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Auswahl der wissenschaftlichen Literatur zum Thema „Practice creative network“
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Zeitschriftenartikel zum Thema "Practice creative network"
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Bown, Oliver, Sam Ferguson, Augusto Dias Pereira Dos Santos und Kurt Mikolajczyk. „Hacking the Medium: Shaping the creative constraints of network architectures in multiplicitous media artworks“. Organised Sound 26, Nr. 3 (Dezember 2021): 305–16. http://dx.doi.org/10.1017/s135577182100039x.
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In this article we discuss our practice-based research into effective architectures and creative workflows for creatively coding massive multidevice light and sound installation artworks. We discuss the challenges of working with networked multidevice systems and illustrate these challenges with examples of the type of content that one may wish to display on these systems. We then consider how the structuring of a creative framework can strongly influence how an artist approaches the creation of such work, eases the process of creative search and discovery and reduces the time cost and risk of solving technical problems of architecture design. We take a design perspective on how to make effective creativity support tools and also consider a holistic perspective on creative practice that attempts to satisfy creative ideals grounded in the reality of practice.
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Dovey, Jonathan, Simon Moreton, Sarah Sparke und Bill Sharpe. „The practice of cultural ecology: network connectivity in the creative economy“. Cultural Trends 25, Nr. 2 (02.04.2016): 87–103. http://dx.doi.org/10.1080/09548963.2016.1170922.
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Sancho Querol, Lorena, und Cláudia Pato Carvalho. „Introduction: Community and Creative Research. Developing Participatory Methodologies“. Conjunctions. Transdisciplinary Journal of Cultural Participation 5, Nr. 1 (24.05.2018): 1–6. http://dx.doi.org/10.7146/tjcp.v5i1.105285.
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In September 2016, we organized a roundtable entitled “Community engaged cultural research: an emerging agenda of practice” at the 9th Midterm Conference of the ESA Research Network Sociology of the Arts in Porto, Portugal. The authors sharing their research during that session challenged us to go further and publish our experiences with society-friendly research in a variety of cultural contexts, practices, backgrounds and beliefs. By choosing the theme of “community and creative research”, this thematic issue of Conjunctions has gathered experiences from around the world (Australia, Brazil, Denmark, Finland, Portugal, Switzerland, Argentina and Cyprus) on different approaches to democratic practice using the lens of cultural participation. It feeds on the intersection of action research work performed by academics, activists, artist, theorists and citizens, who study and work within different sectors of our societies through participatory methodologies.
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Campbell, Louise, und Terri Hron. „The Participatory Creative Music Hub: Process Over Product“. Performing Practice-Based Research 9, Nr. 1-2 (02.08.2023): 236–52. http://dx.doi.org/10.7202/1102397ar.
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A community-based project, the Participatory Creative Music Hub (the Hub) was developed by the Canadian New Music Network (CNMN) to research, create, and distribute an online resource to inspire creativity in music and sound for all. In addition to inspiring people of many backgrounds to create their own music, the process of building and sharing the Hub has helped to develop a sense of community among diverse creative practitioners across Canada. In doing so, it has raised questions about both the aesthetic and social values of music. In recent years, on an organizational level, CNMN’s focus and scope has transitioned from a primarily industry-focused network dedicated to building professional networks and opportunities to an outward-looking, knowledge- and resource-sharing network actively cultivating a more inclusive member base and connecting with other sectors. The Hub is one of the CNMN’s recent initiatives that is working to redefine the place of music in Canadian society and shift ideas around who can and does make New Music across Canada, and where, how and why people make music. In this article, we propose that the Hub also performs socially engaged practice-based research that models an expanded imaginary for creative music and sound in contemporary Canadian society.
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de Lacey, Alex. „Pirate mentality: How London radio has shaped creative practice in grime music“. Radio Journal:International Studies in Broadcast & Audio Media 19, Nr. 1 (01.04.2021): 197–215. http://dx.doi.org/10.1386/rjao_00041_1.
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Grime music is an Afrodiasporic performance form originating in London. While artists such as Stormzy and Skepta are now international stars, its gestation took place within a grounded network of record shops, radio stations and raves. This article argues for grime pirate radio’s role as both an oppositional channel and site of creative practice. Based on empirical work undertaken from 2017 to 2019 in London’s grime scene, it demonstrates how artists harness radio’s communicative power to engender a Black counterpublic, before outlining a framework for creative agency: afforded by a network of stations and practitioners; made meaningful through its community of listeners; and realized through improvisatory practice. Existing studies focusing on pirate radio often present these fora as domains for dissemination. In grime, however, its creative function highlights the potentiality of radio as a performance medium: a space for quotidian belonging and co-presence, but also for musical development and grassroots practice.
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Comunian, Roberta. „Temporary Clusters and Communities of Practice in the Creative Economy: Festivals as Temporary Knowledge Networks“. Space and Culture 20, Nr. 3 (25.07.2016): 329–43. http://dx.doi.org/10.1177/1206331216660318.
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The article explores the role of art festivals as platforms for knowledge and network development in the creative industries and creative policy intervention using the case of a small street art festival ( Fuse Festival in Medway, UK). The analysis provides a broader perspective on the current research and debate on the impact and role played by arts festivals in local economic and cultural development—which usually concentrate on either their socioeconomic impact on local communities—to focus instead of their role in building knowledge communities and communities of practice. The results highlight the key role played by the festival in supporting and commissioning artistic work. The results also expose the temporary and explorative nature of many artistic practices and the role of interaction with audiences and other creative producers. Following a network perspective, the findings highlight the role of temporary clusters not only in shaping career opportunities for artists but also in drawing new pathways for local economic development for contexts undergoing regeneration.
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Sharma, Neha, Skanthesh Lakshmanan, Kritika Pandey, Remya L. Nair, Avtar Singh, Gayatri Kulkarni, Kishor Pandav und Prabhu Shah. „Ayurveda-Practice-Based Research Network (A-PBRN): Lesson Learned and Way Forward in the UK“. Global Journal of Health Science 14, Nr. 10 (23.09.2022): 36. http://dx.doi.org/10.5539/gjhs.v14n10p36.
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We have recently undertaken a corporate strategy evaluation for a more accurate appraisal of the Ayurveda Practice Based Research Network's two-year outcomes. While many of our views and experiences may not be original to PBRN networks, we feel that for Integrative Ayurveda, our insights will be valuable to others who are constructing or reshaping Ayurveda practice in a shifting health care context.
Research that is contemporary, applicable, and amenable to integration into practice must be prioritized. Clinicians, academics, information technologists, and various scientists, as well as strategy implementation professionals, combining to establish a creative Hub, is a viable approach for reaching this objective in comparison to the original PBRN models. The creative Hub could assist academics in identifying significant research topics and meeting "critical" standards. Bridging the ends between practitioners, researchers, and clinicians may require novel partnerships and non-traditional funding sources in the future.
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Harwood, Tracy. „Cocurated Digital Culture: Machinima“. Leonardo 52, Nr. 2 (April 2019): 123–27. http://dx.doi.org/10.1162/leon_a_01328.
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This article explores hybrid curatorial practices that have developed around digital “socio-techno-cultural” practices such as machinima. Machinima is a creative cultural movement that has evolved considerably since its emergence in 1996. The article highlights interrelated themes of curatorial practice: coevolving sense-making and social consumption; creative cognition and exploratory visualization; technologies as cultural intermediaries; social products, materialized expression and collective memory; capturing contexts through cocuration; and sustainability and stability of cultural capital. The article concludes that curation is a process of continually evolving interpretation of the artifact, representing shifts in the technology landscape, network of community members and audience interactions.
