Thematische Bibliographien / Proletariat literature

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Auswahl der wissenschaftlichen Literatur zum Thema „Proletariat literature“

Autor: Grafiati

Veröffentlicht am 30. Juni 2021

Zuletzt aktualisiert am 1. Februar 2022

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Zeitschriftenartikel zum Thema "Proletariat literature"

Day, Matthew. „The short happy life of the affluent working class: Consumption, debt and Embourgeoisement in the Age of Credit“. Capital & Class 44, Nr. 3 (13.06.2019): 305–24. http://dx.doi.org/10.1177/0309816819852768.

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This article reconsiders the debate over the alleged embourgeoisement of the British working classes after Second World War. ‘Bourgeois affluence and proletarian apathy’ examines why members of the New Left concluded that a ‘bourgeois’ proletariat was incapable of revolutionary activity. ‘Washing machines and proletarian persistence’ takes up the midcentury social scientific literature with an eye for the ways in which empirical research falsified key elements of that thesis. ‘Visible consumption and invisible debt’ draws attention to the ways in which both liberal advocates for and Marxist critics of embourgeoisement overemphasized spending and underemphasized debt. Finally, I close by calling attention to some of the anecdotal and empirical evidence that suggests household indebtedness perpetuates working-class dependence upon capital.

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Fisher, James, Dario Fo, Joe Farrell und Stuart Hood. „Minstrel of the Proletariat“. TDR (1988-) 36, Nr. 4 (1992): 171. http://dx.doi.org/10.2307/1146225.

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Hussen, Muhammad. „CLASS CONFLICT OF KALI BOYONG PEOPLES IN THE NOVEL KABUT DAN MIMPI BY BUDI SARDJONO: STUDY OF MARXISM“. ALAYASASTRA 13, Nr. 2 (01.02.2018): 149. http://dx.doi.org/10.36567/aly.v13i2.101.

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Kabut dan Mimpi is a novel written by autodidact author named Budi Sardjono. The novel was published by Labuh in 2005. The novel interesting to be the object of research because its raising the issue of class conflict that occurs between the proletariat and the bourgeoisie. Forms of class conflict as to whether that appears in the novel? To determinate the class conflict that is in the novel, it will use sociology of literature approach by using a Marxist approach. Novel Kabut dan Mimpi is presenting a class struggle, but as usual, still does not happen equivalence classes as coveted proletariat. Keywords: novel, sociology of literature, Marxist

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Beller, Jonathan L. „The Spectatorship of the Proletariat“. boundary 2 22, Nr. 3 (1995): 171. http://dx.doi.org/10.2307/303727.

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Chester, Eric. „Revolutionary socialism and the dictatorship of the proletariat“. Critique 17, Nr. 1 (Januar 1989): 83–89. http://dx.doi.org/10.1080/03017608908413325.

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Mulholland, Marc. „Marx, the Proletariat, and the ‘Will to Socialism’“. Critique 37, Nr. 3 (August 2009): 319–43. http://dx.doi.org/10.1080/03017600902989773.

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HOČEVAR, Marko. „Mao’s Conception of the Revolutionary Subject“. Asian Studies 7, Nr. 1 (31.01.2019): 247–67. http://dx.doi.org/10.4312/as.2019.7.1.247-267.

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The article explores Mao’s conception of the revolutionary subject, focusing on the relationship between the peasantry and proletariat. In the years after the October Revolution, when vulgar and reductionist readings and interpretations of Marx seemed to prevail, Mao, influenced by the specific material conditions and class relations in China, conceptualised an important novelty within the Marxist tradition. Namely, he developed a very different and original understanding of the revolutionary subject, and especially a different understanding of the relationship between the proletariat and peasantry. He introduced the split between the main revolutionary subject––the proletariat––and the main revolutionary force––the peasantry. This novelty, which was unique up to that point in Marxist theory, enabled Mao to think of the Chinese revolutionary movement within a Marxist framework while considering the material conditions of life in China.

