Auswahl der wissenschaftlichen Literatur zum Thema „Pseudolus (Plautus, Titus Maccius)“
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Zeitschriftenartikel zum Thema "Pseudolus (Plautus, Titus Maccius)"
Foucher, Antoine. „Marco Borea (éd.), Titus Maccius Plautus Pseudolus. Introduzione, testo con scansione metrica completa e commento a cura di Marco Borea“. Kentron, Nr. 38 (31.12.2023): 227–31. http://dx.doi.org/10.4000/kentron.6978.
Der volle Inhalt der QuelleFontaine, Michael. „Titus Maccius Plautus, Cistellaria edidit Waltharius Stockert.“ Gnomon 83, Nr. 6 (2011): 495–99. http://dx.doi.org/10.17104/0017-1417_2011_6_495.
Der volle Inhalt der QuelleLowe, N. J. „V Plautus“. New Surveys in the Classics 37 (2007): 97–114. http://dx.doi.org/10.1017/s0017383508000478.
Der volle Inhalt der QuelleKysučan, Lubor. „Titus Maccius Plautus: Curculio, (24. ledna 2018), kino Scala, Brno“. Graeco-Latina Brunensia, Nr. 1 (2018): 255–56. http://dx.doi.org/10.5817/glb2018-1-19.
Der volle Inhalt der QuelleDissertationen zum Thema "Pseudolus (Plautus, Titus Maccius)"
Albicker, Sharonne L. „The language of Plautus his linguistic methods and their reflection of Roman society /“. Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054393937.
Der volle Inhalt der QuelleTitle from first page of PDF file. Document formatted into pages; contains viii, 216 p. Includes abstract and vita. Advisors: Kirk Freudenburg, Dept. of Greek and Latin; Brian D. Joseph, Dept. of Linguistics. Includes bibliographical references (p. 208-216).
Walker, Joanne. „A commentary on Plautus' 'Aulularia'“. Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14536.
Der volle Inhalt der QuelleDunsch, Boris. „Plautus' 'Mercator' : a commentary“. Thesis, University of St Andrews, 2001. http://hdl.handle.net/10023/7089.
Der volle Inhalt der QuelleDutsch, Dorota. „Boundless nature : the construction of female speech in Plautus“. Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36765.
Der volle Inhalt der QuelleGreek and Roman literary theory stipulated that the speech of women in drama had to be constructed so as to reveal the speakers' feminine nature. Philosophical doctrines that construed gender as a polar opposition evince a fundamental distinction, defining male as 'bond' and female as 'boundless'. The association of female with boundlessness, it is argued, also determines woman's position with respect to speech. A study of Greek New Comedy reveals that the reflections on female nature and expression found there depict woman as adverse to limits, a concept which Plautus seems to have subsequently adapted from his sources.
Donatus's scholia to Terence characterize female speech as disorderly and disrespectful of the norms of verbal interaction. Concrete linguistic patterns are rationalized as symptoms of 'softness' and querulousness, both representing the female propensity to violate interpersonal limits. The text of Plautus, examined for meta-textual asides on female speech, confirms the scholiast's observations. An inquiry into the Plautine perception of blanditia reveals that female mannerisms are interpreted as tokens of a contagious moral disorder, and that they earmark the feebleness of female (and effeminate) personae. The otherness of female complaints, emphasized during the performance of palliata by both verbal and para-verbal means, is intimately associated in the text of the comedies with the chaos within women's minds. Female speech patterns in Plautus thus illustrate the concept of infirmitas sexus.
Eberle, Katrin. „Plautus' "Aulularia" in Frankreich die Rezeption der Figur des Geizigen von Pierre de Larivey bis Albert Camus“. Tübingen Narr, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2778039&prov=M&dok_var=1&dok_ext=htm.
Der volle Inhalt der QuellePonelis, Karlien. „Die invloed van die Plautiniese klug op die moderne klug“. Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52206.
Der volle Inhalt der QuelleENGLISH ABSTRACT: The present thesis deals with the impact of the ancient Greek farce on modem literature with specific reference to the play Kinkels innie Kabel (1971) by the contemporary Afrikaans author André P. Brink. This play is loosely based on Shakespeare's The Comedy of Errors, which in tum derives from Plautus' Menaechmi. Brink's play thus resonates with an entire European tradition. The relationship between the modem and the ancient farce is studied with reference to the concept of comedy. Comic effects, the difference between comedy and tragedy in respect of the handling of vital issues and the comic vision of the playwright are all taken into account. The analysis of the development of Athenian Old Comedy to the Roman Comedy refers to the contribution of Plautus and Terence to the continuation and revitalisation of Greek New Comedy. A comparison of these two playwrights reveals the characteristics of the farce and the difference between farce and comedy. The modem relevance of the farce is studied on the basis of Brink's text. For this purpose Plautus' original plot, the Shakespearian version and Brink's rendition are discussed and compared. On the basis of the similarities and differences in plot, caricaturisation, misidentifications, politics, fantasy, coincidence, irony, farcical violence, mechanical structure, temporal structure and linguistic register, the influence of the ancient farce on its modem counterpart is demonstrated. In addition to farce, Brink employs the classical devices of satire and parody to drive home his (political) message. Finally it is shown that the farcical in Plautus, Shakespeare and Brink serves a significant and serious thematic purpose.