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Eutsler, Lauren, Leslie Hancock und Traci H. Pettet. „Twitter as a Professional Learning Network in Teacher Preparation“. International Journal of Digital Literacy and Digital Competence 13, Nr. 1 (01.01.2022): 1–16. http://dx.doi.org/10.4018/ijdldc.309101.
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To explore and examine the role of social media as a tool for professional learning within teacher preparation, this qualitative case study examined 73 preservice teachers' observations of literacy teaching on Twitter. Findings indicate that visual posts enhanced teaching strategies and lesson ideas, posts influenced beliefs about teaching and connections to practice, and observations increased enthusiasm toward becoming a teacher. Attention was given to students learning in-action. Reflections emphasize what to teach using a specific strategy or idea. Findings imply that expanding professional learning networks to digital spaces can cultivate teacher knowledge, foster creative teaching practices, and enhance self-critique.
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Mitterlechner, Matthias. „Governing integrated care networks through collaborative inquiry“. Journal of Health Organization and Management 32, Nr. 7 (08.10.2018): 860–74. http://dx.doi.org/10.1108/jhom-01-2018-0012.
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Purpose The purpose of this paper is to develop a theory of governing in integrated care networks. Asking how and why the governance of these networks emerges and evolves over time, it responds to calls for more innovative thinking in this field. Design/methodology/approach Data result from a rare longitudinal qualitative case study conducted with the Healthcare Centre Lower Engadin, the lead organisation of pioneering health and social care network in a rural Swiss region. Findings Actors governed the network through repetitive sequences of collaborative inquiry, a practice through which they defined and addressed recurrent problems of network governance and joint network action in creative and experimental ways. Research limitations/implications Explaining how and why the governance of integrated care networks emerges and evolves, this study adds a dynamic theory to previous research, which has studied the determinants of effective network governance without considering their temporal evolution. It also contributes to the wider network literature, drawing attention to the pivotal role of meaning making, creativity and experimentation for understanding network governance dynamics. Practical implications The study invites practitioners to reflect on how they want to design collaborative inquiry in their own contexts. Important design levers include the creation of communication forums, trust and information transparency. Originality/value The study adds a rare longitudinal perspective on the governance of integrated care networks.
Dissertationen zum Thema "Practice creative network"
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Hoareau, Charlène. „Le Réseau Créatif de Pratiques pour soutenir et diffuser des pratiques innovantes : structurer et animer une innovation organisationnelle : le cas du champ de la santé“. Electronic Thesis or Diss., Aix-Marseille, 2021. http://www.theses.fr/2021AIXM0008.
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Notre recherche questionne la diffusion de pratiques innovantes dans un champ de la santé pluri-institutionnalisé et pluraliste. Notre cadre théorique aborde la diffusion de pratiques innovantes entre différents lieux d’activités soutenue par une innovation organisationnelle : le Réseau Créatif de Pratiques (RCP). Le RCP repose sur deux concepts : le « réseau de pratiques » potentiellement favorable à la diffusion de pratiques et les « collectifs créatifs » pour assurer son management face à deux tensions (exploitation versus exploration et généralisation versus contextualisation). Notre démarche méthodologique s’appuie sur deux études de cas longitudinales : une Agence Régionale de Santé (ARS) et un Collectif National des pilotes MAIA (Collectif). La méthodologie qualitative repose sur des entretiens semi-directifs, observations et des données secondaires. Nos deux études de cas montrent comment émerge et s’auto-organise un RCP au regard de deux caractéristiques : sa structuration et son animation. Ces deux cas montrent une situation instable des collectifs créatifs orientés par la politique d’un Haut (ARS) ou de l’expertise opérationnelle d’un Bas (Collectif). Pour autant, ce déséquilibre tend à se résorber à la faveur des efforts récents de mise en visibilité et de justification. Notre modèle d’analyse nous conduit à réaliser une lecture critique des mix organisationnels et managériaux des RCP étudiés et discuter des mécanismes correctifs (un encastrement complémentaire de justification, une structure duale, une double capacité à agir) qui leur sont nécessaires pour parvenir à compenser leur fort enracinement dans l’une des deux autres strates (Haut ou Bas)Our research questions the diffusion of innovative practices in a pluri-institutionalized and pluralistic health field. Our theoretical framework addresses the diffusion of innovative practices between different places of activity supported by an organizational innovation: the Practice Creative Network (PCN). The PCN is based on two concepts: the "network of practice" potentially favorable to the diffusion of practices and the "creative collectives" to ensure its management in the face of two tensions (exploitation versus exploration and generalization versus contextualization). Our methodological approach is based on two longitudinal case studies: a Regional Health Agency (RHA) and a National Collective of MAIA pilots (MAIA Collective). The qualitative methodology is based on semi-directive interviews, observations and secondary data. Our two case studies show how a PCN emerges and self-organizes with regard to two characteristics: its structuring and its management. These two cases show an unstable situation of creative collectives oriented by the policy of an Upperground (RHA) or the expertise of an Underground (MAIA Collective). However, this imbalance tends to be reduced thanks to recent efforts to raise visibility and justification. This model of analysis leads us to make a critical reading of the organizational and managerial mix of the PCNs studied and discuss the three corrective mechanisms (a complementary embeddedness of justification, a dual structure, a dual actorhood) that are necessary to compensate for their strong roots in one of the other two layers (Upperground or Underground)
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Challis, S. „Maximising impact : connecting creativity, participation and wellbeing in the qualitative evaluation of creative community projects“. Thesis, Coventry University, 2014. http://curve.coventry.ac.uk/open/items/53a3eb2f-401e-40bc-b530-115428d1b7d6/1.
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The evaluation of creative participatory community projects remains a controversial issue in politics, policy and the arts, its focus sharpened by the reality or rhetoric of austerity. Despite the recent plethora of policy documents and reviews there is little consensus about how projects should be evaluated or what constitutes good evidence about the impact on individual and collective wellbeing of ‘being creative’. This research set out to develop and trial feasible and effective evaluations for small to medium sized projects in the West Midlands of the UK based on field research into how impact is produced. Through mainly qualitative research in diverse contexts it was able to identify a range of conditions in projects reflecting the interrelationship of creativity and participation in which positive impact could be maximised. The research sought to theorise the impact of these conditions using elements of Actor Network Theory and Freire’s concept of praxis, concluding that impact is likely to be incremental, partial and non-linear. Central to this theorisation was the synthesis of evidence about the impact of creativity and embodied making on thinking, affect and a sense of agency, with ideas about how people change, producing a new evidence-based theory of change. In a practice-led approach, new creative methods were trialled in which data produced by participants had aesthetic as well as communicative value and the evaluation process itself contributed to positive impact. While it was possible to evaluate aspects of this impact through episodic interventions, field trials showed that it was more effective to develop a systemic evaluation strategy. Such a strategy needed to be participatory and integrated into project planning, in order to respond to the stochastic systems creativity inevitably provokes. This proved to offer two advantages: the potential to engage many stakeholders, not just as respondents but also as agents actively defining and measuring evaluation outcomes; and the potential for reflection about impact as process rather than outcome. These findings were then implemented in a number of projects, including trials of the Arts Council UK’s developmental Children and Young People’s Quality Principles. The method has been identified as ‘improving the conversation’ amongst partners, stakeholders and artists who can re-position themselves as active agents of evaluation rather than mere respondents, using the tropes, practices and materials of their own professional practices.
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Ainsworth, Rodney Phillip. „The entrepreneurial playwright : a relational approach to marketing plays in the regions“. Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/19241/1/Rodney_Ainsworth_Thesis.pdf.
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This exegesis examines the proposition that playwriting is an entrepreneurial activity when combined with the role of producer. The thesis demonstrates that, when a playwright combines the two roles and considers the development of a network of relationships in the process, positive steps can be made towards the marketing of a work and the career progression of the playwright. The issues of marketing and career progression are considered in a regional context.
