Auswahl der wissenschaftlichen Literatur zum Thema „Printed ... at the Clarendon Press“
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Zeitschriftenartikel zum Thema "Printed ... at the Clarendon Press"
Baer, Marc. „Patricia Anderson. The Printed Image and the Transformation of Popular Culture 1790–1860. New York: The Clarendon Press, Oxford University Press. 1991. Pp. xi, 211. $59.00.“ Albion 24, Nr. 4 (1992): 666–67. http://dx.doi.org/10.2307/4050702.
Der volle Inhalt der QuelleGrendler, Paul F. „Ann Moss. Printed Commonplace-Books and the Structuring of Renaissance Thought. Oxford: Clarendon Press, 1996. xiv + 345 pp. £ 80. ISBN: 0-1981-5908-0.“ Renaissance Quarterly 51, Nr. 3 (1998): 1001–2. http://dx.doi.org/10.2307/2901782.
Der volle Inhalt der QuelleAmster, Matthew, Jérôme Rousseau, Atsushi Ota, Johan Talens, Wanda Avé, Johannes Salilah, Peter Boomgaard et al. „Book Reviews“. Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 156, Nr. 2 (2000): 303–45. http://dx.doi.org/10.1163/22134379-90003850.
Der volle Inhalt der QuelleKnelman, Judith. „Printed Image and the Transformation of Popular Culture, 1790-1860, by Patricia AndersonPrinted Image and the Transformation of Popular Culture, 1790-1860, by Patricia Anderson. Don Mills, Ontario, Clarendon Press (distributed by Oxford University Press), 1991. x, 211 pp. $59.95.“ Canadian Journal of History 27, Nr. 2 (August 1992): 374–75. http://dx.doi.org/10.3138/cjh.27.2.374.
Der volle Inhalt der QuelleBrewer, C. „Schafer, J. Early Modern Lexicography, vol. I, A Survey of Monolingual Printed Glossaries and Dictionaries 1475-80; vol. II, Additions and Corrections to the OED. Pp. x + 488; v + 227. Oxford: Clarendon Press, 1989“. Notes and Queries 38, Nr. 3 (01.09.1991): 362–65. http://dx.doi.org/10.1093/notesj/38.3.362.
Der volle Inhalt der QuelleFlannery, M. „NIGEL MORTIMER, John Lydgate's Fall of Princes: Narrative Tragedy in its Literary and Political Contexts. Pp. xvi+376. Oxford: Clarendon Press, 2005. 60.00 (ISBN 0 19 927501 7).“ Notes and Queries 53, Nr. 2 (01.06.2006): 219–20. http://dx.doi.org/10.1093/notesj/gjl038.
Der volle Inhalt der QuelleJohns, Adrian. „Book ReviewsThe French Book: Religion, Absolutism, and Readership, 1585–1715. By Henri‐Jean Martin. Translated by, Paul Saenger and Nadine Saenger. Johns Hopkins Symposia in Comparative History, volume 22. Baltimore: Johns Hopkins University Press, 1996. Pp. xii+117. $35.00 (cloth); $13.95 (paper).Printed Commonplace‐Books and the Structuring of Renaissance Thought. By Ann Moss. Oxford: Oxford University Press, Clarendon Press, 1996. Pp. xiii+345. $80.00.“ Journal of Modern History 70, Nr. 2 (Juni 1998): 438–41. http://dx.doi.org/10.1086/235077.
Der volle Inhalt der QuelleGrimmer, Christoph G. „Pressure On Printed Press“. Digital Journalism 5, Nr. 5 (13.12.2016): 607–35. http://dx.doi.org/10.1080/21670811.2016.1263160.
Der volle Inhalt der QuelleCrifò, Giuliano. „Tony Honoré, Ulpian. Clarendon Press, Oxford 1982“. Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 102, Nr. 1 (01.08.1985): 601–12. http://dx.doi.org/10.7767/zrgra.1985.102.1.601.
Der volle Inhalt der QuelleSpafford, Duff. „Voting ProceduresMichael Dummett Oxford: Clarendon Press, 1984, pp. 309“. Canadian Journal of Political Science 19, Nr. 4 (Dezember 1986): 860–61. http://dx.doi.org/10.1017/s0008423900055372.
Der volle Inhalt der QuelleDissertationen zum Thema "Printed ... at the Clarendon Press"
Garavito, Cecilia. „Sen, Amartya, Poverty and famines an essay on entitlement and deprivation, Oxford Clarendon Press, 1981“. Economía, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/118098.