AFRIKAANSE OPSOMMING: Hierdie verhandeling handel oor die impak van 'n antieke Griekse komedievorm, die klug, op moderne werke en denke. A.P. Brink se verhoogstuk Kinkels innie Kabel (1971) is 'n vrye verwerking van William Shakespeare se The Comedy of Errors. Laasgenoemde werk is weer op sy beurt gebaseer op Plautus se Menaechmi. In sy verwerking van Plautus en Shakespeare laat A.P. Brink die hele Europese tradisie deurklink. Die verhouding tussen die moderne klug en die antieke klug word bestudeer deur te fokus op die term komedie: die verhouding daarvan met lag en hoe die komedie van die tragedie verskil ten opsigte van die hantering van lewensproblematiek en komiese visie van die komedieskrywer, maak deel uit van hierdie bespreking. Die komedie se herkoms en ontwikkeling vanaf die Ou Komedie tot die Romeinse Komedie, val ook onder die soeklig. In aansluiting hiermee word Plautus en Terentius bespreek as twee komedieskrywers wat 'n rol gespeel het in die oorlewering en verlewendiging van die Griekse Nuwe Komedie. Hierdie twee skrywers word ook met mekaar vergelyk sodat die eienskappe van die klug geïllustreer word, en hoe dit in wese verskil van komedie. Die relevansie van die klug in moderne denke word bestudeer aan die hand van Brink se teks. In hierdie verband word daar 'n uiteensetting gegee van die oorspronklike Plautiniese verhaal, die Shakespeariaanse weergawe en die Brinkiaanse teks. Aan die hand van die ooreenkomste en verskille in intrige, karikaturisering, identiteitsvergissings, politiek, die fantasie-element, toeval, ironie, klugtige geweld, die meganiese struktuur, die tydstruktuur en taalregister word die invloed van die antieke klug op die moderne klug geïllustreer. Benewens die klug word Brink se werk ook verder beïnvloed deur twee klassieke middele, met name satire en parodie. Hiermee bring Brink sy (politieke) boodskap tuis. Ten slotte word die dieperliggende temas in Plautus, Shakespeare en Brink se werk bespreek deur aan te toon dat die werk nie net om die klugtige gaan nie, maar ook die meer ernstige.
Bean, Joann Ruth MacLachlan. „From Thraso to Herod : Hrotsvitha meets the bragging soldier /“. *McMaster only, 1999.
Den vollen Inhalt der Quelle findenWay, Mahalia Lynn. „Ars Cladis violence and the construction of society in Plautus /“. 1998. http://books.google.com/books?id=NW9fAAAAMAAJ.
Der volle Inhalt der QuelleKrauss, Amanda Neill Moore Timothy. „Untaming the shrew marriage, morality and Plautine comedy /“. 2004. http://repositories.lib.utexas.edu/bitstream/handle/2152/1348/kraussa03348.pdf.
Der volle Inhalt der QuelleKrauss, Amanda Neill. „Untaming the shrew: marriage, morality and Plautine comedy“. Thesis, 2004. http://hdl.handle.net/2152/1348.
Der volle Inhalt der QuelleBücher zum Thema "Pseudolus (Plautus, Titus Maccius)"
Plautus, Titus Maccius. Plautus' komedie Pseudolus. Aarhus: Aarhus Universitetsforlag, 1987.
Den vollen Inhalt der Quelle findenM, Willcock Malcolm, Hrsg. Pseudolus. Bristol: Bristol Classical Press, 1987.
Den vollen Inhalt der Quelle findenItaly) Lectura Plautina Sarsinatis (Conference) (17th 2013 Sarsina. Rudens: Sarsina, 28 settembre 2013. Urbino: QuattoVenti, 2014.
Den vollen Inhalt der Quelle findenOberlander, Katie. Applause for Plautus: Three comedic plays based on the work of Titus Maccius Plautus. Tallahassee, FL (P.O. Box 14367, Tallahassee 32317): Eldridge Pub. Co., 2007.
Den vollen Inhalt der Quelle findenW, Beenen B. F., Harmsen A. J. E, Damsteegt B. C, Blasius Joan 1639-1672 und Plautus Titus Maccius, Hrsg. De Tweeling van Plautus: Twee zeventiende-eeuwse Plautus-bewerkingen. Utrecht: HES, 1985.
Den vollen Inhalt der Quelle findenPlautus and Roman slavery. Malden, MA: Wiley-Blackwell, 2012.
Den vollen Inhalt der Quelle findenItaly) Lectura Plautina Sarsinatis (Conference) (19th 2015 Sarsina. Trinummus: (Sarsina, 26 settembre 2015). Urbino: QuattroVenti, 2016.
Den vollen Inhalt der Quelle finden1903-, Hammond Mason, Mack Arthur M und Moskalew Walter, Hrsg. Miles gloriosus. Cambridge, Mass: Harvard University Press, 1997.
Den vollen Inhalt der Quelle findenAnderson, William Scovil. Barbarian play: Plautus' Roman comedy. Toronto: University of Toronto Press, 1993.
Den vollen Inhalt der Quelle findenJakob Michael Reinhold Lenz' produktive Rezeption von Plautus' Komödien. Frankfurt am Main: P. Lang, 1999.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Pseudolus (Plautus, Titus Maccius)"
„Plautus, Titus Maccius: Comoediae“. In Die Inkunabeln in der Universitätsbibliothek Bern. BOP Books, 2023. http://dx.doi.org/10.36950/991154598589705501.
Der volle Inhalt der Quelle„Plautus, Titus Maccius: Comoediae“. In Die Inkunabeln in der Universitätsbibliothek Bern. BOP Books, 2023. http://dx.doi.org/10.36950/991002920839705501.
Der volle Inhalt der QuelleGonçalves, Lucas Cairê. „A ESCRAVIDÃO SEGUNDO TITUS MACCIUS PLAUTUS EM SUA OBRA “CAPTIVI”“. In Reflexões sobre a Sociedade Humana: Perspectiva Filosófica e Sociológica, 1–10. Atena Editora, 2023. http://dx.doi.org/10.22533/at.ed.0202314111.
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