The thesis comprises the creation of a full-length theatrical work through the MA (Research) Program at Queensland University of Technology and an analysis of that journey in the context of regional theatre practice in Queensland. Nicolas Bourriaud’s theory of the Relational Aesthetic is used as a way of charting my practice and of examining how this approach might be appropriate to theatre-making in regional Australia. The paper establishes strategies by which the playwright, when also undertaking the role of producer, might manage the complex set of circumstances and interactions between the work, the community and the industry.
Using practice-led research methodologies, the exegesis examines the process of the creation of a new play, Sinking, and explores, through the use of an autobiographical case study, what the process has meant to the author’s development as a playwright over a fifteen month period. The paper uses a network map to explore the interactions created through a rehearsed reading of the first draft of the play in October 2006 and, in doing so, demonstrates how a close engagement with the community formed the basis of the entrepreneurial strategy.
The exegesis demonstrates that Bourriaud’s work connects very closely with the author’s practice and examines how the approach might be useful for other regional arts practitioners, particularly those in the early stages of their careers. The research aims to identify how the creation of the play, and the subsequent interactions generated within a regional community, can lead to opportunities to create connections both within the author’s place of residence and in broader theatre industry contexts, nationally and internationally, in order to provide commercial and professional outcomes.
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Ainsworth, Rodney Phillip. „The entrepreneurial playwright : a relational approach to marketing plays in the regions“. Queensland University of Technology, 2008. http://eprints.qut.edu.au/19241/.
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This exegesis examines the proposition that playwriting is an entrepreneurial activity when combined with the role of producer. The thesis demonstrates that, when a playwright combines the two roles and considers the development of a network of relationships in the process, positive steps can be made towards the marketing of a work and the career progression of the playwright. The issues of marketing and career progression are considered in a regional context.
The thesis comprises the creation of a full-length theatrical work through the MA (Research) Program at Queensland University of Technology and an analysis of that journey in the context of regional theatre practice in Queensland. Nicolas Bourriaud’s theory of the Relational Aesthetic is used as a way of charting my practice and of examining how this approach might be appropriate to theatre-making in regional Australia. The paper establishes strategies by which the playwright, when also undertaking the role of producer, might manage the complex set of circumstances and interactions between the work, the community and the industry.
Using practice-led research methodologies, the exegesis examines the process of the creation of a new play, Sinking, and explores, through the use of an autobiographical case study, what the process has meant to the author’s development as a playwright over a fifteen month period. The paper uses a network map to explore the interactions created through a rehearsed reading of the first draft of the play in October 2006 and, in doing so, demonstrates how a close engagement with the community formed the basis of the entrepreneurial strategy.
The exegesis demonstrates that Bourriaud’s work connects very closely with the author’s practice and examines how the approach might be useful for other regional arts practitioners, particularly those in the early stages of their careers. The research aims to identify how the creation of the play, and the subsequent interactions generated within a regional community, can lead to opportunities to create connections both within the author’s place of residence and in broader theatre industry contexts, nationally and internationally, in order to provide commercial and professional outcomes.
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Paakkanen, Miia. „Best practices of networks in the Finnish music industry“. Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Företagsekonomi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-20105.
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The purpose of this research is to study the practice of networks in the crea- tive industries, which are thought to carry great economic, social and cultural po- tential inherent in them. The creative industries are said to be valuable especially for the development of a small and open economy like Finland. Networks, on the other hand, are identified as important in the business of micro entrepreneurial firms composing the creative industries, but the practice is still less researched. Thus, in order to better understand and support the needs of the creative industries regarding networks this thesis aims to identify best practices of networks in one specific creative industry of the small and open economy of Finland, the Finnish music industry. Seven Finnish music industry professionals including both men and women and representing different roles, music genres, lengths of careers and aspects of the Finnish music industry are face-to-face interviewed according to the method of Appreciative Inquiry (AI) focusing on successes and positive aspects instead of weaknesses and limitations. That is, with AI the Finnish music industry profes- sionals were encouraged to discuss their networks as part of their lives and work as truthfully and naturally as possible without pushing them to list some sort of requirements or expectations. A comprehensive list of best practices of networks is identified. Additional- ly, aspects of a great networking seminar are included in the list. Most important- ly, networks and relationships are said to mean everything to the Finnish music industry professionals interviewed in terms of developing their career and busi- ness as well as adding to their personal well-being. The findings discuss the ap- preciated aspects of and the appreciated elements received through networks. Al- so, the findings show how different practices of networks are needed in different situations in the lives of the Finnish music industry professionals interviewed and how different aspects of networks best serve their needs. To give an example, ap- preciated elements received through networks include information, ideas, advice, support, increase in happiness, facilitation of the work load, identification of new business opportunities, new opportunities through being recommended, progress business-wise, results, increase in the effectiveness of business, increase in the feeling of belonging to a community and new additional network contacts, and whereas the need to recognize new business opportunities, for example, is best satisfied with weak links, the need for support is better satisfied with strong ties.
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Kaye, Nicola Art College of Fine Arts UNSW. „Physical/virtual sites: using creative practice to develop alternative communicative spaces“. Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/42742.
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This thesis interrogates my and others?? creative praxis using the tools of the Internet, webcam, blogging and digital video, to elucidate possibilities for communication. I examine whether these tools are productive for my creativity and others?? in increasing communicative spaces and building social networks amongst the complexities of globalised culture. Many cultural commentators consider the Internet as a new kind of public sphere, developing community, strengthening the lifeworld and providing ethical discourse. The Internet, however, is a context not without problems. Still, less that one quarter of the world??s population has access, and computer illiteracy and governance (to name only a few) contribute to its limitations ?? this dichotomy is central to my investigation. I demonstrate that information communication technologies (ICTs) such as the Internet are radically altering our everyday lives and mediation is increasingly pervasive. I argue, therefore, that our globalised context demands alternative communicative spaces to mainstream media that allow diversity, plurality, intersubjectivity and new forms of interrogation. I ask whether the Internet can assist in the development of social networks and newest social movements (NSMs) by increasing civic bonds and communities. I posit communicative action, reflexivity and praxis as productive tools for a critical practice. I suggest that these theories are influential in researching the Internet??s potential in generating social awareness. I argue that the Internet can be used to construct social spaces and, in conjunction with creativity, can increase its productive capacity in developing diverse and ethical communicative contexts.
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Watson, Allan. „Sound practice : a relational economic geography of music production in and beyond the recording studio“. Thesis, Loughborough University, 2012. https://dspace.lboro.ac.uk/2134/10432.
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This thesis develops a relational geography perspective on creative work and practice, with a specific focus on the recording studio sector. Drawing on an extensive social network analysis, a questionnaire survey, and nineteen semi-structured interviews with recording studio engineers and producers in London (UK), the thesis reveals how recording studios are constituted by a number of types of relations. Firstly, studios are spaces that involve a material and technological relationality between studio workers and varied means of production. Studios are material and technological spaces that influence and shape human actions and social inter-actions. Secondly, studios are sites of relationality between social actors, including engineers, musicians and artists. The thesis reveals how the ability to construct and maintain social relations, and perform emotional labour , is of particular importance to the management of the creative process of producing and recording music, and to building the individual social capital of studio workers. Finally, the thesis argues that studios are sites of changing employment relations between studio workers and studio as employer. In the recording studio sector, a complex and changing set of employment practices have re-defined the relationship between employee and employer and resulted in a set of employment relations characterised by constant employment uncertainty for freelance studio workers. It is argued that the three types of relations revealed in this thesis, manifest at a multiplicity of geographical scales, construct recording studios as distinctive social and economic creative spaces. In conclusion, it is argued that a relational perspective is central to progressing geographical accounts of creative work and of project-based industries in general.