Der volle Inhalt der QuelleVega-Centeno, Máximo. „Jean, DREZE y Amartya, K. SEN (1989). Hunger and Public Action. Wider Studies in Economic Development. Oxford. Oxford University Press-Clarendon Press“. Economía, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/116798.
Der volle Inhalt der QuelleDaly, Timothy Michael. „Towards a fugitive press : materiality and the printed photograph in artists' books“. Thesis, Manchester Metropolitan University, 2016. http://e-space.mmu.ac.uk/617237/.
Der volle Inhalt der QuelleMoskofian, Krikor. „Literature and survival : literary criticism and the construction of cultural identity in Armenian printed press of diaspora 1919-1928“. Thesis, SOAS, University of London, 2010. http://eprints.soas.ac.uk/28732/.
Der volle Inhalt der QuelleFiander, Robert Owen. „Marshall McLuhan, the printed word, and nineteenth-century outcasts of literacy“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq62171.pdf.
Der volle Inhalt der QuelleVasconcelos, Micheline Reinaux de. „As boas novas pela palavra impressa: impressos e imprensa protestante no Brasil (1837-1930)“. Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/12629.
Der volle Inhalt der QuelleCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This work deals with the Protestant press in Brazil, covering the Baptist and Presbyterian s printed production, between the year 1837 and 1930. Firstly, we introduce the Protestant press production, namely, the multiplicity of ways in which it manifested itself, and the interests which it tried to serve. Following this, we tackle its diffusion, which includes the printing centers, and the ways of distribution used by editors. The perusal of these sources demonstrates that they were engaged in the struggle for the Brazilian religious spaces, but also as a doctrinal teaching tool for those converted to Protestantism. Being present since the early Protestant missionaries undertakings in the country, the circulation of those printed texts starts with the beginning of systematic distribution of Bibles and leaflets by the Bible Societies foreign institutions in Brazil. This is therefore, the initial milestone of our study. The final line is the year 1930, because in the following years the nature of relationship between the Brazilian political and religious fields was changed, mainly due to the fact that the National State and the Catholic Church became closer again. Finally, the studying of such press circulation warrants proposing that the Protestant printed papers and press were so deeply related to the building of Protestantism in the Brazilian territory, that we can therefore assure that the establishment of this press was a constitutive piece of a Protestant culture in Brazil
O presente trabalho aborda os impressos e a imprensa protestante no Brasil, entre os anos de 1837 e 1930, abrangendo as denominações presbiteriana e batista. Primeiramente, busca-se indicar a sua produção, ou seja, a multiplicidade de formas em que se apresentava e a que fins almejava servir. Em seguida, aborda-se a sua difusão, que contempla os centros editoriais e as formas de distribuição utilizadas pelos editores. A pesquisa dessas publicações demonstra que foram empregados na disputa pelo espaço religioso brasileiro, mas também como instrumentos de ensino doutrinário destinado aos conversos. Presentes desde as primeiras iniciativas de missionação protestante no país, a circulação destes textos tem seu ponto de partida com o início da distribuição sistemática de Bíblias e folhetos pelas sociedades bíblicas entidades estrangeiras no Brasil. Este é, portanto, o marco inicial do estudo. O ponto de chegada é o ano de 1930 devido a que nos anos subseqüentes altera-se a natureza das relações entre os campos religioso e político brasileiros, sobretudo, pela reaproximação entre a Igreja católica e o Estado nacional. O estudo da circulação de tais impressos permite, enfim, propor que os impressos e a imprensa protestantes estiveram de tal maneira imbricados à formação do protestantismo no país, a ponto de poder-se afirmar que a formação desta imprensa foi parte constitutiva de uma cultura protestante no país
Calderone, Amélie. „Entre la scène et le livre : formes dramatiques publiées dans la presse à l'époque romantique (1829-1851)“. Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20101.
