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Thematische Bibliographien / Projection de genre / Zeitschriftenartikel

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Zeitschriftenartikel zum Thema „Projection de genre“

Autor: Grafiati

Veröffentlicht am 7. Juli 2024

Zuletzt aktualisiert am 31. Juli 2025

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1

Dergach, Dmytro. "Language intellectualization in new media: evolution of genre paradigm." Current issues of Ukrainian linguistics: theory and practice, no. 44 (2022): 48–67. http://dx.doi.org/10.17721/apultp.2022.44.48-67.

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The article verbalizes author's position, concerning the intellectualization of genre system of media communication (as a result of communication forms' changes in modern society) and determines the criteria for its professional analysis. These are linguistic, functional and stylistic, linguocultural and sociolinguistic dimensions of evolution of forms of social communication in mass-media sphere. The research focuses on the non-specific communicative principles of the dynamics of genres in traditional and new media, that, according to extra- and intralinguistic factors, provide different ways

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Stavila, Tudor. "Iraida Ciobanu, in the three hypostases of her self-affirmation." Akademos, no. 4(63) (March 2022): 150–53. http://dx.doi.org/10.52673/18570461.21.4-63.19.

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Iraida Ciobanu is one of the few plastic artists for whom her creations are synonymous with the genres she practices in painting – static nature and landscape, the most explored forms in rendering poetry and lyrics. Formed as an artist in the early `90s, the artist is devoted to these two genres throughout the time, approaching the landscape as an appeal to the memory arising from lyrical projections, oriented towards the past, while the static nature is a projection of future emotional states. Her works could reveal the following: the static nature returns to the present, being refreshed up b

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Щітова, С. А., and Т. О. Швець. "MULTIDIMENSIONALITY OF GENRE SYNTHESIS IN CONTEMPORARY MUSICAL ART." Музикознавча думка Дніпропетровщини, no. 15 (November 4, 2019): 118–26. http://dx.doi.org/10.33287/22199.

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The purpose of the article is to reveal the peculiarities of the phenomenon of polygranism (genre synthesis) and its varieties in contemporary musical art. The methods of the study are based on a combination of historical and theoretical approaches of scientific knowledge. The historical method allows us to trace the origin, flourishing, complication and improvement of the phenomenon of genre synthesis in musical art, first of all, during the postmodern day (the last third of the twentieth century – the beginning of the XXI century). Dialectic, comparative, empirical (observation and generaliz

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Rauf, Ramis. "Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious." Jurnal POETIKA 5, no. 1 (2017): 51. http://dx.doi.org/10.22146/poetika.25994.

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This study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts a

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Rauf, Ramis. "Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious." Poetika 5, no. 1 (2017): 51. http://dx.doi.org/10.22146/poetika.v5i1.25994.

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This study aims to analyze astral projection as a concept of Death and Dying by using a postmodern fiction discourse analysis perspective in Insidious movie script. This study found that astral projection is a capability possessed by a person to leave physical body and explore an astral world or the spirit world. Astral projection is a death and dying concept that is presented as one of the postmodern fictional strategies known as superimposition. This strategy illustrates that there are two worlds that accumulate and co-exist with each other. Its presence is a way of deconstructing thoughts a

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Shavrygin, Sergej M. "The functions of the “basic models” in the formation of a pastoral-sentimental genre matrix in N. M. Karamzin’s prose (“Wooden Leg”, “Eugene and Julia”)." International Journal “Speech Genres” 20, no. 1 (45) (2025): 78–86. https://doi.org/10.18500/2311-0740-2025-20-1-45-78-86.

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The article considers the category of “family resemblance” and the related category of “basic models” in the aspect of genre analysis using the example of two early works of N. M. Karamzin: the translation of S. Gesner’s idyll “Wooden Leg” and the first original story “Eugene and Julia”. The theory of “basic models” by J. Lakoff, created by the researcher for the needs of cognitive linguistics, with some reservations and modifications can be applied to the analysis of genre structures of both speech and literary genres. Using the method of dilution of form as a phenomenon and form as a structu

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Sampson, Chris. "Developing projection in student songwriters: Writing popular songs that are actually popular." Journal of Popular Music Education 3, no. 1 (2019): 105–11. http://dx.doi.org/10.1386/jpme.3.1.105_1.

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An important turning point in the development of a young songwriter occurs when they transition from writing songs that might only be meaningful to themselves to writing songs with the intention of connecting to a wider audience. This accomplishment can be described as a student achieving good projection through their songs. More specifically, good projection in songwriting happens when student’s successfully leverage elements of the craft that effectively produces audience participation through groove, melody, form and lyrics. An artist’s persona can also contribute significantly to connectin

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Dergach, Dmytro. "Linguistic Models of Mass Media Genres` Stylistic Diffusion in the Communicative Space of Ukraine and Bulgaria." Bulgarski Ezik i Literatura-Bulgarian Language and Literature 66, no. 2 (2024): 213–27. http://dx.doi.org/10.53656/bel2024-2-7d.