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Theobald, Jae M. „A Review of Setup Practices and Procedures for Creating IEEE 802.11 Wireless Community Networks“. Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd557.pdf.
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Villarroel, Rojas Mayra Veronica. „Business incubators : Knowledge transfer and networks creation as key success factors“. Thesis, Linnaeus University, Linnaeus School of Business and Economics, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-6206.
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The purpose of this research is to analyze business incubators and the relevant factors that take place inside these organizations.
The methodology used was a case study approach, which investigates a real environment, in this case: NeoEmpresa, a business incubator located in La Paz, Bolivia. The explanatory approach is also considered in this research since the purpose is to explain the business incubation characteristics as well as understand the importance of knowledge transfer and network creation inside business incubators.
The findings propose that the most adequate incubation model strongly depends on the incubator’s main purpose and that the learning practices that take place inside an incubator involve knowledge transfer, more considered experience transfer, and networking as relevant factors.
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Ferreira, Paulo Sergio Altman. „Value co-creation in practice : an activity theory approach to service-based and networked business relations“. Thesis, University of Newcastle upon Tyne, 2015. http://hdl.handle.net/10443/2965.
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This study examines value co-creation in networked service-for-service business relations. Current literature considers value through the experiential and circumstantial properties that permeates co-creation. Contemporary research also indicates the integration of resources and value facilitation as key aspects for co-creating value. This work suggests that value co-creation is a continuously changing practice that expands within on-going knowing and learning movements. The research collected the data of the study during the years of 2010-2012 in the city of Fortaleza – Brazil. Fieldwork concerned the implementation of IT systems in hospitals and clinics. The investigation comprised six case studies nested in two main cases. The first main case presents the perspective of the supplier side, while the second approaches a client organization. The methodology of the study, the case study ethnography, draws on cultural-historical activity theory and applies developmental work research in natural settings. Value co-creation in networked service-for-service relations emerges as multifaceted systems of diverging interests. Resource integration relates to questioning daily practices and envisioning potentialities. Interactions evolve through fast and distributed encounters that co-configure resolutions. In the context of multiple and diverging interests and contradictions, co-creating value refers to managing change. Knowing and learning how to co-create value consist in practicing transformational movements of navigating and interacting within multiple locations and participants in order to resolve contradictions in and between activity systems. The study identifies value co-creation as a dialectical system of practice. Contradictory elements hamper mutually benefiting relations at the same time that create possibilities for changes in the direction of co-creating value. The practice of value co-creation concerns questioning daily practices, knotworking value, and managing change. The central aspect of this practice concerns knowing and learning to accomplish these situated performances within the flow of daily market interactions.
Bücher zum Thema "Practice creative network"
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Glen, Carla J. A network of signs: (an exploration of the part semiotics has to play in the making of meanings : comparing theatre signing and creative drama signing using examples from the work of Kaleidoscope's Story Theatre Co. and Dorothy Heathcote's drama teaching practice with a view of cross-fertilization between the two art forms). Birmingham, UK: University of Central England in Birmingham Library Press, 1995.
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service), ScienceDirect (Online, Hrsg. Professional penetration testing: Creating and operating a formal hacking lab. Rockland, Mass: Syngress, 2010.
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Orlova, Dar'ya, Sergey Kochedykov, Vyacheslav Chertov und Viktor Novosel'cev. LANGUAGE TOOLS FOR CREATING INFORMATION TECHNOLOGIES FOR INTELLIGENT DECISION-MAKING SUPPORT. ru: INFRA-M Academic Publishing LLC., 2024. http://dx.doi.org/10.12737/2129777.
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The monograph deals with the problem of choosing language tools for the creation of information technologies of intellectual decision support in the management of critical objects of the social sphere. It includes seven chapters: introductory chapter - system understanding of information technology of intellectual decision support; language of matrices; logical languages (calculus of statements and predicate calculus); language of semantic networks; language of fuzzy sets; language of frames; language of artificial neural networks; language of mathematical optimization. Examples of using these language tools to create information technologies for intellectual support of decision-making in various problem areas are given.
It is oriented on students studying on the educational program of higher education: 09.03.02 - "Information systems and technologies" on a profile "Applied information systems and technologies", and also postgraduate students, oriented on protection of dissertations on a specialty: 1.2.3 - "Management in organizational systems". The material of the monograph will be useful for specialists dealing with practical issues of development and implementation of information technologies.
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Grasskamp, Anna Katharina. Art and Ocean Objects of Early Modern Eurasia. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721158.
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During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells’ shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.
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SAVEL'EVA, Ekaterina, Anna Fedchenko und Ol'ga Gegechkori. Fundamentals of labor organization in digital ecosystems. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1063619.
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The textbook comprehensively presents the regularities of the formation of the theory and practice of labor organization in digital ecosystems. The key issues of digital labor organization are considered: development and implementation of project-network forms of division and cooperation of labor; design of optimal labor processes based on modern information and communication technologies; formation of rational labor mobility and labor flows; development and implementation of sound norms and rules in the field of digital labor; training of labor agents to work in the digital space; creation of balanced remuneration systems, recruitment and retention of labor agents, etc. Methodological principles of digital labor organization are highlighted, as well as approaches for studying and solving theoretical and practical issues of modern labor organization.
Meets the requirements of the federal state educational standards of higher education of the latest generation.
For students studying in the areas of training 38.03.03 "Personnel Management", 38.03.02 "Management", 38.03.01 "Economics", studying labor organization issues, as well as project managers, HR specialists, labor organization engineers, ergonomists, production coordinators in distributed communities, community development program coordinators, course students, graduate students, teachers.
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Charon, Rita, Sayantani DasGupta, Nellie Hermann, Craig Irvine, Eric R. Marcus, Edgar Rivera Colsn, Danielle Spencer und Maura Spiegel. The Principles and Practice of Narrative Medicine. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199360192.001.0001.
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Narrative medicine is a clinical practice fortified by complex narrative skills that equip healthcare professionals to recognize, absorb, interpret, and be moved to action by patients’ and colleagues’ stories of illness. Founded in 2000 at Columbia University by the authors of this volume, narrative medicine provides rigorous conceptual frameworks and practical clinical methods to increase the accuracy and scope of clinicians’ knowledge of their patients and to deepen their therapeutic partnerships. This book presents the authors’ views, enriched by collaboration with a worldwide network of colleagues, of the workings of the narrative, relational, and reflexive processes of healthcare. Literary theory, narratology, continental philosophies, aesthetic theory, and cultural studies provide the intellectual foundations of narrative medicine, while primary care practice, patient-centered care, psychoanalysis, and interprofessional practice supply the clinical foundations.The book provides both principles and practices of the central tenets of the discipline—relationality and emotion, the philosophies of embodiment, ethicality, participatory pedagogy, close reading, creativity, and clinical practice. Each Part of this volume explains the conceptual foundations of its subject and demonstrates the pedagogic or clinical methods of putting those principles into action. Narrative medicine has grown since its inception into an international movement including many health professional disciplines, patients, families, and institutions.The overarching goal of narrative medicine is to improve the effectiveness of healthcare. This volume provides the standards of the field’s theory and practice as a guide to all who are now joining in this creative commitment to improve healthcare for all.
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Zurn, Perry, und Dani S. Bassett. Curious Minds. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/11009.001.0001.