Der volle Inhalt der QuelleDuring the period 1829-1851, numerous factors brought about a reconfiguration of the relationship between print media and dramatic genres: the appearance of major literary journals, the introduction of low-priced printed press, the proliferation of mass periodicals and their increased print runs. These factors echoed not only the economic, social and political upheavals that characterized the first half of the 19th-century in post-revolutionary France but also the sweeping changes that affected the Parisian stage. As a result, one notes an increased presence of dramatic texts in the printed press. They may appear in various forms, as serialized theatrical plays, extracts, fragments but also collections of scenes and dramatized or dialogue-based articles – their length tailored to the newspaper format. Thus, between the stage and the page, dramatic forms could reach the public through a third access channel: print media. Their shared discursive, stylistic and formal features blur and even obliterate the boundaries between dramatic texts and periodical writing. In this particular context, the concept of “dramatic genre” does not apply and what we call “drama” does not exist as such. The result is a mixed mass of text, combining journalistic and dramatic materials. The “proper” plays that were circulated in the press, or even written for it, should be studied against the backdrop of this fully significant editorial context. An entire branch of Romantic playwriting was “media-oriented” and should be understood as such, with a new focus on context and co-text within an editorial framework subject to trends, collective temporality, collaborations and reading effects resulting from the influence of adjacent articles.The study of the close relationship between dramatic forms and their means of dissemination in the second third of the 19th-century gives a new, media-oriented and largely text-centered perspective on the history of the Romantic drama. Besides highlighting long-forgotten authors, events or diverse dramatic forms, it also prompts a new approach to the dramatic writings of well-established authors such as George Sand, Alfred de Vigny or Alfred de Musset
Nordberg, Nadja, und Clara Isaksson. „Skogsbränderna 2018: Lokala hjältar och ett nationellt problem : En kvantitativ innehållsanalys av gestaltningar i rapporteringen av skogsbränderna 2018 i nationell- och lokal press“. Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-33118.
Der volle Inhalt der QuelleSommaren 2018 har gått till historien som en av de varmaste somrarna i Sverige genom tiderna. Det brann i skogarna på flera platser runt om i landet och i efterhand så har bränderna beskrivits som de mest omfattande skogsbränderna i Sverige i modern tid.Syftet med denna uppsats är att undersöka hur gestaltningen av skogsbränderna såg ut i både lokalpress och rikstäckande press. Metoden vi valde för att genomföra undersökningen var en kvantitativ innehållsanalys. Totalt analyserades 115 artiklar som handlade om skogsbränderna. 74 från lokaltidningarna Ljusdals-Posten och Mora Tidning samt 41 från de rikstäckande tidningarna Dagens Nyheter och Svenska Dagbladet.Resultatet av studien visade att det fanns stora skillnader i rapporteringen om och gestaltningen av skogsbränderna mellan de lokala tidningarna och de rikstäckande tidningarna. De lokala tidningarna hade ett mycket större fokus på närhet i sin rapportering jämfört med de rikstäckande tidningarna som i mycket högre grad fokuserade på hot och konflikter. Resultatet visade även att de lokala tidningarna hade en mycket mer positiv tonalitet i sin rapportering till skillnad från de rikstäckande tidningarna som var övervägande negativa.
Nolskog, Cajsa. „Det gör ont när mödomshinnor brister : En studie över gestaltningsramar om hymen i svensk tryckt press“. Thesis, Linköpings universitet, Avdelningen för Kultur, samhälle, mediegestaltning – KSM, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-149644.
Der volle Inhalt der QuelleVieira, Patrícia Machado. „Psiu! Fermento! : pastoral da juventude e imprensa estudantil nos anos 1980 a 1990“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/106488.
Der volle Inhalt der QuelleThe dissertation examines printed student youth of the 80s and 90s of the twentieth century, produced in Rio Grande do Sul, especially those periodicals that circulated among young students, made by young people themselves. Adopts the theoretical assumptions of Cultural History and the history of written culture, under the inspiration of the studies of Roger Chartier and Arlette Farge. Printed two sets of student youth are analyzed: the first set consists of 31 issues of the journal titled Psiu, produced by Pastoral da Juventude Estudantil in your organization at the state level, Rio Grande do Sul; the second comprises 19 issues, two letters and three special issues of the journal entitled Fermento, produced by the Coordination of Pastoral da Juventude of the Archdiocese of Porto Alegre. As additional documentation, oral documents were produced from conducting three interviews, one with a young man who participated in the making of one of the journals, one with an adult advisor to the Pastoral da Juventude who served during the period of circulation of Psiu and yeast and a with a young man released, the operative time in this context. The interviews, comprehensive character, focused on three areas: motivations, and processes involved in production of these printed. From this empirical corpus, the analysis attempts to capture the uses of these objects in their contexts of production and circulation. To this are described: these materiality printed, or media in which data are read texts; textual and typographical devices, or protocols proposed in reading Psiu and Fermento; the many images that integrate these journals, and that relate to the texts and the visual identity of printed, also characterizing them as reading protocols. It was found that variations in the brackets show the number of pages, print quality, formatting text, size. However, the presentation or the graphic and editorial structure is constant, especially for its artisanal character. Can be inferred that such features discursive genre of printed student, especially the youth ministry between 80 and 90 years of the twentieth century, as well as an inspiration for other newspapers in circulation printed and to which young people had access. The study describes and also analyzes the production practices that have been implicated in Psiu and Fermento, availing himself of the references in printed themselves and the information obtained in the interviews. These references show the artisanal character of production and the involvement of young people in all stages, from written texts to the distribution of printed. Finally, it is worth highlighting the formative role played by these practices linked to the production of printed Pastoral da Juventude of the Catholic Church. Young people had read a lot, wrote texts, busied themselves in making (composition, typesetting), printing and distribution of printed, a process that enabled them to acquire new knowledge, learning and skills. The context of action in which they were inserted itself can be conceived as an intense and extensive educational process, appointed by the Pastoral da Juventude and youth training.