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Research attention is focused on fundamental changes in techniques and methods of informing , which activate the communicative capabilities of language and give rise to new genres, forms and formats of interpersonal communication in various spheres and discourses. It actualizes the research problem of the diffuse stylistic nature of mass media genres, argued by the processes of assimilation of public communication`s spheres. The author’s argumentation is based on the vectors of the dynamics of the literary language`s evolutionary potential, that is focused on the format and tasks of social com

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Rozin, Vadim M. "Comprehending Discourse: Challenges of Time, Search, Construction (Book review: G.L. Tulchinskii & M.N. Epstein. (Eds.) Philosophical Projective Dictionary. New Terms and Concepts (Issue 2). Saint Petersburg: Aletheia, 2020)." Russian Journal of Philosophical Sciences 63, no. 12 (2021): 121–34. http://dx.doi.org/10.30727/0235-1188-2020-63-12-121-134.

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The review discusses the recently published second issue of the Philosophical Projective Dictionary (edited by Mikhail Epstein and Grigorii Tulchinskii). Having encountered difficulties in understanding the articles of the dictionary, I turn to the explanations of the motives of the dictionary’s authors and editors Epstein notes that the entries in the dictionary are not intended to generalize the already existing use of terms and concepts, but to kind of projecting and anticipating the meanings of concepts and texts that may be created in the future. Tulchinskii writes more modest, asserting

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Ulanova, Ekaterina E., and Veronika V. Katermina. "Genre aspect of a language personality of an interpreter." International Journal “Speech Genres” 20, no. 2 (46) (2025): 110–17. https://doi.org/10.18500/2311-0740-2025-20-2-46-110-117.

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The article deals with the problem of genre in translation studies. The hypothesis of the study is the idea of the genre shifts emerging at the moment of interpreting within the genre of a TV interview. The authors discuss the ways of interpreting the genre. In accordance with the functional-linguistic approach to the analysis of speech genre, the authors consider the ways in which the linguistic personality of the interpreter verbally regulates the translation of the genre. The authors structurally describe the material, methods and results of the study. The aim of the study includes the ling

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Lejeune, Pierre. "The Epistemic Status of Predictions in Central Bank Reports: A Cross-Linguistic Study." International Journal of Business Communication 55, no. 3 (2018): 357–82. http://dx.doi.org/10.1177/2329488418768691.

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This study aims to analyze the strategies of hedging in a prototypical speech act in economic communication—that is, predictions. The analyzed genre is that of central bank projections. We have used a parallel corpus of four reports (one European Central Bank report and three national bank reports) written in English, French, Spanish, and Portuguese. The analyzed documents are multimodal (having text, tables, and charts). At a global level, hedging arises from external assumptions that limit the validity of the predictions and from the fact that generally the text does not give direct predicti

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Tribalat, Michèle. "Une surprenante réécriture de l'histoire." Population Vol. 52, no. 1 (1997): 137–47. http://dx.doi.org/10.3917/popu.p1997.52n1.0147.

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Résumé Tribalat (Michèle).- Une surprenante réécriture de l'histoire des projections de population étrangère Dans cet article l'auteur donne une autre vision de l'histoire des projections de populations étrangères des années 1980, qui diffère sensiblement de celle proposée par Hervé Le Bras. Ce dernier a dirigé, en 1979-1980, un travail pour le compte du Haut Comité de la Population qui constitue un exemple du genre de ce qu'il ne faut pas faire. Aux erreurs méthodologiques (retours d'étrangers en nombre absolu aboutissant à des populations négatives, définition restrictive de la nationalité a

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Koffeman, Maaike. "Élise Hugueny-Léger, Projections de soi. Identités et images en mouvement dans l'autofiction." European Journal of Life Writing 12 (December 18, 2023): R18—R21. http://dx.doi.org/10.21827/ejlw.12.41394.

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Playing on the double meaning of the word projection, this book explores the multiple relationships between the French literary genre of autofiction and the moving image. Élise Hugueny-Léger, a researcher of contemporary French literature and a specialist of the work of Annie Ernaux, departs from the idea that autofictional writing is a form of psychological projection, wherein a self-image is being cast onto the page. In a more literal sense, the word projection refers to the cinematic technique of showing moving images on a screen. Several francophone authors known for their autofiction have

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Martínez, Evaristo C. "Reflexiones sobre la utilidad de la novela histórica como herramienta de difusión y pedagógica." Acta Hispanica 22 (January 1, 2017): 85–100. http://dx.doi.org/10.14232/actahisp.2017.22.85-100.

