Auswahl der wissenschaftlichen Literatur zum Thema „Projection de genre“
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Zeitschriftenartikel zum Thema "Projection de genre"
Dergach, Dmytro. „Language intellectualization in new media: evolution of genre paradigm“. Current issues of Ukrainian linguistics: theory and practice, Nr. 44 (2022): 48–67. http://dx.doi.org/10.17721/apultp.2022.44.48-67.
Der volle Inhalt der QuelleStavila, Tudor. „Iraida Ciobanu, in the three hypostases of her self-affirmation“. Akademos, Nr. 4(63) (März 2022): 150–53. http://dx.doi.org/10.52673/18570461.21.4-63.19.
Der volle Inhalt der QuelleЩітова, С. А., und Т. О. Швець. „MULTIDIMENSIONALITY OF GENRE SYNTHESIS IN CONTEMPORARY MUSICAL ART“. Музикознавча думка Дніпропетровщини, Nr. 15 (04.11.2019): 118–26. http://dx.doi.org/10.33287/22199.
Der volle Inhalt der QuelleRauf, Ramis. „Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious“. Jurnal POETIKA 5, Nr. 1 (31.07.2017): 51. http://dx.doi.org/10.22146/poetika.25994.
Der volle Inhalt der QuelleRauf, Ramis. „Proyeksi Astral: Analisis Wacana Fiksi Posmodern dalam Naskah Film Insidious“. Poetika 5, Nr. 1 (31.07.2017): 51. http://dx.doi.org/10.22146/poetika.v5i1.25994.
Der volle Inhalt der QuelleDergach, Dmytro. „Linguistic Models of Mass Media Genres` Stylistic Diffusion in the Communicative Space of Ukraine and Bulgaria“. Bulgarski Ezik i Literatura-Bulgarian Language and Literature 66, Nr. 2 (15.03.2024): 213–27. http://dx.doi.org/10.53656/bel2024-2-7d.
Der volle Inhalt der QuelleRozin, Vadim M. „Comprehending Discourse: Challenges of Time, Search, Construction (Book review: G.L. Tulchinskii & M.N. Epstein. (Eds.) Philosophical Projective Dictionary. New Terms and Concepts (Issue 2). Saint Petersburg: Aletheia, 2020)“. Russian Journal of Philosophical Sciences 63, Nr. 12 (25.03.2021): 121–34. http://dx.doi.org/10.30727/0235-1188-2020-63-12-121-134.
Der volle Inhalt der QuelleSampson, Chris. „Developing projection in student songwriters: Writing popular songs that are actually popular“. Journal of Popular Music Education 3, Nr. 1 (01.04.2019): 105–11. http://dx.doi.org/10.1386/jpme.3.1.105_1.
Der volle Inhalt der QuelleLejeune, Pierre. „The Epistemic Status of Predictions in Central Bank Reports: A Cross-Linguistic Study“. International Journal of Business Communication 55, Nr. 3 (20.06.2018): 357–82. http://dx.doi.org/10.1177/2329488418768691.
Der volle Inhalt der QuelleTribalat, Michèle. „Une surprenante réécriture de l'histoire“. Population Vol. 52, Nr. 1 (01.01.1997): 137–47. http://dx.doi.org/10.3917/popu.p1997.52n1.0147.
Der volle Inhalt der QuelleDissertationen zum Thema "Projection de genre"
Carrel, Thomas. „Le Modèle de la Projection de Genre : un modèle explicatif du plafond de verre, de l'effet de backlash,et de la falaise de verre“. Electronic Thesis or Diss., Bourgogne Franche-Comté, 2023. http://www.theses.fr/2023UBFCH034.
