Thematische Bibliographien / Price, fanny

Auswahl der wissenschaftlichen Literatur zum Thema „Price, fanny“

Autor: Grafiati

Veröffentlicht am 25. Juli 2024

Zuletzt aktualisiert am 31. Juli 2024

Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an

Wählen Sie eine Art der Quelle aus:

Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Price, fanny" bekannt.

Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.

Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.

Zeitschriftenartikel zum Thema "Price, fanny"

KNOX-SHAW, P. „FANNY PRICE REFUSES TO KOWTOW“. Review of English Studies XLVII, Nr. 186 (01.05.1996): 212–17. http://dx.doi.org/10.1093/res/xlvii.186.212.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Jenkins, Joyce. „The Puzzle of Fanny Price“. Philosophy and Literature 30, Nr. 2 (2006): 346–60. http://dx.doi.org/10.1353/phl.2006.0033.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Kilgore, Rachel. „Understanding Fanny“. Religion and the Arts 24, Nr. 3 (31.07.2020): 229–45. http://dx.doi.org/10.1163/15685292-02403010.

Der volle Inhalt der Quelle

Annotation:

Abstract Though there has been recent interest in how Jane Austen’s faith influenced her novels, scholars have generally looked to her reading in philosophy and sermons, her spiritual expression, or her Anglicanism, and have neglected the more direct influence of the Bible. Yet judging from Austen’s lifelong church attendance and her reading of the Book of Common Prayer, we can conclude that she would have heard the Psalms read entirely through once every month of her forty-one years. This paper explores the resemblance between the psalmists and Fanny Price in terms of their shared experience of exile, their patterns of lament and reminder, their long wait for deliverance, and their final homecoming. Comparing Fanny Price’s character to the psalmists recasts her as a heroine in the Hebrew tradition, offering a new understanding of her passivity and suggesting that her author was more influenced by scriptural patterns than has been heretofore understood.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Klein, Ula Lukszo. „Fanny Price as Disabled Heroine in Mansfield Park“. SEL Studies in English Literature 1500-1900 60, Nr. 3 (2020): 577–95. http://dx.doi.org/10.1353/sel.2020.0024.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Gard, R. „Mansfield Park, Fanny Price, Flaubert and the Modern Novel“. English 38, Nr. 160 (01.03.1989): 1–33. http://dx.doi.org/10.1093/english/38.160.1.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Sklizkova, Tina A. „The peculiarity of the marriages in “Mansfield Park” by Jane Austen“. Vestnik of Kostroma State University 29, Nr. 2 (12.10.2023): 102–8. http://dx.doi.org/10.34216/1998-0817-2023-29-2-102-108.

Der volle Inhalt der Quelle

Annotation:

The article focuses on the novel “Mansfield Park”, which explores the category of «Englishness» through the prism of the concept of marriage. In the novel by Jane Austen marriages are presented through the opposition of Englishness/ Britishness, authenticity/simulation, and are also through the concepts of endogamy and exogamy. In the novel by Jane Austen only one marriage between Edmund Bertram and Fanny Price can be considered as the embodiment of genuine Englishness and, accordingly, endogamy. This becomes possible primarily due to the image of Fanny, whose pastoral essence, connected with the motive of authenticity, turns out to be very important for understanding “Englishness”.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

HWANG, JUNG SUK. „노예제에 대한 침묵: 패트리샤 로제마의 『맨스필드 파크』“. Criticism and Theory Society of Korea 27, Nr. 3 (31.10.2022): 333–52. http://dx.doi.org/10.19116/theory.2022.27.3.333.

Der volle Inhalt der Quelle

Annotation:

Adapting Jane Austen’s 1814 novel to film, Mansfield Park (1999), Patricia Rozema transforms Austen’s Fanny Price into an active, witty, and rebellious heroine and centralizes the theme of slavery. The film’s fidelity has been earnestly debated, but Rozema claims that her film is faithful to the original source. As she points out, the seemingly incongruent link—between Austen and slavery—is not new. Austen’s Mansfield Park has been widely examined regarding the issue of slavery and Fanny has been commonly read as a character who represents the Other, women and slaves. These readings, however, reveal an uneasy relationship between feminism and post- colonialism by conceptualizing white women as a homogenous group of the powerless and oppressed. The relationship becomes more problematic when they readily equate Fanny with the non-white exploited racial Other, the slaves in Antigua. Analyzing the limitations of Austen’s representation of slavery, I examine how Rozema not only faithfully reproduces the limitations but also silences the Black Other—the slaves in Antigua—who only appear in Tom’s sketches of Antiguan slaves and sculptures of Black servants at Mansfield Park.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Haggerty, George E. „Fanny Price: “Is she solemn?—Is she queer?—Is she prudish?”“. Eighteenth Century 53, Nr. 2 (2012): 175–88. http://dx.doi.org/10.1353/ecy.2012.0014.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Reiff, Marija. „The “Fanny Price Wars”: Jane Austen’s Enlightenment Feminist and Mary Wollstonecraft“. Women's Studies 45, Nr. 3 (02.04.2016): 275–90. http://dx.doi.org/10.1080/00497878.2016.1149031.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Pawl, Amy J. „Fanny Price and the Sentimental Genealogy of Mansfield Park“. Eighteenth-Century Fiction 16, Nr. 2 (2004): 287–315. http://dx.doi.org/10.1353/ecf.2004.0040.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Mehr Quellen