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The literary genre of the novel, besides being an element of entertainment, can also be a good useful for scientific dissemination. At this point, clearly it could turn into a pleasant tool and helps to reconstruct the essence of past times, having a greater projection in the field of History as long as it meets certain and elementary cases of rigor.

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Moya, Liao. "Piano Miniature as a form of Projection of The Pianist's Image Model in The Executive Contest." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 3-4(52-53) (December 14, 2021): 133–45. http://dx.doi.org/10.31318/2414-052x.3-4(52-53).2021.251814.

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The traditions of the genre of piano miniature are generalized by the author in the context of the achievements of modern musicology. There is some bias in existing research. It is established that the main provisions of these works remain theses: miniature is a little-studied genre; miniature is studied and perceived as a secondary genre; miniature is an extremely popular genre in the work of composers and in performing practice; the miniature is a mandatory part of the competition repertoire. The author applied a comprehensive culturological, musicological and psychological approach to justi

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Ledent, Jacques. "Vers une projection des familles selon leurs caractéristiques principales." Articles 24, no. 1 (2004): 3–33. http://dx.doi.org/10.7202/010180ar.

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RÉSUMÉ Cet article a pour objet de décrire les grandes lignes d'une méthodologie en cours d'élaboration visant à projeter les familles (ou groupes d'individus ayant entre eux des liens conjugaux ou de sang) selon leurs caractéristiques principales, à savoir le genre de famille mais aussi le nombre et l'âge des enfants présents. Cette méthodologie s'appuie pour l'essentiel sur un modèle de type multi-dimensionnel se présentant comme une extension de la traditionnelle méthode des composantes à la prise en compte du statut conjugal et de la parité des femmes. En bout de course, moyennant un élarg

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LUCIEN, ISABELLE. "Mélange faible topologique des flots sur les surfaces." Ergodic Theory and Dynamical Systems 18, no. 4 (1998): 963–84. http://dx.doi.org/10.1017/s0143385798108295.

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Le mélange faible topologique de presque tout échange d'intervalles différent d'une rotation a été démontré, en 1990, par Nogueira et Rudolph. On généralise ici ce résultat en considérant des flots suspensions au-dessus d'échanges d'intervalles : on montre que pour presque toute forme différentielle quadratique orientable sur une surface de genre ${\ge}2$, le flot vertical associé est topologiquement faiblement mélangeant ; le cas du tore permettant, lui, d'obtenir des fonctions propres continues naturelles par projection sur l'une des coordonnées.

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Zhang, Ling. "The genre of folk song arrangements: the synthesis of composing and performing interpretations." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 92–104. http://dx.doi.org/10.34064/khnum1-53.06.

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Logical reason for research. The current state of music science indicates that for the vocal and instrumental performing there are both, a number of general questions and problems, and many specific ones. The theme of performing in musicology has both, practical and theoretical projections, the interaction of which in a single research process gives the most valuable scientific result. A serious issue in terms of the musical interpretation for a musician-vocalist is the specificity of vocal genres. One of the most common and popular vocal genres is the folk song genre, which in all world music

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Batovska, Olena. "Artistic and Stylistic Principles of Interpreting the Mass Genre in Contemporary Compositional Practice." Bulletin of KNUKiM. Series in Arts, no. 48 (June 24, 2023): 49–56. https://doi.org/10.31866/2410-1176.48.2023.282440.

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The aim of the article is to determine the artistic and stylistic principles of interpreting the genre of the Mass in contemporary compositional practice. The objectives of the study are: to identify the most significant features of the genre tradition of the Mass in European musical culture and its projection on contemporary musical creativity; to determine the stable and variable components of the Mass genre tradition in the spiritual works <em>Missa Festiva</em> by J. Leavitt and <em>Requiem</em> by N. Telfer; to analyse the selected works for the research material

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Zinenko, Tetiana, Alisa Zinenko, Nina Chopenko, and Volodymyr Muravlov. "Fire Ceramic Sculpture in the Context of Contemporary Ukrainian Art: Art and Technology." International Journal of Engineering & Technology 7, no. 4.8 (2018): 554–59. http://dx.doi.org/10.14419/ijet.v7i4.8.27305.