Der volle Inhalt der QuelleThis dissertation aims to understand three gender phenomena in business with regard to a single model: the Gender Projection Model (GPM). The glass ceiling phenomenon (Kanter, 1977; Cook & Glass, 2014) puts forth two cognitive explanations for the underrepresentation of women in director positions: the Think Manager - Think Male (Schein, 1973, 1975) and the lack-of-fit model (Heilman, 1983). Women would not have the right characteristics to become managers, while men would. However, if women present themselves with the right characteristics, they will experience a backlash effect (Rudman, 1998): they will not be chosen to be directors because they are counter-normative to their gender group. The role of women (Eagly & Karau, 2002) is not to lead a company or a team. Nevertheless, under certain conditions, women's chances of obtaining a managerial position increase: this is the glass cliff phenomenon (Ryan & Haslam, 2005). When the company is in a precarious position, a woman and female charecteristics will be preferred to lead. Again, cognitive explanations are offered: Think Crisis - Think Female (Ryan et al., 2011; Gartzia et al., 2012) and Think Crisis - Think not Male (Bruckmuller & Branscombe, 2010; Ryan et al., 2011). MPG offers a single cognitive and motivational explanation based on the Social Identity Approach (Haslam, 2004) and the Ingroup Projection Model (Wenzel et al., 2007) to these three phenomena. The MPG shows that men project more masculine characteristics onto the manager prototype than women do (Chapter 3) and this projection is moderated by the company's situation (Chapter 4). And it is this elaboration of the prototype of the manager that allows the evaluation of a normative applicant (Chapter 3). When a woman is non-normative to her gender group (Chapter 5), our results partially support gender projection as an explanatory mechanism for the backlash effect. However, this does not seem to be the case for a gender non-normative man (Chapter 6)
Anthérieu-Yagbasan, Caroline. „Le personnage dans l'oeuvre de Stefan Zweig : enjeux esthétiques et narratifs“. Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3022.
Der volle Inhalt der QuelleMost of the aesthetics questions of the XXIst century are focalised on the issue of fictional character. In this frame, this study try to examine how aesthetical strategies and poetics of reception are connected through the case of an austrian author, Stefan Zweig, who wrote not only a lot of fictional narratives (essentially short stories and novels), but also historical and geographical essays.His narrative poetic draw situations of communication, like framed narrative, in which the reader is invited to implicate himself, face to a character whose words are the only one version of fictional facts. In the same order of ideas, characters, in fiction or in biographies, are often placed in a critical situation, that reveals in the same time an inner destiny and unaffordable consequence of the way they act. So all elements of life and personnality are convergent, and can explain each other, as if Zweig's characters were totally coherent beings. To conclude, it appears that biographical characters have fictional problematics, and more, they belong to the category of fictional characters ; consequently, it is productive to apply to it the tools of narrative critic, for instance in the perspective of reader and affectives mecanisms of projection
Laget, Guillaume. „Groupes de Thompson projectifs de genre 0“. Université Joseph Fourier (Grenoble), 2004. http://www.theses.fr/2004GRE10086.
Der volle Inhalt der QuelleThompson group T is the group of all piecewise projective homeomorphisms of the hyperbolic disk with rational breakpoints. For a subgroup of PSL2 (Z) we can construct a subgroup Tr of T, and we ask if the fundamental property of being of finite type is preserved. This study depends on the genus of the surface associated to T. The main goal of our study is to prove that, in genus 0, T is not finitely generated. We first conjugate T to a group of piecewise affine group of homeomorphisms, and we prove, with classical Thompson groups, that this group is of finite type. Then we give a combinatorial description of T with forests, which permits us to determine an infinite presentation of this group, and then a finite presentation
Folgieri, R. „Ensembles based on Random Projection for gene expression data analysis“. Doctoral thesis, Università degli Studi di Milano, 2008. http://hdl.handle.net/2434/45878.
Der volle Inhalt der QuelleStamm, Karl D. „Gene set enrichment and projection| A computational tool for knowledge discovery in transcriptomes“. Thesis, Marquette University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10146411.
Der volle Inhalt der QuelleExplaining the mechanism behind a genetic disease involves two phases, collecting and analyzing data associated to the disease, then interpreting those data in the context of biological systems. The objective of this dissertation was to develop a method of integrating complementary datasets surrounding any single biological process, with the goal of presenting the response to a signal in terms of a set of downstream biological effects. This dissertation specifically tests the hypothesis that computational projection methods overlaid with domain expertise can direct research towards relevant systems-level signals underlying complex genetic disease. To this end, I developed a software algorithm named Geneset Enrichment and Projection Displays (GSEPD) that can visualize multidimensional genetic expression to identify the biologically relevant gene sets that are altered in response to a biological process.
This dissertation highlights a problem of data interpretation facing the medical research community, and shows how computational sciences can help. By bringing annotation and expression datasets together, a new analytical and software method was produced that helps unravel complicated experimental and biological data.
