Auswahl der wissenschaftlichen Literatur zum Thema „Privates Theater“
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Zeitschriftenartikel zum Thema "Privates Theater"
Mohammadi, Banafsheh. „Of Architecture and Hope“. Journal of the Society of Architectural Historians 81, Nr. 3 (01.09.2022): 357–71. http://dx.doi.org/10.1525/jsah.2022.81.3.357.
Der volle Inhalt der QuelleLupu, Andreea Gabriela. „The Reconfiguration of the Theatre Space and the Relationship between Public and Private in the Case of Apartment Theatre“. Romanian Journal of Communication and Public Relations 18, Nr. 3 (25.01.2017): 77. http://dx.doi.org/10.21018/rjcpr.2016.3.217.
Der volle Inhalt der QuelleGordeev, Petr N. „Ivan Vasilyevich Ekskuzovich — Architect and Theater Figure“. Vestnik of Saint Petersburg University. Arts 14, Nr. 1 (2024): 34–59. http://dx.doi.org/10.21638/spbu15.2024.103.
Der volle Inhalt der QuelleBelov, Alexey V. „Serf Theater of the Demidovs ‘Sloboda Palace’ in German Quarter: Organization, Creativity and Decline of the Noble Home Theaters Tradition in Moscow at the Turn of 19th Century“. Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 69 (2023): 119–31. http://dx.doi.org/10.37816/2073-9567-2023-69-119-131.
Der volle Inhalt der QuelleBly, Mary. „Playing the Tourist in Early Modern London: Selling the Liberties Onstage“. PMLA/Publications of the Modern Language Association of America 122, Nr. 1 (Januar 2007): 61–71. http://dx.doi.org/10.1632/pmla.2007.122.1.61.
Der volle Inhalt der QuelleTsishkovskaya, M. S. „Theater without Borders: To Raise the Question of Blurring the Line between Professional and Amateur Creativity“. Voprosy kul'turologii (Issues of Cultural Studies), Nr. 10 (01.10.2021): 877–81. http://dx.doi.org/10.33920/nik-01-2110-02.
Der volle Inhalt der QuelleNelson, John. „Opposing Official Nationality“. Experiment 25, Nr. 1 (30.09.2019): 115–29. http://dx.doi.org/10.1163/2211730x-12341333.
Der volle Inhalt der QuelleJiang, Hao, und Si Jia Jiang. „Zoning and the Special Theater District in New York“. Applied Mechanics and Materials 174-177 (Mai 2012): 2472–80. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.2472.
Der volle Inhalt der QuelleThorpe, Richard G. „The Academic Theaters and the Fate of Soviet Artistic Pluralism, 1919-1928“. Slavic Review 51, Nr. 3 (1992): 389–410. http://dx.doi.org/10.2307/2500051.
Der volle Inhalt der QuelleKarzhaubayeva, Sangul, und Ainur Kopbasarova. „Innovative Strategies of the Turkestan Music and Drama Theater“. Central Asian Journal of Art Studies 6, Nr. 4 (20.12.2021): 148–58. http://dx.doi.org/10.47940/cajas.v6i4.510.
Der volle Inhalt der QuelleDissertationen zum Thema "Privates Theater"
Olmez, Husniye Nihan. „The Analysis Of Theatre Plays For Children Staged By The State Theatre And Private Theatres In 2008-2009 Theatre Season In Bursa“. Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12611061/index.pdf.
Der volle Inhalt der Quelletheatre for young audiences evaluation rubric&rdquo
which was developed by the researcher based on the literature. The study presented the composition of the information gained from the interviews and the characteristics scores of each theatre play. The results revealed that As an outcome, this study documented general information about the existing, required and desired characteristics of theatre plays for children
specific information about the current status of theatre plays for children in Bursa
and also implications and suggestions for parents, educators, playwrights, theatre directors and further studies.
Youngleson, Penelope. „Recommencing reality : the intersection of public and private identity in performative contexts“. Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/7700.
Der volle Inhalt der QuelleThis paper explores the convergence and cusp of colliding realities in private and public identities in performative contexts. It draws heavily on a Socio-Anthropological system of the self and fictive personas within these constructs - as well as the perscnlpersonalpersonality trichotomy inherent in self~presentation and preservation. It is written in subservience and supplication to the practical component of the University of Cape Town's MA in Theatre and Performance (Theatre Making) which is also documented and archived with supplementary photographs as part of the research. The paper addresses notions of collective identity (such as gender, sexuality, race, ethnicity, socio-economic and socio-political group clusters) with a peripheral focus on the South African, middle-class, Caucasian identity and a particular focus on a female, hetero-normative orientation (as it forms the premise of many concerns presented in the practice of the inquiry: the artist as still iife, the subject as object). It suggests a methodology towards aligning the research and its actualisation in performance through a series of installation-based works presented on and around Hiddingh Campus, Cape Town between May 2008 and September 2009. At the time of publication, the culminating project of the degree was in its pre-production phase.