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This article explores the phenomenon of fiery ceramic sculpture as a part of contemporary art culture, also here researches projection of this phenomenon into Ukrainian realityInformation includes data about this genre of art, its history, theoretical and terminological aspects. The article analyzes and systematizes artistic achievements of Ukrainian artists Andrei Sobyanin, Vyacheslav Vinkovsky, Alexander Shehanin, Vyacheslav Gudenok. Additionally, the paper explores the experience of introducing the author's ceramic sculpture at the symposiums in Opishne, Gaspra, Nikopol (Ukraine) and Daugav

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Ahmetagić, Jasmina. "The parable of the animus: The Prince with the Sad Eyes." Bastina, no. 59 (2023): 15–24. http://dx.doi.org/10.5937/bastina33-42283.

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In The Prince with the Sad Eyes, the short story that we will here interpret as a parable in the context of Jung's theory of archetypes, Andrić shows a woman torn between her real and idealized partner, and her suffering as a consequence of a lack of discernment in the matters of the heart, a lack of self-knowledge, and most of all, the influences of the archetypes of the collective unconscious - the animus and the shadow. Andrić thematizes projection as a psychological mechanism of falling in love, which rules interpersonal relationships in other contexts, too. Through this woman's infatuatio

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Gilbert, Reid. "Marie Clements's The Unnatural and Accidental Women: "Denaturalizing" Genre." Theatre Research in Canada 24, no. 1 (2003): 125–46. http://dx.doi.org/10.3138/tric.24.1.125.

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Cet article décrit brièvement la notion provisoire de l’auteur sur la «sheer theatre» et l’applique à une pièce de Marie Clements sur le meurtre en série de femmes autochtones, intitulée The Unnatural and Accidental Women. En montrant comment la pièce se sert d’éléments textuels non verbaux (mouvement, effets sonores, éclairages et projection d’images), Gilbert propose une série de graphèmes physiques et examine comment l’«écriture» «immatérielle» peut servir à dénaturaliser la reception. Un tel déraillement de la réaction prévue au genre conventionnel sert à traumatiser la réception, à établi

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Fedorenko, Valentina. "Travel Essays by E.N. Kletnova: Genre Features, the Image of the Author, Language." Izvestia of Smolensk State University, no. 1(69) (May 23, 2025): 38–50. https://doi.org/10.35785/2072-9464-2025-69-1-38-50.

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The article examines the genre features of the cycle of travel essays by E.N. Kletnova about Ossetia, which includes the works «Lampada of the mountain gorge», «In the mountains of Ossetia» and «Along ore Ossetia». The author's image is analyzed from the point of view of the projection of the creator's personality and the principle that constructs the text. The problems and ideas of concern to the author, his self-perception and attitude to the «women's issue» are considered. The author's speech expression is studied, in particular the lexical and stylistic features of the essays. The linguist

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Baya E, Moulay-Lahssan. "La Traducción De La Argumentación En El Texto Periodístico Español/Árabe Y La Aplicación De Las Técnicas Específicas De Traducción." European Scientific Journal, ESJ 12, no. 26 (2016): 73. http://dx.doi.org/10.19044/esj.2016.v12n26p73.

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This research aims at presenting the importance of the journalistic translation from Spanish into Arabic. It pretends to present this topic through two main axes. The first axe presents a contextualization of journalistic genre in a very particular way; the argumentative genre as the main axe of our research. The second axe of this work, which has been very practical, after defining and exposing the characteristics of argumentative text, focuses on the application of specific techniques of journalistic translation, which are basically, amplification, compression and omission. Therefore, we hav

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Bohatyriov, Volodymyr. "Orchestration as a factor of genre reproduction (on the example of analysing Zoltan Almashi’s Concerto Grosso no. 4 “Seasons”)." Aspects of Historical Musicology 33, no. 33 (2023): 142–55. http://dx.doi.org/10.34064/khnum2-33.08.

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Statement of the problem. Among the many trends in the creative search in music of the XX–XXI centuries, one of the leading ones is the appeal to the ideas and models of the past. This has led to the revival of previous centuries musical genres. The accuracy of a genre’s reproduction is determined by its constituent elements, such as musical themes, harmony, form structure, etc. Orchestration plays an important role in this process, as it forms a timbre-textural complex that has structural, organisational and semantic functions in musical work. The considered piece, Z. Almash’si Concerto Gross

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Hunt, David. "Five new species of Rhigonema Cobb, 1898 (Rhigonematida: Rhigonematidae) from the Philippines and Vietnam with observations on the morphology of the Indo-Malayan forms and nematophagy by R. voratum sp. n." Nematology 1, no. 4 (1999): 337–61. http://dx.doi.org/10.1163/156854199508306.