Dissertationen zum Thema "Price, fanny"

Sharren, Kandice. „"A creditable establishment": the irony of economics in Jane Austen's Mansfield Park“. Thesis, 2011. http://hdl.handle.net/1828/3522.

Der volle Inhalt der Quelle

Annotation:

This thesis contextualises Austen’s novel within the issues of political economy contemporary to its publication, especially those associated with an emerging credit economy. It argues that the problem of determining the value of character is a central one and the source of much of the novel’s irony: the novel sets the narrator’s model of value against the models through which the various other characters understand value. Through language that represents character as the currency and as a commodity in a credit economy, Mansfield Park engages with the problems of value raised by an economy in flux. Austen uses this slipperiness of language to represent social interactions as a series of intricate economic transactions, revealing the irony of social exchanges and the expectations they engender, both within and without the context of courtship.
Graduate

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Bücher zum Thema "Price, fanny"

Andrews, Nathalie. Sydney and Fanny: The price of freedom. St. Vincent and the Grenadines: [s.n.], 2008.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Andrews, Nathalie. Sydney and Fanny: The price of freedom. St. Vincent and the Grenadines: [s.n.], 2008.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Shikūh, Dārā. Nuskha dar fanni-falahat =: The art of agriculture : Persian manuscripts compiled in the 17th century by the Mughal Prince Dara Shikoh. Secunderabad: Asian Agri-History Foundation, 2000.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Fechter, Steven. The last cigarette / by Steven Fechter. Flight of fancy / by Louis Felder. Physical therapy / by Jean Reynolds. Nothing in the world like it / by Frances Galton. The price you pay / by Arlene Hutton. Pearls / by Nara Lipner. Ophelia / by Karen Sanford. A significant betrayal / by Le Wilhelm. New York: Samuel French, 2000.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Jane, Austen. Mansfield Park. London: Penguin Books, 2003.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Jane, Austen. Mansfield Park. Barcelona: Plaza & Janés, 2000.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Jane, Austen. Mansfield Park. London: Penguin, 1994.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Jane, Austen. Mansfield Park: Fanny Price. Independently Published, 2020.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Sydney and Fanny: The price of freedom. St. Vincent and the Grenadines: [s.n.], 2008.

Den vollen Inhalt der Quelle finden

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Austen, Jane, und Jane Stabler. Mansfield Park. Herausgegeben von James Kinsley. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199535538.001.0001.

Der volle Inhalt der Quelle

Annotation:

‘Me!’ cried Fanny … ‘Indeed you must excuse me. I could not act any thing if you were to give me the world. No, indeed, I cannot act.’ At the age of ten, Fanny Price leaves the poverty of her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, in the chilly grandeur of Mansfield Park. There she accepts her lowly status, and gradually falls in love with her cousin Edmund. When the dazzling and sophisticated Henry and Mary Crawford arrive, Fanny watches as her cousins become embroiled in rivalry and sexual jealousy. As the company starts to rehearse a play by way of entertainment, Fanny struggles to retain her independence in the face of the Crawfords’ dangerous attractions; and when Henry turns his attentions to her, the drama really begins… This new edition does full justice to Austen’s complex and subtle story, placing it in its Regency context and elucidating the theatrical background that pervades the novel.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Mehr Quellen

Buchteile zum Thema "Price, fanny"

Emsley, Sarah. „Fanny Price and the Contemplative Life“. In Jane Austen’s Philosophy of the Virtues, 107–28. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403978288_6.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Perletti, Greta. „What's Wrong with Fanny Price? Pathological Intellection and Jane Austen's Science of the Mind in Mansfield Park“. In Translation and Interpretation, 167–86. Göttingen: V&R unipress, 2022. http://dx.doi.org/10.14220/9783737014731.167.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Haschemi Yekani, Elahe. „Resistances: Austen and Wedderburn“. In Familial Feeling, 173–221. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_4.