The dissertation shows four coauthored studies where the experts in their field have desired to annotate functional significance to a gene-centric experiment. Using GSEPD to show inherently high dimensional data as a simple colored graph, a subspace vector projection directly calculated how each sample behaves like test conditions. The end-user medical researcher understands their data as a series of somewhat-independent subsystems, and GSEPD provides a dimensionality reduction for high throughput experiments of limited sample size. Gene Ontology analyses are accessible on a sample-to-sample level, and this work highlights not just the expected biological systems, but many annotated results available in vast online databases.
Ortigas, Galindo Jorge. „Invariants algébriques et topologiques des courbes et surfaces à singularités quotient“. Thesis, Pau, 2013. http://www.theses.fr/2013PAUU3011/document.
Der volle Inhalt der QuelleThe main goal of this PhD thesis is the study of the cohomology ring of the complement of a reduced algebraic curve in the complex weighted projective plane whose irreducible components are all rational (possibly singular) curves. In particular, holomorphic (rational) representatives are found for the cohomology classes. In order to achieve our purpose one needs to develop an algebraic theory of curves on surfaces with quotient singularities and study techniques to compute some particularly useful invariants by means of embedded Q-resolutions
Arène, Christophe. „Géométrie et arithmétique explicites des variétés abéliennes et applications à la cryptographie“. Thesis, Aix-Marseille 2, 2011. http://www.theses.fr/2011AIX22069/document.
Der volle Inhalt der QuelleThe main objects we study in this PhD thesis are the equations describing the group morphism on an abelian variety, embedded in a projective space, and their applications in cryptograhy. We denote by g its dimension and k its field of definition. This thesis is built in two parts. The first one is concerned by the study of Edwards curves, a model for elliptic curves having a cyclic subgroup of k-rational points of order 4, known in cryptography for the efficiency of their addition law and the fact that it can be defined for any couple of k-rational points (k-complete addition law). We give the corresponding geometric interpretation and deduce explicit formulae to calculate the reduced Tate pairing on twisted Edwards curves, whose efficiency compete with currently used elliptic models. The part ends with the generation, specific to pairing computation, of Edwards curves with today's cryptographic standard sizes. In the second part, we are interested in the notion of completeness introduced above. This property is cryptographically significant, indeed it permits to avoid physical attacks as side channel attacks, on elliptic -- or hyperelliptic -- curves cryptosystems. A preceeding work of Lange and Ruppert, based on cohomology of line bundles, brings a theoretic approach of addition laws. We present three important results: first of all we generalize a result of Bosma and Lenstra by proving that the group morphism can not be described by less than g+1 addition laws on the algebraic closure of k. Next, we prove that if the absolute Galois group of k is infinite, then any abelian variety can be projectively embedded together with a k-complete addition law. Moreover, a cryptographic use of abelian varieties restricting us to the dimension one and two cases, we prove that such a law exists for their classical projective embedding. Finally, we develop an algorithm, based on the theory of theta functions, computing this addition law in P^15 on the Jacobian of a genus two curve given in Rosenhain form. It is now included in AVIsogenies, a Magma package
Leyva, Navarro Jose Enrique. „Brand personification through music as brand knowledge : Learning from the perspective of consumers of hip-hop music in Sweden, on the associations of music in sneaker brands“. Thesis, Högskolan i Jönköping, Internationella Handelshögskolan, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-14979.
Der volle Inhalt der QuelleNoblecourt, Pauline. „La lumière focalisée dans les spectacles parisiens du XIXe siècle“. Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2124.