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AbstractFive new species of Rhigonema are described and illustrated from the gut of diplopods collected from the Philippines and Vietnam. R. flabellifer sp. n., R. golovatchi sp. n., R. rigonanae sp. n., R. spiridonovi sp. n. and R. voratum sp. n. are differentiated from one another and the remaining species in the genus by a combination of characters including form of the cephalic extremity, development and extent of the pilose region, female genital tract type, male and female tail shape, spicule form and number and disposition of the copulatory papillae. Two species, both from polydesmid di

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Istianingrum, Rika, and Retnowaty Retnowaty. "MANTRA TIPONG TAWAR DALAM TRADISI UPACARA PERTANIAN DAYAK PASER SEBAGAI PROYEKSI KEHIDUPAN MASYARAKAT." KULTURISTIK: Jurnal Bahasa dan Budaya 2, no. 1 (2018): 19. http://dx.doi.org/10.22225/kulturistik.2.1.351.

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[Title: Tipong Tawar Mantra in the Tradition of Agricultural Ceremony of Dayak Paser as a Projection of Community Life] Mantra as one of the genre of oral literature, in its time used by society archipelago as the answer to handle life problems. Mantra in a tradition of society that its trace has been found nowadays is a manifestation of the efforts and ways of community groups in understanding and explaining the reality of the environment. Tipong Tawar mantra is one of the spells that developed in the Dayak tribe Paser East Kalimantan. This mantra is used in Dayak Paser traditional agricultur

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Gruenler, Curtis. ""On Fairy-Stories" as a Theory of Literature: Tolkien Meets Ricœur and Girard on the Field of Myth." Religion & Literature 55, no. 2-3 (2024): 169–91. https://doi.org/10.1353/rel.2024.a948409.

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Abstract: Tolkien's essay "On Fairy-stories" implies a general theory of literature that goes beyond the fantasy genre exemplified by his own stories. The more fully developed literary and cultural theories of Paul Ricoeur and René Girard help unfold its implications. What Tolkien terms the "subcreation" of a "secondary world" heightens what, according to Ricoeur, all written works do in projecting a world. The uses Tolkien finds in fantasy, under the headings Recovery, Escape, and Consolation, extend the capacities for knowledge and love of the other valued in many kinds of literature. These

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Freed, Richard C. "A Meditation on Proposals and Their Backgrounds." Journal of Technical Writing and Communication 17, no. 2 (1987): 157–63. http://dx.doi.org/10.2190/lrw7-a0pr-5f6x-d73a.

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Based upon several years of research on proposal writing in large management consulting firms, this article attempts to define the proposal genre and argue the importance of the background section, especially in the management consulting environment. Because the background is the first major section in these proposals, it offers writers the opportunity to demonstrate implicitly their qualifications as problem solvers long before a qualifications section does so explicitly. That demonstration, the projection of image and ethos, can occur logically—through an argument that responds to the generi

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Rudoni, Elia R. "IDYLL 7AND THEHYMN TO HERMES." Cambridge Classical Journal 61 (June 29, 2015): 99–110. http://dx.doi.org/10.1017/s1750270515000032.

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Simichidas' self-presentation as a poet at Theocritus 7.37 is modelled on Apollo's self-presentation as a musician atHomeric Hymn to Hermes450. Through this allusion, in his own Dichterweihe as a bucolic poet Simichidas hints at the invention of the bucolic genre by Hermes. The reference is crafted so as to point self-reflexively to its status as reference; in particular, the expression καὶ γὰρ ἐγώ (‘I too’) of line 37 functions as an intertextual signpost. If Simichidas is a literary projection of Theocritus, the allusion has important implications for our understanding of his self-positionin

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Chaika, Myroslava. "Mockumentaries and Documentaries of "Mixed Forms" in the Audiovisual Culture of the Twentieth Century." Issues in Cultural Studies, no. 43 (May 2, 2024): 68–77. https://doi.org/10.31866/2410-1311.43.2024.303033.

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<em>The aim of the article </em>is to analyse the specifics of genre mutation and particular manifestations of the artistic and aesthetic system transformation of documentary filmmaking on the example of mockumentary, which will help to clarify the place of this genre form in audiovisual culture. <em>Research results</em>. The context of the docufiction formation in the early twentieth century is considered. The specifics of mockumentary in the projection of the development of “mixed forms” documentary during the last century are investigated, in particular, using specifi

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Martin, Robert. "Sur le genre grammatical en français : le masculin et le féminin dans l’inanimé." Journal des savants 2, no. 1 (2019): 437–54. http://dx.doi.org/10.3406/jds.2019.6419.