Wilkinson, Linden Ann. „Creating Verbatim Theatre - Exploring the gap between public inquiry and private pain“. Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/2472.
Der volle Inhalt der QuelleLove, Christopher Bryan. „The private theaters in crisis strategies at Blackfriars and Paul's, 1606-07 /“. College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3817.
Der volle Inhalt der QuelleThesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Van, der Merwe Belinda. „Radiation distribution in a private neurological theatre during invasive back pain management procedures“. Thesis, Bloemfontein : Central University of Technology, Free State, 2008. http://hdl.handle.net/11462/110.
Der volle Inhalt der QuelleThe aim of the study was to determine radiation dose levels around the theatre table, on either side of the C-Arm, in order to establish if the radiation dose received by staff during back pain procedures fell within the limits set by the International Commission of Radiological Protection (ICRP). The question that arose from this goal was whether the stance of staff, in relation to the x-ray tube side of the C-Arm, influenced radiation dose levels. In order to apply the ALARA principle, the possibility of lowering the radiation dose in the neurological theatre was explored. The measurement methodology of the study was twofold: measurements were executed by means of TLD meters, as well as with an ionisation chamber. TLD meters were placed on the patient, the neurosurgeon and the radiographer during back pain procedures, and, more specifically, during fluoroscopy, to record the doses with the Image Intensifier (II) above the table as well as with the x-ray tube above the table, at the pelvis and the chest height of the staff. Ionisation chamber measurements were recorded in 25cm intervals around the theatre table with a phantom and the C-Arm positioned in the PA, oblique and lateral positions at 110cm and 133cm heights from the floor. The TLD results indicated that, when compared to the Image Intensifier side, the radiation dose was higher on the x-ray tube side of the C-Arm. The radiation dose was higher at the height closest to the x-ray source. The radiation dose received by the patient was higher with the x-ray tube positioned above the table (PA). The radiation dose to the surgeon’s hand and body was higher with the x-ray tube positioned above the table (PA). Radiation dose levels with the x-ray tube above the table during back pain procedures in the current theatre exceeded the occupational annual recommendation of 500mSv to the neurosurgeons hands, as recommended by the ICRP. The opposite is true with the II positioned above the table. The research question was answered positively in that the x-ray tube under couch orientation has the potential to limit dose levels during back pain procedures. The measurement values resulted in a proposed protocol in terms of positioning of staff and orientation of the C-Arm in order to apply the ALARA principle during back pain procedures. Constant revision of protocols is the responsibility of the radiographer in order to guarantee that the ALARA principle is implemented in every unique situation.
Haskell, Amelia. „Creating meaning through theatre: a qualitative and phenomenological study exploring the positive power of theatre for adolescent girls in a single-sex private high school“. Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=123102.
Der volle Inhalt der QuelleCette étude examine le lien entre le théâtre et le développement positif chez les adolescentes. À travers l'utilisation de la méthodologie portraitiste et de la recherche-action sur la performance artistique, j'ai travaillé étroitement avec huit filles d'une école privée pour fille à Montréal pendant huit mois. J'ai enseigné un programme de théâtre qui permet aux élèves de créer leurs propres œuvres dramatiques en rapport avec des sujets qui les concernent et de les jouer devant leurs pairs. Les élèves de la classe de théâtre ont, entre autres, développé leurs compétences de communication, d'expression et d'imagination. Mon étude montre également comment le théâtre a permis aux participantes de créer des liens plus profonds d'amitié, de développer un sentiment d'empathie et une compréhension d'autrui ainsi qu'une plus grande capacité à exprimer leurs expériences, leurs pensées et leurs sentiments. Ces capacités leur ont permis de créer une expérience partagée avec leurs pairs de comprendre qu'elles ont des angoisses, des perceptions et des craintes en commun avec les autres. Par conséquent, cette étude montre à quel point il est important que le théâtre fasse partie intégrante du programme d'études secondaires, car il bénéficie aux adolescentes non seulement dans la période actuelle de leur vie, mais développe également des capacités individuelles qui leur seront utiles dans l'avenir.
秦建文 und Kin-man Tsin. „The sustainability of a cultural link: the Sunbeam Theatre : searching for a strategy for conserving privately-owned built heritage in Hong Kong“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B42181793.