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An exhilarating, genre-bending exploration of curiosity's powerful capacity to connect ideas and people. Curious about something? Google it. Look at it. Ask a question. But is curiosity simply information seeking? According to this exhilarating, genre-bending book, what's left out of the conventional understanding of curiosity are the wandering tracks, the weaving concepts, the knitting of ideas, and the thatching of knowledge systems—the networks, the relations between ideas and between people. Curiosity, say Perry Zurn and Dani Bassett, is a practice of connection: it connects ideas into networks of knowledge, and it connects knowers themselves, both to the knowledge they seek and to each other. Zurn and Bassett—identical twins who write that their book “represents the thought of one mind and two bodies”—harness their respective expertise in the humanities and the sciences to get irrepressibly curious about curiosity. Traipsing across literatures of antiquity and medieval science, Victorian poetry and nature essays, as well as work by writers from a variety of marginalized communities, they trace a multitudinous curiosity. They identify three styles of curiosity—the busybody, who collects stories, creating loose knowledge networks; the hunter, who hunts down secrets or discoveries, creating tight networks; and the dancer, who takes leaps of creative imagination, creating loopy ones. Investigating what happens in a curious brain, they offer an accessible account of the network neuroscience of curiosity. And they sketch out a new kind of curiosity-centric and inclusive education that embraces everyone's curiosity. The book performs the very curiosity that it describes, inviting readers to participate—to be curious with the book and not simply about it.
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Colangelo, Dave. The Building as Screen. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561520.
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The Building as Screen: A History, Theory, and Practice of Massive Media describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.
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Thomson, C. Claire. Mapping Messiness: The Informational Film Archive and Actor-Network Theory. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424134.003.0004.
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This chapter offers Actor-Network Theory (ANT) as a toolkit for analysing the often messy and complex networks and relationships involved in the production and distribution of useful cinema. Stressing that ANT is employed in the book as a way of thinking rather than as an explicit framework, the chapter briefly outlines the key principles of ANT and relates them to documentary and informational filmmaking. In particular, the chapter discusses the potential of ANT for rendering visible or audible the many non-human actors in any instance of filmmaking, and for revealing how facts are constructed in documentary and related genres. The institutions, individuals, networks, technologies and other actors involved in mid-twentieth-century Danish informational filmmaking are then mapped. The chapter concludes with a discussion of the role of the archive and the researcher in the network of any given film, explaining how contemporary archival practices, especially digital technologies, are creating new dispositifs for historical informational film.
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Creating Empowerment in Communities: Theory and Practice from an International Perspective. Nova Science Publishers, Incorporated, 2019.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Practice creative network"
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Serra, Jaime, Noemi Marujo, Nancy Duxbury, Alexandra R. Goncalves, Sonia Moreira Cabeca, Paula Remoaldo und Juliana Alves. „Domestic and international creative tourists in Portugal: insights for practitioners.“ In Creative tourism: activating cultural resources and engaging creative travellers, 30–37. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789243536.0004.
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Abstract A great diversity of definitions of creative tourists exist, ranging from those who refer to visitors of dance, art, or handicraft workshops, to those who include people who take up temporary artistic residences to practice their creative expression and develop their art forms. In recent decades, we have observed the emergence of a new generation of travellers. These tourists are increasingly seeking co-creation processes, leading to more relational forms of cultural tourism, and active participation in creative experiences. This study revolves around the answers of the participants in the questionnaire of CREATOUR. We found that creative tourism activities can attract travellers to a location: both domestic (76%) and international tourists (64%) indicated that the primary reason for visiting the locale was to participate in the creative tourism experience. This was an important finding for us given that the locations were small cities and rural areas and some were quite remote. These findings suggest the potential for repeat visitors and the need to continually evolve activities to re-attract their interest as well as the value of operating in a network where travellers' participation in a creative tourism activity at one location can lead to participation in other activities elsewhere. This potentially virtuous cycle can strengthen awareness and connectedness among organizers of creative tourism activities in smaller places and rural areas.
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Roodbol, Petrie F., und Jeroen W. B. Peters. „Creating Strong Clinical Networks“. In Advanced Practice Nursing Leadership: A Global Perspective, 223–34. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-20550-8_17.
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Viljanen, Mika, Anna Hurmerinta, Johanna Liinamaa, Maria Ivanova-Gongne, Hanna Luotola und Magnus Gustafsson. „Functional Contracting for Network Creation and Governance“. In Practices for Network Management, 79–90. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49649-8_6.
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Helander, Nina, und Vilma Vuori. „Value Co-creation Analysis in Customer–Supplier Network Relationships“. In Practices for Network Management, 251–62. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49649-8_18.
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Jarke, Juliane. „Co-Creation in Practice III: Co-Creating Age-Friendly Routes (Zaragoza)“. In Public Administration and Information Technology, 167–78. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-52873-7_7.
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Abstract This chapter reports on the third co-creation project described in this book. The project was managed by two departments of Zaragoza city council: the Department of Elderly Care and the Technical Office of Participation, Transparency and Open Government. Several activities aiming to improve the lives older citizens have been conducted by the city administration since Zaragoza joined the Global Network of Age-Friendly Cities and Communities. In a consultation process, older citizens had expressed a demand for safe and well-equipped outdoor spaces. Thus, the broad problem focus of this co-creation project was on the improvement of an age-friendly city infrastructure. The co-creation project covered six walks in three different districts. In each district, groups of six to eight older residents defined two relevant routes and collected information (problems and improvements) about them. The data was integrated in a collaborative digital map provided by the city’s Technical Office. The result of the project is an enhanced map service, which allows (older) citizens to report problems in the public (road) infrastructure and/or propose improvements. Their suggestions for improvements enter a list of citizen proposals for a participatory budgeting process.
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Deck, Andy. „Surveying Impacts of AI in Education and Creative Practices“. In Lecture Notes in Networks and Systems, 400–412. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-47721-8_27.
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Luotola, Hanna, Maria Ivanova-Gongne und Johanna Liinamaa. „The Value-based Sales Approach—Design Process, Tools and Needed Capabilities to Create a Solution“. In Practices for Network Management, 237–50. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49649-8_17.
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Smith, Danielle V. B., und Violeta Ruano. „Creative teaching through solidarity networks in the Saharawi refugee camps“. In Arts and Culture in Global Development Practice, 86–103. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003148203-6.
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Erensoy, Şirin Fulya. „Berlin’s Killjoys“. In Cultural Inquiry, 43–55. Berlin: ICI Berlin Press, 2024. http://dx.doi.org/10.37050/ci-29_04.
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In this reflection piece, I look at the feminist artistic landscape emerging in Berlin with its growing, diverse migrant community. I examine the ways in which women* artists challenge the imposed notions of their migrant status in the city and their states of belonging within it. I demonstrate this through two feminist initiatives I have been involved in that aim to amplify the voices of women* artists whose creative practices disrupt carefully constructed frameworks relating to borders of inclusion and exclusion. I argue that the artistic practices of women* in these networks are killjoy because they unapologetically get in the way, dismantling carefully constructed frameworks that delineate borders of inclusion and exclusion. By reflecting on homemaking practices in exile, I exemplify how feminisms from the global south decentralize claims to truth by taking the means of production into their own hands. By framing the chapter around the recent protests in Berlin unfolding in solidarity with the feminist revolution in Iran, I reveal the possible limits of such actions when they do not embrace intersectionality. Ultimately, I propose to invest in feminist artistic practices that destabilize exclusionary politics by creating visibility and bridging theory and practice.
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Pant, Raghav. „Advances in Climate Adaptation Modeling of Infrastructure Networks“. In Springer Climate, 159–67. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-86211-4_19.
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AbstractAs the adverse effects of climate change are increasingly becoming unavoidable, calls for improving climate adaptation assessments have gathered interest at the global scale. Infrastructure policymakers and practitioners are now interested in understanding climate vulnerabilities and risks that capture the systemic nature of failure propagation seen across interconnected networks. This would help inform adaptation planning objectives meant to improve systemic resilience. This paper presents recent technical methodological and tool-based advances made in climate vulnerability, risk, and adaptation modeling of large-scale infrastructure networks. These methodologies adopt a bottom-up approach that focuses on creating data-rich representations of infrastructure network attributes, resource flows, and socio-economic indicators that are all used for quantifying direct and indirect risks to network assets exposed to extreme climate hazards at multiple scales. Insights from different case studies are presented to show how such methodologies have been used in practice for informing different policy needs. The paper concludes by identifying the existing gaps and future opportunities for such bottom-up infrastructure network vulnerability, risk, and adaptation assessment methodologies.