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Schaub, Christoph. „World Literature and Socialist Internationalism in the Weimar Republic: Five Theses“. New German Critique 48, Nr. 1 (01.02.2021): 153–80. http://dx.doi.org/10.1215/0094033x-8732187.

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Abstract Largely overlooked in the booming scholarship on world literature, literary globalization, and transnational modernism, a world literature of socialist internationalism was imagined, written, theorized, and practiced in the aftermath of World War I, representing the first attempt to actualize the idea of world literature under the auspices of a social and political mass movement. This article develops and illustrates five theses about this internationalist world literature. It thereby sketches aspects of the history of internationalist world literature in Germany between 1918 and 1933 and formulates historical, historiographical, poetological, and literary and cultural theoretical interventions into the field of world literature studies. In particular, the article develops the notions of the transnational literary counterpublic and of realist modernism while tracing ideas about transnational class literatures and nonnormative imaginaries of the proletariat.

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Breman, Jan. „Work and Life of the Rural Proletariat in Java's Coastal Plain“. Modern Asian Studies 29, Nr. 1 (Februar 1995): 1–44. http://dx.doi.org/10.1017/s0026749x00012610.

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The village S lies in the plain that is known as the rice store of West Java. Surrounded by fields on which paddy is cultivated for a large part of the year, the visitor sees S as the prototype of the agrarian settlements that fill the landscape: a small-scale concentration of houses hidden amongst trees and farmyard crops, whose inhabitants have for centuries lived in the shelter of their community and depend for their living largely or even entirely on cultivating the land in the locality. This is the classical image of peasant society as laid down in the literature, but one that is in need of revision also in this particular case.

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Zinaić, Rade. „Twilight of the Proletariat: Reading Critical Balkanology as Liberal Ideology“. New Perspectives 25, Nr. 1 (Februar 2017): 19–54. http://dx.doi.org/10.1177/2336825x1702500102.

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Critical Balkanology is a sub-discipline of Central and East European Studies that deconstructs and renders arbitrary the claims of ethnic nationalisms and Western “colonial” representations of the Balkans. Yet, this critical and nominally anti-racist project is parasitic on a hegemonic Euro-Atlantic liberal ideology in that it cannot see beyond the singular individual as victim and vanguard, thereby obscuring and/or effacing an awareness of class inequality. Tomislav Longinović's Vampire Nation: Violence as Cultural Imaginary (2011) is emblematic of this project. I place this text under an immanent critique and a contrapuntal reading as an example of how one can rescue class consciousness from this literature and push the limits of its politics while, in Longinović's case, reading it against the socioeconomic contradictions of post-MiloŠević Serbia. Longinović's tracing of the vampire metaphor as a way of understanding the consumptive nature of both ethnic nationalism and Western imperialism reveals a politics that stigmatizes Serbia's plebeian history in favour of a Westernized and urban middle class youth cult of techno-culture, rock music, and the disembodied voices of (male) intellectuals – a form of epistemic violence that parallels processes of privatization, social cleansing, and class oppression consuming the bodies of (sub)proletarians.

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Dissertationen zum Thema "Proletariat literature"