Der volle Inhalt der QuelleThrough the analysis of a wide range of technical sources (patents, treaties, manuals) and artistic sources (plays, “livrets de mise en scène”, iconography), this study proposes an analysis of the emergence of focused light on Parisian stages, and the transformations of the scopic regime specific to the theatre induced by this new lighting. From the 1840s onwards, shows (dramatic, lyrical, or dance) regularly feature "rays of light", produced by optical devices (lenses, streetlights), which make it possible to create directional and focused light. This study examines the aesthetic and technical shifts that led to the adoption and generalization of these effects. The transformations of the paradigm of vision in the 19th century, analysed in particular by Jonathan Crary, make it possible to understand that the contrasts of light, very popular from the 1800s onwards, particularly in melodramas and romantic dramas, testify to a paradigm shift in theatre: the construction of a view of the stage, through the use of light, is gradually becoming imperative. It is in this context that the pattern of the ray emerges in the romantic imagination, first as a metaphor for vision and drama, then as a staged light effect. From the 1850s, the advent of the first electric and limelight projectors made it possible to multiply the effects of focused light, whose uses were gradually codified. On the one hand, focused light is used as a disciplinary device and imposes itself as a means of controlling specifically the attention paid to the stage, thus contributing to the long movement of pacification of the spectators during the century. But it also allows a sharpened gaze: the projector thus becomes the means of instrumenting the spectator's eye to give him to see what he would not otherwise have noticed: the details, the signs, the clues. Thus the "ray" participates in the implementation of the "conjectural paradigm" in the theatre, which Jean-Pierre Sarrazac described in particular on the basis of Carlo Ginzburg's work. On the other hand, focused light is used to transform bodies through technology, especially those of fantastic creatures and women. It thus becomes an instrument for the production of otherness; it allows the production of bodies conforming to gender categories. From this point of view, the ray makes it possible to start thinking about thelinks between light and matter as early as in the 1850s. Practitioners then experiment with different uses of light: some are based on objectification, as defined by Sandra Lee Bartky in particular; others, particularly the work of Loïe Fuller, invent new ways of staging focused light. The appendix volume of this thesis contains lists of light indications in 19th century staging booklets, including the Palianti collection and the collections of the Association de la Régie théâtrale
Torner, Evan. „The race-time continuum: Race projection in DEFA genre cinema“. 2013. https://scholarworks.umass.edu/dissertations/AAI3589196.
Der volle Inhalt der QuelleBücher zum Thema "Projection de genre"
Dowd, Garin, und Natalia Rulyova. Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan Limited, 2015.
Den vollen Inhalt der Quelle findenDowd, Garin, und Natalia Rulyova. Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, 2014.
Den vollen Inhalt der Quelle findenDowd, Garin, und Natalia Rulyova. Genre Trajectories: Identifying, Mapping, Projecting. Palgrave Macmillan, 2015.
Den vollen Inhalt der Quelle findenWhitesell, Lloyd. Style Modes. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0001.
Der volle Inhalt der QuelleWhitesell, Lloyd. Tricks of the Light. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190843816.003.0008.
Der volle Inhalt der QuelleDuffett, Mark, und Jon Hackett. Scary Monsters. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501313400.
Der volle Inhalt der QuelleColmeiro, José. Peripheral Visions / Global Sounds. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940308.001.0001.
Der volle Inhalt der QuelleArnold, Gordon B. Projecting the End of the American Dream. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798216001980.
Der volle Inhalt der QuelleMerl, Dan, Joseph Lucas, Joseph Nevins, Haige Shen und Mike West. Trans-study projection of genomic biomarkers in analysis of oncogene deregulation and breast cancer. Herausgegeben von Anthony O'Hagan und Mike West. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198703174.013.6.
Der volle Inhalt der QuelleSargent, Lyman Tower. Colonial Utopias/Dystopias. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199609932.003.0018.
Der volle Inhalt der QuelleBuchteile zum Thema "Projection de genre"
Kuiper, Koenraad. „Playing a False Part: Projecting and Perceiving Fraudulent identities on the Internet“. In Formulaic Genres, 75–91. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230241657_5.
Der volle Inhalt der QuelleTasoulis, Sotiris K., Vassilis P. Plagianakos und Dimitris K. Tasoulis. „Projection Based Clustering of Gene Expression Data“. In Computational Intelligence Methods for Bioinformatics and Biostatistics, 228–39. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14571-1_17.
Der volle Inhalt der QuelleKatzman, R., und P. J. Fox. „The World-Wide Impact of Dementia. Projections of Prevalance and Costs“. In Epidemiology of Alzheimer’s Disease: From Gene to Prevention, 1–17. Berlin, Heidelberg: Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/978-3-642-60076-0_1.
Der volle Inhalt der QuelleImai, T., und H. Sakano. „Odorant Receptor Gene Choice and Axonal Projection in the Mouse Olfactory System“. In Results and Problems in Cell Differentiation, 25–36. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/400_2008_3.
Der volle Inhalt der QuelleJanfada, Mahtab, Martina Tassone, Marian Mahat und Nadine Crane. „Reconceptualizing Assessment in Initial Teacher Education from a Relational Lens“. In Rethinking Higher Education, 79–96. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-8951-3_6.
Der volle Inhalt der QuelleYeo, Su-Anne. „Summoning the Ghosts of Early Cinema and Victorian Entertainment“. In Practices of Projection, 136–54. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190934118.003.0009.
