Auswahl der wissenschaftlichen Literatur zum Thema „Protest movements in art“
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Zeitschriftenartikel zum Thema "Protest movements in art"
Patsiaouras, Georgios, Anastasia Veneti und William Green. „Marketing, art and voices of dissent“. Marketing Theory 18, Nr. 1 (14.08.2017): 75–100. http://dx.doi.org/10.1177/1470593117724609.
Der volle Inhalt der QuelleMonk, David, Bruno de Oliviera Jayme und Emilie Salvi. „The heART of Activism: Stories of Community Engagement“. Engaged Scholar Journal: Community-Engaged Research, Teaching, and Learning 5, Nr. 2 (01.06.2019): 61–78. http://dx.doi.org/10.15402/esj.v5i2.68335.
Der volle Inhalt der QuelleKhan, Ajmal. „Anti-Nuclear Movement in India: Protests in Kudankulam and Jaitapur“. South Asia Research 42, Nr. 1 (20.11.2021): 7–20. http://dx.doi.org/10.1177/02627280211054795.
Der volle Inhalt der QuelleBatur, Ayse Lucie. „An Example of a Diachronic Imagination from the Gezi Uprising“. Protest, Vol. 4, no. 2 (2019): 68–75. http://dx.doi.org/10.47659/m7.068.art.
Der volle Inhalt der QuelleWilliams, Rhys H., und James M. Jasper. „The Art of Moral Protest: Culture, Biography, and Creativity in Social Movements.“ Social Forces 77, Nr. 4 (Juni 1999): 1673. http://dx.doi.org/10.2307/3005916.
Der volle Inhalt der QuelleOberschall, Anthony, und James M. Jasper. „The Art of Moral Protest: Culture, Biography and Creativity in Social Movements“. Contemporary Sociology 28, Nr. 1 (Januar 1999): 92. http://dx.doi.org/10.2307/2653898.
Der volle Inhalt der QuelleVeneti, Anastasia. „Aesthetics of protest: an examination of the photojournalistic approach to protest imagery“. Visual Communication 16, Nr. 3 (26.06.2017): 279–98. http://dx.doi.org/10.1177/1470357217701591.
Der volle Inhalt der QuelleDoğu, Burak. „Political Use of Twitter in Post-Gezi Environmental Protests“. Middle East Journal of Culture and Communication 12, Nr. 2 (13.09.2019): 185–204. http://dx.doi.org/10.1163/18739865-01202007.
Der volle Inhalt der QuelleKreicberga, Zane. „POLITICAL ACTIVISM AS A FORM OF THEATRE“. Culture Crossroads 8 (13.11.2022): 146–52. http://dx.doi.org/10.55877/cc.vol8.172.
Der volle Inhalt der QuelleChoi, Susanne YP. „When protests and daily life converge: The spaces and people of Hong Kong’s anti-extradition movement“. Critique of Anthropology 40, Nr. 2 (04.03.2020): 277–82. http://dx.doi.org/10.1177/0308275x20908322.
Der volle Inhalt der QuelleDissertationen zum Thema "Protest movements in art"
Kolb, Felix. „Protest and opportunities : the political outcomes of social movements /“. Frankfurt : Campus Verl, 2007. http://catalogue.bnf.fr/ark:/12148/cb41250227k.
Der volle Inhalt der QuelleBibliogr. p. 295-329.
au, M. Tanji@murdoch edu, und Miyume Tanji. „The Enduring Myth of an Okinawan Struggle: The History and Trajectory of a Diverse Community of Protest“. Murdoch University, 2003. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20040510.152840.
Der volle Inhalt der QuelleMallik, Basanta Kumar. „Paradigms of dissent and protest : social movements in Eastern India, c. AD 1400-1700 /“. New Delhi : Manohar Publishers & Distributors, 2004. http://catalogue.bnf.fr/ark:/12148/cb401407728.
Der volle Inhalt der QuelleBhuyan, Md Mahbub Or Rahman Bhuyan. „Threads of Protest and Resistance: The Impact of Social Movements on the Development of Laws Protecting Women’s Rights in Bangladesh“. Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1597329273763621.