Vieira, Denise Adélia. „A literatura, a foice e o martelo“. Universidade Federal de Juiz de Fora (UFJF), 2004. https://repositorio.ufjf.br/jspui/handle/ufjf/2981.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-10-31T17:19:03Z No. of bitstreams: 1 deniseadeliavieira.pdf: 297206 bytes, checksum: 1c27181afd2b2375cc2f5fc0c9d09dbd (MD5)
Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-12-15T13:16:56Z (GMT) No. of bitstreams: 1 deniseadeliavieira.pdf: 297206 bytes, checksum: 1c27181afd2b2375cc2f5fc0c9d09dbd (MD5)
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Esta dissertação procura analisar a temática proletária nas letras brasileiras, propondo o seguinte recorte cronológico e temático: do socialismo e anarquismo da Belle Époque, ao comunismo do entre-guerras. Para tanto, os três capítulos da dissertação exploram desde as primeiras leituras da doutrina marxista no Brasil, passando pela literatura anarquista, até a produção dos romances proletários. O trabalho registra as referências de Machado de Assis e Euclides da Cunha a Marx. Conta também a trajetória anarquista de Lima Barreto e seu apoio à Revolução Russa de 1917, além de discutir a relação dos intelectuais com o comunismo desde o ano de 1922 até a década de 30. Finalmente, destaca o romance proletário através de três obras: O Gororoba (1931), de Lauro Palhano, Cacau (1933), de Jorge Amado, Parque Industrial (1933), de Patrícia Galvão. Objetivou-se, dessa maneira, resgatar, entre nós, a temática proletária, esquecida à margem pelo cânone.
This dissertation aims to analyse the proletarian theme in the Brazilian literature, suggesting the following chronological cut: from the socialism and anrchism of the belle époque to the communism of the period between the First and Second Wars. To do so, the three chapters of the dissertation explit since the first readings of Marxist doctrine in Brazil, passing through anarchist literature until the production of proletarian literature. The work registers the references from Machado de Assis and Euclides da Cunha until Marx. It also tells the anarchist trajectory of Lima Barreto and his support to the Russian Revolution of 1917.The work discusses the relationship of the intellectuals with Communism since the year of 1922 until the 30's. Finally, the proletarian novel is emphasised through three works: O Gororoba (1931) by Lauro Palhano, Cacau (1933) by Jorge Amado, Parque Industrial (1933) by Patrícia Galvão. It was the goal rescue the proletarian thematic among us, since it was forgoteen by the canon.

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Sagerson, Erin Jean. „Art and bread Mike Gold, proletarian art, and the rhetoric of American communism /“. [Fort Worth, Tex.] : Texas Christian University, 2009. http://etd.tcu.edu/etdfiles/available/etd-05012009-115428/unrestricted/Sagerson.pdf.

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Johnson, Mary Claire. „Art as a weapon land, gender and work in Myra Page's Daughter of the hills /“. Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=2871.

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Sanders, Jonathan Philip. „Mike Gold and proletarian literature“. Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614794.

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Chapman, Rosemary Anne. „Henry Poulaille and proletarian literature 1920-1939“. Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.256698.

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Rumiano, Jeffrey Edmond. „They Know "What Work Is": Working Class Individuals in the Poetry of Philip Levine“. unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-11272007-071313/.

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Thesis (Ph. D.)--Georgia State University, 2007.
Title from file title page. Pearl McHaney, committee chair; David Bottoms, Paul Schmidt, committee members. Electronic text (220 p.) : digital, PDF file. "Appendix B: Philip Levine interview with Jeff Rumiano, May 4, 2004": p. 194-220. Description based on contents viewed Jan. 31, 2008. Includes bibliographical references (p. 171-193).

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Edmunds, Neil Edmund. „Music to the masses : the Soviet proletarian music movement 1917-1932“. Thesis, University of Sussex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.385061.

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Almeida, André Felipe de Sousa. „O navio-fábrica caranguejeiro, de Kobayashi Takiji: tradução e considerações“. Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-10112016-142928/.

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A proposta do presente trabalho consiste na tradução para o português do romance Kaniksen (O Navio-Fábrica Caranguejeiro, 1929) de Kobayashi Takij. Para chegar ao objetivo proposto, procedemos uma historização da vida e obra de Kobayashi Takiji, no sentido de compreendermos a trajetória literária do autor, seu envolvimento no movimento proletário e o contexto sócio-político em que o romance foi escrito. Visando introduzir O Navio-Fábrica Caranguejeiro ao leitor deste trabalho, são feitos alguns apontamentos sobre o romance: uma apresentação de seu tema e narrativa, um breve levantamento histórico de seu surgimento, suas repercussões no Japão e no mundo, e um levantamento e comentário crítico da obra.
The purpose of this work is the translation of the novel Kaniksen (The Crab Cannery Ship, 1929) by Kobayashi Takij into Portuguese. To reach the proposed objective, we made a historical research about the life and work of Kobayashi Takiji, to understand the literary trajectory of the author, his involvement in the proletarian movement and the socio-political context in which the novel was written. In order to introduce The Crab Cannery Ship the reader of this work, we are made some observations about the novel: a presentation of its theme and narrative, a brief historical research of its appearance, its impact on Japan and around the world, and a survey and critical commentary about the work.