Der volle Inhalt der QuelleTsin, Kin-man. „The sustainability of a cultural link the Sunbeam Theatre : searching for a strategy for conserving privately-owned built heritage in Hong Kong /“. Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B42181793.
Der volle Inhalt der QuelleJeffroy-Meynard, Marie-Nicole. „FROM BAROQUE TO ROCOCO: PUBLIC TO PRIVATE SPACE IN THE HÔTEL DE SOUBISE“. Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1204.
Der volle Inhalt der QuelleUddenberg, Molly. „Metafor - en metod att göra det privata personligt“. Thesis, Linnéuniversitetet, Institutionen för fysik och elektroteknik (IFE), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-28051.
Der volle Inhalt der QuelleI det här arbetet har jag samlat tre författare i olika genrer till ett dialogseminarium om sin arbetsprocess. Samtalet, som utgick från texter av Lacan och Sokrates, kretsade mycket kring författarens arbetsvillkor och de olika metoder som författarna använder sig av för att hitta sin frihet i förhållande till dem. I samtalet blev det uppenbart hur beroende alla författarna är av en förstående medarbetare. Okunskap och felläsning från en dramaturg eller redaktör kan bokstavligt talat bli förödande. Dialogmötet kom att kretsa kring frågeställningar om hur man skiljer privat och personligt. Vi diskuterade författaren Karl Ove Knausgård och fotografen Sally Mann, som båda jobbar med sin egen familj som motiv. Genom att Knausgård använder sig själv som en roll visar han på en möjlighet att närma sig ett eget material. Hos Sally Mann är det istället de metaforiska dimensionerna i de vardagliga motiven som gör sig tydliga. Också i Imre Kertész skildring av förintelsen förvandlas den till något större: en metafor för hur ödet och slumpen kan påverka våra liv. Hans berättelse blir på det sättet mindre beroende av vad som är sant, än skildringarna av två andra överlevare från Auschwitz: Primo Levi och Viktor Frankl. Vilket inte betyder att de andras texter saknar metaforisk styrka. Avslutningsvis går uppsatsen in på författarnas sätt att använda metaforen som ett verktyg för att berätta. Metaforen är alltid en bild av någonting annat, den skapar en fördjupning och oförväntad igenkänning hos läsaren. Den ger också möjligheter för konstnären/författaren att berätta saker som hen inte kan säga på andra sätt. Metaforen uppstår genom igenkänning i skapandet. Man kan välja att gå med den, eller aktivt gå emot den för att fördjupa textens eller filmens metaforiska dimension. En viktig aspekt för yrkeskunnande inom konsten och författarskap är att aldrig ligga före i sitt arbete genom att oroa sig för vad omgivningen ska tycka och tänka. Då finns det en risk att man blir en feg konstnär, vilket är förödande för ens skapande.
Bücher zum Thema "Privates Theater"
slot), Teatermuseet (Christiansborg, Hrsg. Det private initiativ: Stationaere københavnske privatteatre 1848-2008, [10.4.2008-26.10.2008]. København: Teatermuseet i Hofteatret, 2008.
Den vollen Inhalt der Quelle findenAnderson, Brett. Theo Kalomirakis' private theaters. Malibu, Calif: Home Theater Magazine, 1997.
Den vollen Inhalt der Quelle findenCowan, Eugenie C. Look out for Broadway: The potential for public/private partnerships for West Midtown. New York, N.Y: Exploring the Metropolis, Inc., 1988.
Den vollen Inhalt der Quelle findenJohn, Fraser. Private view: Inside Baryshnikov's American Ballet Theatre. New York: Bantam Books, 1988.
Den vollen Inhalt der Quelle findenJohn, Fraser. Private view: Inside Baryshnikov's American Ballet Theatre. London: Hamish Hamilton, 1989.
Den vollen Inhalt der Quelle findenGruszczyński, Piotr. Öffentliche strategien, private Strategien: Das polnische Theater, 1990-2005. Berlin]: Theater der Zeit, 2006.
Den vollen Inhalt der Quelle findenGrand Opera House (London, Ont.), Hrsg. Grand Opera House, London, Ont., programme: Thursday, Dec. 6th, The private secretary, the very popular farce comedy entitled "The private secretary" in three acts .. [London, Ont.?: s.n., 1986.
Den vollen Inhalt der Quelle findenKrauss, Kenneth. Private readings/public texts: Playreaders' constructs of theatre audiences. Rutherford: Fairleigh Dickinson University Press, 1993.
Den vollen Inhalt der Quelle findenJ, Mistress. Private theatre: Personal observations and revelations of a dominatrix. Kew, VIC: Domina Books, 2002.