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In French, the masculine/ feminine opposition is clearly of a sexual nature for animates (le boulanger/ la boulangère ; un chien/ une chienne). But what of inanimate objects (le soleil/ la lune) ? Is gender completely arbitrary in this case ? The hypothesis adopted here is that of a metaphoric projection of sexual difference onto inanimate beings. To this end, the function of gender as a category is first defined. Just as number, gender is used to structure the predicative category of the noun : gender possesses all the properties of a structuring category (it is a constraining type category,

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Matsevko-Bekerska, Lidiia, Olha Nikolenko, Roksoliana Kokhan, and Kateryna Nikolenko. "Narrative Aspects of the Novels by Lucy Maud Montgomery and Eleanor Porter." Arab World English Journal For Translation and Literary Studies 6, no. 1 (2022): 53–66. http://dx.doi.org/10.24093/awejtls/vol6no1.5.

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The metamodernist mood of the modern era increasingly clearly correlates with the transformation of literary methodologies and methods of reading, analysis, and interpretation of literary texts. The study of the genre specificity of the novel is one of the essential segments of the latest scientific studies, given its flexibility and significant textual representation in various national works of literature. This paper offers a critical review of the key stages in the history of the study of the novel as a literary genre, as well as shows the possibilities of understanding the poetic aspects o

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Kolosova, Hanna, Inna Borkovska, Kateryna Tuliakova, Yuliia Kornytska, Iryna Kozubska, and Svitlana Volkova. "Proper Names as Presupposition Triggers in the Horror Story Semantic and Functional Aspects." Forum for Linguistic Studies 6, no. 3 (2022): 746–60. http://dx.doi.org/10.30564/fls.v6i3.6638.

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This study is devoted to analysing the presupposition of proper names, which is interpreted as a guess or implicit assumption in the semantic and functional aspects in the context of the horror genre, in particular, the story “The Lurking Fear” by Howard Phillips Lovecraft. The purpose of the article is to identify the trigger functions of proper names in this genre and classify the dependence of the presupposition level on the background knowledge of the author and the reader. This dependence is divided into “Perfect match”, “Total mismatch” and “Partial match”. Interpreting different types o

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Houbre, Gabrielle. "Parcours transgenres dans la France du XIX^e siècle." médecine/sciences 38, no. 10 (2022): 801–7. http://dx.doi.org/10.1051/medsci/2022127.

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Si la transidentité est un impensé du XIXe siècle, on peut toutefois découvrir dans des archives inédites des existences transgenres, et ce, dans tous les milieux sociaux. L’intensité performative qui les caractérise se lit dans l’apparence physique recomposée à l’aide du vêtement et de la coupe de cheveux, mais plus encore à travers la capacité à intégrer au quotidien la sociabilité du genre choisi. Elle frappe, notamment chez les plus humbles, par sa plénitude et sa durée, par son caractère irrévocable quand il n’est pas contraint, par l’audace et la liberté qui la nourrissent. Elle invite à

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Ванг Юй. "БАГАТОВИМІРНІСТЬ ВТІЛЕНЬ СЮЖЕТУ ТУРАНДОТ В ЖАНРІ ТЕАТРАЛЬНОЇ МУЗИКИ". World Science 3, № 3(43) (2019): 34–44. http://dx.doi.org/10.31435/rsglobal_ws/31032019/6419.

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    The article deals with the historical projection of the 300-year-old path of the Turandot image in the genre of theatrical music. After completing all the stages of European exoticism in Chinese subjects, Turandot was embodied in the main stages of the development of musical drama - from the baroque French Fair Theater Fory Saint-Lauren (Le Sage / d'Orneval for the first time analyzed music by J.C. Gillіer) through the pre-classical model of Italian folk (K. Gozzi) to the concept of German romanticism (F. Schiller ‒ F. Destush, K.M. Weber, W. Lyahner), oriental read

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Latov, Yuri. "Paradoxes of the Russian Popadanets` Science Fiction." Sotsiologicheskie issledovaniya, no. 4 (2023): 117–28. http://dx.doi.org/10.31857/s013216250025451-9.

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The author supports proposed by R.N. Abramov interpretation of the Russian science fiction development in the genre of alternative history as a reflection of the mass consciousness dynamics of Russians, but attempts, taking into account bibliometric data, to significantly clarify it. The development of this genre should be seen in the context of the evolving historical mentality of "post-Soviet" Russians, which turned out to be characterized by a commitment to virtual versions of historical events. This finds expression in the mass popularity of not only pseudo-scientific literature on the top

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Потніцева, Тетяна. "ФЕНОМЕН СУЧАСНОГО БЕСТСЕЛЕРА (“КЛЕОПАТРА ТА ФРАНКЕНШТЕЙН” КОКО МЕЛЛОРЗ, 2022)". Inozenma Philologia, № 136 (10 грудня 2023): 113–22. http://dx.doi.org/10.30970/fpl.2023.136.4208.