Konferenzberichte zum Thema "Practice creative network"
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Wyatt, David F., David C. Wynn und P. John Clarkson. „A Computational Method to Support Product Architecture Design“. In ASME 2009 International Mechanical Engineering Congress and Exposition. ASMEDC, 2009. http://dx.doi.org/10.1115/imece2009-11138.
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The choice of product architecture can affect many factors, from the technical performance of a product to the design effort required, production costs, and satisfaction of lifecycle requirements. This paper explores how computational tools can augment creative methods in product architecture design. It describes a method for synthesising product architectures in the form of networks of components. The set of architectures for a product is specified using constraints on the structure of the network. The method has been implemented as a software tool, and an example illustrates how this might be used in practice. Discussion of the example highlights some of the issues which arise through using the method, particularly those of constructing an appropriate set of constraints, and of identifying promising architectures from the large set of synthesis results. Further work will address these issues and evaluate the approach in practice, to compare the cost-benefit ratio with more conventional methods for architecture design (e.g. brainstorming).
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Cohen, Lauro Arthur Farias Paiva, und Nubia Suely Silva Santos. „New demands on design education: from the research to practice“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.123.
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One of the contemporary challenges for research and practice in design and materials is the ability to associate technical information on properties and processing of materials with creative activities and applications. Currently, there is a return to artisanal practices and processes, in which there is a continuous dialogue between the designer, the material, and the project. This study demonstrates the relevance of practice-oriented design processes in the construction of knowledge. In an experience facilitated through post-consumer paper recycling workshops with students from the Bachelor of Design course at the State University of Pará (Brazil), ways of producing recycled paper tiles were investigated and the effects of this activity were discussed. The context of the activity is based on theoretical studies in materials and design, with a methodological approach focused on practical experiments in a research and teaching scenario.The research is classified as exploratory. The methodology adopted is based on the experimental method, considering the testing of new compositions and the response of materials to the processes. The recycling process consists of preparing post-consumer paper waste, producing cellulose pulp, and making paper tiles for subsequent painting. The tile alternative was inspired by the architecture of Belém (Pará - Brazil), bringing affective memories and a reinterpretation. In the methodological approach, the residue has its sensory and physical characteristics experienced after paper shredding. The homogeneity of the pulp is crucial for a good surface finish after drying. In the pulp molding step, after tests and research in the literature, silicone was selected as the most suitable material for the mold, also the possibility to form reliefs on the tile surface. During the workshops, each participant had the opportunity to interact with the material, from which the sensory analyzes are verbalized and discussed in the group, looking for alternatives for applications. In the course of the creation of the tiles, the participants expressed their feelings, references, and interests through painting. Different colors and textures worked during the activity give the artifact the characteristic of those who manipulate it. The activity provided a network of contacts and meetings in which students had the opportunity to reflect on waste disposal. One of the contributions to education in materials design is the possibility of dealing with awareness and critical concepts. Participants shared their experiences and stories related to the themes presented, as well as perspectives on sustainability. The workshop enabled the construction of new meanings and experiences with the production of products through the playful aspects of handcrafting, in addition to exemplifying the need to involve the understanding of sensory qualities in the design process. At the end of the activity, pieces with potential for indoor environments were obtained and a permanent art installation was designed at the State University of Pará. Through contemplation, the audience used touch to interact with the pieces, enhance the aesthetics and investigate the individuality of paper tiles. The installation transformed the space into a reference point, a place for meetings and interactions.
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Vasilakos, Konstantinos. „Lick the Toad: a web-based interface for collective sonification“. In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19444.
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Lick the Toad is an ongoing project developed as a web based interface that runs in modern browsers. It provides a custom made platform to collect user data accessed from mobile devices, such as smartphones, tablets etc. The system offers a tool for interactive collective sonification aiding the idea of networked music performance. It can be used in various contexts, such as onsite installation, interactive compositional tool, or for the distribution of raw data for live coding performances. The system embeds neural network capabilities for prediction purposes by using user input and outputs/targets alike. The inputs and the targets of the training processes can be adapted according to the needs of the use making it a versatile component for creative practice. It is developed as open-source project and it works currently as a NodeJS application with plans for future deployment on remote server to support remote communication and interaction amongst distant users.
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Avotina, Austra, und Valeria Froloviceva. „Rubrics as a Tool for Objective Assessment in Art Education“. In ATEE 2022 Annual Conference. University of Latvia Press, 2023. http://dx.doi.org/10.22364/atee.2022.35.
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The paper describes the importance of a rubric as an assessment tool in art education. The assessment of a work of art, for example, a landscape or a portrait painting usually consists of a combination of objective information and a subjective point of view, which makes it difficult for educators to assess students’ learning outcomes. The use of rubrics is considered an innovative way for educators not only to measure the student’s comprehension and skills but also as a teaching method to increase learners’ engagement in order to bring the creation of art to the forefront of the learning process within school art education. The relevance of the subject of this paper is defined by the changes in the evaluation system during the ongoing education reform in Latvia. The rubric, as an assessment tool in Latvia, was first introduced in 2020 as a part of the reform of the school curriculum. Rubrics for creative art assignments observe the main stages of the learning process, including sketching, expression of original ideas, creative work, documentation of the creation process and self-evaluation. It can be used for both, summative and formative assessments of learning outcomes. The criteria are based on the Common European Framework of Reference for Visual Literacy which was developed by The European Network of Visual Literacy. Therefore, the research aim is to determine the optimal way to evaluate students’ work in art lessons within the framework of school art education. The research involved two stages of data collection. During the first stage (2021) there was conducted a survey of 60 Latvian secondary school teachers that identified several problematic issues concerning the evaluation criteria. In the second stage (2022) the in-depth analysis was performed to investigate the connection between the feedback from educational practice and recommended rubrics in new curricula.
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Monteiro, Adriano Claro. „Playing Time-Variant Audio Feedback Networks“. In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19443.
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This article presents practical and artistic contributions to the field of computational musical systems based on audio feedback networks which have been used as instruments for music creation in the author's artistic practice. The article begins with an introduction to the research field of feedback and selforganized music systems. Later on two systems are presented: the first is a network of cross-modulated sinusoidal oscillators (by frequency modulation), and the second is a network of transforming processes of pre-recorded sound samples.
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Xu, Li. „Practical Research on Creative Graffiti for Children“. In 2017 7th International Conference on Social Network, Communication and Education (SNCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/snce-17.2017.65.
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Silva, Aryuska Aryelle Santos Sousa da, und Thamyres Oliveira Clementino. „Paraiba's handcrafted jewelry: sustaintability's view, based on creative practice“. In SDS 2023 - IX SIMPÓSIO DE DESIGN SUSTENTÁVEL. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/978-65-00-87779-3.sds2023.p573-584.
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The state of Paraíba presents significant contributions, both creative and handcrafted, distributed throughout its territory. Among the artisan typologies proposed by the Paraíba’s Craft Program (PAP), few are the representations that do not feature at least one artisan dedicating all or part of their production to the development of jewelry. For this article, a literature review was conducted with authors researched during the development of a dissertation, as well as information collected from the official PAP website. Using the research's scope, the presence of brands or producers on social networks, their own websites, or institutional websites was also considered, allowing for a preliminary analysis based on publicly available data. Based on the collected data, five initiatives stood out in an initial observation of possible characteristics in sustainable production. These underwent a preliminary analysis at the environmental, social, and economic levels, based on the parameters defined in the literature, confirming the presence of sustainable actions at the aforementioned three levels
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Li, Qi, Yihang Du, Pei Yan und Wang Wei. „Color Matching Method of HCI Interface Design Driven by Aesthetic Perception“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001783.
