Auswahl der wissenschaftlichen Literatur zum Thema „Public Theatre (New York, N.Y.)“
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Zeitschriftenartikel zum Thema "Public Theatre (New York, N.Y.)"
HAENNI, SABINE. „‘A Community of Consumers’: Legitimate Hybridity, German American Theatre, and the American Public“. Theatre Research International 28, Nr. 3 (Oktober 2003): 267–88. http://dx.doi.org/10.1017/s0307883303001135.
Der volle Inhalt der QuelleYi, Su-Jin, und Hye-Won Jang. „Support System For Creators of the Public Theatre in New York City“. Journal of the Korea Entertainment Industry Association 10, Nr. 4 (31.08.2016): 1. http://dx.doi.org/10.21184/jkeia.2016.08.10.4.1.
Der volle Inhalt der QuelleRod, David K. „Trial by Jury: An Alternative Form of Theatrical Censorship in New York, 1921–1925“. Theatre Survey 26, Nr. 1 (Mai 1985): 47–61. http://dx.doi.org/10.1017/s0040557400000326.
Der volle Inhalt der QuelleLoney, Glenn. „A Theatre of Pre-Depression: Economics and Apathy in New York“. New Theatre Quarterly 8, Nr. 32 (November 1992): 313–20. http://dx.doi.org/10.1017/s0266464x00007090.
Der volle Inhalt der QuelleLoney, Glenn. „Talking to Carlos Gimenez, Creator of the Rajatabla in Caracas“. New Theatre Quarterly 2, Nr. 7 (August 1986): 243–49. http://dx.doi.org/10.1017/s0266464x00002219.
Der volle Inhalt der QuelleLevenson, Mia. „Epidemic Dramaturgies: Theatre and Public Memory during New York City's 1832 Cholera Outbreak“. Theatre Journal 74, Nr. 4 (Dezember 2022): 463–84. http://dx.doi.org/10.1353/tj.2022.0093.
Der volle Inhalt der QuelleFearnow, Mark. „Theatre for an Angry God Public Burnings and Hangings in Colonial New York, 1741“. TDR (1988-) 40, Nr. 2 (1996): 15. http://dx.doi.org/10.2307/1146527.
Der volle Inhalt der QuelleCox, Jordana. „The Phantom Public, the Living Newspaper: Reanimating the Public in the Federal Theatre Project's1935(New York, 1936)“. Theatre Survey 58, Nr. 3 (10.08.2017): 300–325. http://dx.doi.org/10.1017/s0040557417000266.
Der volle Inhalt der QuelleCarlson, Marvin. „INHERITING THE WIND: A PERSONAL VIEW OF THE CURRENT CRISIS IN THEATRE HIGHER EDUCATION IN NEW YORK“. Theatre Survey 52, Nr. 1 (Mai 2011): 117–23. http://dx.doi.org/10.1017/s0040557411000093.
Der volle Inhalt der QuelleTurton, Benjamin Mark, Sion Williams, Christopher R. Burton und Lynne Williams. „59 Arts-based palliative care training, education and staff development: a scoping review“. BMJ Supportive & Palliative Care 7, Nr. 3 (September 2017): A369.2—A371. http://dx.doi.org/10.1136/bmjspcare-2017-001407.59.
Der volle Inhalt der QuelleDissertationen zum Thema "Public Theatre (New York, N.Y.)"
Lavi, Tali, und talilavi@netspace net au. „Tales of Ash: Phantom Bodies as Testimony in Artistic Representations of Terrorism“. RMIT University. Creative Media, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080428.114445.
Der volle Inhalt der QuelleBücher zum Thema "Public Theatre (New York, N.Y.)"
Audience Research & Analysis (Firm). Mayor's Office of Film, Theatre & Broadcasting: Public awareness study. New York: Mayor's Office of Film, Theatre and Broadcasting, 2007.
Den vollen Inhalt der Quelle findenDuncan, Kenn. Divas: The fabulous photography of Kenn Duncan : from the Billy Rose Theatre Division of the New York Public Library for the Performing Arts. New York: Universe, 2008.
Den vollen Inhalt der Quelle findenM, Silverman Stephen, und New York Public Library for the Performing Arts. Billy Rose Theater Division., Hrsg. Divas: The fabulous photography of Kenn Duncan : from the Billy Rose Theatre Division of the New York Public Library for the Performing Arts. New York: Universe, 2008.
Den vollen Inhalt der Quelle findenSkinner, Peter N. Remarks of Peter N. Skinner, P.E., director [of] scientific staff, Bureau of Environmental Protection, New York State Department of Law, Attorney General's Office, at Nassau County, Bureau of Emergency Services, public officials conference, Mineola, New York, October 28, 1986. [Albany?, N.Y: Environmental Protection Bureau, New York State Dept. of Law?, 1986.