Der volle Inhalt der QuelleMalalepe, Keagile. „The legitimacy of violence as a political act: an investigation of vandalism surrounding service delivery protests in South Africa“. Thesis, Nelson Mandela Metropolitan University, 2017. http://hdl.handle.net/10948/18113.
Der volle Inhalt der QuelleChen, Yen-Hsin. „Protests in China: Why and Which Chinese People Go to the Street?“ Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984256/.
Der volle Inhalt der Quelleix, 193 pages
Kryzhanouski, Yauheni. „Contester par la musique sous régime autoritaire : rock et politisation en Biélorussie“. Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAG040.
Der volle Inhalt der QuelleBased on a study of two protest rock movements in Belarus, this thesis examines the phenomenon of politicisation in an authoritarian regime. The “national” rock emerged in the 1980s as a modern artistic movement inspired by Western music conventions. Singing in Belarusian, this scene aspired to promote a heterodox vision of “national identity”. The authoritarian turn in 1995-1996 provoked protest re-politicisation of this artistic movement. “National” rock musicians continued to claim the “underground” status, while aspiring to professionalisation and commercial production. Against the backdrop of the authoritarian change, another protest movement emerged in the mid-1990s. Following the internationalised Do-It-Yourself model, the DIY anarcho-punk is closely linked to anarchist groups and promotes amateurism, limited artistic production and radical political expression. Based on the example of the two artistic movements, this thesis studies the logics of politicisation and the modes of political protest
Middlebrooks, Justin M. Mr. „The Intersection Between Politics, Culture, and Spirituality: An Interdisciplinary Investigation of Performance Art Activism and Contemporary Societal Problems“. Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1333397676.
Der volle Inhalt der QuelleGrabarek, Kristin Elizabeth. „Protest activities in southern universities, 1965-1972“. Auburn, Ala., 2006. http://repo.lib.auburn.edu/2006%20Spring/master's/GRABAREK_KRISTIN_16.pdf.
Der volle Inhalt der QuelleDasgupta, Srinanda. „Protest movements and the political process:a study of their implications in contemporary Indian politics“. Thesis, University of North Bengal, 1998. http://hdl.handle.net/123456789/191.
Der volle Inhalt der QuelleBücher zum Thema "Protest movements in art"
Thomson, Isabelle. The Power of Art & Protest. [New York, NY]: the Calhoun School, 2014.
Den vollen Inhalt der Quelle findenKim, Tong-il. Sangjing t'ujaeng ŭi sahoehak: Yesulga nŭn ŏttŏk'e sesang ŭl pakkulkka. 8. Aufl. Sŏul-si: K'ŏmyunik'eisyŏn Puksŭ, 2020.
Den vollen Inhalt der Quelle findenOdih, Pamela. Visual media and culture of 'occupy'. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.
Den vollen Inhalt der Quelle findenEshet, Dan. Stitching truth: Women's protest art in Pinochet's Chile. Brookline, Mass: Facing History and Ourselves, 2008.
Den vollen Inhalt der Quelle findenDerivery, François. L'exposition 72-72. Paris: EC, 2001.
Den vollen Inhalt der Quelle findenCarl-Heinz, Mallet. Die Leute von der Hafenstrasse: Über eine andere Art zu leben. Hamburg: Edition Nautilus, 2000.
Den vollen Inhalt der Quelle findenGalimberti, Jacopo. Hopeful monsters: Pablo Echaurren e i mostri del movimento del '77. Milano: Postmedia books, 2020.
Den vollen Inhalt der Quelle findenReed, T. V. The art of protest: Culture and activism from the civil rights movement to the streets of Seattle. Minneapolis: University of Minnesota Press, 2005.
Den vollen Inhalt der Quelle findenReed, T. V. The art of protest: Culture and activism from the civil rights movement to the streets of Seattle. Minneapolis: University of Minnesota Press, 2005.