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A method of human-computer interface color design based on aesthetic feeling is proposed, which provides a basis for the design practice in accordance with users' aesthetic preference. Taking the mobile interactive terminal interface of intangible cultural heritage display as an example, the color matching of Cloisonne, a traditional Chinese craft, was selected as the primary color, and the colors were extracted by k-means clustering algorithm to form four groups of color matching samples. Secondly, the interface element model is constructed, and the matching relationship between color matching samples and interface interaction elements is established and applied. Thirdly, the network text analysis method ROST was used to extract the perceptual image semantics of interfaces, and the four groups of interfaces were subjectively evaluated to obtain the optimal scheme and verify the effectiveness of the proposed color matching method. The results show that the aesthetically driven color design method is beneficial to improve the information transfer and aesthetic experience of human-computer interaction, and promote the creative transformation of intangible cultural heritage in digital mobile media.Keywords: Human-computer Interface, Ergonomics Design, Color Design Method, Perceptual Image, Aesthetic Evaluation
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Stolbova, Irina, und Olga Pichkaleva. „Managing Graphics Training in Digitalized Environment“. In 31th International Conference on Computer Graphics and Vision. Keldysh Institute of Applied Mathematics, 2021. http://dx.doi.org/10.20948/graphicon-2021-3027-629-636.
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The article is devoted to the management of subject learning based on the principle of individualization in the context of the digital transformation of the educational process. Individualized learning technologies help increase student interest in achieving better results. The expediency of using such learning technologies that are focused on individualization has been proven, since individually oriented learning helps to stimulate students to achieve better results. Basic graphic preparation of students is used as an example of subject preparation. There is an example of a prepared educational resource-an electronic workshop, which presents a database of geometric problems with creative content. The necessity of using a practice- oriented project task for the purpose of introducing to professional creativity and mastering methodology of independent work with maximum disclosure of their individual potential is shown. The scheme of working at a project in a digital environment is considered. The target settings of subject-based learning are highlighted. The network schedule of planning individual work of students taking into account different levels of immersion in project activities is discussed. The authors demonstrate a set of tasks for the design of 3d models of objects of varying complexity, contributing to the formation of competencies in the practical implementation of algorithms for geometric constructions. It is concluded that the use of electronic educational resources in the process of basic geometric and graphic training makes it possible to bring the training support closer to the real professional design environment as well as introduces students to the latest innovative technologies.
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Celms, Armands, Toms Lidumnieks und Aivars Ratkevics. „CREATION AND MAINTENANCE OF THE LOCAL GEODETIC SUPPORT NETWORK IN THE VILLAGE OF �SPARITE�“. In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/sv14.67.
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Geodesy is a very ancient science. The beginnings can be found in Egypt. The field ofscience is closely related to astronomy, geophysics, geology, geometry, etc. Planet Earthis in the process of evolution. Earth�s crust together with the upper mantle is incontinuous motion: horizontally and vertically. Movement of the Earth�s crust as aresult, lithospheric plates move, creating mountains and valleys, changing coastlines,changing sea and ocean levels. Earth�s internal and external (Sun and Moon) forcesresult in deformations over time. The field of geodesy studies global, national, regionaland local issues. Earth�s shape and dimensions, gravity field, orientation in terrain map,coordinate systems and reference frames. Geodetic, gravimetric and magnetometricmeasurements are used for practical and scientific geodetic tasks. Geodetic networks arecreated for the reduction of measurements into the most uniform coordinate system.Geodetic networks consist of a set of geodetic points with the same type ofcharacteristics, determined as a result of mutual measurements. Geodetic surveying is ofgreat practical importance in construction, cadastral surveying, urban planning, mining,logistics planning, navigation, and military works. The structure and homogeneity ofgeodetic networks in a city or a village allow to observe and monitor the situation over aperiod of time. Model and design a geodetic network according to the practical task.The aim of this publication is to develop a village geodetic network project for part ofthe Gulbene city (village �Sparite�). There are several tasks - to understand theimportance of geodetic networks in national economy; to find out the division of thegeodetic network in Latvia; to get to know and describe the development of geodeticnetworks and the current situation in Gulbene county.
Berichte der Organisationen zum Thema "Practice creative network"
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Tarasenko, Andrii O., Yuriy V. Yakimov und Vladimir N. Soloviev. Convolutional neural networks for image classification. [б. в.], Februar 2020. http://dx.doi.org/10.31812/123456789/3682.
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This paper shows the theoretical basis for the creation of convolutional neural networks for image classification and their application in practice. To achieve the goal, the main types of neural networks were considered, starting from the structure of a simple neuron to the convolutional multilayer network necessary for the solution of this problem. It shows the stages of the structure of training data, the training cycle of the network, as well as calculations of errors in recognition at the stage of training and verification. At the end of the work the results of network training, calculation of recognition error and training accuracy are presented.
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Rogers, Amanda. Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University, Mai 2021. http://dx.doi.org/10.23889/sureport.56822.
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This project analysed the creative practices and concerns of young adult artists (18-35 years old) in contemporary Cambodia. It examined the extent to which the arts are being used to open up new ways of enacting Cambodian identity that encompass, but also move beyond, a preoccupation with the Khmer Rouge (1975-1979). Existing research has focused on how the recuperation and revival of traditional performance is linked to the post-genocidal reconstruction of the nation. In contrast, this research examines if, and how, young artists are moving beyond the revival process to create works that speak to a young Cambodian population.The research used NGO Cambodian Living Arts’ 2020 Cultural Season of performances, workshops, and talks as a case study through which to examine key concerns of young Cambodian artists, trace how these affected their creative process, and analyse how the resulting works were received among audiences. It was funded through the AHRC GCRF Network Plus Grant ‘Changing the Story’ which uses arts and humanities approaches to ‘build inclusive societies with, and for, young people in post-conflict settings.
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Dasgupta, Anuttama, und Smitha N. Capacity Development Forum 2023 Proceedings. Indian Institute for Human Settlements, 2023. http://dx.doi.org/10.24943/cdf08.2023.
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The Capacity Development Forum (CDF) is an initiative of the Indian Institute for Human Settlements (IIHS) that aims to bring together diverse stakeholders involved in capacity development in India into a ‘community of practice’ to consolidate learnings from across the country and around the world into a strong and value-added network to consolidate learnings across the country and from around the world. The longer-term objective of the forum is to collaborate not only for making our Capacity Development practices better, but also to build and manage knowledge through research papers and action research projects and create a repository of knowledge on Capacity Development.
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Obregon, Jean-Francois, Sergio Lazzarini, Diane-Laure Arjalies, Julie Gualandris, Guanjie Huang, Ellen Kempton, Rubaina Singla, Yashika Sharma und Jimmy Wang. Towards a Climate-Smart Food System: A Theory of Change and Impact Metrics to Trigger Farming and Societal Change. Richard Ivey School of Business., Oktober 2023. http://dx.doi.org/10.5206/iveypub.78.2023.
