 (1989): 307–8. http://dx.doi.org/10.1017/s0307883300009111.
Der volle Inhalt der QuelleKurti, Marin, Klaus von Lampe, Yi He, Cristine Delnevo und Da Qin. „Innovations in counterfeiting tax stamps: a study of ultraviolet watermarks in a sample of discarded New York City packs“. Tobacco Control 28, Nr. 4 (03.09.2018): 469–71. http://dx.doi.org/10.1136/tobaccocontrol-2018-054501.
Der volle Inhalt der QuelleRoxworthy, Emily. „Frankenmom: Theatre as History in Deconstructing American Celebrity Motherhood“. Theatre Survey 57, Nr. 1 (09.12.2015): 63–87. http://dx.doi.org/10.1017/s0040557415000563.
Der volle Inhalt der QuelleSafitra, Febriartha Dwi Wahyu, Ni Kadek Yuni Utami und Ni Wayan Ardiarani Utami. „REDESAIN INTERIOR NEW STAR CINEPLEX TIMBUL JAYA PLAZA DI KOTA MADIUN“. Jurnal Patra 2, Nr. 1 (02.05.2020): 19–26. http://dx.doi.org/10.35886/patra.v2i1.83.
Der volle Inhalt der QuelleStein, T. B., und A. Vasan. „Public Health’s Role in a Post-Dobbs World—The New York City Abortion Access Hub“. Obstetric Anesthesia Digest 44, Nr. 1 (22.02.2024): 10. http://dx.doi.org/10.1097/01.aoa.0001005292.74993.be.
Der volle Inhalt der QuelleMaroko, Andrew R., Kim Hopper, Caitlin Gruer, Maayan Jaffe, Erica Zhen und Marni Sommer. „Public restrooms, periods, and people experiencing homelessness: An assessment of public toilets in high needs areas of Manhattan, New York“. PLOS ONE 16, Nr. 6 (23.06.2021): e0252946. http://dx.doi.org/10.1371/journal.pone.0252946.
Der volle Inhalt der QuelleBennett, Susan, und Alexandria Patience. „Bad Girls Looking for Money - Maenad Making Feminist Theatre in Alberta“. Canadian Theatre Review 82 (März 1995): 10–13. http://dx.doi.org/10.3138/ctr.82.002.
Der volle Inhalt der QuelleWatson, Kimberly A., Doris G. Gammon, Brett R. Loomis, Harlan R. Juster und Elizabeth Anker. „Trends in Cigarette Advertising, Price-Reducing Promotions, and Policy Compliance in New York State Licensed Tobacco Retailers, 2004 to 2015“. American Journal of Health Promotion 32, Nr. 8 (23.03.2018): 1679–87. http://dx.doi.org/10.1177/0890117118764852.
Der volle Inhalt der QuelleCox, Jordana. „The Loudspeaker and the Little Man: Mass Media and Democratic Participation in the Federal Theatre Project’s One-Third of a Nation“. Journal for the History of Rhetoric 23, Nr. 2 (Mai 2020): 121–47. http://dx.doi.org/10.5325/jhistrhetoric.23.2.0121.
Der volle Inhalt der QuelleBurt, Philippa. „From the Western Front to the East Coast: Barker's The Trojan Women in the USA“. New Theatre Quarterly 34, Nr. 4 (08.10.2018): 326–38. http://dx.doi.org/10.1017/s0266464x18000404.
Der volle Inhalt der QuelleBennett, Susan. „Godard and Lear: Trashing the Can(n)on“. Theatre Survey 39, Nr. 1 (Mai 1998): 7–19. http://dx.doi.org/10.1017/s0040557400002994.
Der volle Inhalt der QuelleRussell, Stefanie L., Steven J. Kerpen, Jill M. Rabin, Ronald P. Burakoff, Chengwu Yang und Shulamite S. Huang. „A Successful Dental Care Referral Program for Low-Income Pregnant Women in New York“. International Journal of Environmental Research and Public Health 18, Nr. 23 (02.12.2021): 12724. http://dx.doi.org/10.3390/ijerph182312724.
Der volle Inhalt der QuelleMilgram, Gail Gleason. „An Analysis of Student Assistance Programs: Connecticut, New Jersey, and New York“. Journal of Drug Education 28, Nr. 2 (Juni 1998): 107–16. http://dx.doi.org/10.2190/h62u-b31y-d8fr-q2m5.
Der volle Inhalt der QuelleHolloway, Ian W., Heidi E. Jones, David L. Bell und Carolyn L. Westhoff. „Men’s Preferences for Sexually Transmitted Infection Care Services in a Low-Income Community Clinic Setting in New York City“. American Journal of Men's Health 5, Nr. 3 (18.05.2010): 208–15. http://dx.doi.org/10.1177/1557988310370359.
Der volle Inhalt der QuelleMoore, Miranda S., Angelica Bocour, Fabienne Laraque und Ann Winters. „A Surveillance-Based Hepatitis C Care Cascade, New York City, 2017“. Public Health Reports 133, Nr. 4 (14.06.2018): 497–501. http://dx.doi.org/10.1177/0033354918776641.
Der volle Inhalt der QuelleCurry, Laurel, Carol L. Schmitt, Amy Henes, Christina Ortega-Peluso und Haven Battles. „How Low-Income Smokers in New York Access Cheaper Cigarettes“. American Journal of Health Promotion 33, Nr. 4 (09.10.2018): 558–65. http://dx.doi.org/10.1177/0890117118805060.
Der volle Inhalt der QuelleZhegulskaya, Yu V. „CULTURAL AND LEISURE EVENTS OF UNIVERSAL SCIENTIFIC LIBRARIES IN SIBERIA“. Proceedings of SPSTL SB RAS, Nr. 4 (24.01.2021): 92–99. http://dx.doi.org/10.20913/2618-7575-2020-4-92-99.
Der volle Inhalt der QuelleFarley, Shannon M., Julia Sisti, John Jasek und Kevin R. J. Schroth. „Flavored Tobacco Sales Prohibition (2009) and Noncigarette Tobacco Products in Retail Stores (2017), New York City“. American Journal of Public Health 110, Nr. 5 (Mai 2020): 725–30. http://dx.doi.org/10.2105/ajph.2019.305561.
Der volle Inhalt der QuelleRidder, Alyssa. „Ethics of homeless representation in costume design“. Performing Ethos: An International Journal of Ethics in Theatre & Performance 10, Nr. 1 (01.12.2020): 117–21. http://dx.doi.org/10.1386/peet_00026_7.
Der volle Inhalt der QuelleCurry, Laurel E., Ashley L. Feld, Todd Rogers, Ellen M. Coats, James Nonnemaker, Elizabeth Anker, Christina Ortega-Peluso und Haven Battles. „Changes in Reported Secondhand Smoke Incursions and Smoking Behavior after Implementation of a Federal Smoke-Free Rule in New York State Federally Subsidized Public Housing“. International Journal of Environmental Research and Public Health 19, Nr. 6 (16.03.2022): 3513. http://dx.doi.org/10.3390/ijerph19063513.
Der volle Inhalt der QuelleKoski, Pirkko. „Challenging the Centre: Asylum Seekers Encounter Native Citizens“. Nordic Theatre Studies 27, Nr. 1 (12.05.2015): 42. http://dx.doi.org/10.7146/nts.v27i1.24238.
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