Bücher zum Thema "Printed ... at the Clarendon Press"
Watt, H. M. R. The Aberdeen University Press printed archive, 1840-1978. Aberdeen: Aberdeen University Press, 1993.
Den vollen Inhalt der Quelle findenPeter, Hoy, Hrsg. Private press books 1981-1984. Pinner: Private Libraries Association, 1987.
Den vollen Inhalt der Quelle findenHoy, Peter. Private press books 1981-1984. Pinner: Private Libraries Association, 1987.
Den vollen Inhalt der Quelle findenPress, Whittington. A book of posters printed at Whittington [1977-1995]. Andoversford: Whittington Press, 1996.
Den vollen Inhalt der Quelle findenCoakley, J. F. Syriac books printed at the Dominican Press, Mosul: With an appendix containing the Syriac books printed at the Chaldean Press, Mosul. Piscataway: Gorgias Press, 2009.
Den vollen Inhalt der Quelle findenMcKitterick, David. Wallpapers by Edward Bawden printed at the Curwen Press. Andoversford, Gloucestershire: Whittington Press, 1988.
Den vollen Inhalt der Quelle findenMcKitterick, David. Wallpapers by Edward Bawden printed at the Curwen Press. Andoversford: Whittington Press, 1989.
Den vollen Inhalt der Quelle findenBlue, Martha. By the book: Legal ABCs for the printed word. Flagstaff, Ariz: Northland Pub., 1990.
Den vollen Inhalt der Quelle findenZilverdistel, Antiquariaat De. A proofcopy of the first item printed at the Doves Press, 1900. Amsterdam: Antiquariaat De Zilverdistel, 1992.
Den vollen Inhalt der Quelle findenRogerson, Ian. Simon Lawrence and the Fleece Press, 1980-1995: A bibliography of the printed books. Manchester: Manchester Metropolitan University, 1996.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Printed ... at the Clarendon Press"
Jones, Aled. „The Press and the Printed Word“. In A Companion to Nineteenth-Century Britain, 369–80. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997147.ch23.
Der volle Inhalt der QuelleCoakley, J. F., und David G. K. Taylor. „Syriac Books Printed at the Dominican Press, Mosul“. In Malphono w-Rabo d-Malphone, herausgegeben von George Kiraz, 71–110. Piscataway, NJ, USA: Gorgias Press, 2008. http://dx.doi.org/10.31826/9781463214814-008.
Der volle Inhalt der QuelleDewhirst, Catherine, und Richard Scully. „Australia’s Minority Community Printed Press History in Global Context: An Introduction“. In Palgrave Studies in the History of the Media, 1–17. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43639-1_1.
Der volle Inhalt der QuelleGriffin, Sarah, und Kaley Kramer. „Printed by Alice Broade: The Career of York’s First Female Printer, 1661–1680“. In Print Culture, Agency, and Regionality in the Hand Press Period, 27–48. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88055-2_2.
Der volle Inhalt der QuelleHansen, William. „Annotated Print and Nonprint Resources“. In Classical Mythology, 337–54. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195300352.003.0004.
Der volle Inhalt der Quelle„‘Reading, Prohibition and Transgression’, The Woman Reader, 1837—1914, Oxford: Clarendon Press, pp. 209—18“. In Dickens and Victorian Print Cultures, 297–306. Routledge, 2017. http://dx.doi.org/10.4324/9781315257907-25.
Der volle Inhalt der Quelle„Robert L. Patten (1978), ‘The Audience Widens’, Charles Dickens and His Publishers, Oxford: Clarendon Press, pp. 326^14“. In Dickens and Victorian Print Cultures, 257–76. Routledge, 2017. http://dx.doi.org/10.4324/9781315257907-22.