Der volle Inhalt der Quelle

Annotation:

AbstractIn this chapter the most famous writer of (female) affective individualism, Jane Austen, and her canonical third published novel Mansfield Park featuring her supposedly most unpopular heroine Fanny Price is juxtaposed with orator Robert Wedderburn’s much more obscure pamphlet The Horrors of Slavery. The chapter also revisits Edward Said’s famous theory of counterpoint in his reading of Austen and proposes instead a focus on entanglement. By contrasting the two texts and their relation to the abolition of the slave trade in 1807, readers get a better understanding of how writers used the affective means of prose writing to introduce more resistant entangled tonalities of familial feeling. Austen presents wilful female subjectivity in a family that invested in slavery and Wedderburn, the unruly planter son, claims familiarity with both his enslaved mother and his slave-owning father, challenging the formula of the “horrors of slavery”. Via internal focalization and incendiary rhetoric respectively both texts tonally also create a more intimate familiarity with their readers. They thus aesthetically resist writing conventions and introduce more ambivalent nuance: pushing the limits of the genre of the country-house novel in Austen and refuting the demure tone of abolitionist writing in Wedderburn.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

„Fanny Price“. In Routledge Library Editions: Jane Austen, 76–99. Routledge, 2013. http://dx.doi.org/10.4324/9780203810392-9.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

„The Lethal Reserve of Fanny Price“. In On Declaring Love, herausgegeben von Fred Parker, 163–93. New York, NY: Routledge, 2019. | Series: Routledge studies in eighteenth-century literature; 19: Routledge, 2018. http://dx.doi.org/10.4324/9780429022449-5.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

„Mansfi eld Park: Emancipating ‘Puny’ Fanny Price“. In Jane Austen's Civilized Women, 113–36. Routledge, 2015. http://dx.doi.org/10.4324/9781315655598-11.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

„‘Eloquent blood’: the coming out of Fanny Price“. In Jane Austen and the Body, 62–109. Cambridge University Press, 1992. http://dx.doi.org/10.1017/cbo9780511586248.004.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Heyns, Michiel. „A Divided Community: Fanny Price and the Readers of Mansfield Park“. In Expulsion and the Nineteenth-Century Novel, 50–89. Oxford University Press, 1994. http://dx.doi.org/10.1093/acprof:oso/9780198182702.003.0002.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Woods, Katharine. „In Quiet Converse“. In Biology and Manners, 71–94. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621730.003.0005.

Der volle Inhalt der Quelle

Annotation:

This chapter takes as its starting point the dedication at the front of Lois McMaster Bujold’s novel A Civil Campaign: ‘For Jane, Charlotte, Georgette and Dorothy—long may they rule’, arguing that the dedication places the novel in conversation with the authors whom Bujold invokes. This allows the chapter to explore this intertextuality through thematic convergences shared between Jane Austen’s Fanny Price of Mansfield Park and Bujold’s Ekaterin Vorsoisson. These themes include: the ambivalent occupation of and transitions between exterior and interior spaces they occupy; on and offstage performances; the significance of gifts of jewelry; the imposition of familial bonds; and the intertwined experience of health and honor. Despite their often ambivalent reception, the chapter argues, Fanny and Ekaterin are integral components of their respective works; central characters in their standalone and series novels.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

„CHAPTER 3 Acting, Text, and Correct Display: Sarah Siddons to Fanny Price“. In Speaking Volumes, 98–134. Stanford University Press, 2002. http://dx.doi.org/10.1515/9781503619210-007.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Berichte der Organisationen zum Thema "Price, fanny"

Poloboc, Alina. Josh Tampico. Intellectual Archive, November 2023. http://dx.doi.org/10.32370/iaj.2988.

Der volle Inhalt der Quelle

Annotation:

Josh Tampico is a painting from the Fancy Collection 2022, portraying a charismatic and creatively charged character with a keen sense of music. This vibrant portrayal depicts the brilliant music composer from Madrid, known for his distinctive blue hair. Having collaborated with numerous internationally renowned singers, Josh Tampico is a noteworthy figure in the music industry. The creation of this artwork is the result of a collaborative artistic project. The strategic use of the color blue by the painter Alina Poloboc in this piece symbolizes strength, trust, and creativity. Notably, the painting of Josh Tampico currently serves as both the logo and the official cover of one of his music albums. This particular painting stands out as one of the artist`s most successful works, of which she takes great pride.

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Loan advertising World War I - other forms: Lindsay Goulding, first prize winner in the War Loan Bonds Competition, Red Cross Fundraising Fete, fancy dress costume, Northwood, NSW, 1918. Reserve Bank of Australia, März 2021. http://dx.doi.org/10.47688/rba_archives_pn-001670.

Der volle Inhalt der Quelle

APA, Harvard, Vancouver, ISO und andere Zitierweisen

Wir bieten Rabatte auf alle Premium-Pläne für Autoren, deren Werke in thematische Literatursammlungen aufgenommen wurden. Kontaktieren Sie uns, um einen einzigartigen Promo-Code zu erhalten!