Der volle Inhalt der Quelle„Chapter 1. Improvement’s Genre: Andrew Yarranton and the Rhetoric of Projection“. In The Wreckage of Intentions, 23–58. University of Pennsylvania Press, 2018. http://dx.doi.org/10.9783/9780812294453-002.
Der volle Inhalt der QuelleMcDonald, Terrance H. „Narratives Of Failure: Dead End (1937), The Desperate Hours (1955), and Gangsters in Distress“. In ReFocus: The Films of William Wyler, 127–42. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399510462.003.0007.
Der volle Inhalt der QuelleKendrick, Robert L. „Introduction“. In Fruits of the Cross, 1–9. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520297579.003.0003.
Der volle Inhalt der QuelleBonds, Mark Evan. „The Framework of Rhetoric“. In The Beethoven Syndrome, 21–37. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190068479.003.0002.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Projection de genre"
Kotropoulos, Constantine, Gonzalo R. Arce und Yannis Panagakis. „Ensemble Discriminant Sparse Projections Applied to Music Genre Classification“. In 2010 20th International Conference on Pattern Recognition (ICPR). IEEE, 2010. http://dx.doi.org/10.1109/icpr.2010.207.
Der volle Inhalt der QuelleGold, Maxwell P., Alexander LeNail und Ernest Fraenkel. „Shallow Sparsely-Connected Autoencoders for Gene Set Projection“. In Proceedings of the Pacific Symposium. WORLD SCIENTIFIC, 2018. http://dx.doi.org/10.1142/9789813279827_0034.
Der volle Inhalt der QuelleDiaz-Blanco, Ignacio, Jose M. Enguita-Gonzalez, Diego Garcia-Perez, Ana Gonzalez-Muñiz, Abel A. Cuadrado-Vega, Maria Dolores Chiara-Romero und Nuria Valdes-Gallego. „Interactive dual projections for gene expression analysis“. In ESANN 2022 - European Symposium on Artificial Neural Networks, Computational Intelligence and Machine Learning. Louvain-la-Neuve (Belgium): Ciaco - i6doc.com, 2022. http://dx.doi.org/10.14428/esann/2022.es2022-22.
Der volle Inhalt der QuelleBian, Houqin, und Ronal Chung. „Gene Expression Data Classification Using Locality Preserving Projections“. In Bioengineering (BIBE). IEEE, 2011. http://dx.doi.org/10.1109/bibe.2011.17.
Der volle Inhalt der QuelleHang, X. „Gene Expression Profile Classification Using Random Projection and Sparse Representation“. In 2013 12th International Conference on Machine Learning and Applications (ICMLA). IEEE, 2013. http://dx.doi.org/10.1109/icmla.2013.157.
Der volle Inhalt der QuelleJuan Liu und Feng Liu. „Biclustering gene expression data by random projection based on bucketing“. In 2008 International Conference on Technology and Applications in Biomedicine (ITAB). IEEE, 2008. http://dx.doi.org/10.1109/itab.2008.4570606.
Der volle Inhalt der QuelleBorges, Helyane Bronoski, und Júlio Cesar Nievola. „Dimensionality Reduction in Gene Expression Database through the Random Projection Method“. In 2009 International Conference on Machine Learning and Applications (ICMLA). IEEE, 2009. http://dx.doi.org/10.1109/icmla.2009.84.
Der volle Inhalt der QuelleGondara, Lovedeep. „Random Forest with Random Projection to Impute Missing Gene Expression Data“. In 2015 IEEE 14th International Conference on Machine Learning and Applications (ICMLA). IEEE, 2015. http://dx.doi.org/10.1109/icmla.2015.29.
Der volle Inhalt der QuelleJiang, Yue, Changjie Tang, Haichun Zheng, Jiaoling Zheng, Chuan Li, Qian Luo und Jun Zhu. „Mining Projection Transformation Based on Gene Expression Programming of Multi-Variable Niches“. In 2008 Fourth International Conference on Natural Computation. IEEE, 2008. http://dx.doi.org/10.1109/icnc.2008.53.
Der volle Inhalt der QuelleMunsky, Brian, Slaven Peles und Mustafa Khammash. „Stochastic analysis of gene regulatory networks using finite state projections and singular perturbation“. In 2007 American Control Conference. IEEE, 2007. http://dx.doi.org/10.1109/acc.2007.4283077.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Projection de genre"
Pavlyuk, Іhor. Культурно-інформаційний простір України в роки німецько-фашистської окупації: за матеріалами україномовної колаборантської преси. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11719.
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