Den vollen Inhalt der Quelle findenAuerbach, Nina. Private theatricals: The lives of the Victorians. Cambridge, Mass: Harvard University Press, 1990.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Privates Theater"
Pohnert, Fritz. „Privates Theater“. In Kreditwirtschaftliche Wertermittlungen, 205–7. Wiesbaden: Gabler Verlag, 1992. http://dx.doi.org/10.1007/978-3-322-90651-9_35.
Der volle Inhalt der QuellePohnert, Fritz. „Privates Theater“. In Kreditwirtschaftliche Wertermittlungen, 189–91. Wiesbaden: Gabler Verlag, 1986. http://dx.doi.org/10.1007/978-3-322-91047-9_34.
Der volle Inhalt der QuelleVuelta García, Salomé. „El teatro del Siglo de Oro en el fondo Orsi de la Biblioteca Estense de Módena“. In Studi e saggi, 399–420. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-150-1.24.
Der volle Inhalt der QuelleShapiro, Michael. „Boy Companies and Private Theaters“. In A New Companion to Renaissance Drama, 268–81. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781118824016.ch20.
Der volle Inhalt der QuelleLeach, Robert. „Playgoing in the private theatres“. In An Illustrated History of British Theatre and Performance, 265–70. First edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019–: Routledge, 2018. http://dx.doi.org/10.4324/9780429463686-37.
Der volle Inhalt der QuelleMartin, Carol. „The Theatricalization of Public and Private Life“. In Theatre of the Real, 22–58. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137295729_2.
Der volle Inhalt der QuelleFilho, José Monserrat. „Outer Space as Private Property and Theater of War?“ In Private Law, Public Law, Metalaw and Public Policy in Space, 123–44. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-27087-6_7.
Der volle Inhalt der QuellePrice, Eoin. „‘Private’ and ‘Public’ Indoor Theatres, 1625–1640“. In ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication, 48–65. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137494924_4.
Der volle Inhalt der QuellePrice, Eoin. „The Emergence of the ‘Private’ Theatres, 1600–1625“. In ‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics of Publication, 29–47. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137494924_3.
Der volle Inhalt der QuelleEltis, Sos. „Private Lives and Public Spaces: Reputation, Celebrity and the Late Victorian Actress“. In Theatre and Celebrity in Britain, 1660–2000, 169–88. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230523845_10.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Privates Theater"
Koch, Renate. „Marcel Prawy und das erste Broadway-Musical im Österreich der Nachkriegszeit“. In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.57.
Der volle Inhalt der QuelleMalinina, Elena. „Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community“. In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.
Der volle Inhalt der QuelleBrandt, Galina. „Interpenetration Phenomenon of Public & Private Aspects in Contemporary Theatrical Practices“. In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-12.
Der volle Inhalt der QuelleZaytsev, Pavel. „Modernism, Publicness, Zombification: Gestalt of "Worker" by E. Junger, And Phenomena of Contemporary Exploitative Culture“. In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-17.
Der volle Inhalt der QuelleCostanza, David, und Pierianna Mazzocca. „Shared Beds: Ragdale Ring 2019“. In 109th ACSA Annual Meeting. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.12.
Der volle Inhalt der QuelleYamaguchi, Takami, Yuji Nakanishi und Kiyoyuki Yamazaki. „The Hyper Hospital: Virtual Reality Mediated Network Based Medical Care“. In ASME 1996 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 1996. http://dx.doi.org/10.1115/imece1996-1305.
Der volle Inhalt der QuelleBartie, Kenneth. „History of the Vertol Aircraft Corporation, 1956 to 1960“. In Vertical Flight Society 77th Annual Forum & Technology Display. The Vertical Flight Society, 2021. http://dx.doi.org/10.4050/f-0077-2021-16811.
Der volle Inhalt der QuelleFalsetti, Marco, und Pina Ciotoli. „Introverted and knotted spaces within modern and contemporary urban fabrics: passages, gallerias and covered squares“. In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5913.
Der volle Inhalt der QuelleChen, Zhen, und Samuele Camolese. „Digital tools for urban development project: GIS application to PTAL assess and land valuation and traffic simulation for piazza renewal“. In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7911.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Privates Theater"
Kolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, April 2024. http://dx.doi.org/10.32370/ia_2024_03_11.
Der volle Inhalt der QuelleKolomiiets, Viacheslav. Ballet Art of Soviet Ukraine from the Late 1910s to the Early 1930s: Classical Performances, Modern Intentions, Socialist Realism Canon. Intellectual Archive, April 2024. http://dx.doi.org/10.32370/ia_2024_01_11.
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