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The article focuses on the analysis of the modern variant of rom-com genre which is presented in one of the latest literature bestsellers, the novel by Coco Mellors “ Cleopatra and Frankenstein”, 2022. The success of the rom-com genre in the 21st century, although its sources are in the past, in the 20th century, is due, as the research convinces, to certain vectors of innovation of the problematic as well as poetological plans, – all that responds to the world perception of modern people in their mistrust in reality and in themselves. The new variant of rom-com makes obvious its polemics, opp

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Zhang, Ling. "The genre of folk song settings: the ways of interaction of traditional and professional musical art." Aspects of Historical Musicology 21, no. 21 (2020): 113–23. http://dx.doi.org/10.34064/khnum2-21.07.

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Logical reason for research. The contemporary music science is becoming an increasingly multifaceted research field. This is connected with the evolution of musical art in general (its language, genre system, stylistic diversity), and its interaction with other manifestations of human creativity, and with new aspects of studying the achievements of world and national culture. One of the topical perspectives of scientific attention over the past decades has been the attention of musicologists to musical practice, in particular, to musical performance in all its multi-vector manifestations – in

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Pahlisch, Colin, and Gaspard Turin. "Enseigner la science-fiction dans ses perspectives politiques." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 17, no. 1 (2023): 1–22. http://dx.doi.org/10.51777/relief17555.

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La littérature ne constitue pas un programme mais envisage des possibles. La science-fiction (SF), en tant que genre exploratoire, insiste spécifiquement sur ces possibles. L’une des manières par lesquelles elle les produit consiste à potentialiser la pensée politique. Par des actes de fiction, elle renouvèle notre compréhension de la politique et, dans une certaine mesure, y participe. En différenciant la politique (instituée, « politicienne ») et le politique (qui pense et transforme le vivre-ensemble, suivant le principe de l’égalité essentielle à la démocratie), on s’attachera au second po

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Santoso, Maria Regina Yanuarika Putri, and Wulan Purnama Sari. "Analisis Semiotik Kesadaran Palsu dalam Media Baru (Augmented Reality) dalam Film Ketika Berhenti di Sini." Koneksi 8, no. 1 (2024): 206–14. http://dx.doi.org/10.24912/kn.v8i1.27636.

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The film When Stop Here combines the romance genre with a sci-fi theme which highlights innovative technological advances in creating new media based on virtual reality, Augmented Reality. This technological reality projection can trigger individuals to experience disorientation and change their beliefs about the reality they see, this is what is called false consciousness. The aim of this research is to show a picture of false consciousness in new media (Augmented Reality) contained in the film Kapan Stop Here using Charles Sander Pierce's semiotic method. The concept of depicting false consc

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Uspenska, I. O. "Violin concerto principles as a way of musical thinking: semantic discourse." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 169–88. http://dx.doi.org/10.34064/khnum1-56.11.

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Background. The history of concert music, separated from ritual and other non-musical functions, is closely connected with the art of violin. The violin was the leading instrument of the Baroque concert style, the examples of which are still unsurpassed. Despite the large amount of research on the formation and varieties of violin style, the concept of “concert” in combination with the concept of “violin” has not yet been considered separately, which determines the relevance of the topic of this article. The object of the research is a concerto principle of musical thinking in violin music; th

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Sayantani, Chakraborti. "Peeping into Powerpuffs' Power-house: Unravelling Politics of Projection." postscriptum: An Interdisciplinary Journal of Literary Studies 1, no. 2 (2016): 30–40. https://doi.org/10.5281/zenodo.1318817.

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Powerpuff Girls, expected to re-enter the new media sometime in 2016, are obviously not the only super-heroines in the genre of animated action superheroes. Their uniqueness lies in possessing superpowers while retaining the essential individualistic girlishness. They start writing a saga of female empowerment when the world of children’s animated films and cartoons have been mostly dominated by the superheroes and even if there are a few heroines, they are shown as beautiful and enticing with bodily curves represented just in the manner the male gaze would love to see them. This may aga

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Bovsunivska, Tetyana. "CONTEMPORARY NOVEL IN ASPECT OF FRAME POETICS." LITERARY PROCESS: methodology, names, trends, no. 17 (2021): 17–24. http://dx.doi.org/10.28925/2412-2475.2021.17.2.