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Daly, Macdonald M. „D H Lawrence : politics, socialist critical reception and literary influence on proletarian novelists“. Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314899.

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Lacey, C. A. „Engendering conflict : American women and the making of a proletarian fiction (with particular reference to the period 1929 to 1935)“. Thesis, University of Sussex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371210.

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Bücher zum Thema "Proletariat literature"

He, Wei. Wen xue fang fa lun zhe Puliehanuofu. [Beijing: Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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Rink, Elisabeth. "Arbeit" und "Proletariat" im deutschen und französischen Roman vor 1848. Essen: Klartext, 2014.

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Gu, Fengcheng. Xin xing wen xue gai lun. [Beijing: Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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1941-, Uranishi Kazuhiko, Hrsg. Zōho Nihon puroretaria bungaku shomoku. Ōsaka-shi: Izumi Shoin, 2009.

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P'ŭro munhak ŭi kamsŏng kujo: Structure of sensibility in Korean proletarian literature. Sŏul-si: Somyŏng Ch'ulp'an, 2012.

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Kurahara, Korehito. Xin xie shi zhu yi lun wen ji. [Beijing: Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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Jeppesen, Bent Haugaard. Orfeus i underklassen: Tom Kristensens proletardæmoni. Århus: Aarhus universitetsforlag, 1990.

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Ai wa rōgoku o koete: Denki Nakamoto Takako. Tōkyō: Ōzorasha, 1999.

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Victor, Serge. Collected writings on literature and revolution. London: Francis Boutle, 2004.

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Puroretaria bungaku to sono jidai. Tōkyō: Inpakuto Shuppankai, 2004.

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Buchteile zum Thema "Proletariat literature"

Solomon, William. „Allegories of Proletarian Literature“. In The Routledge Companion to Literature and Class, 131–44. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003008354-12.

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Saksena, Divya. „Radical Unlearnedness in Proletarian Schooling“. In Literature, Language, and the Classroom, 74–84. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003049777-7.

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Homberger, Eric. „Proletarian Literature and the John Reed Clubs“. In American Writers and Radical Politics, 1900–39, 119–40. London: Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18484-2_5.

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Naaman, Mara. „The Proletarian Revolution That Never Was“. In Urban Space in Contemporary Egyptian Literature, 105–38. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119710_5.

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Bowen-Struyk, Heather. „Between Men: Comrade Love in Japanese Proletarian Literature“. In Red Love Across the Pacific, 59–80. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137507037_4.

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Niblett, Michael. „The “Mangled” Body: Proletarian Writing and the Dialectic of Labour“. In World Literature and Ecology, 153–203. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38581-1_5.

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Cooper, Simon. „Introduction“. In Modernism and the Practice of Proletarian Literature, 1–28. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-35195-3_1.

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Cooper, Simon. „Yes, but Is It Art? The Revolutionary Transformations of Michael Gold“. In Modernism and the Practice of Proletarian Literature, 31–75. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-35195-3_2.

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Cooper, Simon. „The Longing for a Line: Modernism Meets the New Deal“. In Modernism and the Practice of Proletarian Literature, 77–113. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-35195-3_3.

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Cooper, Simon. „‘A Moment of Ecstasy, a Lifetime of Regret’: The Popular Limits of the Proletarian Novel“. In Modernism and the Practice of Proletarian Literature, 117–68. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-35195-3_4.

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