Den vollen Inhalt der Quelle findenSkyscraper rivals: The AIG Building and the architecture of Wall Street. New York: Princeton Architectural Press, 2001.
Den vollen Inhalt der Quelle findenN, Plass Gilbert, McNamara George S und Ivy, Shreve & Mader Philatelic Auctions, Hrsg. The Dr. Gilbert N. Plass collection of United States possessions: Public auction and mail bid sale, first session--Saturday, July 10, 1993 at l:30 p.m. (lots 301-823), second session--Saturday, July 10, 1993 at 6:00 p.m. (lots 824-1316) ... ; sale to be held at The Ivy, Shreve & Mader Auction Galleries, 32 East 57th Street, 11th Floor, New York, New York 10022 ... ; cataloged and sold by Ivy, Shreve & Mader Philatelic Auctions, Inc., Heritage Plaza, 100 Highland Park Village, Dallas, Texas 75205-2788 ... ; auctioneer, Walter J. Mader ; catalog descriptions, George S. McNamara. [Dallas, Tex: Ivy, Shreve & Mader Philatelic Auctions, 1993.
Den vollen Inhalt der Quelle findenBibliographic Guide to Theatre Arts: 1996 (Gk Hall Bibliographic Guide to Theatre Arts). G. K. Hall & Company, 1997.
Den vollen Inhalt der Quelle findenStein und Nypl. Bibliographic Guide to Theatre Arts: 1986. Macmillan Publishing Company, 1987.
Den vollen Inhalt der Quelle findenScher, Paula. Paula Scher : Twenty-Five Years at the Public: A Love Story. Princeton Architectural Press, 2020.
Den vollen Inhalt der Quelle findenPaula Scher : Twenty-Five Years at the Public: A Love Story. Princeton Architectural Press, 2020.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Public Theatre (New York, N.Y.)"
Vinagre, Margarita, und Reyes Llopis-García. „Multilingual Landscapes in Telecollaboration: A Spanish-American Exchange“. In Educational Linguistics, 67–86. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-39578-9_4.
Der volle Inhalt der Quelle„New York Shakespeare Festival/The Public Theatre Directors 1950s–1990s“. In Directing Shakespeare in America, 113–46. Bloomsbury Publishing Plc, 2019. http://dx.doi.org/10.5040/9781474289726.0011.
Der volle Inhalt der QuelleHischak, Thomas S. „1988–1989“. In American Theatre, 289–301. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195123470.003.0020.
Der volle Inhalt der QuelleHischak, Thomas S. „1991–1992“. In American Theatre, 325–36. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195123470.003.0023.
Der volle Inhalt der QuelleShakespeare, Critics Theatre. „14 March 1814, William Hazlitt on Edmund Kean as Hamlet at the Theatre Royal, Drury Lane, London, from the Morning Chronicle, reprinted in Hazlitt on Theatre, ed. William Archer and Robert Lowe (1895; repr. New York, n.d. [1957]), pp. 10-14.“ In Shakespeare in the Theatre, 41–42. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198711773.003.0012.
Der volle Inhalt der QuelleMartin, Bradford. „Politics as Art, Art as Politics: The Freedom Singers, the Living Theatre, and Public Performance“. In Long Time Gone, 159–88. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195125146.003.0009.
Der volle Inhalt der QuelleWolf, Stacy. „Disney Goes to School“. In Beyond Broadway, 249–78. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190639525.003.0008.
Der volle Inhalt der QuelleBlock, Geoffrey. „“Not a Few of His Songs Were Left on the Cutting Room Floor”“. In The Richard Rodgers Reader, 70–78. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195139549.003.0009.
Der volle Inhalt der QuelleSuskin, Steven. „February 29 Squonk“. In Broadway Yearbook 1999-2000, 157–61. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195139556.003.0024.
Der volle Inhalt der QuelleHudson, Berkley. „Oscar West, circa 1930“. In O. N. Pruitt's Possum Town, 51–55. University of North Carolina Press, 2022. http://dx.doi.org/10.5149/northcarolina/9781469662701.003.0006.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Public Theatre (New York, N.Y.)"
Iborra Pallarés, Vicente, und Francisco Zaragoza Saura. „Altea Urban Project: An academic approach to the transformation of a coastal Spanish touristic city based on the improvement of the public space“. In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5990.
Der volle Inhalt der QuelleFulantelli, Giovanni, Lidia Scifo und Davide Taibi. „THE ECOLOGICAL SYSTEMS THEORY OF HUMAN DEVELOPMENT TO EXPLORE THE STUDENT-SOCIAL MEDIA INTERACTION.“ In eLSE 2021. ADL Romania, 2021. http://dx.doi.org/10.12753/2066-026x-21-019.
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