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The article considers the possibility of synthesizing the system of poetics on the basis of cognitology, in this case - the theory of frames. The frame poetics is able to provide motivation where classical, non-classical or postnonclassical cannot offer convincing motivations. Poetics develops according to the laws of human thinking, in particular fixed in the frame theory. Therefore, we have reason to use frames in literary studies, because the frame is a natural segmentation of thinking in literature as well as in any field of science. The problem of genre definitions and genre transformatio

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Lacalle, Charo. "Genre and Age in the Reception of Television Fiction." Comunicar 20, no. 39 (2012): 111–18. http://dx.doi.org/10.3916/c39-2012-03-01.

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This article summarizes the main results of an investigation that is part of a project regarding the construction of youth and gender identity in television fiction. The methodology integrates reception analysis (focus group) with data obtained through an anonymous questionnaire, designed to contextualize the results of the qualitative research. Television fiction is the favourite macro-genre of young people, especially women. Broadly speaking, participants appreciate the greater proximity of Spanish fiction, which favours the different mechanisms of identification/projection activated during

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Krapivkina, O. A. "SIGHT TRANSLATION AND ITS STATUS IN THE TRAINING OF INTERPRETERS AND TRANSLATORS." Indonesian Journal of Applied Linguistics 7, no. 3 (2018): 695. http://dx.doi.org/10.17509/ijal.v7i3.9820.

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Sight translation has been considered as a supportive teaching method for simultaneous and consecutive interpretation for a long time and, due to recent developments in various fields such as business, law, science, and technology, it has gained more attention beyond simultaneous and consecutive interpretation. However, research on how sight translation is applied seems to be rare. This study, thus, aims to investigate the challenges and exercises to overcome them to improve student’s sight translation. This research employed a descriptive analysis using teacher’s assessment and students’ self

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Dutta, Minakshi. "A Reading of Bhabendra Nath Saikia's Films from Feminist Lens." CINEJ Cinema Journal 8, no. 2 (2020): 247–74. http://dx.doi.org/10.5195/cinej.2020.261.

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Feminist movement deconstructs the constructed images of women on the screen as well. The gap between real and reel woman is a vibrant topic of discussion for the feminist scholars. As a regional genre of Indian film industry Assamese film flourished during the third decades of twentieth century. Like the films of other parts of the world, Assamese films also constructing the image of woman, particularly Assamese women, in its own way of projection. Hence, this article is an attempt to explore the questions related to women’s representation by taking the films of Assamese director Dr. Bhabendr

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Savchenko, Hanna. "Orchestral writing into the I. Stravinsky’s opera «Mavra» in the aspect of general and singular." Музикознавча думка Дніпропетровщини, no. 18 (November 13, 2020): 104–14. http://dx.doi.org/10.33287/222021.

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The purpose of this article is to study I. Stravinsky’s opera «Mavra» in the aspect of embodiment of «universals» (by S. Savenko) of the composer’s orchestral logic and usage of specific devices of orchestration, spawned by original artistic idea and genre traits of the opera. The article applies such methods of this scientific research as genre, historical and system-functional. The scientific novelty of the investigative article is caused by the fact, that it is foremost research in domestic musicology of specifics of «Mavra’s» orchestral writing on intersection of general and singular. Conc

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Gotsalyuk, Alla. "TRADITIONS AND INNOVATIONS AS DETERMINING FACTORS IN THE DEVELOPMENT OF UKRAINIAN THEATRICAL ART." Spatial development, no. 7 (February 23, 2024): 612–24. http://dx.doi.org/10.32347/2786-7269.2024.7.612-624.

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This article analyzes the trends in the use of the most important means of artistic expression in theatrical art and cinema, marked by the influence of evolutionary changes in modern cultural life and the emergence of new genre modalities in today's staging decisions, related to the ideological reorientation of social consciousness and the formation of innovative artistic features in the modern theater. The compositional portrait of modern theater highlights the possibilities of dramatic genre modeling, modern technologies and their transformational processes, which are interrelated with the d

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Seligey, V. V. "THE TRANSCULTURAL VISTA OF REASSESSING THE DISCOURSE OF CHINESE TRADITION IN GUO DINSHEN’S ESSAY COLLECTION “THE UGLY CHINAMAN AND THE CRISIS OF CHINESE CULTURE”." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 3(55) (April 12, 2019): 338–49. http://dx.doi.org/10.31471/2304-7402-2019-3(55)-338-349.

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The creative work of modern Taiwanese writer Ho Dinsheng is considered for the first time in the Ukrainian literary studies. The analysis is focused on the peculiarities of the intertextual semantics of transculturation in the essay collection "The Ugly Chinaman and the Crisis of Chinese Culture". The transcultural perspective is embodied as the project, akin to the tendencies of "culture criticism". The accusatory tone, the lashing portrayal of iconic stamps, resulted from simplifying projection of traditional culture into mass discourse, is combined with multiple allusion, reminiscence and q

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