Den vollen Inhalt der Quelle findenTepper, Steven J. Not here, not now, not that!: Protest over art and culture in America. Chicago: The University of Chicago Press, 2011.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Protest movements in art"
Mak, Sophie. „The Art of Protest in Hong Kong“. In Edition Politik, 22–29. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839470558-003.
Der volle Inhalt der QuelleÖhman, Anton. „Peace Actions and Mainstream Media: Framing Nuclear Disarmament Protests in Welfare Sweden“. In Palgrave Studies in the History of Social Movements, 165–91. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-27370-4_7.
Der volle Inhalt der QuelleGruber, Judith, Michael Schüßler und Ryszard Bobrowicz. „Introduction“. In Pathways for Ecumenical and Interreligious Dialogue, 1–17. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-56019-4_1.
Der volle Inhalt der QuelleSevelsted, Anders, und Jonas Toubøl. „Paradigm Lost? Three Dimensions of Morality and Social Movements“. In Nonprofit and Civil Society Studies, 15–37. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98798-5_2.
Der volle Inhalt der QuelleMoroz, Oxana. „‘We Will Not Forget, We Will Not Forgive!’: Alexei Navalny, Youth Protest and the Art of Curating Digital Activism and Memory in Russia“. In Social Movements, Cultural Memory and Digital Media, 249–74. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-32827-6_10.
Der volle Inhalt der QuelleHutter, Michael. „Are markets like protest movements? A theoretical appraisal of valuation systems“. In Zehn Jahre danach. Niklas Luhmanns »Die Gesellschaft der Gesellschaft«, herausgegeben von Dirk Baecker, Michael Hutter, Gaetano Romano und Rudolf Stichweh, 32–45. Berlin, Boston: De Gruyter, 2008. http://dx.doi.org/10.1515/9783110509229-004.
Der volle Inhalt der QuelleDurán-Vélez, Ana Isabel. „In-Situ Aesthetics as Local Politics: Gilbert Simondon and the 21N Protest Movement“. In Violence and Resistance, Art and Politics in Colombia, 21–38. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-10326-1_2.
Der volle Inhalt der QuelleThurman, Erik. „Not 30 Pesos, 30 Years!“ In Edition Politik, 30–35. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839470558-004.
Der volle Inhalt der QuelleAyoub, Joey. „Songs for Free Syria and Regional Cross-Border Solidarity“. In Edition Politik, 66–73. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839470558-009.
Der volle Inhalt der QuelleHabib, Adam. „Seeding a New World: Lessons from the FeesMustFall Movement for the Advancement of Social Justice“. In Knowledge and Civil Society, 275–90. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71147-4_13.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Protest movements in art"
Holmquist, Paul. „Architecture of/as Protest: Action, Place and the Concern for the World“. In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.57.
Der volle Inhalt der QuelleGurbuz, Mustafa. „PERFORMING MORAL OPPOSITION: MUSINGS ON THE STRATEGY AND IDENTITY IN THE GÜLEN MOVEMENT“. In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/hzit2119.
Der volle Inhalt der QuelleErdonmez, Ebru. „SOCIAL MOVEMENT DERIVED PUBLIC SPACES: A FOCUS ON GEZI PROTEST“. In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.116.
Der volle Inhalt der QuelleLapka, Miloslav. „LANDSCAPE, SOCIETY AND ART AS A KIND OF PROTEST. SOCIOLOGICAL VIEW“. In SGEM 2014 Scientific SubConference on PSYCHOLOGY AND PSYCHIATRY, SOCIOLOGY AND HEALTHCARE, EDUCATION. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b12/s2.061.
Der volle Inhalt der QuellePozdílková, Alena, Jaroslav Marek und Marie Nedvědová. „Time Series Movements in Art Prices“. In Hradec Economic Days 2021, herausgegeben von Jan Maci, Petra Maresova, Krzysztof Firlej und Ivan Soukal. University of Hradec Kralove, 2021. http://dx.doi.org/10.36689/uhk/hed/2021-01-066.
Der volle Inhalt der QuelleMădăras, Anamaria Paula. „Multiculturality of names of art movements“. In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/59.