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There is significant interest in sustainable food production practices in Canada and worldwide due to the challenges caused by the Russia-Ukraine war, land degradation, and climate change. Sustainable food production is a food system that provides affordable, nutritious food while preserving and restoring natural resources and generating robust ecosystem services such as carbon sequestration, water filtration, and retention. This report explores multiple routes to foster improved social, ecological, and economic impacts associated with alternative practices promoting sustainable food production. It identifies core problems that prevent agricultural systems and their food chains from implementing (more) sustainable practices. The report mobilizes a Theory of Change (TOC) to outline possible interventions and metrics to implement (community-based) interventions to promote shared principles of sustainable production and create communities of practice. The TOC was developed in consultation with a set of actors in the food chain (including farmers, financial institutions, municipal governments, food processors, NGOs and industry associations) during a nine-month research intervention in Canada (2023), complemented by a literature review. Thanks to this co-creation process, the proposed interventions and metrics to measure and track improvements at the farm and societal levels presented in this report are outcomes-based and bottom-up. This enables agricultural communities and actors in the food chain to pursue alternative routes to improve outcomes. The report also discusses incentives to pursue sustainable food production, either explicit (e.g. monetary payments, contractual clauses) or implicit (e.g. social norms, cultural values, network-based engagement of food chain actors). Lastly, it outlines a potential research design to test the suggested interventions, metrics, and incentives in a Randomized Control Trial (RCT).
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Ivanova, Iryna, und Elena Afanasieva. MODEL OF INTERACTION BETWEEN ADVERTISING, PR AND JOURNALISM. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11060.
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The article is an overview of the journalism – PR – advertising relationship at the terminological, empirical-analytical and practical levels. It traces the state of the discussion of these correlations in the post-soviet media such as Ukraine. The study describes that domesticating the importance of the appropriate partnership between the three communication technologies. The thesis is that journalism, advertising and PR create a mutual connection that takes place in an atmosphere of PR and advertising permissiveness and deepens with the development of digitalization, Social network development. The present research is based on a comprehensive approach. The inductive and deductive methods are adopted to discuss theoretical materials, and the interdisciplinary research method is used to detect PR-specific features as a philosophy of a new journalism project. The interpretive approach, usually employed to analyze media text as a complex synthetic structure, was also taken into consideration. The analytical method application identified the modern means of substantiating the ideological, esthetical and informative value of brand journalism and spin doctor. The innovative character of modern media as a behavioral strategy in the advertising and PR industry consists in the fact that it is a form of creative production and behavior rather than adapting a specific communication situation. The article examines the main directions of contemporary interactions between PR, advertising and journalism as a media content creation. In this context, it is asserted that advertising, journalism and PR activities can contribute to the creation of media content. At some point, good media content is achieved not only as a result of this competition but also from the correlation between PR, advertising and journalism.
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.
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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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Potts, Tavis, Paul Dargie, Maren Mitchell, Daria Shapovalova und John Bone. Climate Assemblies and Deliberative Democracy: A Global Best Practice Review. University of Aberdeen, 2024. http://dx.doi.org/10.57064/2164/23210.
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With climate change policies increasingly used as a tool for further political polarisation, it is important to explore tools that could help bring the public on board with climate ambition. Climate assemblies, if done to a high standard, can increase community empowerment while rebuilding legitimacy within policy-making from the view of the general public. Whilst climate assemblies are important it is also vital to research theoretical approaches as well as real-world experience of climate assemblies to develop better understanding of how assembly outputs can effectively develop and legitimise climate policy and support participatory democracy. This report is developed by the Just Transition Lab at the University of Aberdeen. It is part of the Just Transition Communities Project led by North East Scotland Climate Action Network Hub and funded by the Scottish Government Just Transition Fund. The project plans to explore how communities in the North East Scotland can be involved in and drive the process of designing, creating, and delivering a just transition. This report aims to inform future climate assemblies initiatives, leading to increased community participation in climate change mitigation and adaptation policy. This report provides a literature review as an introduction to deliberative democracy and climate assemblies. It examines theory and practice in all the relevant aspects of using climate assemblies to increase public awareness of climate change, aid climate policy-making, and increasing the legitimacy and public acceptance of current and future policies. From the design of climate assemblies to participant recruitment, scale, and outcomes – this report provides an overview of theoretical approaches and 14 case studies of climate assemblies to present a rounded view of deliberative democracy in practice.
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Solberg, Scott, David Hale und Juan Benavides. Natural Disaster Management and the Road Network in Ecuador: Policy Issues and Recommendations. Inter-American Development Bank, April 2003. http://dx.doi.org/10.18235/0011228.
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This study identifies the major structural problems and constraints that impair the performance of disaster management in the road network of Ecuador. The paper identifies two categories of problems: reconstruction and relief efforts are favored in a reactive manner and also the lack of planning and poor procurement practices increases the reconstruction and disruption costs of extreme natural events. The recommendations of this exploratory study include changes in governance of the national disaster management system in issues related to transportation and the strengthening of the Ministry of Public Works (MOP's) role and skills as sector leader in all the country. For the transportation sector itself, the proposals include strengthening planning of mitigation and prevention, creation of permanent disaster management units within MOP and provincial governments, prioritization of maintenance and rehabilitation efforts in the entire national road and the use of incentive contracts and incorporation of the communities to the recovery of tertiary and rural roads.
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Ruediger, Dylan, Ruby MacDougall, Danielle Cooper, Jake Carlson, Joel Herndon und Lisa Johnston. Leveraging Data Communities to Advance Open Science: Findings from an Incubation Workshop Series. Ithaka S+R, August 2022. http://dx.doi.org/10.18665/sr.317145.
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Several recent studies have indicated that large numbers of researchers in many STEM fields now accept the value of openly sharing research data. Yet, the actual practice of sharing data—especially in forms that comply with FAIR principles—remains a challenge for many researchers to integrate into their workflows and prioritize among the demands on their time. However, sustained funding from federal agencies in the United States and important initiatives in other countries are creating a growing infrastructure for open sharing of research data. In the US context, the most visible fruits of these efforts are the decentralized network of repositories that have become available to researchers in many fields and are now a vital infrastructure for data sharing across many fields.
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Henriikka, Henriikka, Naudet Naudet und Marin Dacos. Building a Global Research Initiative On Open Science. Ministère de l’enseignement supérieur et de la recherche, April 2024. http://dx.doi.org/10.52949/54.
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The Global Research Initiative on Open Science (GRIOS) represents a pioneering effort to systematically evaluate, promote, and implement Open Science practices worldwide. GRIOS will address the critical gaps in our understanding and application of Open Science. This initiative is a direct response to the growing recognition of Open Science's potential to democratise access to research findings, enhance the quality of scientific inquiry, and foster a more inclusive and collaborative research environment. GRIOS will catalyse the global adoption of Open Science by: - Conducting in-depth reviews of existing Open Science research to synthesise current knowledge and identify best practices and challenges. GRIOS will synergise with existing Open Science initiatives and research on open science to create a unique global understanding based on all the available knowledge. - Developing evidence-based recommendations to guide the implementation of Open Science practices and policies. - Creating a comprehensive research agenda to address knowledge gaps and promote further investigation into Open Science. - Establishing a global network of researchers and organisations committed to advancing Open Science, facilitating knowledge exchange, and fostering collaboration. A cornerstone of the GRIOS initiative is its commitment to inclusivity and diversity, ensuring that the full spectrum of the academic ecosystem is represented in its efforts, particularly emphasising the inclusion of knowledge and experience from the Global South and young academics. To achieve this, GRIOS governance reflects a broad range of perspectives and expertise to ensure that the policies, practices, and research agendas it develops are informed by a wide array of experiences and needs. This approach not only enriches the initiative's outputs with diverse insights but also fosters a more equitable and inclusive Open Science landscape. GRIOS represents a critical step forward in realising the full potential of Open Science. By systematically addressing the challenges and opportunities associated with Open Science,the initiative will play a pivotal role in shaping the future of research and its contribution to society. Stakeholders across the research ecosystem are invited to join this collaborative effort to advance Open Science and ensure that it serves the global public good. We urge research institutions, funders, policymakers, and practitioners to support and participate in the GRIOS initiative. Together, we can unlock the transformative power of Open Science and create a more open, inclusive, and impactful research landscape.