Der volle Inhalt der QuelleGrimmer, Christoph G. „Pressure On Printed Press“. In Changing Sports Journalism Practice in the Age of Digital Media, 115–43. Routledge, 2020. http://dx.doi.org/10.4324/9780429344886-8.
Der volle Inhalt der Quelle„An antipodean Clarendon Press“. In MUP, 232–40. Melbourne University Publishing, 2023. http://dx.doi.org/10.2307/jj.1127646.28.
Der volle Inhalt der Quelle„Simon Nowell-Smith (1968), a selected section from ‘Continental: Mainly Tauchnitz’, International Copyright Law and the Publisher in the Reign o f Queen Victoria, Oxford: Clarendon Press, pp. 41-50“. In Dickens and Victorian Print Cultures, 247–56. Routledge, 2017. http://dx.doi.org/10.4324/9781315257907-21.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Printed ... at the Clarendon Press"
„Printed by TSU Press“. In 2018 XXIIIrd International Seminar/Workshop on Direct and Inverse Problems of Electromagnetic and Acoustic Wave Theory (DIPED). IEEE, 2018. http://dx.doi.org/10.1109/diped.2018.8543260.
Der volle Inhalt der QuelleTohmyoh, Hironori, Kiichiro Yamanobe, Masumi Saka, Jiro Utsunomiya, Takeshi Nakamura und Yoshikatsu Nakano. „Reliability Analysis of Solderless Press-Fit Interconnections“. In ASME 2007 InterPACK Conference collocated with the ASME/JSME 2007 Thermal Engineering Heat Transfer Summer Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/ipack2007-33264.
Der volle Inhalt der QuelleMunk, Rastislav. „Periodická tlač“. In Naděje právní vědy 2022. University of West Bohemia, Czech Republic, 2023. http://dx.doi.org/10.24132/zcu.nadeje.2022.412-420.
Der volle Inhalt der QuelleRing, Karl, und Thomas Schreier-Alt. „Reliability of Press Fit Contacts and Adjoining SMD Components on Printed Circuit Boards“. In 2009 Proceedings of the 55th IEEE Holm Conference on Electrical Contacts. IEEE, 2009. http://dx.doi.org/10.1109/holm.2009.5284396.
Der volle Inhalt der QuelleHunting, Brad, Stephen Derby und Raymond Puffer. „A Visualization Model for Printed Woven Textiles“. In ASME 1998 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/detc98/cie-5550.
Der volle Inhalt der QuelleAtkins, Carolyn, Younes Chahid, Greg Lister, Rhys Tuck, Richard Kotlewski, Robert M. Snell, Elaine R. Livera et al. „Targeting low surface roughness for 3D printed aluminium mirrors using a hot isostatic press“. In Advances in Optical and Mechanical Technologies for Telescopes and Instrumentation VI, herausgegeben von Ramón Navarro und Ralf Jedamzik. SPIE, 2024. http://dx.doi.org/10.1117/12.3020239.
Der volle Inhalt der QuelleSkudra, Ojārs. „Political Communication Culture of Political Journalists Representing the Press in Unstable Democracy of Latvia. 2021–2022“. In International scientific conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/ms22.13.
Der volle Inhalt der QuelleMora Rojo, Jorge, José Manuel Tomás, Víctor Yeste und Eduardo Cebrián. „Electoral abstention and information sources among undergraduate university students“. In CARMA 2024 - 6th International Conference on Advanced Research Methods and Analytics. Valencia: Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/carma2024.2024.17432.
Der volle Inhalt der QuellePhunudom, Patipak, Udomdej Pakdee und Prapaporn Roiphromma. „Influence of the difference electric charge energy transfer ink to paper in digital printing“. In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p38.
Der volle Inhalt der QuelleSpiridonov, Iskren, Simeon Yordanov, Rumyana Boeva und Aleksandar Milkov. „Investigation of process colours variations of electrophotography colour production presses“. In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p48.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Printed ... at the Clarendon Press"
Goikoetxea Bilbao, U., und T. Ramírez de la Piscina. Jot Down, Anfibia and Panenka: three audacious forms of understanding digital narrative journalism in the midst of the crisis of the printed press. Revista Latina de Comunicación Social, März 2019. http://dx.doi.org/10.4185/rlcs-2019-1352en.
Der volle Inhalt der QuellePavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.
Der volle Inhalt der QuelleOrtiz, Veronica, Joaquin Tintore und Nicole Köstner. EuroSea Guide of communication and dissemination activities for enhanced visibility of innovation in ocean observing and forecasting for a sustainable ocean. EuroSea, 2023. http://dx.doi.org/10.3289/eurosea_d8.10.
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