Der volle Inhalt der QuelleQIAN, CHUN. „A STUDY ON THE GRADE SYSTEM OF PLEADING GUILTY AND ACCEPTING PUNISHMENT—FROM THE PERSPECTIVE OF INTERSUBJECTIVITY“. In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35711.
Der volle Inhalt der QuelleLeksono, Fitorio, und Donna Sugianto. „UnderstandingSouth Tangerang's Generation Z during 2019 Student Protest through Empathy Map Canvas“. In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294723.
Der volle Inhalt der QuelleAltinoz, O. Tolga, und Meltem Ozkan Altinoz. „Classification of modern art movements with computational methods: Initial results“. In 2017 25th Signal Processing and Communications Applications Conference (SIU). IEEE, 2017. http://dx.doi.org/10.1109/siu.2017.7960640.
Der volle Inhalt der QuelleShum, P. Y. S., und T. Klein. „VR CALLIGRAPHY Transposing Chinese calligraphy as choreographed movements into whole-body performances in VR“. In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-93-full-shum-et-al-vr-calligraphy.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Protest movements in art"
Price, Roz. Links Between Energy Prices, Fuel Subsidy Reform and Instability. Institute of Development Studies (IDS), Februar 2022. http://dx.doi.org/10.19088/k4d.2022.023.
Der volle Inhalt der QuelleStanley, Stephanie. The Tea Party and Occupy Wall Street Movements: Populism and Protest. Portland State University Library, Januar 2012. http://dx.doi.org/10.15760/honors.2.
Der volle Inhalt der QuelleAshenfelter, Orley, und Kathryn Graddy. Sale Rates and Price Movements in Art Auctions. Cambridge, MA: National Bureau of Economic Research, Januar 2011. http://dx.doi.org/10.3386/w16743.
Der volle Inhalt der QuelleCantoni, Davide, David Yang, Noam Yuchtman und Y. Jane Zhang. Are Protests Games of Strategic Complements or Substitutes? Experimental Evidence from Hong Kong's Democracy Movement. Cambridge, MA: National Bureau of Economic Research, Januar 2017. http://dx.doi.org/10.3386/w23110.
Der volle Inhalt der QuelleBellwood-Howard, Imogen, Peter Taylor, Julie Doyle, Aminata Niang, Haoussa Ndiaye, Fatoumata Sow und Lansine Sountoura. Citizen Voice and the Arts: Opportunities and Challenges for Citizen–Policy Engagement on Environmental Issues in Sahelian West Africa. Institute of Development Studies, Dezember 2022. http://dx.doi.org/10.19088/ids.2022.088.
Der volle Inhalt der QuelleWang, Yong-Yi. PR-350-164501-R01 Guidance for Assessing Buried Pipelines after a Ground Movement Event. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), Mai 2019. http://dx.doi.org/10.55274/r0011582.
Der volle Inhalt der QuelleGafny, Ron, A. L. N. Rao und Edna Tanne. Etiology of the Rugose Wood Disease of Grapevine and Molecular Study of the Associated Trichoviruses. United States Department of Agriculture, September 2000. http://dx.doi.org/10.32747/2000.7575269.bard.
Der volle Inhalt der QuelleEpel, Bernard L., Roger N. Beachy, A. Katz, G. Kotlinzky, M. Erlanger, A. Yahalom, M. Erlanger und J. Szecsi. Isolation and Characterization of Plasmodesmata Components by Association with Tobacco Mosaic Virus Movement Proteins Fused with the Green Fluorescent Protein from Aequorea victoria. United States Department of Agriculture, September 1999. http://dx.doi.org/10.32747/1999.7573996.bard.
Der volle Inhalt der QuelleEpel, Bernard, und Roger Beachy. Mechanisms of intra- and intercellular targeting and movement of tobacco mosaic virus. United States Department of Agriculture, November 2005. http://dx.doi.org/10.32747/2005.7695874.bard.
Der volle Inhalt der QuelleWang, Yong-Yi. PR-350-164501-WEB Guidance for Assessing Buried Pipelines after a Ground Movement Event. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), Juni 2019. http://dx.doi.org/10.55274/r0011601.
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